| 1: |
Barrie Bates with his work B.E.A. Flight Over East Berlin, 1961, at the Royal College of Art, London, 1961, photo: Frank Apthorp, courtesy of the Billy Apple® Archive |
| 2: |
Ann Quin, c. 1968, photo: Oswald Jones, private collection/Bridgeman Images |
| 3: |
David Hockney and Derek Boshier at the Royal College of Art, London, 1961, photo: Geoffrey Raymond Reeve, private collection, photo © Geoffrey Raymond Reeve/Bridgeman Images |
| 4: |
Frank Bowling, c. 1965, with his Self-Portrait as Othello, 1962, photo: Tony Evans/Timelapse Library Ltd, courtesy of Tony Evans/Timelapse Library Ltd/Hulton Archive/Getty Images |
| 5: |
Pauline Boty (far left), Anthony Macley, Natalie Gibson and Peter Blake (far right), 1961, photo: Geoffrey Raymond Reeve, private collection, photo © Geoffrey Raymond Reeve/Bridgeman Images |
| 6: |
Billy Apple, Art Declared Found Activity (Lathering, Alicante Spain, April 1960), 1960 (made while still Barrie Bates), courtesy of The Mayor Gallery, London |
| 7: |
Billy Apple, Drunk (Earls Court Road, London, Winter 1960), 1960 (made while still Barrie Bates), courtesy of the Billy Apple® Archive |
| 8: |
David Hockney and Peter Crutch with Hockney’s Peter.C, 1961, photo: Geoffrey Raymond Reeve, private collection, © Geoffrey Raymond Reeve/Bridgeman Images |
| 9: |
David Hockney and Peter Crutch with Hockney’s The Second Tea Painting, 1961, photo: Geoffrey Raymond Reeve, private collection, © Geoffrey Raymond Reeve/Bridgeman Images |
| 10: |
Billy Apple, exhibition poster for ‘The Ring’ at Bilston Art Gallery, 1960 (made while still Barrie Bates), courtesy of the Billy Apple® Archive |
| 11: |
Billy Apple, ‘we all love tea’, award-winning design campaign, 1961 (made while still Barrie Bates), courtesy of the Billy Apple® Archive |
| 12–15: |
Barrie Bates and David Hockney, New York, summer 1961, photographer unknown, courtesy of the Billy Apple® Archive |
| 16: |
David Hockney, My Bonnie Lies Over the Ocean, 1961–62, etching and aquatint in three colours with collage, edition of 50, approximately 18 x 17 ¾”, © David Hockney, photo: Richard Schmidt |
| 17: |
David Hockney, The Arrival from ‘A Rake’s Progress’, 1961–63, etching, edition of 50, 15 ½ x 22 ½”, © David Hockney |
| 18–19: |
Wolfschmidt vodka campaign from 1960, by the agency Papert Koenig Lois, art-directed by George Lois, courtesy of George Lois |
| 20–21: |
David Hockney and Barrie Bates in Cornwall, October 1961, photo: Ron Fuller, courtesy of the Ron Fuller estate |
| 22: |
Larry and Clarice Rivers in Rivers’ studio, 11 Impasse Ronsin, Paris, 1962, photo: Shunk-Kender, © J. Paul Getty Trust, Getty Research Institute, Los Angeles (2014.R.20). Gift of the Roy Lichtenstein Foundation in Memory of Harry Shunk and Janos Kender. |
| 23: |
Barrie Bates with his work at ‘Young Contemporaries 1962’, February 1962, photographer unknown, courtesy of the Billy Apple® Archive |
| 24–25: |
Barrie Bates at ‘Young Contemporaries 1962’, February 1962, with works by him and David Hockney, photographer unknown, courtesy of the Billy Apple® Archive |
| 26: |
Billy Apple, Relation of Aesthetic Choice to Life Activity (Function of the Subject), 1961–62 (made while still Barrie Bates), courtesy of the Billy Apple® Archive, Collection Tate, UK |
| 27: |
Billy Apple, Smile, Slim, We’re Having Our Photo Taken, 1962 (made while still Barrie Bates), originally purchased by E. J. Power, courtesy of the Billy Apple® Archive |
| 28: |
David Hockney, Life Painting for a Diploma, 1962, oil on canvas with charcoal on paper, collage 70 7/8 x 70 7/8”, © David Hockney |
| 29: |
David Hockney, The First Marriage (A Marriage of Styles I), 1962, oil on canvas, 72 x 84 ¼”, © David Hockney, Collection Tate, UK |
| 30: |
Billy Apple, Billy Apple Bleaching with Lady Clairol Instant Crème Whip, November 1962, 1962, original photograph by Richard Smith, courtesy of the Billy Apple® Archive |
| 31: |
David Hockney, 1963, photo: Tony Evans/Timelapse Library Ltd, courtesy of Tony Evans/Timelapse Library Ltd/Hulton Archive/Getty Images |