JOHN R. THOMPSON
The Southern position on secession was that each state had the right to decide to belong or not to the Union. That the arguments linked to this position asserted a state’s “freedom” from “tyranny” while defending or ignoring the existence of slavery was pathetic. This poem was published in the Charleston Mercury. Thompson was an editor of the Southern Literary Messenger.
Who talks of Coercion? Who dares to deny
A resolute people their right to be free?
Let him blot out forever one star from the sky,
Or curb with his fetter one wave of the sea.
Who prates of Coercion? Can love be restored
To bosoms where only resentment may dwell;
Can peace upon earth be proclaimed by the sword,
Or good-will among men be established by shell?
Shame! shame that the statesman and trickster, forsooth,
Should have for a crisis no other recourse,
Beneath the fair day-spring of Light and of Truth,
Than the old brutum fulmen of Tyranny,—Force.
From the holes where Fraud, Falsehood, and Hate slink away;
From the crypt in which Error lies buried in chains;
This foul apparition stalks forth to the day,
And would ravage the land which his presence profanes.
Could you conquer us, Men of the North, could you bring
Desolation and death on our homes as a flood;
Can you hope the pure lily, Affection, will spring
From ashes all reeking and sodden with blood?
Could you brand us as villeins and serfs, know ye not
What fierce, sullen hatred lurks under the scar?
How loyal to Hapsburg is Venice, I wot;
How dearly the Pole loves his Father, the Czar!
But ’twere well to remember this land of the sun
Is a nutrix leonum, and suckles a race
Strong-armed, lion-hearted, and banded as one,
Who brook not oppression and know not disgrace.
And well may the schemers in office beware
The swift retribution that waits upon crime,
When the lion, Resistance, shall leap from his lair,
With a fury that renders his vengeance sublime.
Once, men of the North, we were brothers, and still,
Though brothers no more, we would gladly be friends;
Nor join in a conflict accurst, that must fill
With ruin the country on which it descends.
But if smitten with blindness, and mad with the rage
The gods give to all whom they wished to destroy,
You would act a new Iliad to darken the age,
With horrors beyond what is told us of Troy:
If, deaf as the adder itself to the cries,
When Wisdom, Humanity, Justice implore,
You would have our proud eagle to feed on the eyes
Of those who have taught him so grandly to soar:
If there be to your malice no limit imposed,
And your reckless design is to rule with the rod
The men upon whom you have already closed
Our goodly domain and the temples of God:
To the breeze then your banner dishonored unfold,
And at once let the tocsin be sounded afar;
We greet you, as greeted the Swiss Charles the Bold,
With a farewell to peace and a welcome to war!
For the courage that clings to our soil, ever bright,
Shall catch inspiration from turf and from tide;
Our sons unappalled shall go forth to the fight,
With the smile of the fair, the pure kiss of the bride;
And the bugle its echoes shall send through the past,
In the trenches of Yorktown to waken the slain
While the sods of King’s Mountain shall heave at the blast,
And give up its heroes to glory again.
JOHN GREENLEAP WHITTIER
The firmament breaks up. In black eclipse
Light after light goes out. One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down. Let us not weakly weep
Nor rashly threaten. Give us grace, to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of law, and good and fill confound?
What fear we? Safe on freedom’s vantage ground
Our feet are planted: let us there remain
In unrevengeful calm, no means untried
Which truth can sanction, no just claim denied,
The sad spectators of a suicide!
They break the links of Union: shall we light
The fires of hell to weld anew the chain
On that red anvil where each blow is pain?
Draw we not even now a freer breath,
As from our shoulders falls a load of death
Loathsome as that the Tuscan’s victim bore
When keen with life to a dead horror bound?
Why take we up the accursed thing again?
Pity, forgive, but urge them back no more
Who, drunk with passion, flaunt disunion’s rag
With its vile reptile blazon. Let us press
The golden cluster on our brave old flag
In closer union, and, if numbering less,
Brighter shall shine the stars which still remain.
H. S. CORNWELL
Davis (1808–1889), a former Secretary of War and Senator from Mississippi, was inaugurated as president of the Confederate States of America on February 18, 1861. He announced, to the derision of the poem’s author: “All we want is to be let alone.”
You’re a traitor convicted, you know very well!
Jefferson D., Jefferson D.!
You thought it a capital thing to rebel, Jefferson D.!
But there’s one thing I’ll say:
You’ll discover some day,
When you see a stout cotton cord hang from a tree,
There’s an accident happened you didn’t foresee, Jefferson D.!
What shall be found upon history’s page?
Jefferson D., Jefferson D.!
When a student explores the republican age! Jefferson D.!
He will find, as is meet.
That at Judas’s feet
You sit in your shame, with the impotent plea.
That you hated the land and the law of the free, Jefferson D.!
What do you see in your visions at night,
Jefferson D., Jefferson D.?
Does the spectacle furnish you any delight, Jefferson D.?
Do you feel in disgrace
The black cap o’er your face,
While the tremor creeps down from your heart to your knee,
And freedom, insulted, approves the decree, Jefferson D.?
Oh! long have we pleaded, till pleading is vain,
Jefferson D., Jefferson D.!
Your hands are imbrued with the blood of the slain, Jefferson D.!
And at last, for the right,
We arise in our might,
A people united, resistless, and free,
And declare that rebellion no longer shall be! Jefferson D.!
ANONYMOUS
Rebels! ’tis a holy name!
The name our fathers bore,
When battling in the cause of Right,
Against the tyrant in his might,
In the dark days of yore.
Rebels! ’tis our family name!
Our father, Washington,
Was the arch-rebel in the fight,
And gave the name to us—a right
Of father unto son.
Rebels! ’tis our given name!
