The Two Noble Kinsmen

The Two Noble Kinsmen was printed in 1634 as the joint work of ‘those memorable worthies of their time’ John Fletcher and William Shakespeare, performed by the King’s Men at the Blackfriars Theatre. These claims fit the likely date of composition, 1613–14, making it the latest surviving play in which Shakespeare had a hand. A dance from The Masque of the Inner Temple and Gray’s Inn, by Fletcher’s regular collaborator Francis Beaumont, which was presented at Court on 20 February 1613 during the wedding celebrations of Princess Elizabeth and Frederick, Prince Palatine, supplied the characters (and presumably the costumes) for the morris dance in 3.5. Fletcher’s major share in the authorship meant that until the nineteenth century the play remained within the printed canon of ‘Beaumont and Fletcher’ rather than Shakespeare. Interest in The Two Noble Kinsmen revived after collaborative authorship of King Henry VIII began to be seriously proposed in the mid-nineteenth century, and since the 1970s it has regularly appeared in collected editions of Shakespeare. The mode of collaboration is uncertain but the scenes in which Shakespeare’s hand is most evident are mainly in the first and last acts (1.1–5; 2.1, 3[?]; 3.1–2; 4.3[?]; 5.1, 3–4), leaving to Fletcher the bulk of the central action and almost all of the subplot of the Jailer’s daughter.

Though the story of the siege of Thebes is pervasive in classical Greek and Latin literature, the playwrights relied on a medieval accretion to it. Chaucer’s version of the perplexities of the Theban cousins Palamon and Arcite in their rivalry for the love of Emilia, sister of the Amazon queen Hippolyta, bride of Theseus, is assigned to the Knight in The Canterbury Tales (c. 1385). Chaucer got the story from the Teseida of Giovanni Boccaccio (?late 1340s), behind which lies the Thebaid of Statius. Shakespeare had earlier used The Knight’s Tale for his treatment of Theseus and Hippolyta in A Midsummer Night’s Dream.

Like Chaucer’s tale, the play sets up a series of moral and emotional dilemmas for its characters. Should Theseus proceed with his wedding, or postpone it until he has avenged the widowed queens? Should Palamon and Arcite fight for their native Thebes, or flee from the corruptions of its king, their uncle Creon? Should their friendship prevail over their rivalry in love for Emilia? Should the Jailer’s daughter free Palamon at the risk of her father’s life? Should Emilia choose between marriage and virginity – or between her equally unknown and unwelcome suitors? The struggles of the characters to resolve these dilemmas culminate in a scene, adapted from Chaucer, in which Arcite, Palamon and Emilia in turn invoke their tutelary gods, Mars, Venus and Diana. Thereafter, we increasingly see them as pawns in a divine chess-game. The outcome, in which accidental death robs Arcite of his victory in combat and leaves Emilia to the disconsolate Palamon, is well characterized by Emilia’s cry, ‘Is this winning?’ Meanwhile the destructive passion of the Jailer’s daughter for Palamon moves through suicidal despair and madness to the apparent possibility of transference to her faithful Wooer by a therapy involving sexual relations with him under the pretence that he is Palamon. It is unclear how fully audiences are invited to endorse the statement of Theseus that ‘in the passage / The gods have been most equal’, or his determinist conclusion,

Let us be thankful

For that which is, and with you leave dispute

That are above our question.

The tone of the play varies sharply between elegaic solemnity and a brittle, even cynical, detachment. Since the 1970s, stage productions have proliferated after centuries of relative neglect. The play offers a powerful portrayal of the predicaments of women in a male-dominated world, and its unhappy open-endedness is congruous with the chastened mood of the turn of the century.

The 1997 Arden text is based on the 1634 Quarto.

LIST OF ROLES

Speaker of the PROLOGUE

BOY

singer in the wedding procession

Image

figures in the wedding procession

ATHENIANS

THESEUS

Duke of Athens

PIRITHOUS

friend of Theseus

HIPPOLYTA

bride of Theseus, an Amazon

EMILIA

sister of Hippolyta

OFFICER     (Artesius)

officer of Theseus

HERALD

 

WAITING WOMAN

to Emilia

JAILER

 

DAUGHTER

to Jailer

WOOER

to Jailer’s Daughter

BROTHER

to Jailer

Two FRIENDS

of Jailer

DOCTOR

 

MAID

companion to Jailer’s Daughter

SCHOOLMASTER     (Gerald)

 

Five COUNTRYMEN

(among them Arcas, Rycas, Sennois)

TABORER     (Timothy)

 

Actor playing BAVIAN

 

Five COUNTRYWOMEN

Barbary, Friz, Luce, Maudlin, Nell

GENTLEMEN

 

EXECUTIONER

 

Two MESSENGERS

 

THEBANS

 

Three QUEENS

widows of besiegers of Thebes

Image

cousins, nephews to Creon, King of Thebes

VALERIUS

Three KNIGHTS

supporters of Arcite

Three KNIGHTS

supporters of Palamon

Speaker of the EPILOGUE

Servants, Guards, Attendants, etc.

The Two Noble Kinsmen

PROLOGUE

Flourish. Enter Speaker of the Prologue.

 

New plays and maidenheads are near akin:

 

Much followed both, for both much money gi’en,

 

If they stand sound and well. And a good play,

 

Whose modest scenes blush on his marriage day

 

And shake to lose his honour, is like her

5

That after holy tie and first night’s stir

 

Yet still is Modesty and still retains

 

More of the maid, to sight, than husband’s pains.

 

We pray our play may be so, for I am sure

 

It has a noble breeder and a pure,

10

A learned, and a poet never went

 

More famous yet ’twixt Po and silver Trent.

 

Chaucer, of all admired, the story gives;

 

There, constant to eternity, it lives.

 

If we let fall the nobleness of this

15

And the first sound this child hear be a hiss,

 

How will it shake the bones of that good man

 

And make him cry from under ground, ‘Oh, fan

 

From me the witless chaff of such a writer

 

That blasts my bays and my famed works makes lighter

20

Than Robin Hood!’ This is the fear we bring;

 

For, to say truth, it were an endless thing

 

And too ambitious to aspire to him,

 

Weak as we are, and, almost breathless, swim

 

In this deep water. Do but you hold out

25

Your helping hands and we shall tack about

 

And something do to save us. You shall hear

 

Scenes, though below his art, may yet appear

 

Worth two hours’ travel. To his bones sweet sleep;

 

Content to you. If this play do not keep

30

A little dull time from us, we perceive

 

Our losses fall so thick, we must needs leave.

 

Flourish. Exit.

 

1.1 Music. Enter Hymen with a torch burning; a Boy, in a white robe, before, singing and strewing flowers; after Hymen, a Nymph encompassed in her tresses, bearing a wheaten garland. Then THESEUS between two other nymphs with wheaten chaplets on their heads. Then HIPPOLYTA the bride, led by PIRITHOUS and another holding a garland over her head (her tresses likewise hanging). After her, EMILIA, holding up her train; Artesius; attendants; musicians.

BOY     [Sings.]

 

Roses, their sharp spines being gone,

 

Not royal in their smells alone

 

But in their hue;

 

Maiden pinks of odour faint,

 

Daisies smell-less yet most quaint,

5

And sweet thyme true;

 

Primrose, first-born child of Ver,

 

Merry springtime’s harbinger,

 

With harebells dim,

 

Oxlips in their cradles growing,

10

Marigolds on deathbeds blowing,

 

Lark’s-heels trim: [Strews flowers.]

 

All dear Nature’s children sweet

 

Lie ’fore bride and bridegroom’s feet,

 

Blessing their sense.

15

Not an angel of the air,

 

Bird melodious, or bird fair,

 

Is absent hence.

 

The crow, the sland’rous cuckoo, nor

 

The boding raven, nor chough hoar,

20

Nor chatt’ring ’pie,

 

May on our bride-house perch or sing,

 

Or with them any discord bring,

 

But from it fly.

 

Enter three Queens in black, with veils stained, with imperial crowns. The First Queen falls down at the foot of Theseus; the Second falls down at the foot of Hippolyta; the Third before Emilia.

 

1QUEEN [to Theseus]

 

For pity’s sake and true gentility’s,

25

Hear and respect me.

 

2QUEEN [to Hippolyta] For your mother’s sake

 

And as you wish your womb may thrive with fair ones,

 

Hear and respect me.

 

3QUEEN [to Emilia]

 

Now, for the love of him whom Jove hath marked

 

The honour of your bed and for the sake

30

Of clear virginity, be advocate

 

For us and our distresses. This good deed

 

Shall raze you out o’th’ book of trespasses

 

All you are set down there.

 

THESEUS     Sad lady, rise.

 

HIPPOLYTA     Stand up.

 

EMILIA     No knees to me!

35

What woman I may stead that is distressed

 

Does bind me to her.

 

THESEUS

 

What’s your request?

 

[to First Queen] Deliver you for all.

 

1QUEEN

 

We are three queens whose sovereigns fell before

 

The wrath of cruel Creon, who endure

40

The beaks of ravens, talons of the kites

 

And pecks of crows, in the foul fields of Thebes.

 

He will not suffer us to burn their bones,

 

To urn their ashes, nor to take th’offence

 

Of mortal loathsomeness from the blest eye

45

Of holy Phoebus, but infects the winds

 

With stench of our slain lords. O pity, Duke;

 

Thou purger of the earth, draw thy feared sword

 

That does good turns to th’ world; give us the bones

 

Of our dead kings that we may chapel them;

50

And of thy boundless goodness take some note

 

That for our crowned heads we have no roof,

 

Save this which is the lion’s and the bear’s

 

And vault to every thing.

 

THESEUS     Pray you, kneel not:

 

I was transported with your speech and suffered

55

Your knees to wrong themselves. I have heard the fortunes

 

Of your dead lords, which gives me such lamenting

 

As wakes my vengeance and revenge for ’em.

