1. Accessory Set. c. 1750. The Metropolitan Museum of Art, New York. 2009.300.2195a-d.
2. Adélaïde Labille-Guiard. Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond. 1785. The Metropolitan Museum of Art, New York. Accession No. 53.225.5.
3. Adélaïde Labille-Guiard. Madame Adélaïde de France. 1787. Musée National des Châteaux de Versailles et de Trianon.
4. Adélaïde Labille-Guiard. Madame Élisabeth de France. c. 1787. The Metropolitan Museum of Art, New York. 2007.441.
5. Adélaïde Labille-Guiard. Marie Adélaïde de France, Known as Madame Adélaïde. 1786–1787. Palace of Versailles. Accession No. MV 5940.
6. Adélaïde Labille-Guiard. Portrait of a Woman (formerly thought to be Madame Roland). 1787. Musée des Beaux-Arts de Quimper. Accession No. 873-1-787.
7. Adélaïde Labille-Guiard. Self-Portrait with Two Pupils. 1785. The Metropolitan Museum of Art, New York. 53.225.5.
8. Alexander Roslin. Portrait of Marie-Françoise Julie Constance Filleul, Marquise de Marigny with a Book. 1754. Private Collection. https://www.gettyimages.com/detail/news-photo/portrait-of-marie-fran%C3%A7oise-julie-constance-filleul-news-photo/600054461#/portrait-of-mariefranoise-julie-constance-filleul-marquise-de-marigny-picture-id600054461.
9. Allan Ramsay. Portrait of Horace Walpole’s Nieces: The Honorable Laura Keppel and Charlotte, Lady Huntingtower. 1765. Museum of Fine Arts, Boston. 2009.2783.
10. Ann Perrin. “Ann Perrin, French Milliner.” Public Advertiser (London, England), Tuesday, April 22, 1755; Issue 3681.
11. Anonymous. A collection of ladies’ dresses taken from almanacs, magazines and pocket books bequeathed by the late Miss Banks, arranged in one portfolio. 1760–1818. British Museum. C,4. 1-468.
12. Anonymous. Marie-Joséphine-Louise de Savoie, comtesse de Provence. 1760–70s. Versailles, châteaux de Versailles et de Trianon. MV2125.
13. Anonymous. Patterns for the Newest and Most Elegant Head Dresses. The Lady’s Magazine. May 1771. Yale University Library. Lewis Walpole Digital Collections. 771.05.00.03.
14. Anonymous. Portrait of a Lady. c. 1730–1750. National Gallery of Art, Washington, D.C. 1947.17.31
15. Art and Picture Collection. The New York Public Library. Native of Benguela; Native of Angola. 1855. The New York Public Library Digital Collections. http://digitalcollections.nypl.org/items/510d47e1-082f-a3d9-e040-e00a18064a99.
16. Augustin Pajou. Madame du Barry. 1772. The Metropolitan Museum of Art, New York. 43.163.3a, b.
17. Bernard Lepicié after François Boucher. Le Déjeune “The Luncheon.” c. 1750. The Metropolitan Museum of Art, New York. 50.567.34.
18. Boizot Simon Louis. Marie-Antoinette, reine de France. 1774–75. Versailles, châteaux de Versailles et de Trianon. MV2213.
19. Edmé Bouchardon. Marie-Thérèse Gosset. 1732. Musée du Louvre, Paris. RF4642.
20. Cap. 18th Century. Musuem of Fine Arts, Boston. 38.1206.
21. Cap Back. c. 1740. Victoria and Albert Museum. http://collections.vam.ac.uk/item/O134732/cap-back-unknown/.
22. Carington Bowles after Robert Dighton. Youth and Age. 1780–1790. The British Museum. 1935,0522.1.78.
23. Carrington Bowles. A Decoy for the old as well as the young. 1773. Yale University Library Digital Collections, Lewis Walpole Library. Call No. 773.01.19.02+.
24. Claude-Louis Desrais and Etienne Claude Voysard. Gallerie des Modes et Costumes Français, 21e. Cahier des Costumes Français, 15e Suite d’Habillemens à la mode en 1779. V.125. 1779. Museum of Fine Arts, Boston. Accession No. 44.1403.
