In business
everyone’s asleep
the bodies swaddled
but secretive
as cocoons as if they were growing
inside the blankets.
Illuminated faintly
by a sparse glow
they could be arranged
for a Beuys exhibition
or a catafalque
of luminaries.
As you waft spirit-like
through a curtain
—the barrier sufficient between two worlds—
in economy you find
the silhouettes seated, nodding
in the dark like figures in a park
after the sun’s gone down.
Night has come suddenly. The aisles
are like interconnected paths
in old Europe—grandfathers
follow resolutely after infants while others sleep.
A baby’s been laid flat
the way I saw
a homeless child
in Apollo Bunder
diverting herself
at midnight, outstretched
on the lamplit macadam
where her mother had placed her.
Similarly, I discover
this one before the first seat
of the first cabin
by pure accident.