The diseased dog lowered her head as I came close, as if to make
Of her head a shadow, something the next few hours
Would erase, swiftly, something of no account. And what came
To mind was the she-wolf, beneath the wild fig, nursing
The boys who would build what amounted to a lasting city
On this earth. And it was as if, on that hot afternoon, I was standing
Not in the empty aisle between the gardens, that have been
Reduced to nothing except the most rudimentary plants
And the eroding outlines of brick walls and barren terraces,
But in the white light of a studio, in which a sculptor,
Working from the only model he has, a poor dog, is carving
Out of the blackest of black stones a female wolf with two rows
Of triangular tits, which look like the twin rows of cedars the dog
Swam through and from which two boys are suspended,
Fat-thighed and fated. And the truth is both dog and wolf
Are ancient, for the sick dog comes not from the garden
But from another time, in another city, a sabbath day, foreign,
The street completely empty, the day shapely around me,
The houses, the walks, all ordered and white; and then
Out of the ordered whiteness proceeds a thing of great disorder,
A shape from the world of shadows, something to drive
Away. But I did not drive her away, though I could do
Nothing for her. And now I would make of her something
Better than she could make of herself—though the wolf
Is only remembered in her prime, and not as she must
Have been years later, after all that would pass had passed.