Our mother, Liberty,
Received the title with her fame,
In days of grief, of fear, and shame,
When at her breast were we.
Rebels! ’tis our sealed name!
A baptism of blood!
The war—aye, and the din of strife—
The fearful contest, life for life—
The mingled crimson flood.
Rebels! ’tis a patriot’s name!
In struggles it was given;
We bore it then when tyrants raved,
And through their curses ’twas engraved
On the doomsday-book of heaven.
Rebels! ’tis our fighting name!
For peace rules o’er the land,
Until they speak of craven woe—
Until our rights receive a blow,
From foe’s or brother’s hand.
Rebels! ’tis our dying name!
For, although life is dear,
Yet, freemen born and freemen bred,
We’d rather live as freemen dead,
Than live in slavish fear.
Then call us rebels, if you will—
We glory in the name;
For bending under unjust laws,
And swearing faith to an unjust cause,
We count a greater shame.
HARRY MACARTHY
By the end of May 1861, the Confederacy was complete: eleven states had seceded from the Union; they rallied under “the Bonnie Blue Flag.”
We are a band of brothers, and natives to the soil,
Fighting for the property we gained by honest toil,
And when our rights were threatened, the cry rose near and far:
Hurrah for the bonnie Blue Flag that bears a single star!
Chorus—Hurrah! hurrah! for the bonnie Blue Flag
that bears a single star.
As long as the Union was faithful to her trust,
Like friends and like brothers, kind were we and just;
But now when Northern treachery attempts our rights to mar,
We hoist on high the bonnie Blue Flag that bears a single star.
First, gallant South Carolina nobly made the stand;
Then came Alabama, who took her by the hand;
Next, quickly, Mississippi, Georgia, and Florida—
All raised the flag, the bonnie Blue Flag that bears a single star.
Ye men of valor, gather round the banner of the right;
Texas and fair Louisiana join us in the fight.
Davis, our loved President, and Stephens, statesmen are;
Now rally round the bonnie Blue Flag that bears a single star.
And here’s to brave Virginia! the Old Dominion State
With the young Confederacy at length has linked her fate.
Impelled by her example, now other States prepare
To hoist on high the bonnie Blue Flag that bears a single star.
Then here’s to our Confederacy; strong we are and brave,
Like patriots of old we’ll fight, our heritage to save;
And rather than submit to shame, to die we would prefer;
So cheer for the bonnie Blue Flag that bears a single star.
Then cheer, boys, cheer, raise the joyous shout,
For Arkansas and North Carolina now have both gone out;
And let another rousing cheer for Tennessee be given,
The single star of the bonnie Blue Flag has grown to be eleven!
ISAAC M. BALL
We’re fighting for our Union,
We’re fighting for our trust;
We’re fighting for that happy land,
Where sleeps our father’s dust.
It cannot be dissevered,
Though it cost us bloody wars,
We ne’er can give up the land
Where float the Stripes and Stars.
Chorus—Hurrah! hurrah!
For equal rights, hurrah!
Hurrah for the good old flag
That bears the Stripes and Stars.
We treated you as brothers,
Until you drew the sword,
With wrong impious hand at Sumter
You cut the silver cord,
So now you hear our bugles,—
We come, the sons of Mars;
We’ll rally round that brave old flag,
Which bears the Stripes and Stars.
We do not want your cotton,
We care not for your slaves,
But rather than divide this land,
We’ll fill your Southern graves.
With Lincoln for our Chieftain,
We’ll wear our country’s scars;
We’ll rally round that brave old flag,
Which bears the Stripes and Stars.
We deem our cause most holy,
We know we’re in the right;
And twenty millions of free men
Stand ready for the fight.
Our bride is fair Columbia,
No stain her beauty mars;
O’er her we’ll raise that brave old flag,
Which bears the Stripes and Stars.
And when this war is over,
We’ll each resume our homes,
And treat you still as brothers,
Wherever you may roam.
We’ll pledge the hand of friendship
And think no more of wars;
But dwell in peace beneath that flag
Which bears the Stripes and Stars.
Hurrah! hurrah!
For equal rights, hurrah!
Hurrah for that brave old flag
Which bears the Stripes and Stars.
ANONYMOUS
The Union author mockingly dedicates the poem to the Louisiana native General P. G. T. Beauregard, who commanded the Confederate troops at Fort Sumter, South Carolina, and then at First Bull Run in Virginia.
RESPECTFULLY DEDICATED TO GENERAL BEAUREGARD.
The sun’s hot rays were falling fast,
As through a Southern city passed
A man who bore, ‘midst rowdies low,
A banner with the strange motto—
Secession!
His brow was sad; his mouth beneath
Smelt strong of fire at every breath:
And like a furious madman sung
The accents of that unknown tongue—
Secession!
In happy homes he saw the light
Of household fires gleam warm and bright;
Above, the spectral gallows shone,
And from his lips escaped a groan—
Secession!
“Try not that game!” Abe Lincoln said,
“Dark lower the thunders overhead;
The mighty North has been defied.”
But still that drunken voice replied—
Secession!
“Oh! pause!” the Quaker said, “and think
Before thee leaps from off the brink!”
Contempt was in his drunken leer;
And still he answered, with a sneer—
Secession!
“Beware the pine-tree’s bristling branch!
Beware the Northern avalanche!”
And that was Scott’s restraining voice;
But still this was the traitor’s choice—
Secession!
At close of war, as toward their homes
Our troops as victors hurried on,
And turned to God a thankful prayer,
A voice whined through the startled air—
Secession!
A traitor by a soldier keen,
Suspended by the neck was seen,
Still grasping in his hand of ice
That banner, with this strange device—
Secession!
There, to the mournful gibbet strung,
Lifeless and horrible he hung;
And from the sky there seemed to float
A voice like angel’s warning note —
Secession!
