King Henry VIII, also known as All Is True, can be dated with unusual precision because it was being performed at the Globe on 29 June 1613 when the firing of cannon set light to the thatched roof and the theatre was burnt to the ground – fortunately without loss of life or injury. Several contemporary accounts of the fire refer to King Henry VIII as a new play at the time, so scholars agree in dating it 1613, though some would put it back to the beginning of that year, arguing that it would have been appropriate for performance at Court during the wedding celebrations of James I’s daughter Elizabeth and Frederick, the Elector Palatine. Shakespeare’s company, the King’s Men, did perform six of his plays as contributions to the festivities but there is no definite proof that King Henry VIII was one of them.
It was printed as the last of Shakespeare’s English history plays in the First Folio in 1623, and its historical material derives in part from the chronicles of Raphael Holinshed and Edward Hall – sources Shakespeare had used for his earlier histories – but it was composed some fourteen years after Henry V, the latest in the sequence of nine history plays Shakespeare had written between 1590 and 1599, and in some ways it is a different kind of play, having as many affinities with the late tragicomedies or ‘romances’ such as The Winter’s Tale and The Tempest as it has with the histories. It comes no nearer to a battlefield than a description of the ceremonial ‘Field of the Cloth of Gold’, where Henry VIII met Francis I to inaugurate a peace treaty between England and France; and it presents its main political events, which provide an implicit history of the Reformation, as a series of set-pieces on the fall from greatness of some characters (the Duke of Buckingham, Katherine of Aragon, Cardinal Wolsey) and the rise of others (Anne Bullen, Thomas Cranmer). It ends with a celebration of the birth of the future Elizabeth I and a tribute – which, in context, can be read as backhanded – to her supposedly even more glorious successor, James I. It imbues its historical events with a degree of myth or symbolism and presents Henry as an intemperate monarch, repeatedly upstaged by his subjects, notably the prelates, Wolsey and Cranmer.
Most editors and scholars believe that this play, like Cardenio (now lost) and The Two Noble Kinsmen, was a collaboration between Shakespeare and John Fletcher. All three plays date from the period 1612-13 when Shakespeare was scaling down his level of participation in the King’s Men’s activities; Fletcher succeeded him as the chief dramatist of the company, and seems to have preferred to work collaboratively, writing plays with Francis Beaumont and Philip Massinger as well as with Shakespeare. The scenes in the play generally attributed to Shakespeare are 1.1, 1.2, 2.3, 2.4, 3.2 to line 203 and 5.1, although to separate out the work of one participant in a collaboration is, in a sense, to miss the point.
The play was revived during the Restoration and remained popular in the eighteenth and nineteenth centuries, partly because of the opportunities it afforded for lavish spectacle and pageantry; it tends to be performed at times of coronation. The roles of Wolsey and Katherine came to dominate productions and were performed by leading actors from John Philip Kemble and his sister Sarah Siddons in 1806 to Henry Irving and Ellen Terry in 1892; much of the play used to be cut in order to focus attention on these roles. Twentieth-century productions restored Henry to a central position and aimed for a more thoughtful and serious reading of the play, finding ironies and contradictions in it as well as theatrical display.
The 2000 Arden text is based on the 1623 First Folio.
