SELECT BIBLIOGRAPHY

Editions

Henry Binder (ed.), The Red Badge of Courage: An Episode of the American Civil War, Newly Edited from Crane’s Original Manuscript (New York, 1982).

Fredson Bowers (ed.), The University of Virginia Edition of The Works of Stephen Crane, 10 vols. (Charlottesville, Va., 1969–76).

———(ed.), The Red Badge of Courage: A Facsimile Edition of the Manuscript (Washington, 1973).

Joseph Katz (ed.), ‘The Red Badge of Courage’ by Stephen Crane: A Facsimile Reproduction of the New York ‘Press’ Appearance of December 9, 1894 (Gainsville, Fla., 1967).

———The Portable Stephen Crane (New York, 1969).

J. C. Levenson (ed.), The Prose and Poetry of Stephen Crane, Library of America (New York, 1984).

Donald Pizer (ed.), The Red Badge of Courage: An Authoritative Text, Backgrounds and Sources, Criticism, Norton Critical Editions, 3rd edn. (New York, 1994).

R. W. Stallman, Stephen Crane: An Omnibus (New York, 1952).

Letters

R. W. Stallman and Lillian Gilkes (eds.), Stephen Crane: Letters (New York, 1960).

Stanley Wertheim and Paul Sorrentino (eds.), The Correspondence of Stephen Crane, 2 vols. (New York, 1988).

Biographies and Memoirs

Thomas Beer, Stephen Crane: A Study in American Letters (New York, 1923)–

Christopher Benfey, The Double Life of Stephen Crane (London, 1993).

Willa Cather, The World and the Parish: Articles and Reviews, 1893–1902, ed. William M. Curtin, 2 vols. (Lincoln, Nebr., 1970). Ford Madox Ford, Memories and Impressions, ed. Michael Killigrew (London, 1979).

Hamlin Garland, ‘Stephen Crane as I Knew Him’ (1914), repr. Yale Review, 75 (1985), 1–12. Lillian Gilkes, Cora Crane: A Biography of Mrs. Stephen Crane (Bloomington, Ind., 1960).

Corwin Knapp Linson, My Stephen Crane, ed. Edwin H. Cady (Syracuse, NY, 1959).

Gordon Milne, Stephen Crane at Brede: An Anglo-American Literary Circle in the 1890s (Washington, 1980).

Eric Solomon, Stephen Crane in England (Columbus, Oh., 1964).

R. W. Stallman, Stephen Crane: A Biography, rev. edn. (New York, 1973)–

H. G. Wells, ‘Stephen Crane from an English Standpoint’, North American Review, 171 (1900), 233–42.

Stanley Wertheim and Paul Sorrentino, The Crane Log: A Documentary Life of Stephen Crane, 1871–1900 (New York, 1994).

Critical Bibliographies

Patrick K. Dooley, Stephen Crane: An Annotated Bibliography of Secondary Scholarship (New York, 1992).

Donald Vanouse, ‘Stephen Crane: An Annotated Bibliography of Articles and Book Chapters through 1996’, Stephen Crane Studies, 5 (1996), 28–32.

Collections of Criticism

Maurice Bassan (ed.), Stephen Crane: A Collection of Critical Essays (Englewood Cliffs, NJ, 1967). Harold Bloom (ed.), Stephen Crane: Modern Critical Views (New York, 1987)–

Thomas A. Gullason (ed.), Stephen Crane‘s Career: Perspectives and Evaluations (New York, 1972).

Joseph Katz (ed.), Stephen Crane in Transition: Centenary Essays (DeKalb, Ill., 1972).

Lee Clark Mitchell (ed.), New Essays on ‘The Red Badge of Courage’ (Cambridge, 1986).

Criticism and Interpretation

John Berryman, Stephen Crane (New York, 1950).

Bill Brown, The Material Unconscious: American Amusement, Stephen Crane, and the Economies of Play (Cambridge, Mass., 1996).

Raymond Carney, ‘Crane and Eakins’, Partisan Review, 55 (1988), 464–73.

Joseph Church, ‘The Black Man’s Part in Crane’s “Monster”’, American Imago, 45 (1988), 375–88.

James Colvert, ‘Stephen Crane and Postmodern Theory’, American Literary Realism, 28 (1995), 4–22.

Joseph Conrad, ‘His War Book: A Preface to Stephen Crane’s The Red Badge of Courage’, Last Essays (New York, 1926), 119–24.

Patrick K. Dooley, The Pluralistic Philosophy of Stephen Crane (Urbana, Ill., 1993).

Ralph Ellison, ‘Stephen Crane and the Mainstream of American Fiction’, Shadow and Act (New York, 1966), 74–88.

Malcolm Fester,‘The Black Crepe Veil: The Significance of Stephen Crane’s “The Monster”’, International Fiction Review, 3 (1976), 87–91.

Michael Fried, Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane (Chicago, 1987).