25. Claude-Louis Desrais and Nicolas Dupin. Gallerie des Modes et Costumes Français. 41e Cahier des Costumes Français, 11e Suite de coeffures à la mode en 1783. tt.250. Museum of Fine Arts, Boston. Accession No. 44.1555
26. E. Evans. “For the Ladies.” Morning Herald and Daily Advertiser (London, England), Friday, February 22, 1782; Issue 411.
27. Élisabeth Louise Vigée Le Brun. Comtesse de la Châtre. 1789. The Metropolitan Museum, New York. Accession No. 54.182.
28. Élisabeth Louise Vigée Le Brun. Madame Victoire de France. 1791. Phoenix Art Museum. Accession No. 1974.36.
29. Élisabeth Louise Vigée Le Brun. Comtesse de la Châtre. 1789. The Metropolitan Museum of Art, New York. 54.182.
30. Élisabeth Louise Vigée Le Brun. Madame Adélaïde de France. 1791. Musée Jeanne d’Aboville, La Fère, Aisne. Accession No. MJA 124.
31. Élisabeth Louise Vigée Le Brun. Madame Victoire de France. 1791. Phoenix Art Museum. 1974.36.
32. Élisabeth Louise Vigée Le Brun. Marie Antoinette in a Chemise Dress. 1783. Hessische Hausstiftung, Kronberg.
33. Esnauts et Rapilly. Gallerie des Modes et Costumes Français. 1776–1787. Museum of Fine Arts, Boston.
34. Esnauts et Rapilly. Gallerie des Modes et Costumes Français. 13e Suite de Coeffures à la mode en 1785. 6(282ter). 1785. The Museum of Fine Arts, Boston. Accession No. 44.1613.
35. Francis Milner Newton. Portrait of Johanna Warner, half-length, in a yellow dress and bonnet. 1753. Bonhams. https://www.bonhams.com/auctions/21834/lot/258/.
36. François Hubert Drouais. Marie Rinteau, called Mademoiselle de Verrières. 1761 (Updated c. 1775). The Metropolitan Museum of Art, New York. 49.7.47.
37. François Louis Joseph Watteau and Nicolas Dupin. Gallerie des Modes et Costumes Français. 47e Cahier de Costumes Français, 42e Suite d’Habillemens à la mode en 1785. Ccc.299. 1785. The Museum of Fine Arts, Boston. 44.1633.
38. Gilles Edme Petit after François Boucher. Le Matin, La Dame a sa Toilete. c. 1750. The Metropolitan Museum of Art, New York. 53.600.1042.
39. Hat. c. 1760. The Metropolitan Museum of Art, New York. 1984.140.
40. Houdon Jean Antoine. La Comtesse de Jaucourt. 1777. Musée du Louvre, Paris. RF2470.
41. Jean-Baptiste Pigalle. Madame de Pompadour. 1748–51. The Metropolitan Museum of Art, New York. 49.7.70.
42. Jeanne Étienne Liotard. Breakfast. Around 1752. Die Pinakotheken, Munich. HUW 30. https://www.sammlung.pinakothek.de/en/artist/jean-etienne-liotard/das-fruehstueck.
43. Jean-Étienne Liotard. Portrait of Archduchess Maria Antonia of Austria (Marie Antoinette). 1762. Musée d’Art et d’Histoire, Geneva. 1947-0042.
44. Jean-Michel Moreau le Jeune. Have No Fear, My Good Friend. 1775. The J. Paul Getty Museum, Los Angeles. 85.GG.416.
45. Johann Eleazar Zeissig, called Schenau. A Woman at her Toilet with a Maid, a Boy, a Dog, and a Young Soldier; verso: A Sketch for a Similar Composition. 1770. The Metropolitan Museum of Art, New York. 2008.506.
46. Johann Nikolaus Grooth. Portrait of a Woman. c. 1740–1760. The Metropolitan Museum of Art, New York. 22.174.
47. John Collet, Bowles and Carver. Tight Lacing, or Fashion Before Ease. c. 1770. The Colonial Williamsburg Foundation. 1969.111.
