THE EMPTY FRAME

In the late spring or early

Summer of the year my family

Would drive past these fields

As we’d make our way in a black

Dodge up Tollhouse Road for

Shaver Lake or Huntington Lake—

Places my father often told me

He’d spent the best bar none

Summers of his life—yet in my

Own teens it was instead to these

Same foothills of the Sierras

I’d return always these meadows

Of long stiff marsh grass gone

Dry in the heat randomly stitched

By the spring wildflowers

& slow needles of piercing sunlight

I’d walk alone in those low hills

Or with the girl

I’d soon marry very soon to be also

The mother of our son

I need to tell you this now

Because I have you by me the one

I’ve waited for to sketch finally

The story of a boy who’d lie

At night in those fields believing

A world beyond always awaited

Restless in its insistent music

Now after the years of sickness

& lies I’m asking you in your

Stillness to hold this ledger of

Spring accounts & recall the plain

Mariposa lilies & the goldenrod

& the crowns of thistle & the yellow

Star-tulips & the clusters of wild clover

Dusted white & the faint musk mallow

& the endless waves of lupine

All blooming in a way I thought

Might hold me safely forever

& I need to tell you sometimes

I’d fall asleep out in those open fields

Always near the abandoned farm

I loved—its shaky one-room cottage

Still standing though by then releasing

Its boards to the steady season

Its crippled barn already long broken

To its knees & rotting & holy & yet

Wherever in the world I’d travel

It was the memory of that cottage

I’d carry with me I’m not sure why

Even so derelict & so many years

Abandoned it felt always somehow

Like home to me & last night at dusk

I drove again after these forty years out

Tollhouse Road along the long stretch

Leading past Academy & the cemetery

Where Ollie’s family still presides

Then I pulled over at the familiar dirt

& gravel turnout where the same

Weathered planks & fence posts

Rose cracked & swiped by long grasses

Below the white limbs of that ancient oak

I walked out into the meadow

Leading to the old farm & though I saw

The cottage itself was finally gone

& only odd uneven squares of cracked

Foundation blocks still stood

Sinking into the long white grass

I could also see I swear to you just

Above & slightly to the right of the three

Concrete steps leading up to what

Now was nothing & no doorway

I could see hanging there impossibly

In the air exactly as it had always hung

Yet now only as the empty frame

Of the landscape nailed upon

The crossbeam of the blackening night

The same kitchen window that once

Opened onto these fields of wildflowers

& it floated precisely where it had

As if the cottage itself were yet standing

As if it were now my own window

& I could see that a light was burning

Once again within as if yes you were

Somehow waiting exactly

As I’d imagined these past months

Waiting at the burled black oak

Table with warped legs & its surface

Scarred by your bracelets & keys

Having your evening coffee over

A field guide of trails or alpine blossoms

& so I need now to ask you

Which of the old journals did you first

Open to a map of my long wandering

When did you first know I’d come back

& how did you find yourself here

& how did you know this single lantern

You are reading by was the last possible

Light to lead me home?