PROLOGUE |
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Duke of NORFOLK |
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Duke of BUCKINGHAM |
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Lord ABERGAVENNY |
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son-in-law to the Duke of Buckingham |
Cardinal WOLSEY |
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Archbishop of York and Lord Chancellor |
SECRETARY |
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to Cardinal Wolsey |
BRANDON |
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SERGEANT-at-Arms |
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KING Henry the Eighth |
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of England |
Sir Thomas LOVELL |
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KATHERINE |
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of Aragon, Queen of England, later divorced |
Duke of SUFFOLK |
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SURVEYOR |
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to the Duke of Buckingham |
Lord CHAMBERLAIN |
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Lord SANDYS |
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ANNE Bullen |
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maid of honour to Katherine, later Queen of England |
Sir Henry GUILDFORD |
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SERVANT |
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at Wolsey’s party |
First GENTLEMAN |
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Second GENTLEMAN |
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Sir Nicholas VAUX |
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Cardinal CAMPEIUS |
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papal legate |
GARDINER |
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the King’s secretary, later Bishop of Winchester |
OLD LADY |
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friend to Anne Bullen |
Bishop of LINCOLN |
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GRIFFITH |
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Gentleman Usher to Katherine |
SCRIBE |
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to the court |
CRIER |
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to the court |
Earl of SURREY |
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son-in-law to the Duke of Buckingham |
Thomas CROMWELL |
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Wolsey’s secretary, later secretary to the Privy Council |
Lord CHANCELLOR |
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(Sir Thomas More) |
GARTER |
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King-of-Arms |
Third GENTLEMAN |
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PATIENCE |
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attendant on Katherine |
MESSENGER |
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at Kimbolton |
Lord CAPUTIUS |
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ambassador from the Holy Roman Emperor |
Gardiner’s PAGE |
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Sir Anthony DENNY |
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Thomas CRANMER |
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Archbishop of Canterbury |
Door KEEPER |
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of the Council Chamber |
Doctor BUTTS |
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the King’s physician |
PORTER |
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Porter’s MAN |
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EPILOGUE |
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Musicians, Guards, Secretaries, Noblemen, Ladies, Gentlemen, Masquers, Tipstaves, Halberdiers, Attendants, Common People, Vergers, Scribes, Archbishop of Canterbury, Bishops of Ely, Rochester and St Asaph, Priests, Gentleman Usher, Women attendant on Katherine, Judges, Choristers, Lord Mayor of London, Marquess of Dorset, four Barons of the Cinque Ports, Bishop of London, Duchess of Norfolk, six Dancers (spirits) in Katherine’s vision, Marchioness of Dorset, Aldermen, Servants, Grooms
PROLOGUE |
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I come no more to make you laugh: things now |
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That bear a weighty and a serious brow, |
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Sad, high and working, full of state and woe, |
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Such noble scenes as draw the eye to flow, |
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We now present. Those that can pity here |
5 |
May, if they think it well, let fall a tear: |
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The subject will deserve it. Such as give |
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Their money out of hope they may believe |
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May here find truth, too. Those that come to see |
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Only a show or two and so agree |
10 |
The play may pass, if they be still and willing |
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I’ll undertake may see away their shilling |
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Richly in two short hours. Only they |
