1 Jacob Burckhardt, Die Kultur der Renaissance in Italien: ein Versuch (Basel, 1860), also available in translation.
2 E.g. C. H. Haskins, The Renaissance of the Twelfth Century (Cambridge, MA, 1927).
3 Theodore E. Mommsen, ‘Petrarch’s Conception of the “Dark Ages”’, Speculum, 17 (1942), 226–42; M. Ficino, Opera Omnia, ed. S. Toussaint (Paris, 2000), 944; Giorgio Vasari, Le Vite delle più eccellenti Pittori, Scultori et Architettori (Florence, 1550; expanded edn., Florence, 1568), also available in translation.
4 E.g. Charles McKean, ‘Renaissance Architecture’, in Bob Harris and Alan R. MacDonald, eds., Scotland: The Making and Unmaking of the Nation, c.1100–1707, 5 vols. (Dundee, 2006–7), vol. 2, 183–200.
5 David Ditchburn, ‘Scotland and Europe’, in Harris and MacDonald, eds., Scotland, vol. 1, 103–20; Steve Murdoch, ‘Scotland and Europe’, in Harris and MacDonald, eds., Scotland, vol. 2, 126–44.
6 Ranald G. Nicholson, Scotland: The Later Middle Ages (Edinburgh, 1974), 281.
7 Michael Brown, James I (Edinburgh, 1994), 201–8. See also Michael Brown and Roland Tanner, eds., Scottish Kingship, 1306–1542: Essays in Honour of Norman Macdougall (Edinburgh, 2008).
8 Priscilla Bawcutt and Bridget Henisch, ‘Scots Abroad in the Fifteenth Century: The Princesses Margaret, Isabella and Eleanor’, in Elizabeth Ewen and Maureen M. Meikle, eds., Women in Scotland, c.1100-c.1750 (East Linton, 1999), 45–55.
9 John MacQueen, ‘Poetry—James I to Henryson,’ in R. D. S. Jack, ed., The History of Scottish Literature, Volume 1: Origins to 1660, 4 vols. (Aberdeen, 1987–8), 55–60.
10 John G. Dunbar, Scottish Royal Palaces: The Architecture of the Royal Residences during the Late Medieval and Early Renaissance Periods (East Linton, 1999), 5–10; Ian Campbell, ‘A Romanesque Revival and the Early Renaissance in Scotland, c.1380–1513’, Journal of the Society of Architectural Historians, 54 (1995), 302–25.
11 Richard D. Oram and Geoffrey P. Stell, eds., Lordship and Architecture in Medieval and Renaissance Scotland (Edinburgh, 2005), 294–9; Campbell, ‘A Romanesque Revival’, 302–11; B. E. Crawford, ed., Church, Chronicle and Learning in Medieval and Early Renaissance Scotland (Edinburgh, 1999), 73–91.
12 Colin Thompson and Lorne Campbell, Hugo van der Goes and the Trinity Panels in Edinburgh (Edinburgh, 1974); Duncan Macmillan, Scottish Art, 1460–2000 (Edinburgh, 2000), 18–25.
13 J. Durkan, ‘The Beginnings of Humanism in Scotland’, Innes Review, 4 (1953), 5–24, 119–22; Norman Macdougall, James III (Edinburgh, 2009), 245–82.
14 J. Durkan and A. Ross, ‘Early Scottish Libraries’, Innes Review, 9 (1958), 5–167; John Higgit, ed., Scottish Libraries: Corpus of British Medieval Library Catalogues, 12 (London, 2006), 44–74, 155–66, 375–85; L. J. MacFarlane, William Elphinstone and the Kingdom of Scotland, 1431–1514 (Aberdeen, 1995), 236–7, 245, 290–402.
15 Macmillan, Scottish Art, 30–1; L. MacFarlane, ‘The Book of Hours of James IV and Margaret Tudor’, Innes Review, 11 (1960), 3–21; Richard Fawcett, ‘The Architecture’, in Fawcett, ed., Stirling Castle: The Restoration of the Great Hall (York, 2001), 1–14; Dunbar, Scottish Royal Palaces, 40–9, 56–61, 77–83.
16 Andrea Thomas, Princelie Majestie: The Court of James V of Scotland, 1528–1542 (Edinburgh, 2005), 59–72, 203–5; Helena M. Shire, ‘The King in his House: Three Architectural Artefacts Belonging to the Reign of James V’, in Janet Hadley Williams, ed., Stewart Style, 1513–1542: Essays on the Court of James V (East Linton, 1996), 63–72.
17 Thomas, Princelie Majestie, 199–207; Katie Stevenson, ‘The Unicorn, St Andrew and the Thistle: Was There an Order of Chivalry in Late-Medieval Scotland?’, Scottish Historical Review, 83 (2004), 3–22.
18 Michael Lynch, ‘Queen Mary’s Triumph: The Baptismal Celebrations at Stirling in December 1566,’ Scottish Historical Review, 69 (1990), 1–22; idem., ‘The Great Hall in the Reigns of Mary, Queen of Scots and James VI’, in Fawcett, ed., Stirling Castle, 15–17.
19 I. H. Stewart, The Scottish Coinage (London, 1955), 67.
20 Andrea Thomas, ‘Crown Imperial: Coronation Ritual and Regalia in the Reign of James V, in Julian Goodare and Alasdair A. MacDonald, eds., Sixteenth-Century Scotland: Essays in Honour of Michael Lynch (Leiden, 2008), 43–67.