Dirge: For One Who Fell in Battle
THOMAS WILLIAM PARSONS
Among the first Union soldiers to die in battle was Major Theodore Winthrop on June 10, 1861.
Room for a Soldier! lay him in the clover;
He loved the fields, and they shall be his cover;
Make his mound with hers who called him once her lover:
Where the rain may rain upon it,
Where the sun may shine upon it,
Where the lamb hath lain upon it,
And the bee will dine upon it.
Bear him to no dismal tomb under city churches;
Take him to the fragrant fields, by the silver birches.
Where the whippoorwill shall mourn, where the oriole perches:
Make his mound with sunshine on it,
Where the bee will dine upon it,
Where the lamb hath lain upon it,
And the rain will rain upon it.
Busy as the busy bee, his rest should be the clover;
Gentle as the lamb was he, and the fern should be his cover;
Fern and rosemary shall grow my soldier’s pillow over:
Where the rain may rain upon it,
Where the sun may shine upon it,
Where the lamb hath lain upon it,
And the bee will dine upon it.
Sunshine in his heart, the rain would come full often
Out of those tender eyes which evermore did soften;
He never could look cold, till we saw him in his coffin:
Make his mound with sunshine on it,
Where the wind may sigh upon it,
Where the moon may stream upon it,
And Memory shall dream upon it.
“Captain or Colonel,”—whatever invocation
Suit our hymn the best, no matter for thy station,—
On thy grave the rain shall fall from the eyes of a mighty nation!
Long as the sun doth shine upon it
Shall grow the goodly pine upon it,
Long as the stars do gleam upon it
Shall Memory come to dream upon it.
GEORGE FREDERICK ROOT
The composer George Frederick Root said he was inspired to write the words and music of this famous song when he read President Lincoln’s call for troops in June 1861.
Yes, we’ll rally round the flag, boys, we’ll rally once again,
Shouting the battle-cry of freedom,
We will rally from the hill-side, we’ll gather from the plain,
Shouting the battle-cry of freedom.
Chorus—The Union forever, hurrah! boys, hurrah!
Down with the traitor, up with the star,
While we rally round the flag, boys, rally once again,
Shouting the battle-cry of freedom.
We are springing to the call of our brothers gone before.
Shouting the battle-cry of freedom,
And we’ll fill the vacant ranks with a million freemen more.
Shouting the battle-cry of freedom.
We will welcome to our numbers the loyal, true, and brave.
Shouting the battle-cry of freedom,
And altho’ they may be poor, not a man shall be a slave.
Shouting the battle-cry of freedom.
So we’re springing to the call from the East and from the West,
Shouting the battle-cry of freedom,
And we’ll hurl the rebel crew from the land we love the best.
Shouting the battle-cry of freedom.
ANONYMOUS
Sunny South we trust will be—hurrah! hurrah! hurrah!
Ere long from Northern rulers free—hurrah! hurrah! hurrah!
With lead and powder, sword and gun, they will him to the——run!
They will him to the——run! Hurrah! hurrah! hurrah!
Then hang the fiddle on the wall,
With fife and drumsticks lead the ball;
We’ll teach them dancing fine and neat
With cannon, sword, and bayonet.
We bought the dry goods from the North,
Now all our clerks are going forth
To do the job of measuring—
With swords, not yards, they do the thing.
Our doctors found a remedy
For every Northern malady;
They cure all fevers, pains and chills,
With bombshells and with leaden pills.
Thus men throughout the South are armed.
Their hearts by freedom steeled and warmed;
And should one man refuse to fight,
The ladies will their courage slight.
ANONYMOUS
At Bull Run when the sun was low,
Each Southern face grew pale as snow,
While loud as jackdaws rose the crow
Of Yankees boasting terribly!
But Bull Run saw another sight,
When at the deepening shades of night,
Towards Fairfax Court-House rose the flight
Of Yankees running rapidly.
Then broke each corps with terror riven.
Then rushed the steeds to battle driven,
The men of battery Number Seven
Forsook their red artillery!
Still on McDowell’s farthest left,
The roar of cannon strikes one deaf,
Where furious Abe and fiery Jeff
Contend for death or victory.
The panic thickens—off, ye brave!
Throw down your arms! your bacon save!
Waive, Washington, all scruples waive,
And fly, with all your chivalry!
The March into Virginia:
Ending in the First Manassas
HERMAN MELVILLE
Melville reflects on the same disastrous battle as the previous two Confederate poems.
(July, 1861)
Did all the lets and bars appear
To every just or larger end,
Whence should come the trust and cheer?
Youth must its ignorant impulse lend—
Age finds place in the rear.
All wars are boyish, and are fought by boys,
The champions and enthusiasts of the state:
Turbid ardors and vain joys
Not barrenly abate—
Stimulants to the power mature,
Preparatives of fate.
Who here forecasteth the event?
What heart but spurns at precedent
And warnings of the wise,
Contemned foreclosures of surprise?
The banners play, the bugles call,
The air is blue and prodigal.
No berrying party, pleasure-wooed,
No picnic party in the May,
Ever went less loth than they
Into that leafy neighborhood.
In Bacchic glee they file toward Fate,
Moloch’s uninitiate;
Expectancy, and glad surmise
Of battle’s unknown mysteries.
All they feel is this: ’tis glory,
A rapture sharp, though transitory,
Yet lasting in belaureled story.
So they gayly go to fight,
Chatting left and laughing right.
But some who this blithe mood present,
As on in lightsome files they fare,
Shall die experienced ere three days are spent—
Perish, enlightened by the vollied glare;
Or shame survive, and, like to adamant,
The throe of Second Manassas share.
