The index entries below are as they appeared in the print version of the book and are included here for your reference. Please use the search function on your eReader to search for terms of interest.
Ackerman, Fiona, 220–225
Allegory: Study from my Glory Days (Krysa), 10–12
Allen, Woody, 257
ALSO design, 145
Altman, Jen, 262–267
Anderson, Wes, 257
Arimoto, Yumiko, 237
artists
charitable, 71
childhood and family, 19, 67, 93, 105, 127, 133, 157, 161, 165, 205, 227, 237, 251, 257, 263, 275
parenting, 23, 43, 127, 183, 263, 275
part-time, 13, 23, 29, 99, 109, 161, 189
purpose of, 19, 94, 205, 246
scientific, 13, 55–56, 93, 105
second career as, 55, 75, 121, 127, 139, 183, 192, 199, 245, 281
self-taught completely, 19, 75, 99, 105, 139, 237, 241, 281
self-taught partially, 23, 33, 61, 67, 205, 227, 237, 251, 257
teacher, 23, 109, 183–184, 227
writer, 251, 257, 263
art medium
animation, 257–258
ceramics, 32–35, 120–125, 176–181, 210–213, 274–279
clothing, 13, 67, 97, 105
collage, found image, 12–17, 48–53, 114–119, 126–131, 138–143, 150–155, 204–209
collage, paper, 22–27, 175
embroidery, 92–97, 105, 188–191, 236–239
fiber, 16–21, 60–65, 92–97, 105, 188–191, 236–239
film, 162, 257–258
found objects, 28–31, 32–35, 65, 159, 167, 169, 181, 204–209, 213
hand-lettering, 36–41, 197
illustration, 66–69, 86–91, 114–119, 144–149, 187, 214–219, 226–231, 240–243, 256–261
installation, 80–85, 157, 227, 245
mixed, 12–21, 48–53, 74–79, 138–143, 150–155, 204–209
multidisciplinary, 22–31, 108–113, 156–159, 160–163, 164–169, 192–197, 268–273
paint-by-number, 74–79
painting, 42–47, 70–73, 108–113, 114–119, 126–131, 170–175, 177, 182–187, 214–219, 220–225, 232–235, 250–255, 280–285
paper cutting, 80–85, 104–107, 244–249
photography, 33–35, 54–59, 98–103, 132–137, 155, 162, 199–203, 262–267
sculpture, 32–35, 60–65, 80–85, 162
art themes. See inspiration
Bacon, Francis, 122
Balistreri, John, 275
ban.do, 99
Barletta, Emily, 92–97
Beauty Is Embarrassing, 251, 252
Behzadi, Arian, 12–17
Bell, Jessica, 18–21
Berkeley, Neil, 252
Beuys, Joseph, 115
Bingaman-Burt, Kate, 226–231
Bourgeois, Louise, 61, 93, 121, 269
Brancusi, Constantin, 115
But-Husaim, Deidre, 70–73
Cage, John, 94
Chastain, Holly, 138–143
Close, Chuck, 125
commissioned art
as drain, 128, 145–146, 166, 193
as fuel, 38, 43, 49, 71, 99, 139, 161, 171
selling, 13, 67, 81–82, 87, 193
Congdon, Lisa, 192–197
Correll, Gemma, 49
creative process, 9, 94, 122, 158, 162, 193, 212. See also unblock techniques
creative zone. See also inspiration
clarity as, 44, 50, 62, 88
danger of, 88
emotional rush in, 20, 50, 62, 68, 158, 172, 216, 264, 270
fleeting nature of, 140, 264
time warp in, 34, 68, 122, 246, 269, 270
criticism and inner critic. See also mindset
convention and, 76, 128, 171
creative process and, 9, 94, 122, 212
experience and, 82, 139, 171, 184, 222
giving in to, 9, 49, 146, 258, 275
ignoring, 34, 37, 43, 71, 88, 106, 128, 151, 172, 216, 251
intuition and, 221, 228
mentors and friend support for, 20, 30, 56, 145, 222, 238, 257, 275
peace with, 14, 68, 116, 134, 151, 161–162, 166, 178, 189, 200, 212, 242, 246
pleasing others and, 88, 110, 122, 140, 189, 193
standing up to, 24, 78, 82, 122, 193, 238, 263