 

[to First Queen] King Capaneus was your lord. The day

 

That he should marry you, at such a season

60

As now it is with me, I met your groom.

 

By Mars’s altar, you were that time fair!

 

Not Juno’s mantle fairer than your tresses

 

Nor in more bounty spread her. Your wheaten wreath

 

Was then nor threshed nor blasted; Fortune at you

65

Dimpled her cheek with smiles. Hercules our kinsman,

 

Then weaker than your eyes, laid by his club;

 

He tumbled down upon his Nemean hide

 

And swore his sinews thawed. O, grief and time,

 

Fearful consumers, you will all devour!

70

1QUEEN O, I hope some god,

 

Some god hath put his mercy in your manhood,

 

Whereto he’ll infuse power, and press you forth

 

Our undertaker.

 

THESEUS     O, no knees, none, widow.

 

Unto the helmeted Bellona use them,

75

And pray for me, your soldier.

 

Troubled I am. [Turns away.]

 

2QUEEN Honoured Hippolyta,

 

Most dreaded Amazonian, that hast slain

 

The scythe-tusked boar; that with thy arm, as strong

 

As it is white, wast near to make the male

80

To thy sex captive, but that this thy lord,

 

Born to uphold creation in that honour

 

First nature styled it in, shrunk thee into

 

The bound thou wast o’erflowing, at once subduing

 

Thy force and thy affection; soldieress,

85

That equally canst poise sternness with pity,

 

Whom now I know hast much more power on him

 

Than ever he had on thee, who ow’st his strength

 

And his love too, who is a servant for

 

The tenor of thy speech; dear glass of ladies:

90

Bid him that we, whom flaming war doth scorch,

 

Under the shadow of his sword may cool us.

 

Require him he advance it o’er our heads.

 

Speak’t in a woman’s key; like such a woman

 

As any of us three; weep ere you fail.

95

Lend us a knee;

 

But touch the ground for us no longer time

 

Than a dove’s motion, when the head’s plucked off.

 

Tell him, if he i’th’ blood-sized field lay swollen,

 

Showing the sun his teeth, grinning at the moon,

100

What you would do.

 

HIPPOLYTA     Poor lady, say no more.

 

I had as lief trace this good action with you

 

As that whereto I am going, and never yet

 

Went I so willing way. My lord is taken

 

Heart-deep with your distress. Let him consider:

105

I’ll speak anon. [Second Queen rises.]

 

3QUEEN     O, my petition was

 

Set down in ice, which by hot grief uncandied

 

Melts into drops; so sorrow, wanting form,

 

Is pressed with deeper matter.

 

EMILIA     Pray, stand up;

 

Your grief is written in your cheek.

 

3QUEEN     O, woe,

110

You cannot read it there. [Rises.]

 

     There, through my tears,

 

Like wrinkled pebbles in a glassy stream,

 

You may behold ’em. Lady, lady, alack,

 

He that will all the treasure know o’th’ earth

 

Must know the centre too; he that will fish

115

For my least minnow, let him lead his line

 

To catch one at my heart. O, pardon me;

 

Extremity, that sharpens sundry wits, Makes me a fool.

 

EMILIA     Pray you, say nothing, pray you:

 

Who cannot feel nor see the rain, being in’t,

120

Knows neither wet nor dry. If that you were

 

The ground-piece of some painter, I would buy you

 

T’instruct me ’gainst a capital grief, indeed

 

Such heart-pierced demonstration; but, alas,

 

Being a natural sister of our sex,

125

Your sorrow beats so ardently upon me

 

That it shall make a counter-reflect ’gainst

 

My brother’s heart and warm it to some pity,

 

Though it were made of stone. Pray, have good comfort.

 

THESEUS     Forward to th’ temple! Leave not out a jot

130

O’th’ sacred ceremony.

 

1QUEEN     O, this celebration

 

Will longer last and be more costly than

 

Your suppliants’ war! Remember that your fame

 

Knolls in the ear o’th’ world: what you do quickly

 

Is not done rashly; your first thought is more

135

Than others’ laboured meditance; your premeditating

 

More than their actions; but, O Jove, your actions,

 

Soon as they move, as ospreys do the fish,

 

Subdue before they touch. Think, dear Duke, think

 

What beds our slain kings have!

 

2QUEEN     What griefs our beds,

140

That our dear lords have none!

 

3QUEEN     None fit for th’ dead.

 

Those that with cords, knives, drams’ precipitance,

 

Weary of this world’s light, have to themselves

 

Been death’s most horrid agents, human grace

 

Affords them dust and shadow –

 

1QUEEN     But our lords

145

Lie blistering ’fore the visitating sun,

 

And were good kings when living.

 

THESEUS     It is true.

 

And I will give you comfort,

 

To give your dead lords graves – the which to do,

 

Must make some work with Creon.

 

1QUEEN     And that work

150

Presents itself to th’ doing.

 

Now ’twill take form; the heats are gone tomorrow.

 

Then, bootless toil must recompense itself

 

With its own sweat; now, he’s secure,

 

Nor dreams we stand before your puissance

155

Rinsing our holy begging in our eyes

 

To make petition clear.

 

2QUEEN     Now you may take him,

 

Drunk with his victory –

 

3QUEEN     And his army full

 

Of bread and sloth.

 

THESEUS     [to officer] Artesius, that best knowest

 

How to draw out fit to this enterprise

160

The prim’st for this proceeding and the number

 

To carry such a business – forth and levy

 

Our worthiest instruments, whilst we dispatch

 

This grand act of our life, this daring deed

 

Of fate in wedlock.

 

1QUEEN [to Second and Third Queens]

 

     Dowagers, take hands.

165

Let us be widows to our woes; delay

 

Commends us to a famishing hope.

 

QUEENS     Farewell!

 

2QUEEN

 

We come unseasonably; but when could grief

 

Cull forth, as unpanged judgement can, fitt’st time

 

For best solicitation?

 

THESEUS     Why, good ladies,

170

This is a service, whereto I am going,

 

Greater than any war; it more imports me

 

Than all the actions that I have foregone,

 

Or futurely can cope.

 

1QUEEN     The more proclaiming

 

Our suit shall be neglected when her arms,

175

Able to lock Jove from a synod, shall

 

By warranting moonlight corslet thee. O, when

 

Her twinning cherries shall their sweetness fall

 

Upon thy taste-full lips, what wilt thou think

 

Of rotten kings or blubbered queens? What care

180

For what thou feel’st not, what thou feel’st being able

 

To make Mars spurn his drum? O, if thou couch

 

But one night with her, every hour in’t will

 

Take hostage of thee for a hundred and

 

Thou shalt remember nothing more than what

185

That banquet bids thee to.

 

HIPPOLYTA     Though much unlike

 

You should be so transported, as much sorry

 

I should be such a suitor, yet I think,

 

Did I not, by th’abstaining of my joy

 

Which breeds a deeper longing, cure their surfeit

190

That craves a present med’cine, I should pluck

 

All ladies’ scandal on me. Therefore, sir, [Kneels.]

 

As I shall here make trial of my prayers,

 

Either presuming them to have some force,

 

Or sentencing for aye their vigour dumb,

195

Prorogue this business we are going about and hang

 

Your shield afore your heart, about that neck

 

Which is my fee and which I freely lend

 

To do these poor queens service.

 

QUEENS [to Emilia]     Oh, help now.

 

Our cause cries for your knee.

 

EMILIA [Kneels, to Theseus]     If you grant not

200

My sister her petition in that force,

 

With that celerity and nature, which

 

She makes it in, from henceforth I’ll not dare

 

To ask you anything nor be so hardy

 

Ever to take a husband.

 

THESEUS     Pray, stand up.

205

I am entreating of my self to do

 

That which you kneel to have me. [They rise.] Pirithous,

 

Lead on the bride; get you and pray the gods

 

For success and return; omit not anything

 

In the pretended celebration. – Queens,

210

Follow your soldier.

 

[to officer]     As before – hence, you,

 

And at the banks of Aulis meet us with

 

The forces you can raise, where we shall find

 

The moiety of a number for a business

 

More bigger-looked.     Exit officer.

 

[to Hippolyta]     Since that our theme is haste,

215

I stamp this kiss upon thy current lip;

 

Sweet, keep it as my token. Set you forward,

 

For I will see you gone.

 

[Procession moves toward the temple.]

 

– Farewell, my beauteous sister. – Pirithous,

 

Keep the feast full; bate not an hour on’t.

 

PIRITHOUS     Sir,

220

I’ll follow you at heels; the feast’s solemnity

 

Shall want till your return.

 

THESEUS     Cousin, I charge you,

 

Budge not from Athens. We shall be returning

 

Ere you can end this feast, of which I pray you

 

Make no abatement. Once more, farewell all.

225

     Exeunt all except Theseus and Queens.

 

1QUEEN

 

Thus dost thou still make good the tongue o’th’ world –

 

2QUEEN And earn’st a deity equal with Mars –

 

3QUEEN If not above him, for

 

Thou, being but mortal, mak’st affections bend

 

To godlike honours; they themselves, some say,

230

Groan under such a mast’ry.

 

THESEUS     As we are men,

 

Thus should we do; being sensually subdued,

 

We lose our human title. Good cheer, ladies:

 

Now turn we towards your comforts.

 

Flourish. Exeunt.

 

1.2 Enter PALAMON and ARCITE.

ARCITE     Dear Palamon, dearer in love than blood

 

And our prime cousin: yet unhardened in

 

The crimes of nature, let us leave the city

 

Thebes and the temptings in’t, before we further

 

Sully our gloss of youth

5

And here to keep in abstinence we shame

 

As in incontinence; for not to swim

 

I’th’ aid o’th’ current, were almost to sink,

 

At least to frustrate striving, and to follow

 

The common stream, ’twould bring us to an eddy

10

Where we should turn or drown; if labour through,

 

Our gain but life and weakness.