ARTEMUS WARD (CHARLES FARRAR BROWNE)
The comic letters and stories of Charles Farrar Browne (1834–1867), written under the pen name of “Artemus Ward” amused Abraham Lincoln to no end. These two stories, published in July of 1861, relate Artemus’s attempt to recruit a volunteer company of Union soldiers, “composed excloosively of offissers,” in the fictional backwater of Baldinsville, Ohio.
As soon as I’d recooperated my physikil system, I went over into the village. The peasantry was glad to see me. The skoolmaster sed it was cheerin to see that gigantic intelleck among ’em onct more. That’s what he called me. I like the skoolmaster, and allers send him tobacker when I’m off on a travelin campane. Besides, he is a very sensible man. Such men must be encouraged.
They don’t git news very fast in Baldinsville, as nothin but a plank road runs in there twice a week and that’s very much out of repair. So my nabers wasn’t much posted up in regard to the wars. Squire Baxter sed he’d voted the dimicratic ticket for goin on forty year, and the war was a dam black republican lie. Jo. Stackpole, who kills hogs for the Squire, and has got a powerful muscle into his arms, sed he’d bet $5 he could lick the Crisis in a fair stand-up fight, if he wouldn’t draw a knife on him. So it went—sum was for war, and sum was for peace. The skoolmaster, however, sed the Slave Oligarky must cower at the feet of the North ere a year had flowed by, or pass over his ded corpse. “Esto perpetual,” he added. “And sine qua non also!” sed I, sternly, wishing to make a impression onto the villagers. “Requiescat in pace!” sed the schoolmaster. “Too troo, too troo!” I anserd, “it’s a scanderlus fack!”
The newspapers got along at last, chock full of war, and the patriotic fever fairly bust out in Baldinsville. Squire Baxter sed he didn’t b’lieve in Coercion, not one of ’em, and could prove by a file of Eagles of Liberty in his garrit, that it was all a Whig lie got up to raise the price of whisky and destroy our other liberties. But the old Squire got putty riley when he heard how the rebels was cuttin up, and he sed he reckoned he should skour up his old muskit and do a little square fitin for the Old Flag, which had allers bin on the ticket he’d voted and he was too old to Bolt now. The Squire is all right at heart, but it takes longer for him to fill his venerable Biler with steam than it used to when he was young and frisky. As I previsly informed you, I am Captin of the Baldinsville Company. I riz gradooally but majesticly from drummer’s Secretary to my present position. But I found the ranks wasn’t full by no means, and commenced for to recroot. Havin notist a ginral desire on the part of young men who are into the Crisis to wear eppylits, I detarmined to have my company composed excloosively of offissers, everybody to rank as Brigadeer-Ginral. The follerin was among the varis questions which I put to recroots:
Do you know a masked battery from a hunk of gingerbread?
Do you know a eppylit from a piece of chalk?
If I trust you with a real gun, how many men of your own company do you speck you can manage to kill durin the war?
Hav you ever heard of Ginral Price of Missouri, and can you avoid simler accidents in case of a battle?
Hav you ever had the measles, and if so, how many?
How air you now?
Show me your tongue, &c., &c. Sum of the questions was sarcusstical.
The company filled up rapid, and last Sunday we went to the meetin house in full uniform. I had a seris time gittin into my military harness, as it was bilt for me many years ago; but I finally got inside of it, tho it fitted me putty clost. Howsever, onct into it, I lookt fine—in fact, aw-inspirin. “Do you know me, Mrs. Ward?” sed I, walkin into the kitchin.
“Know you, you old fool? Of course I do.”
I saw to onct she did.
I started for the meetin house, and I’m afraid I tried to walk too strate, for I cum very near fallin over backards; and in attemptin to recover myself my sword got mixed up with my legs, and I fell in among a choice collection of young ladies, who was standin near the church door a-seein the sojer boys come up. My cockt hat fell off, and sumhow my coat tales got twisted round my neck. The young ladies put their handkerchers to their mouths and remarked: “Te he,” while my ancient female single friend, Sary Peasley, bust out into a loud larf. She exercised her mouth so vilently that her new false teeth fell out onto the ground.
“Miss Peasley,” sed I, gittin up and dustin myself, “you must be more careful with them store teeth of your’n or you’ll have to gum it agin!”
Methinks I had her. I’d bin to work hard all the week, and I felt rather snoozy. I’m fraid I did git half asleep, for on hearin the minister ask, “Why was man made to mourn?” I sed, “I giv it up,” havin a vague idee that it was a conundrum. It was a onfortnit remark, for the whole meetin house lookt at me with mingled surprise and indignation. I was about risin to a pint of order, when it suddenly occurd to me whare I was, and I kept my seat, blushin like the red, red rose—so to speak.
The next mornin I ‘rose with the lark (N. B.—I don’t sleep with the lark, tho. A goak.)
My little dawter was execootin ballids, accompanyin herself with the Akordeon, and she wisht me to linger and hear her sing: “Hark, I hear a angel singin, a angel now is onto the wing.”
“Let him fly, my child!” said I, a-bucklin on my armer, “I must forth to my Biz.”
We air progressin pretty well with our drill. As all air commandin offissers, there ain’t no jelusy; and as we air all exceedin smart, it tain’t worth while to try to outstrip each other. The idee of a company composed excloosively of Commanders-in Chiefs, orriggernated, I spose I skurcely need say, in these Brane. Considered as a idee, I natter myself it is putty hefty. We’ve got all the tackticks at our tongs’ ends, but what we particly excel in is restin muskits. We can rest muskits with anybody.
Our corpse will do its dooty. We go to the aid of Columby—we fight for the stars!
We’ll be chopt into sassige meat before we’ll exhibit our coat tales to the foe.