success defining and, 151, 157
Dalí, Salvador, 67
Daré alla Lucé (Friend), 132–137
Darger, Henry, 139
Davis, Jennifer, 232–235
Defaced (Gotch), 99
Denny, Rachel, 60–65
Draxler, Jesse, 150–155
Duchamp, Marcel, 115
education. See artists
Engman, Camilla, 214–219
Etsy, 67, 193
Farrell, Holly, 280–285
Ferguson, Russell, 157
Fili, Louise, 37
Fine Line, 29
Fleury, Chloé, 104–107
Fox, Alyson, 268–273
Friend, Amy, 132–137
Fritsch, Katharina, 177
Geiman, Dolan, 204–209
Giberson, Leah, 126–131
Giberson, Petrova, 127
Goldberg, Ashley, 240–243
Goldman, Lester, 157
Golightly, Lisa, 42–47
Gotch, Jen, 98–103
Graumann, Hervé, 29
Gursky, Andreas, 55
Happé, Amanda, 108–113
Hart, Jenny, 236–239
Heiderich, Matthias, 54–59
Hockney, David, 221
Hoffman, Ruan, 120–125
Honig, Peregrine, 156–159
inspiration
animals as, 28–31, 32–35, 60–65, 66–69, 176–181, 256–261
architecture as, 54–59
breaks for, 19, 33, 43
coffee as, 62, 242
everyday objects as, 59, 65, 81, 155, 211, 280–285
everything as, 50, 99, 105, 121, 183, 215, 241
evolution and change as, 72, 122, 151, 177, 221
familiarity as, 245, 281
film as, 162, 215, 251, 252, 257
gardening for, 116
goal setting as, 242
humor as, 49, 165, 200, 257
idea overload and, 71, 75, 237
illness and, 93–94
Internet as, 55, 61, 127, 165, 241, 243
intuition as, 221, 264
kids as, 33, 43, 262–267
maps as, 244–249
material searching, 13, 24, 33, 37, 50, 115, 134, 159, 189, 194, 211, 228, 251, 279
memories as, 43, 134, 251, 281
music as, 13, 128, 215
nature and outdoors as, 34, 35, 55, 59, 67, 93, 116, 205, 206, 209, 241, 263
people as, 200
purpose and, 19, 94, 205, 246
quotes and words as, 41, 56, 75, 91, 165, 184, 251
science as, 13, 55–56, 93, 105
sleeping as, 13, 23, 37, 206, 211
stacked composition as, 114–119, 176–181
stories as, 24, 61, 85, 177, 234, 257
teaching as, 23, 227
travel as, 105, 106, 121, 189, 199, 263, 267
walking as, 34, 59, 65, 67, 93, 146, 228, 245
weather as, 241
Internet
inspiration on, 55, 61, 127, 165, 241, 243
selling art by, 67, 193
unblock techniques using, 165, 243
Jackson, Patrick, 29
The Jealous Curator blog, 9
Jones, Kelly Lynn, 160–163
Jongerius, Hella, 19
Kahlo, Frida, 133
Kim, Steve, 151
Kitaj, R. B., 221
Krysa, Danielle, 8–12
Little Paper Planes, 161
Lubalin, Herb, 37
Malakoff, Kristi, 80–85
Mann, Sally, 133–134
Martin, Agnes, 23
Matta-Clark, Gordon, 161
McDevitt, Mary Kate, 36–41
McKellar, Laura, 188–191
mindset
bettering, 62, 88, 146, 171, 200, 241, 242, 257, 269, 275
confident, 33, 139
curious, 159, 165, 175, 227, 239, 276
defiant, 110
egotistic, 33, 252
fear confronting, 47, 109, 194, 215, 239, 246, 281
forgiving, 20, 88, 93, 94, 110, 115, 119, 165
patient, 109, 221–222, 246
persistent, 72, 81, 82, 88, 94, 116, 122, 125, 193, 212, 221, 252, 275
playful, 24, 27, 31, 44, 62, 109, 152, 175
pragmatic, 87, 88, 122, 125
Moore, Aris, 22–27
Nara, Yoshitomo, 241
Narita, Tohl, 87
Neumann, Vera, 146
Newton, Helmut, 199
Paglia, Camille, 122
Patterns (Graumann), 29
Penone, Giuseppe, 133
Percival, Ashley, 66–69
Photoshop, 191, 241
Picasso, Pablo, 215
Pink, Sidney, 86–91
Pott, Julia, 256–261
Potter, Beatrix, 171
Prince, Richard, 151
Pugsley, Kate, 170–175
Rankin, Shannon, 244–249
Rembrandt, 71
