Adams Family Papers, Massachusetts Historical Society, Boston.
Charles Francis Adams II Papers, Massachusetts Historical Society, Boston.
Henry Adams Papers, Microfilm Edition, from the collections of the Massachusetts Historical Society, Boston; the Houghton Library at Harvard University, Cambridge, Massachusetts, and the John Hay Library at Brown University, Providence, Rhode Island.
William Brewster Papers, Museum of Comparative Zoology, Harvard University, Cambridge, Massachusetts.
Chesterwood Archives, Chapin Library of Rare Books, Williams College, Williamstown, Massachusetts.
Joseph Downs Collection of Manuscripts and Printed Ephemera, Winterthur Library, Winterthur, Delaware.
Druid Ridge Cemetery Archive, Pikesville, Maryland.
Hamilton Fish Papers, Library of Congress, Washington, D.C.
Forest Hills Cemetery Archive, Boston.
Daniel Chester French Papers, Library of Congress, Washington, D.C.
Frank Duveneck and Elizabeth Boott Duveneck Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.
McKim, Meade and White Architectural Records, Prints and Photography Division, New-York Historical Society, New York, New York.
Metropolitan Museum of Art curatorial files, New York, New York.
Rock Creek Cemetery Archives, Washington, D.C.
Augustus Saint-Gaudens Papers, Rauner Special Collections Library, Dartmouth College, Hanover, New Hampshire.
The Mary R. Schiff Library and Archives, Cincinnati Art Museum, Ohio.
Smithsonian American Art Museum curatorial files, Washington, D.C.
Jane Stanford Papers, Special Collections and University Archives, Stanford University Libraries, California.
Washingtoniana Collection, Martin Luther King Library, Washington, D.C.
Stanford White letterpress books and personal papers, Department of Drawings & Archives, Avery Architectural & Fine Arts Library, Columbia University, New York, New York.
Adams, Henry. The Education of Henry Adams. Boston: Massachusetts Historical Society, 1918. Reprint, New York: Time, 1964.
———. Letters to a Niece and Prayer to the Virgin of Chartres, by Henry Adams, with a Niece’s Memories by Mabel La Farge. Boston: Houghton Mifflin Co., 1920.
Ariès, Philippe. Western Attitudes toward Death from the Middle Ages to the Present. Baltimore: Johns Hopkins Press, 1974.
Augustus Saint-Gaudens, 1848–1907: A Master of American Sculpture. Paris: Somogy, Éditions d’Art, 1999.
Baker, Paul R. Stanny: The Gilded Life of Stanford White. New York: Free Press, 1989.
Ball, Thomas. My Three Score Years and Ten: An Autobiography. 2nd ed. Boston: Roberts Brothers, 1892.
Bigelow, Jacob. An Account of the Sphinx at Mount Auburn. Boston: Little, Brown and Co., 1872.
———. A History of the Cemetery of Mount Auburn. Boston: J. Munroe and Co., 1860.
Bliss, Harry A. Memorial Art, Ancient and Modern. Buffalo, N.Y.: Harry A. Bliss, 1912.
Bogart, Michelle. Public Sculpture and the Civic Ideal in New York City, 1890–1930. Chicago: University of Chicago Press, 1989.
Boott, Francis. Recollections of Francis Boott for His Grandson F.B.D. Boston: Southgate Press, 1912.
Burns, Sarah. Inventing the American Artist: Art & Culture in Gilded Age America. New Haven: Yale University Press, 1996.
Bynum, Caroline Walker. Metamorphosis and Identity. New York: Zone Books, 2001.
Catalogue of a Memorial Exhibition of the Works of Augustus Saint-Gaudens. New York: Metropolitan Museum of Art, 1908.
Cater, Harold Dean. Henry Adams and His Friends: A Collection of His Unpublished Letters. Boston: Houghton Mifflin Co., 1947.
Chalfant, Edward. Better in Darkness: A Biography of Henry Adams; His Second Life, 1862–1891. Hamden, Conn.: Archon Books, 1994.