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That come to hear a merry, bawdy play, |
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A noise of targets, or to see a fellow |
15 |
In a long motley coat guarded with yellow, |
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Will be deceived. For, gentle hearers, know |
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To rank our chosen truth with such a show |
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As fool and fight is, beside forfeiting |
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Our own brains and the opinion that we bring |
20 |
To make that only true we now intend, |
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Will leave us never an understanding friend. |
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Therefore, for goodness’ sake, and as you are known |
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The first and happiest hearers of the town, |
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Be sad, as we would make ye. Think ye see |
25 |
The very persons of our noble story |
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As they were living; think you see them great, |
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And followed with the general throng and sweat |
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Of thousand friends; then, in a moment, see |
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How soon this mightiness meets misery; |
30 |
And if you can be merry then, I’ll say |
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A man may weep upon his wedding day. Exit. |
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BUCKINGHAM |
|
Good morrow and well met. How have ye done |
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Since last we saw in France? |
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NORFOLK I thank your grace, |
|
Healthful, and ever since a fresh admirer |
|
Of what I saw there. |
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BUCKINGHAM An untimely ague |
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Stayed me a prisoner in my chamber when |
5 |
Those suns of glory, those two lights of men, |
|
Met in the vale of Andres. |
|
NORFOLK ’Twixt Guînes and Ardres |
|
I was then present, saw them salute on horseback, |
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Beheld them when they lighted, how they clung |
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In their embracement as they grew together – |
10 |
Which had they, what four throned ones could have weighed |
|
Such a compounded one? |
|
BUCKINGHAM All the whole time |
|
I was my chamber’s prisoner. |
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NORFOLK Then you lost |
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The view of earthly glory. Men might say |
|
Till this time pomp was single, but now married |
15 |
To one above itself. Each following day |
|
Became the next day’s master, till the last |
|
Made former wonders its. Today the French, |
|
All clinquant, all in gold like heathen gods, |
|
Shone down the English; and tomorrow they |
20 |
Made Britain India. Every man that stood |
|
Showed like a mine. Their dwarfish pages were |
|
As cherubims, all gilt. The madams too, |
|
Not used to toil, did almost sweat to bear |
|
The pride upon them, that their very labour |
25 |
Was to them as a painting. Now this masque |
|
Was cried incomparable; and th’ensuing night |
|
Made it a fool and beggar. The two kings, |
|
Equal in lustre, were now best, now worst, |
|
As presence did present them: him in eye, |
30 |
Still him in praise, and being present both, |
|
’Twas said they saw but one, and no discerner |
|
Durst wag his tongue in censure. When these suns – |
|
For so they phrase ’em – by their heralds challenged |
|
The noble spirits to arms, they did perform |
35 |
Beyond thought’s compass – that former fabulous story |
|
Being now seen possible enough, got credit |
|
That Bevis was believed. |
|
BUCKINGHAM O, you go far. |
|
NORFOLK As I belong to worship and affect |
|
In honour honesty, the tract of everything |
40 |
Would by a good discourser lose some life |
|
Which action’s self was tongue to. All was royal; |
|
To the disposing of it naught rebelled; |
|
Order gave each thing view; the office did |
|
Distinctly his full function. |
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BUCKINGHAM Who did guide – |
45 |
I mean, who set the body and the limbs |
|
Of this great sport together, as you guess? |
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NORFOLK One, certes, that promises no element |
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In such a business. |
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BUCKINGHAM I pray you who, my lord? |
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NORFOLK All this was ordered by the good discretion |
50 |
Of the right reverend Cardinal of York. |
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BUCKINGHAM |
|
The devil speed him! No man’s pie is freed |
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From his ambitious finger. What had he |
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To do in these fierce vanities? I wonder |
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That such a keech can with his very bulk |
55 |
Take up the rays o’th’ beneficial sun |
|
And keep it from the earth. |
