Contents

ANDER MONSON: Here’s How You Use the Lion Mints: An Introduction to How We Speak to One Another

MARCIA ALDRICH: Invisible Engineering: The Fine Art of Revising “The Fine Art of Sighing”

KRISTEN RADTKE on Chris Marker’s Sans Soleil

Majestic Ruins: ROBIN HEMLEY on the Work of James Agee

V. V. GANESHANANTHAN on Essays, Assays, and Yiyun Li’s “Dear Friend, from My Life I Write to You in Your Life”

ROBERT ATWAN: The Assault on Prose: John Crowe Ransom, New Criticism, and the Status of the Essay

MATT DUBE on Joan Didion, Repo Man, and a ’76 Malibu

AISHA SABATINI SLOAN on Collage, Chris Kraus, and Misremembered Didion

T CLUTCH FLEISCHMANN: Looking for Samuel Delany

RIGOBERTO GONZÁLEZ: Observations about Writing Memoir in My Twenties, Thirties, and Forties

KATHERINE E. STANDEFER on the Mysterious Leslie Ryan and the Structure of a Trauma Narrative

JULIE LAUTERBACH-COLBY on Arianne Zwartjes’s “This Suturing of Wounds or Words” and Kisha Lewellyn Schlegel’s “Cannulated Screw”

Living within the Ellipses: CÉSAR DÍAZ on Ilan Stavans’s On Borrowed Words: A Memoir of Language

EMILY DEPRANG on Joan Didion, on the Morning After My Twenties

LUCAS MANN on Writing Young

DANICA NOVGORODOFF on Losing Yourself

KEN CHEN: Is the Essay at the End of Time?

E-mail from BONNIE J. ROUGH

PETER GRANDBOIS on the Essential Art of Failing

ALBERT GOLDBARTH: Leaping

ALISON HAWTHORNE DEMING: Julian Barnes Brings Light to a Thanatophobe’s Conundrum

STEVEN CHURCH on Tom Junod’s “The Falling Man”

BETHANY MAILE: We Sought but Couldn’t Find: Coming Up Empty in David Shields’s “Death Is the Mother of Beauty”

Movie Quotes as Misery: DAVID LEGAULT on Claudia Rankine’s Don’t Let Me Be Lonely

JONI TEVIS: A Paperback Cabinet of Wonder: Unlocking the Long Lyric Essay

JOHN D’AGATA: The Essays of Ansel Adams: An Allegory

MEEHAN CRIST: 10 Thoughts on Elision

THOMAS MIRA Y LOPEZ on Donald Hall’s “Out the Window”

DANIELLE CADENA DEULEN on the Virtues of Drowning: Lidia Yuknavitch’s The Chronology of Water

JOHN T. PRICE on Hoagland, Animal Obsession, and the Courage of Simile

MAYA L. KAPOOR on David Quammen and Writing Trout

CHELSEA BIONDOLILLO on Long Winters, Short Essays, and a Sky That Stretches Forever

MEGAN KIMBLE on Wendell Berry and Why I’m Not Going to Buy a Smartphone

BRIAN DOYLE: It Is a Shaggy World, Studded with Gardens

NICOLE WALKER: Nonfiction Like a Brick

PAUL LISICKY on the Fugue, Alison Bechdel’s Are You My Mother?, DFW, and the Resistance to the One Thing

BRIAN OLIU on The Squared Circle: Life, Death, and Professional Wrestling by David Shoemaker

PAM HOUSTON on Rick Reilly’s “Need a Fourth?” from Sports Illustrated, March 31, 1997

DAVE MONDY on Jim Bouton’s Ball Four

PHILLIP LOPATE on a Little-Known Gem by Max Beerbohm

AMY BENSON on Eliot Weinberger’s “Wrens”

PATRICK MADDEN on Charles Lamb’s “New Year’s Eve”

ELENA PASSARELLO on the Book of Days

ERIN ZWIENER on the False Glint of Fool’s Gold and Cliché

The Present of Our Past: PATRICIA VIGDERMAN on Alexander Stille

A Fat Man Story: ANDER MONSON on H. L. Mencken’s “A Neglected Anniversary”

RYAN VAN METER on Endings: All in All, It Was a Really Weird Summer

Bibliography

Contributors