27 The Turn:

Dance in Your Blood

ON THE TURN

The “turn,” the moving meditation done by Mevlevi dervishes, originated with Rumi. The story goes that he was walking in the gold-smithing section of Konya when he heard a beautiful music in their hammering. He began turning in harmony with it, an ecstatic dance of surrender and yet with great centered discipline. He arrived at a place where ego dissolves and a resonance with universal soul comes in. Dervish literally means “doorway.” When what is communicated moves from presence to presence, darshan occurs, with language inside the seeing. When the gravitational pull gets even stronger, the two become one turning that is molecular and galactic and a spiritual remembering of the presence at the center of the universe. Turning is an image of how the dervish becomes an empty place where human and divine can meet. To approach the whole the part must become mad, by conventional standards at least. These ecstatic holy people, called matzubs in the sufi tradition, redefine this sort of madness as true health.

When he saw the dervishes in Cairo in 1910, Rainer Maria Rilke, the great spiritual poet of this century, said the turn was a form of kneeling. “It is so truly the mystery of the kneeling of the deeply kneeling man. With Rumi the scale is shifted, for in following the peculiar weight and strength in his knees, he belongs to that world in which height is depth. This is the night of radiant depth unfolded.” December 17 is celebrated each year as Rumi’s Wedding Night, the night he died in 1273 and reached full union.

Inside water, a waterwheel turns.

A star circulates with the moon.

We live in the night ocean wondering,

What are these lights?

You have said what you are.

I am what I am.

Your actions in my head,

my head here in my hands

with something circling inside.

I have no name

for what circles

so perfectly.

A secret turning in us

makes the universe turn.

Head unaware of feet,

and feet head. Neither cares.

They keep turning.

This moment this love comes to rest in me,

many beings in one being.

In one wheat grain a thousand sheaf stacks.

Inside the needle’s eye a turning night of stars.

Keep walking, though there’s no place to get to.

Don’t try to see through the distances.

That’s not for human beings. Move within,

but don’t move the way fear makes you move.

Walk to the well.

Turn as the earth and the moon turn,

circling what they love.

Whatever circles comes from the center.

I circle your nest tonight,

around and around until morning

when a breath of air says, Now,

and the Friend holds up like a goblet

some anonymous skull.

No better love than love with no object,

no more satisfying work than work with no purpose.

If you could give up tricks and cleverness,

that would be the cleverest trick!

Some nights stay up till dawn,

as the moon sometimes does for the sun.

Be a full bucket pulled up the dark way

of a well, then lifted out into light.

I am so small I can barely be seen.

How can this great love be inside me?

Look at your eyes. They are small,

but they see enormous things.

When you feel your lips becoming infinite

and sweet, like the moon in a sky,

when you feel that spaciousness inside,

Shams of Tabriz will be there too.

The sun is love. The lover,

a speck circling the sun.

A Spring wind moves to dance

any branch that isn’t dead.

Something opens our wings. Something

makes boredom and hurt disappear.

Someone fills the cup in front of us.

We taste only sacredness.

Held like this, to draw in milk,

no will, tasting clouds of milk,

never so content.

I stand up, and this one of me

turns into a hundred of me.

They say I circle around you.

Nonsense. I circle around me.

I have lived on the lip

of insanity, wanting to know reasons,

knocking on a door. It opens.

I’ve been knocking from the inside!

Real value comes with madness,

matzub below, scientist above.

Whoever finds love

beneath hurt and grief

disappears into emptiness

with a thousand new disguises.

Dance, when you’re broken open.

Dance, if you’ve torn the bandage off.

Dance in the middle of the fighting.

Dance in your blood.

Dance, when you’re perfectly free.