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NORFOLK Surely, sir, |
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There’s in him stuff that puts him to these ends; |
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For being not propped by ancestry, whose grace |
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Chalks successors their way, nor called upon |
60 |
For high feats done to th’ crown, neither allied |
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To eminent assistants, but spider-like, |
|
Out of his self-drawing web, ’a gives us note |
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|
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A gift that heaven gives for him, which buys |
65 |
A place next to the King. |
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ABERGAVENNY I cannot tell |
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What heaven hath given him – let some graver eye |
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Pierce into that – but I can see his pride |
|
Peep through each part of him. Whence has he that? |
|
If not from hell, the devil is a niggard |
70 |
Or has given all before, and he begins |
|
A new hell in himself. |
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BUCKINGHAM Why the devil, |
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Upon this French going-out, took he upon him, |
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Without the privity o’th’ King, t’appoint |
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Who should attend on him? He makes up the file |
75 |
Of all the gentry, for the most part such |
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To whom as great a charge, as little honour |
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He meant to lay upon; and his own letter – |
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The honourable board of Council out – |
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Must fetch him in he papers. |
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ABERGAVENNY I do know |
80 |
Kinsmen of mine – three at the least – that have |
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By this so sickened their estates that never |
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They shall abound as formerly. |
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BUCKINGHAM O, many |
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Have broke their backs with laying manors on ’em |
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For this great journey. What did this vanity |
85 |
But minister communication of |
|
A most poor issue? |
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NORFOLK Grievingly, I think |
|
The peace between the French and us not values |
|
The cost that did conclude it. |
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BUCKINGHAM Every man, |
|
After the hideous storm that followed, was |
90 |
A thing inspired and, not consulting, broke |
|
Into a general prophecy, that this tempest, |
|
Dashing the garment of this peace, aboded |
|
The sudden breach on’t. |
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NORFOLK Which is budded out, |
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For France hath flawed the league, and hath attached |
95 |
Our merchants’ goods at Bordeaux. |
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ABERGAVENNY Is it therefore |
|
Th’ambassador is silenced? |
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NORFOLK Marry, is’t. |
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ABERGAVENNY A proper title of a peace, and purchased |
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At a superfluous rate. |
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BUCKINGHAM Why, all this business |
|
Our reverend Cardinal carried. |
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NORFOLK Like it your grace, |
100 |
The state takes notice of the private difference |
|
Betwixt you and the Cardinal. I advise you – |
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And take it from a heart that wishes towards you |
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Honour and plenteous safety – that you read |
|
The Cardinal’s malice and his potency |
105 |
Together; to consider further that |
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What his high hatred would effect wants not |
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A minister in his power. You know his nature, |
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That he’s revengeful, and I know his sword |
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Hath a sharp edge: it’s long, and’t may be said |
110 |
It reaches far, and where ’twill not extend, |
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Thither he darts it. Bosom up my counsel; |
|
You’ll find it wholesome. Lo, where comes that rock |
|
That I advise your shunning. |
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Enter Cardinal WOLSEY, the purse borne before him, certain of the guard and two Secretaries with papers. The Cardinal, in his passage, fixeth his eye on Buckingham, and Buckingham on him, both full of disdain. |
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WOLSEY The Duke of Buckingham’s surveyor, ha? |
115 |
Where’s his examination? |
