28

“In The Pickwick Papers,” said Berry, “one of the drawings by Phiz (whose name, I believe, was Hablot Browne) shows Pickwick in Serjeant Snubbin’s chambers. On the table there is a wig-block, and on the block there is a wig. I believe that wig-blocks have been out of fashion for years. Did ever you see one, except in a robe-maker’s shop?”

“Only once. I was very young – I mean, I was still at school – when Coles Willing took me with him to Lincoln’s Inn. He wanted a word with a Chancery counsel he knew – John E Harman, by name, whose son is now on the Bench. He was a first-rate lawyer and a most charming man. Coles Willing took me that I might see a barrister at work in his chambers. The fact that he knew that Harman wouldn’t mind shows, I think, what a very nice fellow he was. Of course I only sat still and used my eyes. And the first thing I saw was a wig-block and, on the wig-block, a wig. I don’t remember much else. I expect I looked round the room, but I always came back to the wig-block and its burden. Harman must have observed my fascination, for when the conference was over, he got up, took the wig from the block and fitted it on my head.”

“How very sweet of him,” said Jill.

I nodded.

“You may imagine my rapture… But that was the only wig-block I ever saw in use except, as Berry said, in a shop-window. In fact, I think the wig-box – a japanned case, always used in my time – was much better; for if the wig was left out, it got dusty.”

Daphne looked up.

“Tell me, darling, have you ever regretted that, after the war, you didn’t go back to the Bar?”

“Never for one moment, my sweet. Mark you, I wouldn’t have missed the five years I had at the Bar for anything. I enjoyed them enormously and the experience I gained has been invaluable. But until, if at all, he becomes a big shot at the Bar, a barrister’s life is seldom as good as many people believe. I think I’ve said that before, but here is one reason, to which I don’t think I’ve referred, why it may not appeal to a sensitive man. And that is the everlasting competition.

“I don’t mean the battles in court: they’re almost always friendly and rather fun. I mean the competition in the market of the Bar. This is unavoidable, for the Bar is a personal profession. A brief is delivered at your chambers with your name on it. That means that you have been selected out of quite a number of counsel who are equally available. You can’t conceal this good fortune. It’s known in your chambers and your clerk mentions it to other clerks. In the end you have to advertise it by carrying your brief in your hand and, of course, appearing in court. Well, your fellows at the Bar are human and quite a lot of them feel that they ought to have had that brief and that they would have done it better than you will. As like as not, they’re right: but you were selected. Sometimes the feeling is very thinly veiled. Well, you can call that the dust of the arena and say that it should be ignored. But, while I entirely agree, all I know is that I was heartily glad to see the last of it. Of course this only happens when you’re trying to build up a practice at the Bar. But that may well take ten years.”

“You speak feelingly,” said Jonah.

“Well, I did meet it once or twice and I found it extremely distasteful. Notably in the Crippen case. There was no question of a brief there; but to act as Travers Humphreys’ junior throughout, to work on the case with him in chambers and appear with him first in the Coroner’s Court, then at Bow Street and, finally, at the Old Bailey was, of course, a great privilege. And there was a great deal of feeling in his chambers about it. Still, I had come back from my holiday ten days before anyone else, and I was well down in the saddle when they did appear. Besides, it was a matter of etiquette that the ‘devil’ who first got his hands on the brief should see that case through. So there was nothing to be said or done – although an attempt to supplant me was actually made. But Humphreys rejected it.”

“How very unpleasant,” said Daphne.

“Well, there you are,” I said. “When one comes up against that, one’s impulse is to withdraw: but if you want to get on, you mustn’t do that. I expect there are other professions which have the same disadvantage for a sensitive man: but I can’t think of one – except, perhaps, the stage. A solicitor’s position is quite different. He is usually a member of a firm. And in any event he doesn’t have to parade the fact that he has been instructed, as the barrister must. And so there is no feeling, except perhaps in the case of rival firms in a country town.

“You mustn’t think I don’t know that a lot of eyebrows were raised – to put it mildly – when, as a novelist, I began to make my name: but I never saw them raised. And that is everything. The writer who keeps to himself and leads his own quiet life is very fortunate. He is competing, of course; but he doesn’t meet his competitors: then again there’s plenty of room for all; and because A’s book is a success, it doesn’t follow that B’s book won’t be bought. And A doesn’t know how B’s doing – I mean, what his income is: but at the Bar there’s no such secrecy, and everyone knows very well how his fellow is getting on.