———‘Almayer’s Face: On “Impressionism” in Conrad, Crane, and

Norris’, Critical Inquiry, 17 (1990), 193–236.

Donald B. Gibson, The Fiction of Stephen Crane (Carbondale, Ill., 1968).

Ronald Giles, ‘Responding to Crane’s “The Monster”’, South Atlantic Review, 57 (1992), 45–55.

Alfred Habegger, ‘Fighting Words: The Talk of Men at War in The Red Badge of Courage’ in Peter F. Murphy (ed.). Fictions of Masculinity: Crossing Cultures, Crossing Sexualities (New York, 1994), 185–203.

David Halliburton, The Color of the Sky: A Study of Stephen Crane (Cambridge, 1989).

Harold Hungerford, ‘“That Was at Chancellorsville”: The Factual Framework of The Red Badge of CourageAmerican Literature, 34 (1963), 520–31.

M. Thomas Inge, ‘Sam Watkins: Another Source for Crane’s The Red Badge of Courage’ Stephen Crane Studies, 3 (1994), 11–16.

J. C. Levenson, ‘The Red Badge of Courage and McTeague: Passage to Modernity’, in Donald Pizer (ed.). The Cambridge Companion to American Realism and Naturalism: Howells to London (Cambridge, 1995), 154–77.

Elaine Marshall, ‘Crane’s “The Monster” Seen in the Light of Robert Lewis’s Lynching’, Nineteenth-Century Literature, 51 (1996), 205–24.

Lee Clark Mitchell, ‘The Spectacle of War in Crane’s The Red Badge of CourageDetermined Fictions: American Literary Naturalism (New York, 1989), 96–116.

———‘Face, Race, and Disfiguration in Stephen Crane’s The Monster’, Critical Inquiry, 17 (1990), 174–92.

Verner D. Mitchell, ‘Reading “Race” and “Gender” in Crane’s The Red Badge of Courage’, College Language Association Journal, 40 (1996), 60–71.

Robert A. Morace, ‘Games, Play, and Entertainment in Stephen Crane’s “The Monster”’, Studies in American Fiction, 9 (1981), 65–81.

James Nagel, Stephen Crane and Literary Impressionism (University Park, Pa., 1980).

Frederick Newberry, ‘The Red Badge of Courage and The Scarlet Letter’, Arizona Quarterly, 38 (1982), 101–15.

Joseph Petite, ‘Expressionism and Stephen Crane’s “The Blue Hotel “’, Journal of Evolutionary Psychology, 10 (1989), 322–7.

Donald Pizer, Realism and Naturalism in Nineteenth-Century American Literature, rev. edn. (Carbondale, Ill., 1984).

Eric Solomon, Stephen Crane: From Parody to Realism (Cambridge, Mass., 1966).

Ruth Betsy Tennenbaum, ‘The Artful Monstrosity of Crane’s “Monster”’, Studies in Short Fiction, 14 (1977), 403–5.

Michael D. Warner, ‘Value, Agency, and Stephen Crane’s “The Monster”’, Nineteenth-Century Literature, 40 (1985), 76–93.

Richard M. Weatherford (ed.), Stephen Crane: The Critical Heritage (London, 1973).

Daniel Weiss, ‘The Red Badge of Courage, Psychoanalytic Review, 52 (1965), 461–84.

Stanley Wertheim, ‘The Red Badge of Courage and Personal Narratives of the Civil War’, American Literary Realism, 6 (1973), 61–5.

Chester L. Wolford, Stephen Crane: A Study of the Short Fiction (Boston, 1989).

The Textual Controversy

Henry Binder, ‘The Red Badge of Courage Nobody Knows’, Studies in the Novel, 10 (1978), 9–47.

Fredson Bowers, ‘Authorial Intention and Editorial Problems’, Text, 5 (1991), 49–61.

James B. Colvert, ‘Crane, Hitchcock, and the Binder Edition of The Red Badge of Courage’, in Donald Pizer (ed.), Critical Essays on Stephen CranesThe Red Badge of Courage(Boston, 1990), 238–63.

Michael Guemple, ‘A Case for the Appleton Red Badge of Courage, Resources for American Literary Study, 21 (1995), 43–57.

William L. Howarth, ‘The Red Badge of Courage Manuscript: New Evidence for a Critical Edition’, Studies in Bibliography, 18 (1965), 229–47.

Hershel Parker, Flawed Texts and Verbal Icons: Literary Authority in American Fiction (Evanston, Ill., 1984).

———‘Getting Used to the “Original Form” of The Red Badge of Courage’, in Lee Clark Mitchell (ed.). New Essays on ‘The Red Badge of Courage’ (Cambridge, 1986), 25–47.

Donald Pizer, ‘“The Red Badge of Courage Nobody Knows”: A Brief Rejoinder’, Studies in the Novel, 11 (1979), 77–81.

———‘Self-Censorship and Textual Editing’, in Jerome J. McGann (ed.). Textual Criticism and Literary Interpretation (Chicago, 1985), 144–61.