We’ll fight till there’s nothin left of us but our little toes, and even they shall defiantly wiggle!
“Ever of thee,”
A Ward
If I’m drafted I shall resign.
Deeply grateful for the onexpected honor thus confered upon me, I shall feel compeld to resign the position in favor of sum more worthy person. Modesty is what ails me. That’s what’s kept me under.
I meanter-say, I shall hav to resign if I’m drafted everywheres I’ve bin inrold. I must now, furrinstuns, be inrold in upards of 200 different towns. If I’d kept on travelin I should hav eventooaly becum a Brigade, in which case I could have held a meetin and elected myself Brigadeer-ginral quite unanimiss. I hadn’t no idee there was so many of me before. But, serisly, I concluded to stop exhibitin, and made tracks for Baldinsville.
My only dawter threw herself onto my boosum and said, “It is me, fayther! I thank the gods!”
She reads the Ledger.
“Tip us yer bunch of fives, old faker!” said Artemus, Jr. He reads the Clipper.
My wife was to the sowin circle. I knew she and the wimin folks was havin a pleasant time slanderin the females of the other sowin circle (which likewise met that arternoon, and was doubtless enjoyin their-selves ekally well in slanderin the fustnamed circle), and I didn’t send for her. I allus like to see peple enjoy theirselves.
My son Orgustus was playin onto a floot.
Orgustus is a ethereal cuss. The twins was bildin cob-houses in a corner of the kitchin.
It’ll cost some postage stamps to raise this famly, and yet it ‘ud go hard with the old man to lose any lamb of the flock.
An old bachelor is a poor critter. He may have hearn the skylark or (what’s nearly the same thing) Miss Kellogg and Carlotty Patti sing; he may have hearn Ole Bull fiddle, and all the Dodworths toot, an yet he don’t know nothin about music—the real, ginuine thing—the music of the laughter of happy, well-fed children! And you may ax the father of sich children home to dinner, feelin werry sure there’ll be no spoons missin when he goes away. Sich fathers never drop tin five-cent pieces into the contribution box, nor palm shoe-pegs of onto blind hosses for oats, nor skedaddle to British sile when their country’s in danger—nor do anything which is really mean, I don’t mean to intimate that the old bachelor is up to little games of this sort—not at all—but I repeat, he’s a poor critter. He don’t live here; only stays. He ought to pologize, on behalf of his parients, for bein here at all. The happy marrid man dies in good stile at home, surrounded by his weeping wife and children. The old bachelor don’t die at all—he sort of rots away, like a pollywog’s tail.
My townsmen were sort o’ demoralized. There was a evident desine to ewade the Draft, as I obsarved with sorrer, and patritism was below Par—and Mar, too. I hadn’t no sooner sot down on the piazzy of the tarvun than I saw sixteen solitary hossmen, ridin four abreast, wendin their way up the street.
“What’s them? Is it calvary?”
“That,” said the landlord, “is the stage. Sixteen able-bodied sitterzens has lately bot the stage line tween here and Scotsburg. That’s them. They’re stage-drivers. Stage-drivers is exempt!”
I saw that each stage-driver carried a letter in his left hand.
“The mail is hevy, to-day,” said the landlord. “Ginrally they don’t have more’n half a dozen letters tween em. To-day they’ve got one apiece! Bile my lights and liver!”
“And the passengers?”
“There ain’t any, skacely, nowdays,” said the landlord, “and what few there is, very much prefier to walk, the roads is so rough.”
“And how ist with you?” I inquired of the editer of the Bugle-Horn of Liberty, who sot near me.
“I can’t go,” he sed, shakin his head in a wise way. “Ordinarily I should delight to wade in gore, but my bleedin country bids me stay at home. It is imperatively necessary that I remain here for the purpuss of announcin, from week to week, that our Govment is about to take vigrous measures to put down the rebellion!”
I strolled into the village oyster-saloon, where I found Dr. Schwazey, a leadin sitterzen, in a state of mind which showed that he’d bin histin in more’n his share of pizen.
“Hello, old Beeswax,” he bellered. “How’s yer grandmams? When you goin to feed your stuffed animils?”
“What’s the matter with the eminent physician?” I pleasantly inquired.
“This,” he said; “this is what’s the matter. I’m a habitooal drunkard! I’m exempt!”
“Jes so.”
“Do you see them beans, old man?” and he pinted to a plate before him. “Do you see em?”
“I do. They are a cheerful fruit when used tempritly.”
“Well,” said he, “I hain’t eat anything since last week. I eat beans now because I eat beans then”
“It’s quite proper you should eat a little suthin once in a while,” I said. “It’s a good idee to occasionally instruct the stummick that it mustn’t depend excloosively on licker for its sustainance.”
“A blessin,” he cried; “a blessin onto the hed of the man what in-wented beans. A blessin onto his hed!”
“Which his name is Gilson! He’s a first family of Bostin,” said I.
This is a speciment of how things was goin in my place of residence.
A few was true blue. The skoolmaster was among em. He greeted me warmly. He said I was welkim to those shores. He said I had a massiv mind. It was gratifyin, he said, to see that great intelleck stalkin in their midst onct more. I have before had occasion to notice this skoolmaster. He is evidently a young man of far more than ordnary talents.
The skoolmaster proposed we should git up a mass meetin. The meetin was largely attended. We held it in the open air, round a roarin bonfire.
The skoolmaster was the first orator. He’s pretty good on the speak. He also writes well, his composition bein seldom marred by ingrammatticisms. He said this inactivity surprised him. “What do you expect will cum of this kind of doins? Nihil fit—”
“Hooray for Nihil!” I interrupted. “Feller sitterzens, let’s giv three chears for Nihil, the man who fit!”
The skoolmaster turned a little red, but repeated— “Nihil fit.”