Coffman, Eileen Wilson. “Silent Sentinels: Funerary Monuments Designed and Executed by Louis Comfort Tiffany and Tiffany Studios.” Master’s thesis, Southern Methodist University, 1995.
Cresson, Margaret French. Journey into Fame: The Life of Daniel Chester French. Cambridge, Mass.: Harvard University Press, 1947.
Darwin, Charles. The Expression of the Emotion in Man and Animals. London: John Murray, 1872.
Decorum: A Practical Treatise on Etiquette and Dress of the Best American Society. New York: Union Publishing House, 1880.
Dryfhout, John H. The Work of Augustus Saint-Gaudens. Hanover, N.H.: University Press of New England, 1982.
Duveneck, Josephine W. Frank Duveneck, Painter-Teacher. San Francisco: John Howell Books, 1970.
Dykstra, Natalie. Clover Adams: A Gilded and Heartbreaking Life. Boston: Houghton Mifflin Harcourt, 2012.
Edel, Leon, ed. Henry James Letters. 4 vols. Cambridge, Mass.: Belknap Press of Harvard University Press, 1974–84.
Faust, Drew Gilpin. This Republic of Suffering: Death and the American Civil War. New York: Alfred A. Knopf, 2008.
French, Mary. Memories of a Sculptor’s Wife. Boston: Houghton Mifflin Company, 1928.
Gardella, Paul. American Angels: Useful Spirits in the Material World. Lawrence: University Press of Kansas, 2007.
Garver, Austin S. Edward H. Hall: An Address Given in the Church of the Second Parish, Worcester, 14 April 1912. Worcester, Mass., 1913.
Greenthal, Kathryn, Paula Kozol, and Jan Seidler Ramirez. American Figurative Sculpture in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts, 1986.
Habenstein, Robert W., and William M. Lamers. The History of American Funeral Directing. Rev. ed. Milwaukee: Bulfin Printers, 1962.
Hall, Florence Howe. The Correct Thing in Good Society. Boston: Estes and Lariat, 1888.
———. Social Customs. Boston: Estes and Lauriat, 1887.
Halttunen, Karen. Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830–1870. New Haven: Yale University Press, 1982.
Hamilton, Francis. “Contemporary Tomb Figures.” International Studio, October 1925, 23–27.
Hind, Charles Lewis. Augustus Saint-Gaudens. New York: International Studio, John Lane Co., 1908.
Hochschild, Arlie Russell. The Managed Heart: Commercialization of Human Feeling. 1983. 20th anniversary ed. Berkeley: University of California Press, 2003.
Jaffe, Irma B., ed. The Italian Presence in American Art, 1860–1920. New York: Fordham University Press, 1991.
James, Henry. William Wetmore Story and His Friends. 2 vols. Boston: Houghton, Mifflin & Co., 1903.
James, William. The Varieties of Religious Experience: A Study in Human Nature. 1902. New York: Modern Library Edition, 1994.
Kaledin, Eugenia. The Education of Mrs. Henry Adams. 1981. Amherst, Mass.: University of Massachusetts Press, 1994.
Kasson, John. Rudeness & Civility: Manners in Nineteenth-Century Urban America. New York: Hill and Wang, 1990.
Kasson, Joy S. Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. New Haven: Yale University Press, 1990.
Kastenbaum, Robert J. Death, Society, and Human Experience. 1977. 10th ed. Boston: Allyn & Bacon, 2009.
Kobbé, Gustav. “Mystery of Saint Gaudens’ Masterpiece Revealed by John La Farge.” New York Herald, January 16, 1910, magazine sec., 11.
Laderman, Gary. The Sacred Remains: American Attitudes toward Death, 1799–1883. New Haven: Yale University Press, 1996.
Lears, T. J. Jackson. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. New York: Pantheon Books, 1981.