 

PALAMON     Your advice

 

Is cried up with example. What strange ruins,

 

Since first we went to school, may we perceive

 

Walking in Thebes! Scars and bare weeds

15

The gain o’th’ martialist, who did propound

 

To his bold ends honour and golden ingots,

 

Which, though he won, he had not – and now flurted

 

By Peace for whom he fought! Who then shall offer

 

To Mars’s so scorned altar? I do bleed

20

When such I meet and wish great Juno would

 

Resume her ancient fit of jealousy

 

To get the soldier work, that Peace might purge

 

For her repletion and retain anew

 

Her charitable heart, now hard and harsher

25

Than strife or war could be.

 

ARCITE     Are you not out?

 

Meet you no ruin but the soldier in

 

The cranks and turns of Thebes? You did begin

 

As if you met decays of many kinds.

 

Perceive you none that do arouse your pity

30

But th’unconsidered soldier?

 

PALAMON     Yes, I pity

 

Decays where’er I find them, but such most

 

That, sweating in an honourable toil,

 

Are paid with ice to cool ’em.

 

ARCITE     ’Tis not this

 

I did begin to speak of. This is virtue

35

Of no respect in Thebes. I spake of Thebes –

 

How dangerous, if we will keep our honours,

 

It is for our residing, where every evil

 

Hath a good colour; where every seeming good’s

 

A certain evil; where not to be e’en jump

40

As they are here were to be strangers, and,

 

Such things to be, mere monsters.

 

PALAMON     ’Tis in our power,

 

Unless we fear that apes can tutor’s, to

 

Be masters of our manners. What need I

 

Affect another’s gait, which is not catching

45

Where there is faith, or to be fond upon

 

Another’s way of speech when by mine own

 

I may be reasonably conceived, saved too,

 

Speaking it truly? Why am I bound

 

By any generous bond to follow him

50

Follows his tailor, haply so long until

 

The followed make pursuit? Or let me know

 

Why mine own barber is unblessed, with him

 

My poor chin too, for ’tis not scissored just

 

To such a favourite’s glass? What canon is there

55

That does command my rapier from my hip

 

To dangle’t in my hand, or to go tiptoe

 

Before the street be foul? Either I am

 

The fore-horse in the team or I am none

 

That draw i’th’ sequent trace. These poor slight sores

60

Need not a plantain; that which rips my bosom

 

Almost to th’ heart’s –

 

ARCITE     Our uncle Creon.

 

PALAMON     He.

 

A most unbounded tyrant, whose successes

 

Makes heaven unfeared and villainy assured

 

Beyond its power there’s nothing; almost puts

65

Faith in a fever and deifies alone

 

Voluble Chance; who only attributes

 

The faculties of other instruments

 

To his own nerves and act; commands men service

 

And what they win in’t, boot and glory; one

70

That fears not to do harm; good, dares not. Let

 

The blood of mine that’s sib to him be sucked

 

From me with leeches, let them break and fall

 

Off me with that corruption.

 

ARCITE     Clear-spirited cousin,

 

Let’s leave his court, that we may nothing share

75

Of his loud infamy; for our milk

 

Will relish of the pasture and we must

 

Be vile or disobedient: not his kinsmen

 

In blood unless in quality.

 

PALAMON     Nothing truer:

 

I think the echoes of his shames have deafed

80

The ears of heavenly Justice. Widows’ cries

 

Descend again into their throats and have not

 

Due audience of the gods.

 

Enter VALERIUS.

 

Valerius!

 

VALERIUS     The king calls for you; yet be leaden-footed

 

Till his great rage be off him. Phoebus, when

85

He broke his whipstock and exclaimed against

 

The horses of the sun, but whispered to

 

The loudness of his fury.

 

PALAMON     Small winds shake him.

 

But what’s the matter?

 

VALERIUS

 

THESEUS, who, where he threats, appals, hath sent

90

Deadly defiance to him and pronounces

 

Ruin to Thebes, who is at hand to seal

 

The promise of his wrath.

 

ARCITE     Let him approach.

 

But that we fear the gods in him, he brings not

 

A jot of terror to us. Yet what man

95

Thirds his own worth (the case is each of ours)

 

When that his action’s dregged with mind assured

 

’Tis bad he goes about?

 

PALAMON     Leave that unreasoned.

 

Our services stand now for Thebes, not Creon.

 

Yet to be neutral to him were dishonour,

100

Rebellious to oppose; therefore we must

 

With him stand to the mercy of our fate,

 

Who hath bounded our last minute.

 

ARCITE     So we must.

 

[to Valerius] Is’t said this war’s afoot, or, it shall be,

 

On fail of some condition?

 

VALERIUS     ’Tis in motion.

105

The intelligence of state came in the instant

 

With the defier.

 

PALAMON     Let’s to the king – who, were he

 

A quarter-carrier of that honour which

 

His enemy come in, the blood we venture

 

Should be as for our health, which were not spent,

110

Rather laid out for purchase; but, alas,

 

Our hands advanced before our hearts, what will

 

The fall o’th’ stroke do damage?

 

ARCITE     Let th’event,

 

That never-erring arbitrator, tell us

 

When we know all ourselves – and let us follow

115

The becking of our chance.     Exeunt.

 

1.3 Enter PIRITHOUS, HIPPOLYTA and EMILIA.

PIRITHOUS     No further.

 

HIPPOLYTA     Sir, farewell; repeat my wishes

 

To our great lord, of whose success I dare not

 

Make any timorous question; yet I wish him

 

Excess and overflow of power, an’t might be

 

To dure ill-dealing fortune. Speed to him!

5

Store never hurts good governors.

 

PIRITHOUS     Though I know

 

His ocean needs not my poor drops, yet they

 

Must yield their tribute there.

 

[to Emilia]     My precious maid,

 

Those best affections that the heavens infuse

 

In their best-tempered pieces keep enthroned

10

In your dear heart.

 

EMILIA     Thanks, sir. Remember me

 

To our all-royal brother, for whose speed

 

The great Bellona I’ll solicit; and,

 

Since in our terrene state petitions are not

 

Without gifts understood, I’ll offer to her

15

What I shall be advised she likes. Our hearts

 

Are in his army, in his tent –

 

HIPPOLYTA     In’s bosom.

 

We have been soldiers and we cannot weep

 

When our friends don their helms, or put to sea,

 

Or tell of babes broached on the lance, or women

20

That have sod their infants in (and after eat them)

 

The brine they wept at killing ’em. Then, if

 

You stay to see of us such spinsters, we

 

Should hold you here forever.

 

PIRITHOUS     Peace be to you

 

As I pursue this war, which shall be then

25

Beyond further requiring.     Exit.

 

EMILIA     How his longing

 

Follows his friend! Since his depart, his sports,

 

Though craving seriousness and skill, passed slightly

 

His careless execution, where nor gain

 

Made him regard or loss consider, but,

30

Playing one business in his hand, another

 

Directing in his head, his mind nurse equal

 

To these so-differing twins. Have you observed him,

 

Since our great lord departed?

 

HIPPOLYTA     With much labour,

 

And I did love him for’t. They two have cabined

35

In many as dangerous as poor a corner,

 

Peril and want contending; they have skiffed

 

Torrents whose roaring tyranny and power

 

I’th’ least of these was dreadful; and they have

 

Sought out together where Death’s self was lodged;

40

Yet fate hath brought them off. Their knot of love,

 

Tied, weaved, entangled, with so true, so long,

 

And with a finger of so deep a cunning,

 

May be outworn, never undone. I think

 

theseus cannot be umpire to himself,

45

Cleaving his conscience into twain and doing

 

Each side like justice, which he loves best.

 

EMILIA     Doubtless,

 

There is a best and reason has no manners

 

To say it is not you. I was acquainted

 

Once with a time when I enjoyed a play-fellow.

50

You were at wars when she the grave enriched,

 

Who made too proud the bed – took leave o’th’ moon

 

(Which then looked pale at parting) when our count

 

Was each eleven.

 

HIPPOLYTA     ’Twas Flavina.

 

EMILIA     Yes.

 

You talk of Pirithous’ and Theseus’ love.

55

Theirs has more ground, is more maturely seasoned,

 

More buckled with strong judgement, and their needs

 

The one of th’other may be said to water

 

Their intertangled roots of love – but I

 

And she I sigh and spoke of were things innocent,

60

Loved for we did and like the elements

 

That know not what nor why, yet do effect

 

Rare issues by their operance; our souls

 

Did so to one another. What she liked

 

Was then of me approved; what not, condemned –

65

No more arraignment. The flower that I would pluck

 

And put between my breasts (then but beginning

 

To swell about the blossom), O, she would long

 

Till she had such another, and commit it

 

To the like innocent cradle, where phoenix-like

70

They died in perfume. On my head no toy

 

But was her pattern; her affections – pretty,

 

Though happily her careless wear – I followed

 

For my most serious decking; had mine ear

 

Stol’n some new air or at adventure hummed one

75

From musical coinage, why, it was a note

 

Whereon her spirits would sojourn – rather, dwell on,

 

And sing it in her slumbers. This rehearsal,

 

Which fury-innocent wots well, comes in

 

Like old importment’s bastard, has this end:

80

That the true love ’tween maid and maid may be

 

More than in sex dividual.

 

HIPPOLYTA     You’re out of breath!

 

And this high-speeded pace is but to say

 

That you shall never, like the maid Flavina,

 

Love any that’s called man.

 

EMILIA     I am sure I shall not.