“Exactly,” I said. “Nihil fit. He wasn’t a strategy feller.”
“Our venerable frend,” said the skoolmaster, smilin pleasantly, “isn’t posted in Virgil.”
“No, I don’t know him. But if he’s a able-bodied man he must stand his little draft.”
The skoolmaster wound up in eloquent style, and the subscriber took the stand.
I said the crisis had not only cum itself, but it had brought all its relations. It has cum, I said, with a evident intention of makin us a good long visit. It’s goin to take off its things and stop with us. My wife says so too. This is a good war. For those who like this war, it’s just such a kind of war as they like. I’ll bet ye. My wife says so too. If the Federal army succeeds in takin Washinton, and they seem to be advancin that way pretty often, I shall say it is strategy, and Washinton will be safe. And that noble banner, as it were—that banner, as it were—will be a emblem, or rather, I should say, that noble banner—as it were. My wife says so too. (I got a little mixed up here, but they didn’t notice it.) Feller sitterzens, it will be a proud day for this Republic when Washinton is safe. My wife says so too.
There’s money enough. No trouble about money. They’ve got a lot of first-class bank-note engravers at Washinton who turn out two or three cords of money a day—good money, too.
Then it isn’t money we want. But we do want men, and we must have them. We must carry a whirlwind of fire among the foe. We must crush the ungrateful rebels who are poundin the Goddess of Liberty over the hed with slung-shots, and stabbin her with stolen knives! We must lick em quick. We must introduce a large number of first-class funerals among the peple of the South. Betsy says so too.
This war hain’t been too well managed. We all know that. What then? We are all in the same boat—if the boat goes down, we go down with her. Hence we must all fight. It ain’t no use to talk now about who caused the war. That’s played out. The war is upon us—upon us all—and we must all fight. We can’t “reason” the matter with the foe. When, in the broad glare of the noonday sun, a speckled jackass boldly and maliciously kicks over a peanut-stand, do we “reason” with him? I guess not. And why “reason” with those other Southern people who are tryin to kick over the Republic? Betsy, my wife, says so too.
The meetin broke up with enthusiasm. We shan’t draft in Baldinsville if we can help it.
F. Y. ROCKETT
“These lines were written when General Beauregard appealed to the people of the South to contribute their bells, that they might be melted into cannon,” noted the editor Frank Moore. The South had many more limitations in its ability to produce weaponry than the North. See the following poem, “What the Village Bell Said,” as well.
Melt the bells, melt the bells,
Still the tinkling on the plain,
And transmute the evening chimes
Into war’s resounding rhymes,
That the invaders may be slain
By the bells.
Melt the bells, melt the bells,
That for years have called to prayer,
And, instead, the cannon’s roar
Shall resound the valleys o’er,
That the foe may catch despair
From the bells.
Melt the bells, melt the bells,
Though it cost a tear to part
With the music they have made,
Where the friends we love are laid,
With pale cheek and silent heart,
‘Neath the bells.
Melt the bells, melt the bells,
Into cannon, vast and grim,
And the foe shall feel the fire
From the heaving lungs of fire,
And we’ll put our trust in Him,
And the bells.
Melt the bells, melt the bells,
And when foes no more attack,
And the lightning cloud of war
Shall roll thunderless and far,
We will melt the cannon back
Into bells.
Melt the bells, melt the bells,
And they’ll peal a sweeter chime,
And remind of all the brave
Who have sunk to glory’s grave,
And will sleep through coming time
’Neath the bells.
JOHN G. M’LEMORE
M’Lemore was from South Carolina; the year after he wrote this poem, he was mortally wounded on May 31, 1862, at the Battle of Seven Pines.
Full many a year in the village church,
Above the world have I made my home;
And happier there, than if I had hung
High up in air in a golden dome;
For I have tolled
When the slow hearse rolled
Its burden sad to my door;
And each echo that woke,
With the solemn stroke,
Was a sigh from the heart of the poor.
I know the great bell of the city spire
Is a far prouder one than such as I;
And its deafening stroke, compared with mine,
Is thunder compared with a sigh;
But the shattering note
Of his brazen throat,
As it swells on the Sabbath air,
Far oftener rings
For other things
Than a call to the house of prayer.
Brave boy, I tolled when your father died,
And you wept when my tones pealed loud;
And more gently I rung when the lily-white dame
Your mother dear lay in her shroud:
And I rang in sweet tone
The angels might own,
When your sister you gave to your friend;
Oh! I rang with delight,
On that sweet summer night,
When they vowed they would love to the end!
But a base foe comes from the regions of crime,
With a heart all hot with the flames of hell;
And the tones of the bell you have loved so long
No more on the air shall swell:
For the people’s chief,
With his proud belief
That his country’s cause is God’s own,
Would change the song,
The hills have rung
To the thunder’s harsher tone.
Then take me down from the village church,
Where in peace so long I have hung;
But I charge you, by all the loved and lost,
Remember the songs I have sung.
Remember the mound
Of holy ground
Where your father and mother lie
And swear by the love
For the dead above
To beat your foul foe, or die.
Then take me; but when (I charge you this)
You have come to the bloody field,
That the bell of God, to a cannon grown,
You will ne’er to the foeman yield.
By the love of the past,
Be that hour your last,
When the foe has reached this trust;
And make him a bed
Of patriot dead,
And let him sleep in this holy dust.
The Little Drummer: A Soldier’s Story
RICHARD H. STODDARD
In August of 1861, at the Battle of Wilson’s Creek in Missouri, the Union’s Nathaniel Lyon was the first general to die in battle in the Civil War. The little drummer served “out in the West with Lyon.”
I.
’Tis of a little drummer,
The story I shall tell;
Of how he marched to battle,
And all that there befell.