Leja, Michael. Looking Askance: Skepticism and American Art from Eakins to Duchamp. Berkeley: University of California Press, 2004.
Le Normand-Romain, Antoinette. Mémoire de marbre: La sculpture funéraire in France, 1804–1914. Paris: Bibliothèque Historique de la Ville de Paris, 1995.
Levenson, J. C. Supplement to the Letters of Henry Adams. 2 vols. Boston: Massachusetts Historical Society, 1989.
Levenson, J. C., Ernest Samuels, Charles Vandersee, and Viola H. Winner, eds. The Letters of Henry Adams. 6 vols. Cambridge, Mass.: Belknap Press of Harvard University Press, 1982–89.
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press, 1988.
Linden, Blanche M. G. Spring Grove: Celebrating 150 Years. Cincinnati, Ohio: Cincinnati Historical Society, 1995.
Linden-Ward, Blanche. Silent City on the Hill: Landscapes of Memory and Boston’s Mount Auburn Cemetery. Columbus: Ohio State University Press, 1989.
Marcus, Lois G. “Studies in Nineteenth-Century American Sculpture: Augustus Saint-Gaudens (1848–1907).” 2 vols. Ph.D. diss., City University of New York, 1979.
McDowell, Peggy, and Richard E. Meyer. Revival Styles in American Memorial Art. Bowling Green, Ohio: Bowling Green State University Press, 1994.
Migeon, Gaston, “Le Sculpteur Augustin Saint-Gaudens.” Art et Décoration 5 (February 1899): 43–49.
Mills, Cynthia. “The Adams Memorial and American Funerary Sculpture, 1891–1927.” Ph.D. diss., University of Maryland at College Park, 1996.
———. “Casting Shadows: The Adams Memorial and Its Doubles.” American Art 14, no. 2 (Summer 2000): 2–25.
———. “Dying Well in Montpelier: The Story of the Hubbard Memorial.” Vermont History 68, nos. 1–2 (Winter–Spring 2000): 35–57.
Modern Cemeteries: A Selection of Papers Read before the Annual Meetings of the Association of American Cemetery Superintendents, 1887–1897. Chicago: Association of American Cemetery Superintendents, 1898.
Mourning Glory: An Exhibition on Nineteenth-Century Customs and Attitudes toward Death and Dying. Wilmington, Del.: Eleutherian Mills-Hagley Foundation, 1980.
“Mr. La Farge Explains,” letter dated January 21, 1910. New York Herald, January 26, 1910.
Nagel, Gunther W. Iron Will: The Life and Letters of Jane Stanford. Stanford, Calif.: Stanford Alumni Association, 1975. Rev. ed. 1985.
Orvell, Miles. The Real Thing: Imitation and Authenticity in American Culture, 1880–1940. Chapel Hill: University of North Carolina Press, 1989.
Osborne, Carol M. “Frank Duveneck & Elizabeth Boott Duveneck: An American Romance.” Catalogue of an exhibition at Owen Gallery, New York, 1996, www.tfaoi.com/aa/2aa/2aa572.htm.
———. Museum Builders in the West: The Stanfords as Collectors and Patrons of Art, 1870–1906. Stanford, Calif.: Stanford University Museum of Art, 1986.
O’Toole, Patricia. The Five of Hearts: An Intimate Portrait of Henry Adams and His Friends, 1880–1918. New York: Clarkson Potter, 1990.
Out-of-Door Memorials: Mausoleums, Tombs, Headstones, and All Forms of Mortuary Monuments. New York: Tiffany Glass & Decorating Company, 1898.
Phillips, Mary E. Reminiscences of William Wetmore Story, the American Sculptor and Author. Chicago: Rand, McNally & Co., 1897.
Pike, Martha V., and Janis Gray Armstrong. A Time to Mourn: Expressions of Grief in Nineteenth Century America. Stony Brook, N.Y.: Museums at Stony Brook, 1980.
Richardson, Robert D. William James: In the Maelstrom of American Modernism. Boston: Houghton Mifflin Company, 2006.