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SECRETARY Here, so please you. |
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WOLSEY Is he in person ready? |
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SECRETARY Ay, please your grace. |
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WOLSEY |
|
Well, we shall then know more, and Buckingham |
|
Shall lessen this big look. |
|
Exeunt Cardinal and his train. |
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BUCKINGHAM |
|
This butcher’s cur is venom-mouthed, and I |
120 |
Have not the power to muzzle him: therefore best |
|
Not wake him in his slumber. A beggar’s book |
|
Outworths a noble’s blood. |
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NORFOLK What, are you chafed? |
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Ask God for temperance: that’s th’appliance only |
|
Which your disease requires. |
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BUCKINGHAM I read in’s looks |
125 |
Matter against me, and his eye reviled |
|
Me as his abject object. At this instant |
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He bores me with some trick. He’s gone to th’ King: |
|
I’ll follow and out-stare him. |
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NORFOLK Stay, my lord, |
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And let your reason with your choler question |
130 |
What ’tis you go about. To climb steep hills |
|
Requires slow pace at first. Anger is like |
|
A full hot horse, who being allowed his way |
|
Self-mettle tires him. Not a man in England |
|
Can advise me like you: be to yourself |
135 |
As you would to your friend. |
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BUCKINGHAM I’ll to the King, |
|
And from a mouth of honour quite cry down |
|
This Ipswich fellow’s insolence, or proclaim |
|
There’s difference in no persons. |
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NORFOLK Be advised: |
|
Heat not a furnace for your foe so hot |
140 |
That it do singe yourself. We may outrun |
|
By violent swiftness that which we run at, |
|
And lose by over-running. Know you not |
|
The fire that mounts the liquor till’t run o’er, |
|
In seeming to augment it, wastes it? Be advised: |
145 |
I say again there is no English soul |
|
More stronger to direct you than yourself, |
|
If with the sap of reason you would quench |
|
Or but allay the fire of passion. |
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BUCKINGHAM Sir, |
|
I am thankful to you, and I’ll go along |
150 |
|
|
Whom from the flow of gall I name not, but |
|
From sincere motions – by intelligence |
|
And proofs as clear as founts in July when |
|
We see each grain of gravel, I do know |
155 |
To be corrupt and treasonous. |
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NORFOLK Say not ‘treasonous’. |
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BUCKINGHAM |
|
To th’ King I’ll say’t, and make my vouch as strong |
|
As shore of rock. Attend. This holy fox, |
|
Or wolf, or both – for he is equal ravenous |
|
As he is subtle, and as prone to mischief |
160 |
As able to perform’t – his mind and place |
|
Infecting one another – yea, reciprocally – |
|
Only to show his pomp as well in France |
|
As here at home, suggests the King our master |
|
To this last costly treaty, th’interview |
165 |
That swallowed so much treasure and like a glass |
|
Did break i’th’ rinsing. |
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NORFOLK Faith, and so it did. |
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BUCKINGHAM |
|
Pray give me favour, sir. This cunning Cardinal |
|
The articles o’th’ combination drew |
|
As himself pleased; and they were ratified |
170 |
As he cried, ‘Thus let be’, to as much end |
|
As give a crutch to th’ dead. But our Count–Cardinal |
|
Has done this, and ’tis well: for worthy Wolsey, |
|
Who cannot err, he did it. Now this follows – |
|
Which, as I take it, is a kind of puppy |
175 |
To th’old dam treason – Charles the Emperor, |
|
Under pretence to see the Queen his aunt – |
|
For ’twas indeed his colour, but he came |
|
To whisper Wolsey – here makes visitation. |
|
His fears were that the interview betwixt |
180 |
England and France might through their amity |
|
Breed him some prejudice, for from this league |
|
Peeped harms that menaced him. He privily |
|
Deals with our Cardinal, and as I trow – |
|
Which I do well, for I am sure the Emperor |
185 |
Paid ere he promised, whereby his suit was granted |
|
Ere it was asked – but when the way was made |
|
And paved with gold, the Emperor thus desired |
|
That he would please to alter the King’s course |
|
And break the foresaid peace. Let the King know, |
190 |
As soon he shall by me, that thus the Cardinal |
|
Does buy and sell his honour as he pleases, |
|
And for his own advantage. |
|
NORFOLK I am sorry |
|
To hear this of him, and could wish he were |
|
Something mistaken in’t. |
|
BUCKINGHAM No, not a syllable. |
195 |
I do pronounce him in that very shape |
|
He shall appear in proof. |
|
Enter BRANDON, a Sergeant-at-Arms before him, and two or three of the guard. |
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BRANDON Your office, sergeant: execute it. |
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SERGEANT Sir, |
|
My lord the Duke of Buckingham, and Earl |
|
Of Hereford, Stafford and Northampton, I |
200 |