“Finally, let me say this. Remembering what a steep ladder success at the Bar is to climb, there is very little jealousy. At least, there was very little in my day. My fellows were on the whole very generous. But when you did meet it, it set your teeth on edge.”

“What,” said Berry, “what about promotion to the Bench?”

“You mean that one day fellow ‘silks’ are calling John Doe ‘Johnnie’ and the next day they have to call him ‘My lord’?”

“That,” said Berry, “is exactly what I mean.”

“Well, I never moved in those circles, but it is my belief that the change in estate was perfectly accepted. After all, big men were concerned, and it would have been very bad form to have revealed any feeling they might have had. Still, there were cases in which such behaviour did them great credit, for I know of more than one appointment which was deeply resented.”

“Darling,” said Daphne, “I know you’ve had one thing in Punch. I think you might have had many, if you had pleased.”

“I don’t know about that,” I said. “I’m proud to be able to say that I once contributed to Punch and that my contribution appeared before the first war. It was a very slight sketch. But soon after that war I offered Punch a very much better one – which Punch turned down.”

“Why?” said Berry.

I shrugged my shoulders.

“The painful presumption is that Punch thought less of it than I did.” I hesitated. “As a matter of fact, when it had been returned, I offered it to the Editor of The Windsor Magazine. I offered it to him with some diffidence, for I had written it for Punch and it wasn’t the sort of contribution that a magazine prints. Still, when next I saw the Editor, he said he would be glad to use it if we could agree a fee.

“‘Well, now that you’ve said that,’ I said, ‘before we go any further, I think you ought to know that I offered this to Punch and they turned it down.’

“Arthur Hutchinson inclined his head.

“‘Thank you,’ he said. ‘But that doesn’t affect me at all. May I know who turned it down?’

“‘E V Lucas,’ I said. ‘As of course you know, Owen Seaman is sick and Lucas is editing Punch until his return.’

“The Editor laughed.

“‘As well for us,’ he said. ‘Owen Seaman would never have turned this down. But Lucas has no sense of humour.’”

“Very interesting,” said Jonah. “Did you offer Punch anything else?”

I shook my head.

“By that time, you see, I was writing full length books; and any short tales which I wrote I wrote with a view to their collection into a volume. But Punch could only use a very short sketch.”

“Was Punch a close borough?”

“In the old days it was. That was natural enough. Punch had its own permanent staff; and if a paper has that, then that staff must be employed. Still, Punch did accept contributions if they were really worth while.”

“I imagine,” said Berry, “that Punch must have received no end of ‘voluntary contributions’ in its day. Most of them, of course, completely valueless.”

“I imagine so, too. Which reminds me… W S Gilbert is said to have encountered Burnand, then Editor of Punch. ‘Tell me, Burnand,’ he said, ‘don’t you get a lot of jokes sent to the Punch Office?’ ‘Any number,’ said Burnand. ‘Then,’ said Gilbert, ‘why don’t you put them in?’”

“Oh, very nice,” said Jonah. “And Gilbert all over.”

“And whenever I feel, as I sometimes do, that the Punch of today is less attractive than was the Punch of yesterday, I always remember Burnand’s reply to someone who expressed that view. ‘You know, Burnand,’ said someone, ‘Punch isn’t what it used to be.’ Quick as a flash, ‘It never was,’ said Burnand.”

“There’s a lot in that,” said Jonah.

My sister looked at me.

“Wouldn’t you have liked to be on the staff of Punch?”

“Once upon a time, perhaps. It used to be a great honour to sit at The Punch Table. But it was an honour for which I could never have qualified. You see, I am not a journalist. I have never been able to write to order, as a journalist must: and to render a humorous trifle once a week without fail would have been beyond my power. I simply couldn’t have done it.”

“You never let The Windsor Magazine down.”

“I know. Still, that only appeared once a month. All the same… The first chapter of Anthony Lyveden appeared in print before I had finished the third. When I think of that now, it makes me go hot all over. But I never thought about it then. I think the truth is that the Editor, Arthur Hutchinson, knew me better than I knew myself. Never once in our long association did he so much as hint that he would be glad to receive my next chapter or short tale. With the happy result that I never thought about writing to time, which might easily have been fatal. I owe a great deal to that good man. I often feel that I must have been a sore trial to him; for, though I didn’t realize it at the time, he was as wise as I was foolish.”