Out in the West with Lyon,
(For once the name was true,)
For whom the little drummer beat
His rat-tat-too.
II.
Our army rose at midnight,
Ten thousand men as one,
Each slinging on his knapsack,
And snatching up his gun:
“Forward!” and off they started,
As all good soldiers do,
When the little drummer beats for them
The rat-tat-too.
III.
Across a rolling country,
Where the mist began to rise;
Past many a blackened farm-house,
Till the sun was in the skies:
Then we met the Rebel pickets,
Who skirmished and withdrew,
While the little drummer beat and beat
The rat-tat-too.
IV
Along the wooded hollows
The line of battle ran,
Our center poured a volley,
And the fight at once began;
For the Rebels answered shouting,
And a shower of bullets flew;
But still the little drummer beat
His rat-tat-too.
V.
He stood among his comrades,
As they quickly formed the line,
And when they raised their muskets
He watched the barrels shine!
When the volley rang, he started!
For war to him was new;
But still the little drummer beat
His rat-tat-too.
VI.
It was a sight to see them,
That early autumn day,
Our soldiers in their blue coats,
And the Rebel ranks in gray:
The smoke that rolled between them,
The balls that whistled through,
And the little drummer as he beat
His rat-tat-too.
VII.
His comrades dropped around him,—
By fives and tens they fell,
Some pierced by Minnie bullets,
Some torn by shot and shell;
They played against our cannon,
And a caisson’s splinters few;
But still the little drummer beat
His rat-tat-too.
VIII.
The right, the left, the center—
The fight was everywhere:
They pushed us here,—we wavered,—
We drove and broke them there.
The gray-backs fixed their bayonets,
And charged the coats of blue,
But still the little drummer beat
His rat-tat-too.
IX.
“Where is our little drummer?”
His nearest comrades say,
When the dreadful fight is over,
And the smoke has cleared away.
As the Rebel corps was scattering
He urged them to pursue,
So furiously he beat and beat
The rat-tat-too!
X.
He stood no more among them,
For a bullet as it sped
Had glanced and struck his ankle,
And stretched him with the dead!
He crawled behind a cannon,
And pale and paler grew:
But still the little drummer beat
His rat-tat-too!
XI.
They bore him to the surgeon,
A busy man was he:
“A drummer boy—what ails him?”
His comrades answered, “See!
” As they took him from the stretcher,
A heavy breath he drew,
And his little fingers strove to beat
The rat-tat-too!
XII.
The ball had spent its fury:
“A scratch,” the surgeon said,
As he wound the snowy bandage
Which the lint was staining red!
“I must leave you now, old fellow.”
“O take me back with you,
For I know the men are missing me,
And the rat-tat-too!”
XIII.
Upon his comrade’s shoulder
They lifted him so grand,
With his dusty drum before him,
And his drum-sticks in his hand!
To the fiery front of battle,
That nearer, nearer drew,—
And evermore he beat, and beat,
His rat-tat-too!
XIV.
The wounded as he passed them
Looked up and gave a cheer:
And one in dying blessed him,
Between a smile and tear!
And the gray-backs—they are flying
Before the coats of blue,
For whom the little drummer beats
His rat-tat-too!
XV.
When the west was red with sunset,
The last pursuit was o’er;
Brave Lyon rode the foremost,
And looked the name he bore!
And before him on his saddle,
As a weary child would do,
Sat the little drummer fast asleep,
With his rat-tat-too.
ETHEL LYNN BEERS
“There was no poem written during the war that had a wider popularity than this” claimed H. M. Wharton, the Confederate veteran who edited War Songs of the Confederacy. Beers’s own fascinating note on its publishing history follows the poem.
“All quiet along the Potomac,” they say,
“Except, now and then, a stray picket
Is shot, as he walks on his beat to and fro,
By a rifleman hid in the thicket.
’Tis nothing—a private or two now and then
Will not count in the news of the battle;
Not an officer lost—only one of the men
Moaning out, all alone, the death-rattle.”
All quiet along the Potomac tonight,
Where the soldiers lie peacefully dreaming;
Their tents, in the rays of the clear autumn moon
Or the light of the watch-fire, are gleaming.
A tremulous sigh of the gentle night-wind
Through the forest-leaves softly is creeping,
While stars up above, with their glittering eyes,
Keep guard, for the army is sleeping.
There’s only the sound of the lone sentry’s tread
As he tramps from the rock to the fountain,
And thinks of the two in the low trundle-bed
Far away in the cot on the mountain.
His musket falls slack; his face, dark and grim,
Grows gentle with memories tender
As he mutters a prayer for the children asleep—
For their mother; may Heaven defend her!
The moon seems to shine just as brightly as then,
That night when the love yet unspoken
Leaped up to his lips—when low-murmured vows
Were pledged to be ever unbroken.
Then drawing his sleeve roughly over his eyes,
He dashes off tears that are welling,
And gathers his gun closer up to its place,
As if to keep down the heart-swelling.
He passes the fountain, the blasted pine tree,
The footstep is lagging and weary;
Yet onward he goes through the broad belt of light,
Toward the shade of the forest so dreary.
Hark! was it the night-wind that rustled the leaves?
Was it moonlight so wondrously flashing?
It looked like a rifle—”Ha! Mary, good-bye!”
The red life-blood is ebbing and plashing.
All quiet along the Potomac tonight,
No sound save the rush of the river;
While soft falls the dew on the face of the dead—
The picket’s of duty forever!
Note: In All Quiet Along the Potomac and Other Poems, Beers explains:
“In the fall of 1861 ‘All Quiet along the Potomac’ was the familiar heading of all war-despatches. So when this poem appeared in the columns of Harper’s Weekly, Nov. 30th, it was quickly republished in almost every journal in the land. As it bore only the initials E. B., the poem soon became a nameless waif, and was attributed to various pens.
