COLUMBIA THEMES IN PHILOSOPHY, SOCIAL CRITICISM, AND THE ARTS

Lydia Goehr and Gregg M. Horowitz, editors

Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera

Robert Hullot-Kentor, Things Beyond Resemblance: Collected Essays on Theodor W. Adorno

Gianni Vattimo, Art’s Claim to Truth, edited by Santiago Zabala, translated by Luca D’Isanto

John T. Hamilton, Music, Madness, and the Unworking of Language

Stefan Jonsson, A Brief History of the Masses: Three Revolutions

Richard Eldridge, Life, Literature, and Modernity

Janet Wolff, The Aesthetics of Uncertainty

Lydia Goehr, Elective Affinities: Musical Essays on the History of Aesthetic Theory

Christoph Menke, Tragic Play: Irony and Theater from Sophocles to Beckett, translated by James Phillips

György Lukács, Soul and Form, translated by Anna Bostock and edited by John T. Sanders and Katie Terezakis with an introduction by Judith Butler

Joseph Margolis, The Cultural Space of the Arts and the Infelicities of Reductionism

Herbert Molderings, Art as Experiment: Duchamp and the Aesthetics of Chance, Creativity, and Convention

Whitney Davis, Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond

Gail Day, Dialectical Passions: Negation in Postwar Art Theory

Ewa Plonowska Ziarek, Feminist Aesthetics and the Politics of Modernism

Gerhard Richter, Afterness: Figures of Following in Modern Thought and Aesthetics

Boris Groys, Under Suspicion: A Phenomenology of the Media, translated by Carsten Strathausen

Michael Kelly, A Hunger for Aesthetics: Enacting the Demands of Art

Stefan Jonsson, Crowds and Democracy: The Idea and Image of the Masses from Revolution to Fascism

Elaine P. Miller, Head Cases: Julia Kristeva on Philosophy and Art in Depressed Times

Lutz Koepnick, On Slowness: Toward an Aesthetic of Radical Contemporaneity

John Roberts, Photography and Its Violations