Rich, Martha, 182–187
Richel, Justin, 114–119
Robson, Mel, 210–213
Rosenwald, Laurie, 75
Rothman, Julia, 144–149
selling art, 13, 67, 81–82, 87, 193
Shades of Red (Fox), 269
Sherman, Cindy, 245
Shrigley, David, 109
Skinner, Ben, 164–169
Smith, Amanda, 274–279
Smith, Cassandra, 28–31
Speegle, Trey, 74–79
Steeber, Jessica, 29
Stein, Gertrude, 183
Tchotchke Stacks (Jackson), 29
teaching art, 23, 109, 183–184, 227
themes. See inspiration
throwing away work
rebuilding or recycling work versus, 14, 17, 19, 21, 43, 94, 115, 157, 161, 183, 246, 249, 255
saving and revisiting work versus, 151, 221–222, 237, 246, 251, 281
as unblock technique, 14, 17, 71, 87, 93, 94, 106, 161, 163, 184, 205, 241, 275
working through versus, 67, 81, 94, 245, 251, 257
time
commitments, 41, 197, 261
constraining, 87, 91, 119
creative zone and, 34, 68, 122, 246, 269, 270
finding, 13, 19, 23, 127–128, 205
old works revisited after, 151, 221–222, 237, 246, 251
To Breathe the Shadow (Penone), 133
training. See artists
unblock techniques. See also
inspiration
anthropomorphism, 235, 251
blind contour, 149
break taking, 19, 37, 43, 50, 61, 62, 71, 99, 106, 131, 133, 134, 140, 152, 158, 161, 166, 184, 200, 206, 227, 237, 264, 270
ceramics, 178
cleaning and organizing as, 24, 33, 59, 116, 145, 206, 270
colors, 175, 178, 209
composition, 155, 175
doodling, 243
emotions and, 99, 194, 258, 270, 276
everyday objects, 59, 65, 81, 155, 231, 235, 285
familiarity, 197, 243, 281–282, 285
fear confrontation, 47, 194, 215, 239, 246
fiber art, 21, 65, 97, 191
found image collage, 53, 131, 152
found objects, 31, 65, 159, 169, 181, 209, 213
goal setting, 47, 227, 242, 245
hand lettering, 41
helping others, 273
illustration, 69, 91, 119, 149, 187
Internet for, 165, 243
limitation setting, 75–76, 79, 87, 91, 116, 143, 187, 203, 227
mistake making, 75, 81, 94, 115, 281
narrative creation, 103, 181, 219
overworking test, 73
painting, 73, 131, 175, 183, 187
paper cutting, 85, 107
photography, 35, 59, 103, 155
physical exercise, 56, 200, 206, 213, 246
physical perspective, 71, 131, 139
playfulness, 24, 27, 31, 44, 62, 109, 152, 175
public message, 113, 209
quote sourcing, 41, 91, 131, 165
rebuilding or recycling, 14, 17, 19, 21, 43, 94, 115, 157, 161, 183, 246, 249, 255
repetition, 17, 79, 119, 187, 197, 203, 219
replication, 65, 85, 137, 209, 249, 279
rules, 44, 205, 227
scheduling, 205
self-portrait, 27, 69, 87, 107, 137
shapes, 73, 175, 209, 219
single subject, 69, 187, 197, 203, 209
switching mediums or projects, 34, 61, 116, 128, 161, 177, 183, 245
talking out loud, 211
throwing away work, 14, 17, 71, 87, 93, 94, 106, 161, 163, 184, 205, 241, 275
time challenges, 41, 197, 261
transformation, 31, 65, 97, 131, 162, 169, 255
travel, 105, 106, 121, 189, 199, 263, 267
unfamiliarity, 143, 159, 169, 213, 225, 239, 279
walking, 34, 59, 65, 67, 228, 245
working through, 30, 61, 67, 81, 82, 94, 110, 116, 122, 125, 171, 193, 221, 245, 251, 252, 257
workshops, 75
writing, 91, 103, 261, 273
Velázquez, Diego, 71
Vovas, Stephanie, 198–203
Walgate, Wendy, 176–181
Wallacavage, Adam, 32–35
White, Wayne, 250–255
Whiteread, Rachel, 269
Work of Art, 157
Young, Neil, 251
Zinonos, Anthony, 48–53