85

HIPPOLYTA     Now, alack, weak sister,

 

I must no more believe thee in this point,

 

Though in’t I know thou dost believe thy self,

 

Than I will trust a sickly appetite

 

That loathes even as it longs. But sure, my sister,

90

If I were ripe for your persuasion, you

 

Have said enough to shake me from the arm

 

Of the all-noble Theseus – for whose fortunes

 

I will now in and kneel, with great assurance

 

That we, more than his Pirithous, possess

95

The high throne in his heart.

 

EMILIA     I am not

 

Against your faith, yet I continue mine.     Exeunt.

 

1.4 Cornets. A battle struck within; then a retreat. Flourish. Then enter THESEUS as victor, with a Herald, other lords, and soldiers, PALAMON and ARCITE on hearses The three Queens meet him and fall on their faces before him.

1QUEEN To thee no star be dark!

 

2QUEEN     Both heaven and earth

 

Friend thee forever!

 

3QUEEN     All the good that may

 

Be wished upon thy head, I cry ‘Amen’ to’t!

 

THESEUS

 

Th’impartial gods, who from the mounted heavens

 

View us, their mortal herd, behold who err

5

And, in their time, chastise. Go and find out

 

The bones of your dead lords and honour them

 

With treble ceremony, rather than a gap

 

Should be in their dear rites. We would supply’t,

 

But those we will depute, which shall invest

10

You in your dignities and even each thing

 

Our haste does leave imperfect. So adieu,

 

And heaven’s good eyes look on you.     Exeunt Queens.

 

[Theseus notices the two hearses.]     What are those?

 

HERALD     Men of great quality, as may be judged

 

By their appointment. Some of Thebes have told’s

15

They are sisters’ children, nephews to the King.

 

THESEUS     By th’ helm of Mars, I saw them in the war,

 

Like to a pair of lions, smeared with prey,

 

Make lanes in troops aghast. I fixed my note

 

Constantly on them, for they were a mark

20

Worth a god’s view. What prisoner was’t that told me

 

When I enquired their names?

 

HERALD     Wi’ leave, they’re called

 

Arcite and Palamon.

 

THESEUS     ’Tis right; those, those.

 

They are not dead?

 

HERALD     Nor in a state of life. Had they been taken

25

When their last hurts were given, ’twas possible

 

They might have been recovered; yet they breathe

 

And have the name of men.

 

THESEUS     Then like men use ’em.

 

The very lees of such, millions of rates,

 

Exceed the wine of others. All our surgeons

30

Convent in their behoof; our richest balms,

 

Rather than niggard, waste; their lives concern us

 

Much more than Thebes is worth. Rather than have ’em

 

Freed of this plight and in their morning state,

 

Sound and at liberty, I would ’em dead;

35

But forty-thousandfold we had rather have ’em

 

Prisoners to us than death. Bear ’em speedily

 

From our kind air, to them unkind, and minister

 

What man to man may do, for our sake – more,

 

Since I have known frights, fury, friends’ behests,

40

Love’s provocations, zeal, a mistress’ task,

 

Desire of liberty, a fever, madness,

 

Hath set a mark which nature could not reach to

 

Without some imposition, sickness in will

 

O’er-wrestling strength in reason. For our love

45

And great Apollo’s mercy, all our best

 

Their best skill tender. Lead into the city,

 

Where having bound things scattered, we will post

 

To Athens ’fore our army.     Flourish. Exeunt.

 

1.5 Music. Enter the Queens with the hearses of their knights, in a funeral solemnity.

The Dirge.

 

Urns and odours bring away;

 

Vapours, sighs, darken the day;

 

Our dole more deadly looks than dying –

 

Balms and gums and heavy cheers,

 

Sacred vials fill’d with tears,

5

And clamours through the wild air flying.

 

Come, all sad and solemn shows

 

That are quick-eyed Pleasure’s foes;

 

We convent naught else but woes.

 

We convent naught else but woes.

10

3QUEEN

 

This funeral path brings to your household’s grave:

 

Joy seize on you again; peace sleep with him.

 

2QUEEN And this to yours.

 

1QUEEN     Yours this way. Heavens lend

 

A thousand differing ways to one sure end.

 

3QUEEN This world’s a city full of straying streets,

15

And death’s the market-place where each one meets.

 

Exeunt severally.

 

2.1 Enter Jailer and Wooer.

JAILER     I may depart with little while I live; something I

 

may cast to you, not much. Alas, the prison I keep,

 

though it be for great ones, yet they seldom come;

 

before one salmon, you shall take a number of

 

minnows. I am given out to be better lined than it can

5

appear to me report is a true speaker. I would I were

 

really that I am delivered to be. Marry, what I have, be

 

it what it will, I will assure upon my daughter at the

 

day of my death.

 

WOOER     Sir, I demand no more than your own offer and

10

I will estate your daughter in what I have promised.

 

JAILER     Well, we will talk more of this when the

 

solemnity is past. But have you a full promise of her?

 

Enter the Jailer’s Daughter carrying rushes.

 

When that shall be seen, I tender my consent.

 

WOOER     I have, Sir. Here she comes.

15

JAILER     [to his Daughter] Your friend and I have chanced

 

to name you here, upon the old business. But no more

 

of that now; so soon as the court hurry is over, we will

 

have an end of it. I’th’ meantime, look tenderly to the

 

two prisoners. I can tell you, they are princes.

20

DAUGHTER     These strewings are for their chamber. ’Tis

 

pity they are in prison and ’twere pity they should be

 

out. I do think they have patience to make any

 

adversity ashamed. The prison itself is proud of ’em

 

and they have all the world in their chamber.

25

JAILER     They are famed to be a pair of absolute men.

 

DAUGHTER     By my troth, I think Fame but stammers

 

’em; they stand a grise above the reach of report.

 

JAILER     I heard them reported in the battle to be the only

 

doers.

30

DAUGHTER     Nay, most likely, for they are noble

 

sufferers. I marvel how they would have looked had

 

they been victors, that with such a constant nobility

 

enforce a freedom out of bondage, making misery

 

their mirth and affliction a toy to jest at.

35

JAILER     Do they so?

 

DAUGHTER     It seems to me they have no more sense of

 

their captivity than I of ruling Athens. They eat well,

 

look merrily, discourse of many things, but nothing of

 

their own restraint and disasters. Yet sometime a

40

divided sigh, martyred, as ’twere, i’th’ deliverance,

 

will break from one of them – when the other

 

presently gives it so sweet a rebuke that I could wish

 

myself a sigh to be so chid, or at least a sigher to be

 

comforted.

45

WOOER     I never saw ’em.

 

JAILER     The Duke himself came privately in the night

 

and so did they.

 

Enter PALAMON and ARCITE, above.

 

What the reason of it is, I know not. Look, yonder they

 

are; that’s Arcite looks out.

50

DAUGHTER     No, sir, no, that’s Palamon. Arcite is the

 

lower of the twain; you may perceive a part of him.

 

JAILER     Go to, leave your pointing; they would not make

 

us their object. Out of their sight.

 

DAUGHTER     It is a holiday to look on them. Lord, the

55

difference of men!     Exeunt.

 

2.2 Enter PALAMON and ARCITE in prison.

PALAMON     How do you, noble cousin?

 

ARCITE     How do you, sir?

 

PALAMON     Why, strong enough to laugh at misery

 

And bear the chance of war; yet we are prisoners,

 

I fear, forever, cousin.

 

ARCITE     I believe it

 

And to that destiny have patiently

5

Laid up my hour to come.

 

PALAMON     O, cousin Arcite,

 

Where is Thebes now? Where is our noble country?

 

Where are our friends and kindreds? Never more

 

Must we behold those comforts, never see

 

The hardy youths strive for the games of honour,

10

Hung with the painted favours of their ladies,

 

Like tall ships under sail – then start amongst ’em,

 

And as an east wind leave ’em all behind us,

 

Like lazy clouds, whilst Palamon and Arcite,

 

Even in the wagging of a wanton leg,

15

Outstripped the people’s praises, won the garlands,

 

Ere they have time to wish ’em ours. O, never

 

Shall we two exercise, like twins of honour,

 

Our arms again and feel our fiery horses

 

Like proud seas under us; our good swords now

20

(Better the red-eyed god of war ne’er wore),

 

Ravished our sides, like age must run to rust

 

And deck the temples of those gods that hate us.

 

These hands shall never draw ’em out like lightning

 

To blast whole armies more.

 

ARCITE     No, Palamon,

25

Those hopes are prisoners with us. Here we are,

 

And here the graces of our youths must wither

 

Like a too-timely spring; here age must find us

 

And, which is heaviest, Palamon, unmarried.

 

The sweet embraces of a loving wife,

30

Loaden with kisses, armed with thousand Cupids,

 

Shall never clasp our necks; no issue know us;

 

No figures of ourselves shall we e’er see,

 

To glad our age, and like young eagles teach ’em

 

Boldly to gaze against bright arms and say,

35

‘Remember what your fathers were, and conquer!’

 

The fair-eyed maids shall weep our banishments

 

And in their songs curse ever-blinded Fortune

 

Till she for shame see what a wrong she has done

 

To youth and nature. This is all our world.

40

We shall know nothing here but one another,

 

Hear nothing but the clock that tells our woes.

 

The vine shall grow but we shall never see it;

 

Summer shall come and with her all delights,

 

But dead-cold winter must inhabit here still.

45

PALAMON     ’Tis too true, Arcite. To our Theban hounds

 

That shook the aged forest with their echoes

 

No more now must we hallow, no more shake

 

Our pointed javelins whilst the angry swine

 

Flies like a Parthian quiver from our rages,

50

Struck with our well-steeled darts. All valiant uses,

 

The food and nourishment of noble minds,

 

In us two here shall perish; we shall die,

 

Which is the curse of honour, lastly,

 

Children of grief and ignorance.

 

ARCITE     Yet, cousin,

55

Even from the bottom of these miseries,

 

From all that Fortune can inflict upon us,

 

I see two comforts rising, two mere blessings,

 

If the gods please: to hold here a brave patience

 

And the enjoying of our griefs together.