Richman, Michael. Daniel Chester French: An American Sculptor. New York: Metropolitan Museum of Art, 1976.
———. “The Early Career of Daniel Chester French, 1869–1891.” Ph.D. diss., University of Delaware, 1974.
———. “The Early Public Sculpture of Daniel Chester French.” American Art Journal 4 (1972): 97–115.
Ridlen, Suzanne S. “Funerary Art in the 1890s: A Reflection of Culture.” Pioneer America Society Transactions 6 (1983): 27–35.
Roark, Elisabeth L. “The Annexation of Heaven: The Angelic Monument in the American Rural Cemetery.” Master’s thesis, University of Pittsburgh, 1984.
———. “Embodying Immortality: Angels in America’s Rural Garden Cemetery, 1850–1900.” Markers: Journal of the Association of Gravestone Studies 24 (2007): 56–111.
Saint-Gaudens, Homer, ed. The Reminiscences of Augustus Saint-Gaudens. 2 vols. New York: Century Co., 1913. Reprint. New York: Garland Publishing Inc., 1976.
Samuels, Ernest. Henry Adams: The Middle Years. 1958. New York: History Book Club, 2003.
Schiller, Joyce Karen. “The Artistic Collaboration of Augustus Saint-Gaudens and Stanford White.” Ph.D. diss., Washington University, 1997.
Sears Roebuck & Co. Tombstones and Monuments. Chicago: Sears Roebuck & Co., 1902.
Sherwood, Mary Elizabeth. Manners and Social Usages. New York: Harper & Brothers, 1887.
Shurtleff, Ernest Warburton. The Shadow of the Angel. Boston: L. Prang & Company, ca. 1895.
Sloane, David Charles. The Last Great Necessity: Cemeteries in American History. Baltimore: Johns Hopkins University Press, 1991.
Taft, Lorado. The History of American Sculpture. New York: Macmillan Co., 1903.
Tharp, Louise Hall. Saint-Gaudens and the Gilded Era. Boston: Little, Brown, 1969.
Thoron, Ward, ed. The Letters of Mrs. Henry Adams: 1865–1883. Boston: Little, Brown and Co., 1936.
Tiffany Studios Memorials in Glass and Stone. New York: Tiffany Studios, 1913.
Tolles, Thayer. Augustus Saint-Gaudens in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2009.
———, ed. American Sculpture in the Metropolitan Museum of Art. 2 vols. New York: Metropolitan Museum of Art, 1999, 2001.
200 Years of American Sculpture. New York: Whitney Museum of American Art, 1976.
Vance, William L. America’s Rome. Vol. 2. Catholic and Contemporary Rome. New Haven: Yale University Press, 1989.
Vandersee, Charles. “The Mutual Awareness of Mark Twain and Henry Adams.” English Language Notes 5 (June 1968): 285–92.
Van Rensselaer, Mariana. Art Out-of-Doors. New York: C. Scribner’s Sons, 1903.
Vargas, Michael P., Elizabeth Boott Duveneck: Her Life and Times. Santa Clara, Calif.: Triton Museum of Art, 1979.
Wallach, Alan. Exhibiting Contradictions: Essays on the Art Museum in the United States. Amherst: University of Massachusetts Press, 1998.
Walton, William. Chefs-d’oeuvre de l’exposition universelle. Paris: Barrie Frères; Philadelphia: George Barrie, 1889.
———. “A Higher Quality in Funerary Monuments.” American Architect 100, no. 1854 (July 5, 1911).
Wells, Richard A. Manners, Culture and Dress of the Best American Society. Springfield, Mass.: King, Richardson & Son, 1890.
Wilkinson, Burke. Uncommon Clay: The Life and Works of Augustus Saint Gaudens. San Diego: Harcourt Brace Jovanovich, 1985.
Yarnall, James L. John La Farge: A Biographical and Critical Study. London: Ashgate, 2012.
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