Courtesy of Roger Angell: 2.1, 17.1, 17.2, 39.1
Tom Bachtell, courtesy of The New Yorker: 3.1
Courtesy of White Literary, LLC: 5.1
Courtesy of Betsy Daugherty: 10.1
George Shanks: 11.1
George Price, courtesy of The New Yorker: 11.2
Frank Modell, courtesy of The New Yorker: 11.3
William Steig, courtesy of The New Yorker: 11.4, 30.1, 30.2, 30.3, 30.4
Arnie Levin, courtesy of The New Yorker: 11.5, 17.3, 17.4
Adrian Tomine: 19.1
Nicholas Parker, courtesy of The New Yorker: 28.1
Ward Schumaker, courtesy of The New Yorker: 28.2
David Hughes, courtesy of The New Yorker: 29.1, 29.2, 29.3, 29.4, 29.5
© The Saul Steinberg Foundation/Artists Rights Society (ARS), New York: 32.1 Untitled, 1975. Ink, pencil, colored pencil, and collage on paper, 14½ x 11½ in. Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, May 10, 1976.
Courtesy of Judy Tomkins: 37.1
Francis Barraud: 38.1
Courtesy of David Updike: 42.1
© The Saul Steinberg Foundation/Artists Rights Society (ARS), New York: 43.1 Untitled, 1980. Black pencil on paper, 12⅞ x 11 in. Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, November 24, 1980.
© Brigitte Lacombe 2014: 44.1
Courtesy of Chris Protopapas: 45.1
The following pieces originally appeared, some in different form, in The New Yorker:
“Ahoy, the Series!” as “Ahoy, the World Series!,” “Andy’s Haikus,” “Anna Hamburger,” “The Best,” “Bob Feller” as “Rapidly,” “Bob Sheppard” as “Postscript: Bob Sheppard,” “Boggler,” “Class Report,” “Congratulations! It’s a Baby,” “Chinny-Chin-Chin,” “Crying Man,” “Barry and the Deathly Numbers” as “Deathly Numbers,” “Derek’s MMM,” “Dial Again,” “Disarmed,” “Duke Snider” as “And the Duke,” “Earl Weaver,” as “Postscript: Earl Weaver, 1930–2013,” “Greetings, Friends!” “Here Comes the Sun,” “Hersey and History,” “Horse Talk,” “Huckleberry Finn” as “Huck Continued,” “Jackie Robinson Again,” “Joe Carroll” as “Makeup Man!” “La Forza Del Alpo,” “Life and Letters,” “Lineup” as “Olden Opener,” “The Little Flower” as “Ink,” “Lo Love, High Romance,” “Man of Letters,” “Me and Prew,” “The Minstrel Steig,” “Moose Tales,” “More Time with the Britannica,” “Mo Town,” “Nothing Doing,” “Off We Go” as “Catch-Up,” “Over the Wall,” “Papiness,” “The Crime of Our Life,” “Two Emmas,” “The Silence of the Fans,” “S’long, Jeet,” “Sox Top Sloppy Cards,” “Storyville,” “This Old Man,” “Three at a Time,” “West Side Story,” “The Wrong Dog,” “Yaz’s Triple Crown,” and “Zim.” Reprinted by courtesy of The New Yorker.