60

While Palamon is with me, let me perish

 

If I think this our prison!

 

PALAMON     Certainly,

 

’Tis a main goodness, cousin, that our fortunes

 

Were twined together; ’tis most true, two souls

 

Put in two noble bodies, let ’em suffer

65

The gall of hazard, so they grow together,

 

Will never sink; they must not, say they could.

 

A willing man dies sleeping and all’s done.

 

ARCITE     Shall we make worthy uses of this place

 

That all men hate so much?

 

PALAMON     How, gentle cousin?

70

ARCITE     Let’s think this prison holy sanctuary,

 

To keep us from corruption of worse men.

 

We are young and yet desire the ways of honour,

 

That liberty and common conversation,

 

The poison of pure spirits, might, like women,

75

Woo us to wander from. What worthy blessing

 

Can be but our imaginations

 

May make it ours? And here being thus together,

 

We are an endless mine to one another;

 

We are one another’s wife, ever begetting

80

New births of love; we are father, friends, acquaintance,

 

We are, in one another, families;

 

I am your heir and you are mine. This place

 

Is our inheritance; no hard oppressor

 

Dare take this from us; here, with a little patience,

85

We shall live long and loving. No surfeits seek us;

 

The hand of war hurts none here, nor the seas

 

Swallow their youth. Were we at liberty,

 

A wife might part us lawfully, or business;

 

Quarrels consume us; envy of ill men

90

Crave our acquaintance. I might sicken, cousin,

 

Where you should never know it, and so perish

 

Without your noble hand to close mine eyes,

 

Or prayers to the gods. A thousand chances,

 

Were we from hence, would sever us.

 

PALAMON     You have made me –

95

I thank you, cousin Arcite – almost wanton

 

With my captivity: what a misery

 

It is to live abroad and everywhere!

 

’Tis like a beast, methinks. I find the court here –

 

I am sure, a more content; and all those pleasures

100

That woo the wills of men to vanity,

 

I see through now and am sufficient

 

To tell the world ’tis but a gaudy shadow

 

That old Time as he passes by takes with him.

 

What had we been, old in the court of Creon,

105

Where sin is justice, lust and ignorance

 

The virtues of the great ones? Cousin Arcite,

 

Had not the loving gods found this place for us,

 

We had died as they do, ill old men, unwept,

 

And had their epitaphs, the people’s curses.

110

Shall I say more?

 

ARCITE     I would hear you still.

 

PALAMON     You shall.

 

Is there record of any two that loved

 

Better than we do, Arcite?

 

ARCITE     Sure there cannot.

 

PALAMON     I do not think it possible our friendship

 

Should ever leave us.

 

ARCITE     Till our deaths it cannot.

115

Enter EMILIA and her Woman.

 

And after death our spirits shall be led

 

To those that love eternally. [Palamon sees Emilia.]

 

     Speak on, sir.

 

EMILIA     This garden has a world of pleasures in’t.

 

What flower is this?

 

WOMAN     ’Tis called narcissus, madam.

 

EMILIA     That was a fair boy, certain, but a fool

120

To love himself. Were there not maids enough?

 

ARCITE     [to Palamon] Pray, forward.

 

PALAMON     Yes –

 

EMILIA     Or were they all hard-hearted?

 

WOMAN     They could not be to one so fair.

 

EMILIA     Thou wouldst not.

 

WOMAN     I think I should not, madam.

 

EMILIA     That’s a good wench.

 

But take heed to your kindness, though.

 

WOMAN     Why, madam?

125

EMILIA     Men are mad things.

 

ARCITE     Will ye go forward, cousin?

 

EMILIA

 

Canst not thou work such flowers in silk, wench?

 

WOMAN     Yes.

 

EMILIA     I’ll have a gown full o’ ’em, and of these.

 

This is a pretty colour; will’t not do

 

Rarely upon a skirt, wench?

 

WOMAN     Dainty, madam.

130

ARCITE

 

Cousin, cousin! how do you, sir? Why, Palamon!

 

PALAMON     Never till now was I in prison, Arcite.

 

ARCITE     Why, what’s the matter, man?

 

PALAMON     [Indicates Emilia.] Behold, and wonder!

 

By heaven, she is a goddess.

 

ARCITE     [Sees Emilia.]     Ha!

 

PALAMON     Do reverence.

 

She is a goddess, Arcite.

 

EMILIA     Of all flowers

135

Methinks a rose is best.

 

WOMAN     Why, gentle madam?

 

EMILIA     It is the very emblem of a maid.

 

For, when the west wind courts her gently,

 

How modestly she blows and paints the sun

 

With her chaste blushes! When the north comes near her,

140

Rude and impatient, then, like chastity,

 

She locks her beauties in her bud again

 

And leaves him to base briars.

 

WOMAN     Yet, good madam,

 

Sometimes her modesty will blow so far

 

She falls for’t. A maid,

145

If she have any honour, would be loath

 

To take example by her.

 

EMILIA     Thou art wanton.

 

ARCITE     She is wondrous fair.

 

PALAMON     She is all the beauty extant.

 

EMILIA

 

The sun grows high; let’s walk in. Keep these flowers.

 

We’ll see how near art can come near their colours.

150

I am wondrous merry-hearted; I could laugh now.

 

WOMAN     I could lie down, I am sure.

 

EMILIA     And take one with you?

 

WOMAN     That’s as we bargain, madam.

 

EMILIA     Well, agree then.

 

     Exeunt Emilia and Woman.

 

PALAMON     What think you of this beauty?

 

ARCITE     ’Tis a rare one.

 

PALAMON     Is’t but a rare one?

 

ARCITE     Yes, a matchless beauty.

155

PALAMON

 

Might not a man well lose himself and love her?

 

ARCITE     I cannot tell what you have done; I have,

 

Beshrew mine eyes for’t; now I feel my shackles.

 

PALAMON     You love her then?

 

ARCITE     Who would not?

 

PALAMON     And desire her?

 

ARCITE     Before my liberty.

 

PALAMON     I saw her first.

160

ARCITE     That’s nothing.

 

PALAMON     But it shall be.

 

ARCITE     I saw her too.

 

PALAMON          Yes, but you must not love her.

 

ARCITE     I will not as you do, to worship her

 

As she is heavenly and a blessed goddess.

 

I love her as a woman, to enjoy her:

165

So both may love.

 

PALAMON     You shall not love at all.

 

ARCITE     Not love at all!

 

Who shall deny me?

 

PALAMON     I that first saw her, I that took possession

 

First with mine eye of all those beauties in her

170

Revealed to mankind! If thou lovest her,

 

Or entertain’st a hope to blast my wishes,

 

Thou art a traitor, Arcite, and a fellow

 

False as thy title to her. Friendship, blood,

 

And all the ties between us, I disclaim,

175

If thou once think upon her.

 

ARCITE     Yes, I love her

 

And, if the lives of all my name lay on it,

 

I must do so; I love her with my soul:

 

If that will lose ye, farewell, Palamon.

 

I say again,

180

I love her and in loving her maintain

 

I am as worthy and as free a lover,

 

And have as just a title to her beauty,

 

As any Palamon, or any living

 

That is a man’s son.

 

PALAMON     Have I called thee friend?

185

ARCITE

 

Yes, and have found me so; why are you moved thus?

 

Let me deal coldly with you: am not I

 

Part of your blood, part of your soul? you have told me

 

That I was Palamon and you were Arcite.

 

PALAMON     Yes.

 

ARCITE     Am not I liable to those affections,

190

Those joys, griefs, angers, fears, my friend shall

 

suffer?

 

PALAMON     Ye may be.

 

ARCITE     Why then would you deal so cunningly,

 

So strangely, so unlike a noble kinsman,

 

To love alone? Speak truly: do you think me

 

Unworthy of her sight?

 

PALAMON     No, but unjust

195

If thou pursue that sight.

 

ARCITE     Because another

 

First sees the enemy, shall I stand still

 

And let mine honour down, and never charge?

 

PALAMON     Yes, if he be but one.

 

ARCITE     But say that one

 

Had rather combat me?

 

PALAMON     Let that one say so,

200

And use thy freedom. Else, if thou pursuest her,

 

Be as that cursed man that hates his country,

 

A branded villain.

 

ARCITE     You are mad.

 

PALAMON     I must be,

 

Till thou art worthy, Arcite; it concerns me.

 

And, in this madness, if I hazard thee

205

And take thy life, I deal but truly.

 

ARCITE     Fie, sir!

 

You play the child extremely. I will love her;

 

I must, I ought, to do so, and I dare,

 

And all this justly.

 

PALAMON     O that now, that now,

 

Thy false self and thy friend had but this fortune:

210

To be one hour at liberty and grasp

 

Our good swords in our hands! I would quickly teach thee

 

What ’twere to filch affection from another;

 

Thou art baser in it than a cutpurse.

 

Put but thy head out of this window more

215

And, as I have a soul, I’ll nail thy life to’t.

 

ARCITE

 

Thou dar’st not, fool, thou canst not, thou art feeble.

 

Put my head out? I’ll throw my body out

 

And leap the garden, when I see her next,

 

And pitch between her arms, to anger thee.

220

Enter Jailer.

 

PALAMON     No more; the keeper’s coming. I shall live

 

To knock thy brains out with my shackles.

 

ARCITE     Do!

 

JAILER     By your leave, gentlemen.

 

PALAMON     Now, honest keeper?

 

JAILER     Lord Arcite, you must presently to th’ Duke;

 

The cause I know not yet.

 

ARCITE     I am ready, keeper.

225

JAILER     Prince Palamon, I must awhile bereave you

 

Of your fair cousin’s company.

 

     Exeunt Arcite and Jailer.

 

PALAMON     And me too,

 

Even when you please, of life. – Why is he sent for?