48. John Singleton Copley. Dorothy Quincy (Mrs. John Hancock). c. 1772. Museum of Fine Arts, Boston. 1975.13.
49. John Singleton Copley. Mr. and Mrs. Isaac Winslow (Jemina Debuke). 1773. Museum of Fine Arts, Boston. 39.250.
50. John Singleton Copley. Mrs. Richard Skinner. 1772. Museum of Fine Arts, Boston. 06.2428.
51. John Smart. Mrs. Caroline Deas. c. 1760. The Metropolitan Museum of Art, New York. 59.23.79.
52. Joseph Siffred Duplessis. Madame de Saint-Maurice. 1776. The Metropolitan Museum of Art, New York. 69.161.
53. Benjamin Henry Latrobe. Preparation for the Enjoyment of a Fine Sunday Among the Blacks Norfolk VA. March 4, 1797. Maryland Historical Society, Baltimore.
54. Lewis Hendrie. “Bear Grease, Lewis Hendrie.” Morning Herald and Daily Advertiser (London, England), Friday, February 15, 1782; Issue 405.
55. Matthew Darly. The City Rout. May 20, 1776. The Metropolitan Museum of Art, New York. 17.3.888-261.
56. Pierre-Thomas LeClerc, Nicolas Dupin, Esnauts et Rapilly. Galerie des Modes et Costumes Français, 6e Suite d’Habillemens à la mode en 1778. M.67 “Jeune Dame se faisant cöeffer à neuf …”. 1778. Museum of Fine Arts, Boston. 44.1333.
57. Pierre-Thomas LeClerc, Nicolas Dupin. Esnauts et Rapilly, Gallerie des Modes et Costumes Français. 4e Suite d’Habillemens à la mode. K.57 “Femme galante à sa toilette ployant un billet.” 1778. Museum of Fine Arts, Boston. 44.1321
58. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français, 1ere Suite des Costumes François pour les Coiffures depuis 1776. A. 6. 1778. Museum of Fine Arts, Boston. Accession No. 44.1243.
59. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français, 2e. Cahier des Nouveaux Costumes Français pour les Coeffures. B. 9. 1778. Museum of Fine Arts, Boston. Accession No. 44.1249.
60. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français, 34e. Cahier de Costumes Français, 8e Suite de Coeffures à la mode en 1780. 204. 1780. Museum of Fine Arts, Boston. Accession No. 44.1505.
61. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français, 34e Cahier de Costumes Français, 8e Suite de Coeffures à la mode en 1780. 201. 1780. Museum of Fine Arts, Boston. Accession No. 44.1500.
62. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français, 3e. Cahier des Modes Françaises pour les Coeffures depuis 1776. C. 17. 1778. Museum of Fine Arts, Boston. Accession No. 44.1265.
63. Pierre-Thomas LeClerc and Pélissier. Gallerie des Modes et Costumes Français. 34e, Cahier de Costumes Français, 8e Suite de Coeffures à la mode en 1780. 200. 1780. Museum of Fine Arts, Boston. Accession No. 44.1498.
64. René Gaillard after François Boucher. La Marchande De Modes. 1746–55. The Metropolitan Museum of Art, New York. 53.600.1107.
65. Sayer & Bennett. The Boarding-School Hair-Dresser. 1774. British Museum, London. 2010,7081.1658.
66. The village barber / H. J. 1778. [England: Pubd. M Darly, 39 Strand, June 1] Photograph. https://www.loc.gov/item/2006685336/.
67. Thomas Gainsborough. Mrs. Thomas Hibbert. 1786. Die Pinakotheken, Munich. Accession No. FV 4.
68. Thomas Gainsborough. Mrs. Thomas Hibbert. 1786. Die Pinakotheken, Munich. FV 4. https://www.sammlung.pinakothek.de/en/bookmark/artwork/8MLvMjwjxz.
69. Johann Friedrich August Tischbein. Portrait de Madame Schmidt-Capelle. 1786. Allemagne, Cassel, Museumslandschaft Hessen Kassel, Neue Galerie
70. William Berczy. Portrait of Marie du Muralt. 1782. National Gallery of Canada. Accession No. 41972.
71. William Redmore Bigg. A Girl Gathering Filberts. 1782. Plymouth City Council: The Box. Accession No. PLYMG.CO.3.
72. William Redmore Bigg. A Lady and Her Children Relieving a Cottager. 1781. Philadelphia Museum of Art. Accession No. 1947-64-1.
Henry Walton, 1746–1813. Portrait of a Young Woman, Possibly Miss Nettlethorpe. 1770. Yale Center for British Art, Paul Mellon Collection. B1981.25.652.