Lost Highway

you’ll curse the day . . .
      —Hank Williams

Years after the fact, he would say it was the right time to make a move when he
       was invited to come into the bank, but he could see his ascent

blocked by the bank president’s son, a man his very age and already groomed to
       rise. So he clung to the safe job. Too late to take anything back

the day the news came that the banker’s son had died of a heart attack at the
       mahogany desk in his father’s office. If our fates are fitted neatly

into the pans of a scale, it might have been anything that tipped the balance, any
       wrong turn or luckless cut of the cards, something as unlikely, even,

as losing the autograph—Elvis Presley coming down the driveway of Graceland in
       1958, braking a showroom clean Duo-Glide Harley

next to the cranked down window of his just as shiny Chevy Bel-Air, twenty-four
       payment slips left in the loan book. The singer called him sir,

wrote out an autograph and handed the scrap of paper to his wife, six-months
       pregnant with their first child, the sweet ending of a spring day spent

shopping and sightseeing before the hour-long drive back to their teaching jobs in
       a crossroads town hardly big enough to have use for a school.

Or when he was a boy, keeping still under a sweat-soured quilt, trying to hide
       from the polio virus settled in one leg’s large muscles, the afternoon

of his highest fever, and through the unscreened window he could hear his parents
       reaching a decision on where to bury him. Might as well say

it all turned on the morning he was born, piercing the room with his first cried out
       description of what had befallen him, and every time

the wind nudged at the curtains, the room’s shadows gave shape to a ragged patch
       of sunlight shifting its restless edges on the floorboards.