 

It may be he shall marry her; he’s goodly

 

And like enough the Duke hath taken notice

230

Both of his blood and body. But his falsehood –

 

Why should a friend be treacherous? If that

 

Get him a wife so noble and so fair,

 

Let honest men ne’er love again. Once more

 

I would but see this fair one. Blessed garden

235

And fruit and flowers more blessed that still blossom

 

As her bright eyes shine on ye: would I were

 

For all the fortune of my life hereafter

 

Yon little tree, yon blooming apricock!

 

How I would spread and fling my wanton arms

240

In at her window! I would bring her fruit

 

Fit for the gods to feed on; youth and pleasure

 

Still as she tasted should be doubled on her

 

And, if she be not heavenly, I would make her

 

So near the gods in nature, they should fear her,

245

Enter Jailer.

 

And then I am sure she would love me. – How now, keeper?

 

Where’s Arcite?

 

JAILER     Banished. Prince Pirithous

 

Obtained his liberty, but never more

 

Upon his oath and life must he set foot

 

Upon this kingdom.

 

PALAMON     He’s a blessed man.

250

He shall see Thebes again and call to arms

 

The bold young men that, when he bids ’em charge,

 

Fall on like fire. Arcite shall have a fortune,

 

If he dare make himself a worthy lover,

 

Yet in the field to strike a battle for her

255

And, if he lose her then, he’s a cold coward;

 

How bravely may he bear himself to win her

 

If he be noble Arcite – thousand ways!

 

Were I at liberty, I would do things

 

Of such a virtuous greatness that this lady,

260

This blushing virgin, should take manhood to her

 

And seek to ravish me.

 

JAILER     My lord, for you

 

I have this charge to –

 

PALAMON     To discharge my life.

 

JAILER

 

No, but from this place to remove your lordship;

 

The windows are too open.

 

PALAMON     Devils take ’em

265

That are so envious to me! Prithee, kill me.

 

JAILER     And hang for’t afterward!

 

PALAMON     By this good light,

 

Had I a sword I would kill thee.

 

JAILER     Why, my lord?

 

PALAMON

 

Thou bringst such pelting, scurvy news continually,

 

Thou art not worthy life. I will not go.

270

JAILER     Indeed you must, my lord.

 

PALAMON     May I see the garden?

 

JAILER     No.

 

PALAMON     Then I am resolved; I will not go.

 

JAILER

 

I must constrain you then and, for you are dangerous,

 

I’ll clap more irons on you.

 

PALAMON     Do, good keeper!

 

I’ll shake ’em so, ye shall not sleep;

275

I’ll make ye a new morris. – Must I go?

 

JAILER     There is no remedy.

 

PALAMON     Farewell, kind window.

 

May rude winds never hurt thee! – O, my lady,

 

If ever thou hast felt what sorrow was,

 

Dream how I suffer! – Come, now bury me.

280

     Exeunt Palamon and Jailer.

 

2.3 Enter ARCITE.

ARCITE     Banished the kingdom? ’Tis a benefit,

 

A mercy I must thank ’em for; but banished

 

The free enjoying of that face I die for –

 

Oh, ’twas a studied punishment, a death

 

Beyond imagination, such a vengeance

5

That, were I old and wicked, all my sins

 

Could never pluck upon me. Palamon,

 

Thou hast the start now; thou shalt stay and see

 

Her bright eyes break each morning ’gainst thy window

 

And let in life into thee; thou shalt feed

10

Upon the sweetness of a noble beauty

 

That nature ne’er exceeded nor ne’er shall.

 

Good gods, what happiness has Palamon!

 

Twenty to one, he’ll come to speak to her

 

And, if she be as gentle as she’s fair,

15

I know she’s his; he has a tongue will tame

 

Tempests and make the wild rocks wanton.

 

Come what can come,

 

The worst is death; I will not leave the kingdom.

 

I know mine own is but a heap of ruins

20

And no redress there. If I go, he has her.

 

I am resolved another shape shall make me

 

Or end my fortunes. Either way I am happy:

 

I’ll see her and be near her, or no more.

 

Enter four Countrymen, and one with a garland before them. ARCITE stands aside.

 

1COUNTRYMAN     My masters, I’ll be there, that’s certain.

25

2COUNTRYMAN     And I’ll be there.

 

3COUNTRYMAN     And I.

 

4COUNTRYMAN

 

Why then, have with ye, boys. ’Tis but a chiding.

 

Let the plough play today; I’ll tickl’t out

 

Of the jades’ tails tomorrow.

 

1COUNTRYMAN     I am sure

30

To have my wife as jealous as a turkey –

 

But that’s all one: I’ll go through; let her mumble.

 

2COUNTRYMAN

 

Clap her aboard tomorrow night and stow her,

 

And all’s made up again.

 

3COUNTRYMAN     Ay, do but put

 

A fescue in her fist and you shall see her

35

Take a new lesson out and be a good wench.

 

Do we all hold against the Maying?

 

4COUNTRYMAN     Hold?

 

What should ail us?

 

3COUNTRYMAN Arcas will be there.

 

2COUNTRYMAN     And Sennois

 

And Rycas – and three better lads ne’er danced

40

Under green tree – and ye know what wenches, ha?

 

But will the dainty dominie, the schoolmaster,

 

Keep touch, do you think? For he does all, ye know.

 

3COUNTRYMAN     He’ll eat a hornbook ere he fail. Go to;

 

The matter’s too far driven between him

45

And the tanner’s daughter to let slip now;

 

And she must see the Duke and she must dance too.

 

4COUNTRYMAN Shall we be lusty?

 

2COUNTRYMAN     All the boys in Athens

 

Blow wind i’th’ breech on’s. And here I’ll be,

 

And there I’ll be for our town and here again,

50

And there again – ha, boys, hey for the weavers!

 

1COUNTRYMAN     This must be done i’th’ woods.

 

4COUNTRYMAN     O, pardon me.

 

2COUNTRYMAN

 

By any means; our thing of learning says so –

 

Where he himself will edify the Duke

 

Most parlously in our behalfs. He’s excellent i’th’

 

woods;

55

Bring him to th’ plains, his learning makes no cry.

 

3COUNTRYMAN

 

We’ll see the sports, then every man to’s tackle;

 

And, sweet companions, let’s rehearse, by any means,

 

Before the ladies see us and do sweetly

 

And God knows what may come on’t.

60

4COUNTRYMAN

 

Content; the sports once ended, we’ll perform.

 

Away, boys – and hold. [Arcite comes forward.]

 

ARCITE     By your leaves, honest friends:

 

Pray you, whither go you?

 

4COUNTRYMAN     Whither?

 

Why, what a question’s that?

 

ARCITE     Yes, ’tis a question,

 

To me that know not.

 

3COUNTRYMAN     To the games, my friend.

65

2COUNTRYMAN

 

Where were you bred, you know it not?

 

ARCITE     Not far, sir;

 

Are there such games today?

 

1COUNTRYMAN     Yes, marry, are there

 

And such as you never saw; the Duke himself

 

Will be in person there.

 

ARCITE     What pastimes are they?

 

2COUNTRYMAN

 

Wrestling and running. – ’Tis a pretty fellow.

70

3COUNTRYMAN Thou wilt not go along?

 

ARCITE     Not yet, sir.

 

4COUNTRYMAN     Well, sir,

 

Take your own time. Come, boys.

 

1COUNTRYMAN [aside to the others]

 

     My mind misgives me,

 

This fellow has a vengeance trick o’th’ hip;

 

Mark how his body’s made for’t.

 

2COUNTRYMAN     I’ll be hanged, though,

 

If he dare venture. Hang him, plum porridge!

75

He wrestle? He roast eggs! Come, let’s be gone, lads.

 

     Exeunt Countrymen.

 

ARCITE     This is an offered opportunity

 

I durst not wish for. Well I could have wrestled –

 

The best men called it excellent – and run

 

Swifter than wind upon a field of corn,

80

Curling the wealthy ears, never flew. I’ll venture

 

And in some poor disguise be there; who knows

 

Whether my brows may not be girt with garlands

 

And happiness prefer me to a place,

 

Where I may ever dwell in sight of her?     Exit.

85

2.4 Enter Jailer’s Daughter alone.

DAUGHTER

 

Why should I love this gentleman? ’Tis odds

 

He never will affect me: I am base,

 

My father the mean keeper of his prison,

 

And he a prince. To marry him is hopeless;

 

To be his whore is witless. Out upon’t,

5

What pushes are we wenches driven to

 

When fifteen once has found us! – First, I saw him;

 

I, seeing, thought he was a goodly man;

 

He has as much to please a woman in him,

 

If he please to bestow it so, as ever

10

These eyes yet looked on. Next, I pitied him –

 

And so would any young wench, o’ my conscience,

 

That ever dreamed, or vowed her maidenhead

 

To a young handsome man. Then, I loved him,

 

Extremely loved him, infinitely loved him!

15

And yet he had a cousin fair as he too,

 

But in my heart was Palamon and there,

 

Lord, what a coil he keeps! To hear him

 

Sing in an evening, what a heaven it is!

 

And yet his songs are sad ones. Fairer spoken

20

Was never gentleman. When I come in

 

To bring him water in a morning, first

 

He bows his noble body, then salutes me, thus:

 

‘Fair, gentle maid, good morrow; may thy goodness

 

Get thee a happy husband.’ Once, he kissed me.

25

I loved my lips the better ten days after:

 

Would he would do so every day! He grieves much –

 

And me as much to see his misery.

 

What should I do to make him know I love him?

 

For I would fain enjoy him. Say I ventured

30

To set him free? What says the law then?

 

Thus much for law or kindred! I will do it!

 

And this night, or tomorrow, he shall love me.     Exit.

 

2.5 A short flourish of cornets and shouts within.

Enter THESEUS, HIPPOLYTA, PIRITHOUS, EMILIA; ARCITE, disguised as a countryman, with a garland; attendants and spectators.

