Chapter Twenty-nine
FADE IN
INT. RUTH AND IRV’S APARTMENT. LATE EVENING. PASSOVER.
 
The family is sitting around a seder table set up in the living room. It is obvious from the clutter on the table that they have just finished the meal and are preparing to resume the seder.
 
RUTH
(Getting up to clear the table.)
Anybody want more coffee? I’ll make another pot.
 
ANNA
Ma, let Stevie clear the table. Steve, clear the table.
 
STEVE
Don’t tell me what to do.
 
ANNA
(Getting up to clear the table.)
I just don’t see why, in this family in 1991, men still don’t clear the table.
 
BARB
I’ll clear the table.
ANNA
What’s the matter, Barbara? You don’t like conflict?
 
RUTH
You, you shouldn’t lift a single plate. You didn’t eat a thing. You didn’t even eat the parsley. What’s wrong with you?
 
ANNA
Obviously she’s anorexic.
 
SYLVIA
Remember the way my Zeyde used to dovan all night?
 
IRV
Yeah. Those were the good old days.
 
SYLVIA
You and me and Morris would fall asleep under the table.
 
STEVE
Let’s start on the second part of the seder. I have an hour on the subway after all of this.
 
SYLVIA
Okay, you gotta find the afikomon. Find the matzah and Daddy will give you a big reward.
 
IRV
Yeah, you can have anything you want under a dollar.
(Laughs.)
RUTH
There’s no more children in this family. Where are the grandchildren?
 
SYLVIA
Ruthie, it’s a new age.
 
RUTH
No grandchildren is a new age?
 
SYLVIA
What do you want? That’s progress.
 
STEVE
I’m gonna be thirty in two weeks. I’m a full professor in Cinema Studies and I have a book on Paul DeMan coming out in the fall. I’m too old to look for the matzah.
 
ANNA
But you’re not too old to clear the table.
 
IRV
We can’t start the seder without the matzah.
 
SYLVIA
You’re all a bunch of stinkers. I’ll find it.
 
SYLVIA starts looking for the matzah.
 
IRV
I remember when my Zeyde used to hide it in his butter churn. A butter churn! Steve, I bet you don’t even know what that is.
STEVE
I know more than you think.
 
BARB
What’s a butter churn?
 
SYLVIA
I got it! Irv, that was too simple. You put it in the most obvious place.
 
IRV
Where? I forgot where I put it.
 
BARB
What’s a butter churn?
 
SYLVIA
I forgot too.
 
RUTH
Okay, Sylvia, what do you want?
 
BARB
Yeah, Sylvia, come up with something good.
 
SYLVIA
I want everyone around the table to say their seder wish. I’ll start. I wish my daughter will be safe and happy in the Peace Corps.
 
IRV
Where is she again?
SYLVIA
Gabon.
 
IRV
Gabon.
 
SYLVIA
And I hope she comes home soon and that next year she’ll be here with us at seder. Now, Barbara, what is your wish?
 
BARB
I wish for all wars to end. I wish for peace on earth for everyone.
 
RUTH
I wish the Israelis would give back the land already. But only the West Bank. For years the Arabs threatened to bomb Israel. But only George Bush could actually make them do it. And that the whole family should be healthy and that I should have grandchildren while I’m still healthy enough to enjoy them.
 
STEVE
I wish that the whole family should be healthy. I think that’s a good wish.
 
SYLVIA
Irv?
 
IRV
Physical health is very important. But, more important is how you feel about yourself. Like Ruthie says, we all need to be free inside. Even the Palestinians must be free.
BARB
Anna?
 
ANNA
I wish my friends would stop dying of AIDS.
 
RUTH
You always have to bring that up.
 
SYLVIA
Shush, Ruthie, it’s her turn.
 
ANNA
And I wish something I’d rather keep private.
 
IRV
Okay, that’s it. You know, it’s very interesting. Seders are not really about telling the story of how we were slaves in Egypt.
 
BARB
What are they really about, Pop?
 
IRV
I think that they are more of a way of ensuring that the family psychology is kept dynamic. We all sit down together and take a good look at each other.
 
SYLVIA
And, God willing, we’ll all be here next year to do it again.
 
RUTH
God has nothing to do with it.
Phone rings.
 
IRV
I’ll get it. It may be a patient.
 
IRV exits.
 
RUTH
And I hope I never see a yellow ribbon again for as long as I live. Ron Silliman calls them “soft swastikas.” That’s what they are, soft swastikas.
 
IRV comes back.
 
BARB
What is it, Pop?
 
IRV
It’s an emergency. I’ve got to go to the hospital.
 
BARB
Not again.
 
STEVE
Well, that about wraps up this seder.
 
RUTH
Irv, take a cab.
 
IRV
Of course I’ll take a cab.
INT. HALLWAY OF THE BUILDING
 
IRV is waiting for the elevator. ANNA comes down the hallway, still holding her napkin.
 
IRV
What’s the matter?
 
ANNA
Pop, I want to tell you something.
 
IRV
I’ve got an emergency.
 
ANNA
Pop, I just wanted to let you know that I realize you believe in Freud and everything, and I’m not going to go into that right now.
 
IRV
I don’t have that much time right now.
 
ANNA
I know. But I Just want to tell you that, despite what Freud says, the reason I am a lesbian is not because of wanting to hurt you. It’s not about you in any way. I really love you, Pop, and I’m a lot like you and being a lesbian is about me. Okay?
 
IRV
I’m glad to hear that you love me. Sometimes I’m not too sure.
 
The elevator arrives.
IRV
Ooops, gotta go. I have an emergency at the hospital. I think I’d better take a cab.
 
ANNA
Pop, it’s after eleven. Don’t take the subway, take a cab.
 
THE END