Arrest thee of high treason in the name |
|
Of our most sovereign King. |
|
BUCKINGHAM Lo you, my lord, |
|
The net has fallen upon me: I shall perish |
|
Under device and practice. |
|
BRANDON I am sorry |
|
To see you ta’en from liberty, to look on |
205 |
The business present. ’Tis his highness’ pleasure |
|
You shall to th’ Tower. |
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BUCKINGHAM It will help me nothing |
|
To plead mine innocence, for that dye is on me |
|
Which makes my whitest part black. The will of heaven |
|
Be done in this and all things: I obey. |
210 |
O my lord Abergavenny, fare you well. |
|
BRANDON Nay, he must bear you company. |
|
[to Abergavenny] The King |
|
Is pleased you shall to th’ Tower, till you know |
|
How he determines further. |
|
ABERGAVENNY As the Duke said, |
|
The will of heaven be done, and the King’s pleasure |
215 |
By me obeyed. |
|
BRANDON Here is a warrant from |
|
The King t’attach Lord Montague and the bodies |
|
Of the Duke’s confessor, John de la Court, |
|
One Gilbert Park, his chancellor – |
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BUCKINGHAM So, so; |
|
These are the limbs o’th’ plot. No more, I hope? |
220 |
BRANDON A monk o’th’ Chartreux. |
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BUCKINGHAM O, Nicholas Hopkins? |
|
BRANDON He. |
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BUCKINGHAM |
|
My surveyor is false: the o’er-great Cardinal |
|
Hath showed him gold. My life is spanned already. |
|
I am the shadow of poor Buckingham, |
|
Whose figure even this instant cloud puts on |
225 |
By darkening my clear sun. My lord, farewell. |
|
Exeunt. |
|
CHAMBERLAIN |
|
Is’t possible the spells of France should juggle |
|
Men into such strange mysteries? |
|
SANDYS New customs, |
|
Though they be never so ridiculous – |
|
Nay, let ’em be unmanly – yet are followed. |
|
CHAMBERLAIN |
5 |
As far as I see, all the good our English |
|
Have got by the late voyage is but merely |
|
A fit or two o’th’ face – but they are shrewd ones, |
|
For when they hold ’em you would swear directly |
|
Their very noses had been counsellors |
10 |
To Pepin or Clotharius, they keep state so. |
|
SANDYS |
|
They have all new legs, and lame ones. One would take it, |
|
That never see ’em pace before, the spavin |
|
Or springhalt reigned among ’em. |
|
CHAMBERLAIN Death, my lord, |
|
Their clothes are after such a pagan cut to’t, |
|
That sure they’ve worn out Christendom. |
|
Enter Sir Thomas LOVELL. |
|
How now? |
15 |
What news, Sir Thomas Lovell? |
|
LOVELL Faith, my lord, |
|
I hear of none but the new proclamation |
|
That’s clapped upon the Court Gate. |
|
CHAMBERLAIN What is’t for? |
|
LOVELL The reformation of our travelled gallants |
|
That fill the court with quarrels, talk and tailors. |
20 |
CHAMBERLAIN |
|
I’m glad ’tis there. Now I would pray our monsieurs |
|
To think an English courtier may be wise |
|
And never see the Louvre. |
|
LOVELL They must either, |
|
For so run the conditions, leave those remnants |
|
Of fool and feather that they got in France, |
25 |
With all their honourable points of ignorance |
|
Pertaining thereunto – as fights and fireworks; |
|
Abusing better men than they can be |
|
Out of a foreign wisdom – renouncing clean |
|
The faith they have in tennis and tall stockings, |
30 |
Short blistered breeches, and those types of travel, |
|
And understand again like honest men, |
|
Or pack to their old playfellows. There, I take it, |
|
They may, cum privilegio, oui away |
|
The lag end of their lewdness and be laughed at. |
35 |
SANDYS ’Tis time to give ’em physic, their diseases |
|
Are grown so catching. |
|
CHAMBERLAIN What a loss our ladies |
|
Will have of these trim vanities! |
|
LOVELL Ay, marry, |
|
There will be woe indeed, lords. The sly whoresons |
|
Have got a speeding trick to lay down ladies: |
40 |
A French song and a fiddle has no fellow. |
|
SANDYS The devil fiddle ’em! I am glad they are going, |
|
For sure there’s no converting of ’em. Now |
|
An honest country lord, as I am, beaten |
|
A long time out of play, may bring his plainsong |
45 |
And have an hour of hearing, and, by’r Lady, |
|
Held current music too. |
|
CHAMBERLAIN Well said, Lord Sandys. |
|
Your colt’s tooth is not cast yet? |
|
SANDYS No, my lord, |
|
Nor shall not while I have a stump. |
|
CHAMBERLAIN Sir Thomas, |
|
Whither were you a-going? |
|
LOVELL To the Cardinal’s. |
50 |
Your lordship is a guest too. |
|
CHAMBERLAIN O, ’tis true. |
|
This night he makes a supper, and a great one, |
|
To many lords and ladies. There will be |
|
The beauty of this kingdom, I’ll assure you. |
|
LOVELL |
|
That churchman bears a bounteous mind indeed, |
55 |
A hand as fruitful as the land that feeds us: |
|
His dews fall everywhere. |
|
CHAMBERLAIN No doubt he’s noble – |
|
He had a black mouth that said other of him. |
|
|
|
Sparing would show a worse sin than ill doctrine. |
60 |
Men of his way should be most liberal: |
|
They are set here for examples. |
|
CHAMBERLAIN True, they are so, |
|
But few now give so great ones. My barge stays. |
|
Your lordship shall along. Come, good Sir Thomas, |
|
We shall be late else, which I would not be, |
65 |
For I was spoke to, with Sir Henry Guildford, |
|
This night to be comptrollers. |
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SANDYS I am your lordship’s. Exeunt. |
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