| 1801 | Juvenilia; or, a Collection of Poems (3rd edn. 1802, 4th edn. 1803) |
| 1816 | The Story of Rimini, a Poem (3rd edn. 1819) |
| 1819 | The Poetical Works of Leigh Hunt (further volumes 1832, 1844, 1862) |
| 1818 | Lord Byron and Some of His Contemporaries; with Recollections of the Author’s Life, and of his Visit to Italy |
| 1835 | Captain Sword and Captain Pen, a Poem (2nd edn. 1839, 3rd edn. 1849) |
| 1840 | A Legend of Florence. A Play. In Five Acts. |
| 1844 | Imagination and Fancy; or Selections from the English Poets… and an Essay in answer to the Question ‘What is Poetry?’ |
| 1850 | The Autobiography of Leigh Hunt; with Reminiscences of Friends and Contemporaries. 3 vols. |
| 1851 | Table Talk To which are added Imaginary Conversations of Pope and Swift |
| 1853 | The Religion of the Heart. A Manual of Faith and Duty. |
| 1857 | The Prose Works of Leigh Hunt 4 vols. American edn. |
| 1862 | The Correspondence of Leigh Hunt Edited by his Eldest Son. 2 vols. |
Some periodicals edited by Hunt:
| 1808– 21 | The Examiner, a Sunday Paper |
| 1819–21 | The Indicator. Weekly |
| 1822–23 | The Liberal. 4 Nos. |
| 1830–32 | The Tatler a Daily Journal of Literature and the Stage |
| 1850–51 | Leigh Hunt’s Journal. Weekly |
| 1891 | Essays and Poems ed. R.B. Johnson 1923 |
| 1923 | The Poetical Works of Leigh Hunt ed. H.S. Milford |
| 1949 | The Autobiography of Leigh Hunt ed. J.E. Morpurgo |
| 1949 | Leigh Hunt’s Dramatic Criticism eds. Lawrence H. & Carolyn W. Houtchens |
| 1956 | Leigh Hunt’s Literary Criticism eds. Lawrence H. & Carolyn W. Houtchens |
| 1959 | Leigh Hunt’s Autobiography: the earliest sketches ed. Stephen F. Fogle |
| 1962 | Leigh Hunt’s Political and Occasional Essays eds. Lawrence H. & Carolyn W. Houtchens |
Biography:
| 1930 | Leigh Hunt and His Circle Edmund Blunden |
| 1985 | Immortal Boy, a Portrait of Leigh Hunt Ann Blainey |
Selection from Leigh Hunt’s Autobiography, his most substantial prose work, has been limited here, as it merits either a reissue of Professor Morpurgo’s edition of 1949 (Cresset Press, London), or a fresh one.