“The London Times copied it as having been written by a Confederate soldier and found in his pocket after death. (It seems to have been a dangerous thing to copy it, as it has so often been found in dead men’s pockets.) An American paper quoted it, saying that it was written by a private soldier in the United States service, and sent home to his wife. This statement was met by another, asserting that it was written by Fitz-James O’Brien. As the soul of that true poet and gallant soldier had gone out through a ragged battle-rift won at Ball’s Bluff, this was uncontradicted until an editorial paragraph appeared in Harper’s Weekly, July 4th, 1863, saying it had been written for that paper by a lady contributor.
It appeared in a volume of War-Poetry of the South, edited by Wm. Gilmore Sims, as a Southern production, and was set to music by a Richmond music-publisher in 1864, with “Words by Lamar Fontaine” on its title-page. A soldier-cousin, who went with Sherman to the sea, found in a deserted printing-office at Fayetteville a paper containing a two-column article on the poem, with all the circumstances under which “Lamar Fontaine composed it while on picket-duty.”
It appeared in the earlier editions of Bryant’s Library of Poetry and Song over Mrs. Howland’s name, which was afterward corrected by Mr. Bryant.
Within the last year a Mr. Thaddeus Oliver claims its authorship for his deceased father, being no doubt misled by a wrong date, as he fixes an earlier time than its first appearance in Harper’s Weekly.
I have been at some pains to gather up these dates and names as one of the curiosities of newspaper-waif life. To those who know me, my simple assertion that I wrote the poem is sufficient, but to set right any who may care to know, I refer to the columns of the old ledger at Harper’s, on whose pages I saw but the other day the business form of acceptance of, and payment for, “The Picket-Guard,” among other contributions.
Fortunately, I have two credible witnesses to the time and circumstances of its writing. A lovely lady sitting opposite me at the boarding-house table looked up from her morning paper at breakfast-time to say, “All quiet along the Potomac, as usual,” and I, taking up the next line, answered back, “Except a poor picket shot.” After breakfast it still haunted me, and with my paper across the end of my sewing-machine I wrote the whole poem before noon, making but one change in copying it, reading it aloud to ask a boy’s judgment in reference to two different endings, and adopting the one he chose. Nothing was ever more vivid or real to me than the pictures I had conjured up of the picket’s lonely walk and swift summons, or the waiting wife and children. A short sojourn in Washington had made me quite familiar with the routine of war-time and soldier-life. The popularity of the poem was perhaps due more to the pathos of the subject than to any inherent quality.
ANONYMOUS
The poem is dated November 24, 1861.
We were sitting around the table,
Just a night or two ago,
In the little cozy parlor,
With the lamp-light burning low,
And the window-blinds half opened,
For the summer air to come,
And the painted curtains moving
Like a busy pendulum.
Oh! the cushions on the sofa,
And the pictures on the wall,
And the gathering of comforts,
In the old familiar hall;
And the wagging of the pointer,
Lounging idly by the door,
And the flitting of the shadows
From the ceiling to the floor.
Oh! they wakened in my spirit,
Like the beautiful in art,
Such a busy, busy thinking—
Such a dreaminess of heart,
That I sat among the shadows,
With my spirit all astray;
Thinking only—thinking only
Of the soldiers far away;
Of the tents beneath the moonlight,
Of the stirring tattoo’s sound,
Of the soldier in his blanket,
In his blanket on the ground;
Of the icy winter coming,
Of the cold bleak winds that blow,
And the soldier in his blanket,
In his blanket on the snow.
Of the blight upon the heather,
And the frost upon the hill,
And the whistling, whistling ever,
And the never, never still;
Of the little leaflets falling,
With the sweetest, saddest sound—
And the soldier—oh! the soldier,
In his blanket on the ground.
Thus I lingered in my dreaming,
In my dreaming far away,
Till the spirit’s picture-painting
Seemed as vivid as the day;
And the moonlight faded softly
From the window opened wide,
And the faithful, faithful pointer
Nestled closer by my side.
And I knew that ’neath the starlight,
Though the chilly frosts may fall,
That the soldier will be dreaming,
Dreaming often of us all.
So I gave my spirit’s painting
Just the breathing of a sound,
For the dreaming, dreaming soldier,
In his slumber on the ground.
JULIA L. KEYES
Keyes was from Montgomery, Alabama.
Only one killed in Company B,
’Twas a trifling loss—one man!
A charge of the bold and dashing Lee,
While merry enough it was, to see
The enemy, as he ran.
Only one killed upon our side—
Once more to the field they turn.
Quietly now the horsemen ride,
And pause by the form of the one who died,
So bravely, as now we learn.
Their grief for the comrade loved and true
For a time was unconcealed;
They saw the bullet had pierced him through;
That his pain was brief—ah! very few
Die thus on the battle-field.
The news has gone to his home, afar—
Of the short and gallant fight;
Of the noble deeds of the young La Var,
Whose life went out as a falling star
In the skirmish of the night.
“Only one killed! It was my son,”
The widowed mother cried;
She turned but to clasp the sinking one,
Who heard not the words of the victory won,
But of him who had bravely died.
Ah! death to her were a sweet relief,
The bride of a single year.
Oh! would she might, with her weight of grief,
Lie down in the dust, with the autumn leaf,
Now trodden and brown and sere!
But no, she must bear through coming life
Her burden of silent woe,
The aged mother and youthful wife
Must live through a nation’s bloody strife,
Sighing and waiting to go.
Where the loved are meeting beyond the stars,
Are meeting no more to part,
They can smile once more through the crystal bars—
Where never more will the woe of wars
O’ershadow the loving heart.