 

THESEUS     You have done worthily; I have not seen,

 

Since Hercules, a man of tougher sinews.

 

Whate’er you are, you run the best and wrestle,

 

That these times can allow.

 

ARCITE     I am proud to please you.

 

THESEUS     What country bred you?

 

ARCITE     This; but far off, Prince.

5

THESEUS     Are you a gentleman?

 

ARCITE     My father said so

 

And to those gentle uses gave me life.

 

THESEUS     Are you his heir?

 

ARCITE     His youngest, sir.

 

THESEUS     Your father

 

Sure is a happy sire then. What profess you?

 

ARCITE     A little of all noble qualities.

10

I could have kept a hawk and well have hallowed

 

To a deep cry of dogs. I dare not praise

 

My feat in horsemanship, yet they that knew me

 

Would say it was my best piece; last and greatest,

 

I would be thought a soldier.

 

THESEUS     You are perfect.

15

PIRITHOUS     [to Emilia] Upon my soul, a proper man.

 

EMILIA     He is so.

 

PIRITHOUS     [to Hippolyta] How do you like him, lady?

 

HIPPOLYTA     I admire him.

 

I have not seen so young a man so noble,

 

If he say true, of his sort.

 

EMILIA     Believe,

 

His mother was a wondrous handsome woman;

20

His face, methinks, goes that way.

 

HIPPOLYTA     But his body

 

And fiery mind illustrate a brave father.

 

PIRITHOUS     Mark how his virtue, like a hidden sun,

 

Breaks through his baser garments.

 

HIPPOLYTA     He’s well got, sure.

 

THESEUS     [to Arcite] What made you seek this place, sir?

 

ARCITE     Noble Theseus,

 

To purchase name and do my ablest service

25

To such a well-found wonder as thy worth,

 

For only in thy court, of all the world,

 

Dwells fair-eyed Honour.

 

PIRITHOUS     All his words are worthy.

 

THESEUS     [to Arcite]

 

Sir, we are much indebted to your travel,

30

Nor shall you lose your wish. Pirithous,

 

Dispose of this fair gentleman.

 

PIRITHOUS     Thanks, Theseus.

 

[to Arcite] Whate’er you are, you’re mine, and I shall give you

 

To a most noble service: to this lady,

 

[Leads him to Emilia.]

 

This bright young virgin; pray observe her goodness.

35

You have honoured her fair birthday with your virtues

 

And, as your due, you’re hers; kiss her fair hand, sir.

 

ARCITE     Sir, you’re a noble giver. – Dearest beauty,

 

Thus let me seal my vowed faith. [Kisses her hand.]

 

     When your servant,

 

Your most unworthy creature, but offends you,

40

Command him die: he shall.

 

EMILIA     That were too cruel.

 

If you deserve well, sir, I shall soon see’t.

 

You’re mine and somewhat better than your rank I’ll

 

use you.

 

PIRITHOUS     I’ll see you furnished and, because you say

 

You are a horseman, I must needs entreat you

45

This afternoon to ride, but ’tis a rough one.

 

ARCITE     I like him better, Prince; I shall not then

 

Freeze in my saddle.

 

THESEUS     [to Hippolyta] Sweet, you must be ready,

 

And you, Emelia, and

 

[to Pirithous]     you, friend, and all,

 

Tomorrow by the sun, to do observance

50

To flowery May, in Dian’s wood.

 

[to Arcite]     Wait well, sir,

 

Upon your mistress. – Emily, I hope

 

He shall not go afoot.

 

EMILIA     That were a shame, sir,

 

While I have horses.

 

[to Arcite]     Take your choice and what

 

You want at any time, let me but know it;

55

If you serve faithfully, I dare assure you

 

You’ll find a loving mistress.

 

ARCITE     If I do not,

 

Let me find that my father ever hated,

 

Disgrace and blows.

 

THESEUS     Go lead the way; you have won it

 

It shall be so: you shall receive all dues

60

Fit for the honour you have won; ’twere wrong else.

 

– Sister, beshrew my heart, you have a servant,

 

That, if I were a woman, would be a master.

 

But you are wise.

 

EMILIA     I hope, too wise for that, sir.

 

Flourish. Exeunt.

 

2.6 Enter Jailer’s Daughter alone.

DAUGHTER     Let all the dukes and all the devils roar,

 

He is at liberty! I have ventured for him

 

And out I have brought him; to a little wood

 

A mile hence I have sent him, where a cedar

 

Higher than all the rest spreads like a plane

5

Fast by a brook, and there he shall keep close

 

Till I provide him files and food, for yet

 

His iron bracelets are not off. O, Love,

 

What a stout-hearted child thou art! My father

 

Durst better have endured cold iron than done it.

10

I love him beyond love and beyond reason,

 

Or wit, or safety; I have made him know it;

 

I care not, I am desperate. If the law

 

Find me and then condem me for’t, some wenches,

 

Some honest-hearted maids, will sing my dirge

15

And tell to memory my death was noble,

 

Dying almost a martyr. That way he takes,

 

I purpose, is my way too. Sure he cannot

 

Be so unmanly as to leave me here;

 

If he do, maids will not so easily

20

Trust men again. And yet he has not thanked me

 

For what I have done, no, not so much as kissed me,

 

And that methinks is not so well; nor scarcely

 

Could I persuade him to become a free man,

 

He made such scruples of the wrong he did

25

To me and my father. Yet I hope,

 

When he considers more, this love of mine

 

Will take more root within him. Let him do

 

What he will with me, so he use me kindly –

 

For use me so he shall, or I’ll proclaim him,

30

And to his face, no man. I’ll presently

 

Provide him necessaries and pack my clothes up

 

And where there is a path of ground I’ll venture,

 

So he be with me; by him, like a shadow,

 

I’ll ever dwell. Within this hour the hubbub

35

Will be all o’er the prison: I am then

 

Kissing the man they look for. Farewell, father!

 

Get many more such prisoners and such daughters

 

And shortly you may keep yourself. Now to him.

 

Exit.

 

3.1 Cornets in sundry places. Noise and hallooing as people a-Maying. Enter ARCITE alone.

ARCITE     The Duke has lost Hippolyta; each took

 

A several laund. This is a solemn rite

 

They owe bloomed May and the Athenians pay it

 

To th’ heart of ceremony. O, Queen Emilia,

 

Fresher than May, sweeter

5

Than her gold buttons on the boughs, or all

 

Th’enamelled knacks o’th’ mead, or garden – yea,

 

We challenge too the bank of any nymph

 

That makes the stream seem flowers: thou, oh jewel

 

O’th’ wood, o’th’ world, hast likewise blest a pace

10

With thy sole presence. In thy rumination,

 

That I, poor man, might eftsoons come between

 

And chop on some cold thought! Thrice blessed chance

 

To drop on such a mistress, expectation

 

Most guiltless on’t! Tell me, O Lady Fortune

15

(Next, after Emily, my sovereign), how far

 

I may be proud. She takes strong note of me,

 

Hath made me near her and, this beauteous morn,

 

The prim’st of all the year, presents me with

 

A brace of horses: two such steeds might well

20

Be by a pair of kings backed, in a field

 

That their crowns’ titles tried. Alas, alas,

 

Poor cousin Palamon, poor prisoner, thou

 

So little dream’st upon my fortune, that

 

Thou thinkst thyself the happier thing, to be

25

So near Emilia; me thou deem’st at Thebes,

 

And therein wretched, although free. But if

 

Thou knew’st my mistress breathed on me, and that

 

I eared her language, lived in her eye; O, coz,

 

What passion would enclose thee!

 

Enter PALAMON as out of a bush, with his shackles; he bends his fist at Arcite.

 

PALAMON     Traitor kinsman,

30

Thou shouldst perceive my passion, if these signs

 

Of prisonment were off me and this hand

 

But owner of a sword! By all oaths in one,

 

I and the justice of my love would make thee

 

A confessed traitor! O, thou most perfidious

35

That ever gently looked, the void’st of honour

 

That e’er bore gentle token, falsest cousin

 

That ever blood made kin: call’st thou her thine?

 

I’ll prove it in my shackles, with these hands,

 

Void of appointment, that thou liest, and art

40

A very thief in love, a chaffy lord

 

Not worth the name of villain. Had I a sword

 

And these house-clogs away –

 

ARCITE     Dear cousin Palamon –

 

PALAMON     Cosener Arcite, give me language such

 

As thou hast showed me feat.

 

ARCITE     a     Not finding in

45

The circuit of my breast any gross stuff

 

To form me like your blazon holds me to

 

This gentleness of answer. ’Tis your passion

 

That thus mistakes, the which to you being enemy,

 

Cannot to me be kind: honour and honesty

50

I cherish and depend on, howsoe’er

 

You skip them in me, and with them, fair coz,

 

I’ll maintain my proceedings. Pray be pleased

 

To show in generous terms your griefs, since that

 

Your question’s with your equal, who professes

55

To clear his own way with the mind and sword

 

Of a true gentlemen.

 

PALAMON     That thou durst, Arcite!

 

ARCITE     My coz, my coz, you have been well advertised

 

How much I dare; you’ve seen me use my sword

 

Against th’advice of fear. Sure, of another

60

You would not hear me doubted, but your silence

 

Should break out, though i’th’ sanctuary.

 

PALAMON     Sir,

 

I have seen you move in such a place, which well

 

Might justify your manhood; you were called

 

A good knight and a bold. But the whole week’s not fair

65

If any day it rain: their valiant temper

 

Men lose when they incline to treachery

 

And then they fight like compelled bears, would fly

 

Were they not tied.

 

ARCITE     Cousin, you might as well

 

Speak this and act it in your glass as to

70

His ear which now disdains you.

