Janet Lenzen: Opposite copyright, 16–17, 18, 66, 67, 68, 69, 72–73, 74, 76, 77, 92, 108, 109, 125, 126, 127, 128–129, 130, 132–133, 134, 135, 136–137, 138–139, 146–147, 148, 149, 150, 151, 153.
Emily Minton: 166–167, 168, 169, 182, 183.
Jeffrey Millies for Hedrich Blessing Photographers: 8–9, 11.
Jon Miller for Hedrich Blessing Photographers: 82, 83.
Craig Dugan for Hedrich Blessing Photographers: 80.
Ira Montgomery: 145.
Alise O’Brien: 15, 61, 62, 63, 75, 78, 79, 184.
Betty Lou Phillips: 122, 123.
Kenton Robertson: 81.
Dan Piassick: Front cover, back cover, title page, 6–7, 12–13, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30–31, 32–33, 34, 35, 36–37, 38, 39 above and below, 40, 41, 42, 43, 44–45, 46–47, 48, 49, 50–51, 52–53, 54, 55, 56–57, 58, 60, 64, 65, 70, 71, 84–85, 86–87, 88–89 above and below, 90, 91, 94–95, 96, 98–99, 100–101, 102, 103, 104, 105, 106, 107, 110, 111, 112, 113, 115, 116–117, 118, 119, 120, 121, 140, 141, 142, 143, 154, 155, 156, 157, 158–159, 160, 161, 162, 163, 164, 170–171, 172, 174, 181.
James F. Wilson: 144.
Interior Designer Photo Credits
Roberto Agnolini: 166–167, 168, 169, 182, 183.
John Bobbitt, Allied Member ASID: Title page, 112, 113, 115, 116–117, 118, 119, 120, 121, 170–171.
Gerrie Bremermann: 102, 104, 105, 106, 107, 181 above and below.
Margaret Chambers, ASID: Front cover, 158–159, 160, 161, 162, 163, 164.
Donald Coan, ASID: 94–95, 96, 98–99, 100–101, 176–177, 178, 179.
Sherry Hayslip, ASID and IIDA: 144, 145.
Jerry Jeanmard: 186–187, 188.
Dianne Josephs: 108, 109, 125, 126, 127.
John Kidd: Opposite copyright, 16–17, 18, 66, 67, 68, 69, 72–73, 74, 76, 77, 92, 130, 132–133, 134, 135, 136–137, 138–139.
Janie Petkus: 80, 81.
Betty Lou Phillips: 86–87, 122, 123.
Christina Phillips: 15, 61, 62, 63, 75, 78, 79, 184.
Marilyn Phillips: 15, 61, 62, 63, 75, 78, 79, 128–129, 146–147, 148, 149, 150, 151, 153, 184.
Lynn Sears: 6–7, 26, 27, 56–57, 64, 65, 140, 141, 142, 143, 174.
Tony Stavish: 8–9, 11, 82, 83.
Clair Talley: 154, 155, 156, 157, 172.
Robert H. Theriot: 40, 41, 42, 43, 48, 49, 55, 58, 60.
Richard Trimble: 28, 30–31, 32–33, 34, 35, 84–85, 103.
Rebecca Turner Wiggins: 50, 51.
Deborah Walker: 12–13, 20, 21, 22, 23, 24, 25, 36–37, 38–39, 44–45, 46–47, 52, 53, 54, 70, 71, 88–89, 90, 91, 110, 111.
Architect Photo Credits
Richard Drummond Davis: 144.
Patrick Lynch Ford, Architect: 154, 155, 156, 172.
Robbie Fusch: 28, 30–31, 32–33, 34.
Cole Smith, FAIA: Front cover, 40, 41, 42, 43, 49, 55.
Weldon Turner, AIA: 6–7, 26, 56–57, 154.
Elby S. Martin, AIA: 176–177, 180.
In the eighteenth century, chic French chairs came in a parade of well-documented shapes and unlikely sizes worthy of standing ovations. Making a grand entrance is a pair of Louis XIV fauteuils fashionably dressed in an early tapestry. Once, a chair with a high back was called a chaire à bras, and fauteuils referred to armchairs with low backs.