21 Roger Mason, ‘Renaissance and Reformation: The Sixteenth Century’, in Jenny Wormald, ed., Scotland: A History (Oxford, 2005), 119.
22 Norman Macdougall, James IV (Edinburgh, 2006), 223–46, 308–9; Thomas, Princelie Majestie, 155–77.
23 Thomas, Princelie Majestie, 12–14, 150–1; Michael Lynch, ‘The Reassertion of Princely Power in Scotland: The Reigns of Mary, Queen of Scots and King James VI’, in Martin Gosman, Alasdair MacDonald, and Arjo Vanderjagt, eds., Princes and Princely Culture, 1450–1650, 2 vols. (Leiden, 2003–5), vol. 1, 212, 216; Andrew Mark Godfrey, Civil Justice in Renaissance Scotland: The Origins of a Central Court (Leiden, 2009).
24 Macdougall, James IV, 218–19; Thomas, Princelie Majestie, 104–12; D. James Ross, Robert Carver and the Art of Music in Sixteenth-Century Scotland (Edinburgh, 1993).
25 Michael Lynch, Scotland: A New History (London, 1992), 155.
26 Thomas, Princelie Majestie, 72–9, 84–5; Dunbar, Scottish Royal Palaces, 27–37, 49–55, 165–6; Shire, ‘The King in his House’, 72–96; Charles McKean, The Scottish Chateau: The Country House of Renaissance Scotland (Stroud, 2001), 99–120.
27 John MacQueen, ‘Aspects of Humanism in Sixteenth- and Seventeenth-Century Literature’ in idem., ed., Humanism in Renaissance Scotland (Edinburgh, 1990), 10–26; John Durkan, ‘Education: The Laying of Fresh Foundations’, in ibid., 125–31, 153; Nicola Royan with Dauvit Broun, ‘Versions of Scottish Nationhood, c.850–1707’, in Ian Brown et al., eds., The Edinburgh History of Scottish Literature, Volume One: From Columba to the Union (until 1707) (Edinburgh, 2007), 177–80.
28 Thomas, Princelie Majestie, 101–2, 140–4, 148–50; Carol Edington, Court and Culture in Renaissance Scotland: Sir David Lindsay of the Mount, 1486–1555 (East Linton, 1995) 45, 115–41; Theo van Heijnsbergen, ‘Early Modern Literature’, in Harris and MacDonald eds., The Making and Unmaking of the Nation, vol. 2, 232–4.
29 Thomas, Princelie Majestie, 150–2; Durkan, ‘Education: The Laying of Fresh Foundations’, 150–6; Mason, ‘Renaissance and Reformation’, 114–16.
30 Michael Bath, Renaissance Decorative Painting in Scotland (Edinburgh, 2003), 79–121.
31 Macmillan, Scottish Art, 40–7, 58–63; Michael Lynch, ‘Court Ceremony and Ritual during the Personal Reign of James VI’, in Julian Goodare and Michael Lynch, eds., The Reign of James VI (East Linton, 2000), 76.
32 D. James Ross, Musick Fyne: Robert Carver and the Art of Music in Sixteenth-Century Scotland (Edinburgh, 1993), 87–97, 133–9; John Purser, ‘Early Modern Music’, in Harris and MacDonald, The Making and Unmaking of the Nation, vol. 2, 216–18; John Durkan, ‘Early Song Schools in Scotland’, in Gordon Munro et al., eds., Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott (Glasgow, 2005), 125–32.
33 Lynch, ‘Court Ceremony and Ritual’, 71–92; idem., ‘Reassertion of Princely Power’, 220–7; idem., ‘The Great Hall in the Reigns of Mary, Queen of Scots and James VI’, 19–21.
34 John Durkan, ‘Schools and Schooling to 1696’ and ‘Universities to 1720’, in Michael Lynch, ed., The Oxford Companion to Scottish History (Oxford, 2001), 561–3, 610–12.
35 Jack MacQueen, ‘From Rome to Ruddiman: The Scoto-Latin Tradition’, in Brown et al., eds., Edinburgh History of Scottish Literature, vol. 1, 189–96; Bill Findlay, ‘Performances and Plays’ in ibid., 258; Royan with Broun, ‘Versions of Scottish Nationhood’, 180–1.
36 Roderick J. Lyall, Alexander Montgomerie: Poetry, Politics, and Cultural Change in Jacobean Scotland (Tempe, AZ, 2005), 11–28, 344–7.
37 Roderick J. Lyall, ‘James VI and the Sixteenth-Century Cultural Crisis’, in Goodare and Lynch, eds., The Reign of James VI, 55–70; idem., ‘The Marketing of James VI and I: Scotland, England and the Continental Book Trade’, Quaerendo, 32 (2002), 204–17.
38 Aonghus MacKechnie, ‘James VI’s Architects and their Architecture’, in Goodare and Lynch, eds., The Reign of James VI, 162–5, 167–8; idem., ‘Court and Courtier Architecture’, 306–14; Miles Glendinning and Aonghus MacKechnie, Scottish Architecture (London, 2004), 67–89; Alastair M. T. Maxwell-Irving, ‘The Maxwells of Caerlaverock’, in Oram and Stell, eds., Lordship and Architecture, 227–8; McKean, The Scottish Chateau.