 

PALAMON     Come up to me;

 

Quit me of those cold gyves; give me a sword,

 

Though it be rusty, and the charity

 

Of one meal lend me. Come before me then,

 

A good sword in thy hand, and do but say

75

That Emily is thine – I will forgive

 

The trespass thou hast done me, yea, my life,

 

If then thou carry’t, and brave souls in shades

 

That have died manly, which will seek of me

 

Some news from earth, they shall get none but this:

80

That thou art brave and noble.

 

ARCITE     Be content.

 

Again betake you to your hawthorn house.

 

With counsel of the night, I will be here

 

With wholesome viands. These impediments

 

Will I file off; you shall have garments and

85

Perfumes to kill the smell o’th’ prison. After,

 

When you shall stretch yourself and say but, ‘Arcite,

 

I am in plight’, there shall be at your choice

 

Both sword and armour.

 

PALAMON     O you heavens, dares any

 

So nobly bear a guilty business? None

90

But only Arcite; therefore none but Arcite

 

In this kind but so bold.

 

ARCITE     Sweet Palamon. [Offers to embrace him.]

 

PALAMON

 

I do embrace you and your offer; for

 

Your offer do’t I only, sir; your person

 

Without hypocrisy I may not wish

95

More than my sword’s edge on’t.

 

ARCITE     You hear the horns; [Horns.]

 

Enter your musit, lest this match between’s

 

Be crossed ere met. Give me your hand; farewell.

 

I’ll bring you every needful thing. I pray you

 

Take comfort and be strong.

 

PALAMON     Pray hold your promise

100

And do the deed with a bent brow. Most certain

 

You love me not; be rough with me and pour

 

This oil out of your language. By this air,

 

I could for each word give a cuff, my stomach

 

Not reconciled by reason.

 

ARCITE     Plainly spoken.

105

Yet pardon me hard language. When I spur

 

My horse I chide him not; content and anger

 

In me have but one face.     [Horns again.]

 

     Hark, sir, they call

 

The scattered to the banquet. You must guess

 

I have an office there.

 

PALAMON     Sir, your attendance

110

Cannot please heaven and I know your office

 

Unjustly is achieved.

 

ARCITE     ’Tis a good title.

 

I am persuaded, this question, sick between ’s,

 

By bleeding must be cured. I am a suitor

 

That to your sword you will bequeath this plea

115

And talk of it no more.

 

PALAMON     But this one word:

 

You are going now to gaze upon my mistress –

 

For, note you, mine she is –

 

ARCITE     Nay, then –

 

PALAMON     Nay, pray you!

 

You talk of feeding me to breed me strength.

 

You are going now to look upon a sun

120

That strengthens what it looks on; there

 

You have a vantage on me. But enjoy’t till

 

I may enforce my remedy. Farewell.     Exeunt.

 

3.2 Enter Jailer’s Daughter alone.

DAUGHTER

 

He has mistook the brake I meant, is gone

 

After his fancy. ’Tis now well-nigh morning.

 

No matter: would it were perpetual night,

 

And darkness lord o’th’ world! – Hark, ’tis a wolf!

 

In me hath grief slain fear and but for one thing

5

I care for nothing and that’s Palamon.

 

I reck not if the wolves would jaw me, so

 

He had this file. What if I hallooed for him?

 

I cannot hallow. If I whooped – what then?

 

If he not answered, I should call a wolf,

10

And do him but that service. I have heard

 

Strange howls this livelong night; why may’t not be

 

They have made prey of him? He has no weapons;

 

He cannot run: the jangling of his gyves

 

Might call fell things to listen, who have in them

15

A sense to know a man unarmed and can

 

Smell where resistance is. I’ll set it down,

 

He’s torn to pieces; they howled many together

 

And then they fed on him. So much for that:

 

Be bold to ring the bell. How stand I then?

20

All’s chared when he is gone – no, no, I lie.

 

My father’s to be hanged for his escape,

 

Myself to beg, if I prized life so much

 

As to deny my act – but that I would not,

 

Should I try death by dozens. I am moped.

25

Food took I none these two days;

 

Sipped some water. I have not closed mine eyes,

 

Save when my lids scoured off their brine. Alas,

 

Dissolve, my life! Let not my sense unsettle,

 

Lest I should drown, or stab, or hang myself.

30

Oh, state of nature, fail together in me,

 

Since thy best props are warped! – So, which way now?

 

The best way is the next way to a grave:

 

Each errant step beside is torment. Lo,

 

The moon is down, the crickets chirp, the screech-owl

35

Calls in the dawn; all offices are done

 

Save what I fail in. But the point is this:

 

An end, and that is all.     Exit.

 

3.3 Enter ARCITE with meat, wine and files.

ARCITE

 

I should be near the place. Ho! Cousin Palamon?

 

PALAMON     [from the bush]

 

ARCITE?

 

ARCITE     The same. I have brought you food and files.

 

Come forth and fear not; here’s no Theseus.

 

Enter PALAMON.

 

PALAMON     Nor none so honest, Arcite.

 

ARCITE     That’s no matter.

 

We’ll argue that hereafter. Come, take courage!

5

You shall not die thus beastly; here, sir, drink –

 

I know you are faint – then I’ll talk further with you.

 

PALAMON     Arcite, thou mightst now poison me.

 

ARCITE     I might,

 

But I must fear you first. Sit down and, good now,

 

No more of these vain parleys; let us not,

10

Having our ancient reputation with us,

 

Make talk for fools and cowards. To your health –

 

[Drinks.]

 

PALAMON     Do!

 

ARCITE     Pray sit down then, and let me entreat you,

 

By all the honesty and honour in you,

15

No mention of this woman; ’twill disturb us.

 

We shall have time enough.

 

PALAMON     Well, sir, I’ll pledge you. [Drinks.]

 

ARCITE     Drink a good hearty draught: it breeds good blood, man.

 

Do not you feel it thaw you?

 

PALAMON     Stay, I’ll tell you

 

After a draught or two more.

 

ARCITE          Spare it not;

20

The Duke has more, coz. Eat now.

 

PALAMON     Yes.

 

ARCITE     I am glad

 

You have so good a stomach.

 

PALAMON     I am gladder

 

I have so good meat to’t.

 

ARCITE     Is’t not mad lodging,

 

Here in the wild woods, cousin?

 

PALAMON     Yes, for them

 

That have wild consciences.

 

ARCITE     How tastes your victuals?

25

Your hunger needs no sauce, I see.

 

PALAMON     Not much.

 

But if it did, yours is too tart, sweet cousin.

 

What is this?

 

ARCITE     Venison.

 

PALAMON     ’Tis a lusty meat.

 

Give me more wine. – Here, Arcite, to the wenches

 

We have known in our days. The Lord Steward’s daughter –

30

Do you remember her?

 

ARCITE     After you, coz.

 

PALAMON     She loved a black-haired man –

 

ARCITE     She did so; well, sir?

 

PALAMON     And I have heard some call him Arcite, and –

 

ARCITE     Out with’t, faith.

 

PALAMON     She met him in an arbour.

 

What did she there, coz? play o’th’ virginals?

35

ARCITE     Something she did, sir –

 

PALAMON     Made her groan a month for’t.

 

Or two, or three, or ten.

 

ARCITE     The Marshall’s sister

 

Had her share too, as I remember, cousin;

 

Else there be tales abroad. You’ll pledge her?

 

PALAMON     Yes.

 

ARCITE     A pretty brown wench ’tis. There was a time

40

When young men went a-hunting, and a wood,

 

And a broad beech; and thereby hangs a tale –

 

Hey ho.

 

PALAMON     For Emily, upon my life! Fool,

 

Away with this strained mirth! I say again,

 

That sigh was breathed for Emily; base cousin,

45

Dar’st thou break first?

 

ARCITE     You are wide.

 

PALAMON     By heaven and earth,

 

There’s nothing in thee honest.

 

ARCITE     Then I’ll leave you;

 

You are a beast now.

 

PALAMON     As thou mak’st me, traitor.

 

ARCITE

 

There’s all things needful – files and shirts, and perfumes;

 

I’ll come again some two hours hence, and bring

50

That that shall quiet all –

 

PALAMON     A sword and armour.

 

ARCITE     Fear me not. You are now too foul; farewell.

 

Get off your trinkets. You shall want nought.

 

PALAMON     Sirrah –

 

ARCITE     I’ll hear no more.     Exit.

 

PALAMON     If he keep touch, he dies for’t.     Exit.

 

3.4 Enter Jailer’s Daughter.

DAUGHTER     I am very cold and all the stars are out too,

 

The little stars and all, that look like aglets;

 

The sun has seen my folly. – Palamon! –

 

Alas, no, he’s in heaven; where am I now?

 

Yonder’s the sea and there’s a ship; how’t tumbles!

5

And there’s a rock lies watching under water;

 

Now, now, it beats upon it; now, now, now!

 

There’s a leak sprung, a sound one! How they cry!

 

Run her before the wind, you’ll lose all else.

 

Up with a course or two and tack about, boys!

10

Good night, good night, you’re gone. – I am very hungry.

 

Would I could find a fine frog; he would tell me

 

News from all parts o’th’ world. Then would I make

 

A carrack of a cockle shell and sail

 

By east and north-east to the king of pygmies,

15

For he tells fortunes rarely. Now, my father

 

Twenty to one is trussed up in a trice

 

Tomorrow morning; I’ll say never a word.

 

[Sings.]

 

For I’ll cut my green coat, a foot above my knee

 

And I’ll clip my yellow locks, an inch below mine eye.

20

Hey, nonny, nonny, nonny,

 

He’s buy me a white cut, forth for to ride,

 

And I’ll go seek him through the world that is so wide,

 

Hey, nonny, nonny, nonny.

 

O, for a prick now, like a nightingale,

25

To put my breast against. I shall sleep like a top else.

 

Exit.