Akamatsu Norihiko 赤松紀彥, Inoue Taizan 井上泰山, Kin Bunkyō 金文京, Komatsu Ken 小松謙, Satō Haruhiko 佐藤晴彥, Takahashi Shigeki 高橋繁樹, Takahashi Bunji 高橋文治, Takenouchi Makoto 竹內誠, Tsuchiya Ikuko 土屋育子, and Matsuura Tsuneo 松浦恆雄, eds. 2007. Genkan zatsugeki no kenkyū: Sandatsusaku, Ki Eifu, Seishokumu, Tantōkai 元刊雜劇の研究:三奪槊、氣布英、西蜀夢、單刀會. Tokyo: Kyūko shoin.
——. 2011. Genkan zatsugeki no kenkyū (II): Hen Yarō, Kaishisui 元刊雜劇の研究II—貶夜郎、介子推. Tokyo: Kyūko shoin.
Andersen, Poul. 2008. “Taiyi: The Great One.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 956–59. London: Routledge.
Anon. 無名氏. 1958a. Liu Xuande zui zou Huanghe lou 劉玄德醉走黃鶴樓. Palace ed. In Zhao Qimei 1958, 72:1a–47b.
——. 1958b. Sima Xiangru tiqiao ji 司馬相如題橋記. Palace ed., collated with Yu Xiaogu 于小榖 ed. In Zhao Qimei 1958, 45:1a–42b.
——. 1958c. Yuankan zaju sanshizhong 元刊雜劇三十種. Guben xiqu congkan 古本戲曲叢刊. Shanghai: Shanghai yinshuguan.
——. 1979. “Xinkan quanxiang Tang Xue Rengui kuahai zheng Liao gushi” 新刊全相唐薛仁貴跨海征遼故事. In Ming Chenghua shuochang cihua congkan 明成化說唱詞話叢刊. Shanghai: Shanghai bowuguan.
——. 1981. Song Yuan pinghua wuzhong 宋元平話五種. Taipei: Heluo chubanshe.
Aoki Masaru 青木正兒. 1941. Yuanren zaju xushuo 元人雜劇序說. Translated by Sui Shusen 隋樹森. Edited by Xu Tiaofu 徐調孚. Shanghai: Kaiming shudian.
Baker, Dwight Condo. 1925. T’ai Shan: An Account of the Sacred Eastern Peak of China. Shanghai: Commercial Press.
Baldrian-Hussein, Farzeen. 2008a. “Lingbao bifa: Complete Methods of the Numinous Treasure.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 669–70. London: Routledge.
——. 2008b. “Zhong Lü: The Lineage of Zhongli Quan and Lü Dongbin.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1277–79. London: Routledge.
Bao Jianqiang 包建強 and Hu Chengxuan 胡成選. 2010. “Yuankan zaju sanshizhong de banben ji qi jiaokan” 《元刊雜劇三十種》的版本及其校勘. Xibei shida xuebao (Shehui kexue ban) 西北師大學報(社會科學版) 47.1:44–49.
Barnhart, Richard. 1993. Li Kung-lin’s Classic of Filial Piety. New York: Metropolitan Museum of Art.
Burkus-Chasson, Anne. 2010. Through a Forest of Chancellors: Fugitive Histories in Liu Yuan’s “Lingyan ge,” an Illustrated Book from Seventeenth-Century Suzhou. Cambridge, Mass.: Harvard University Asia Center.
Bush, Susan. 1983. “Tsung Ping’s Essay on Painting Landscape and the ‘Landscape of Buddhism’ of Mt. Lu.” In Bush and Murck 1983, 105–31.
Bush, Susan, and Christian Murck, eds. 1983. Theories of the Arts in China. Princeton: Princeton University Press.
Cai Yi 蔡毅. 1989. Zhongguo gudian xiqu xuba huibian 中國古典戲曲序跋彙編. 4 vols. Jinan: Qi Lu shushe.
Chavannes, Édouard. 1910. Le T’ai chan: Essai de monograhie d’un culte chinois. Appendice: Le dieu du sol dans la Chine antique. Annales du Musée Guimet; Bibliotèque d’études. Paris: Musée Guimet.
Chen, Fan Ben Li. 1992. “Yang Kuei-fei in Tales from the T’ien-pao Era: A Chu-kung-tiao Narrative.” Journal of Song Yuan Studies, no. 22:1–22.
——. 2005–2006. “Translations from Wang Bocheng’s Tales of the Tianbao Era (Tianbao yishi): Genre and Eroticism in the Zhugongdiao.” CHINOPERL 26:149–70.
Chen Gongshui 陳公水, Xu Wenming 徐文明, and Zhang Yingji 張英基. 2011. Qi Lu gudian xiqu quan ji 齊魯古典戲曲全集. 5 vols. Beijing: Zhonghua shuju.
Chen, Ivan, trans. 1908. The Book of Filial Duty: Translated from the Chinese of the Hsiao-ching by Ivan Chen; With Twenty-four Examples from the Chinese. Wisdom of the East. London: Murray.
Chen Qiaoyi 陳橋驛 and Li Daoyuan 酈道元. 1999. Shuijing zhu jiaoshi 水經注校釋. Hangzhou: Hangzhou daxue chubanshe.
Ch’en, Shou-yi. 1936. “The Chinese Orphan: A Yüan Play and Its Influence on European Drama of the 18th Century.” T’ien Hsia Monthly 3, no. 2:89–115.
Chen Zhongfan 陳中凡. 2003. “Lun Ji Junxiang Zhaoshi gu’er zaju” 論紀郡祥《趙氏孤兒》雜劇. In Guanyuan wencun 館員文存, edited by Zhou Xunchu 周勛初, 20–35. Nanjing: Jiangsu guji chubanshe.
Chida Daisuke 千田大介. 1991. “Setsu Jinki goji henkenkō” 薛仁貴故事變遷考. Chūgoku bungaku kenkyū 17:15–30.
Ch’ien, Chung-shu. 1935. “Tragedy in Old Chinese Drama.” T’ien Hsia Monthly 1, no. 1:37–45.
Chu Renhuo 褚人穫. 2002. Jianhu ji 堅瓠集. In Xuxiu Siku quanshu 續修四庫全書, vol. 1260. Shanghai: Shanghai guji chubanshe.
Cole, Alan. 1998. Mothers and Sons in Chinese Buddhism. Stanford: Stanford University Press.
Crump, James I. Jr. 1972. “The Ch’ü and Its Critics.” Literature East and West 16:961–72.
——. 1980. Chinese Theater in the Days of Kublai Khan. Tucson: University of Arizona Press.
——. 1994. “Ch’en Chi-ch’ing Mistakenly Boards the Bamboo Leaf Boat: Attributed to Fan K’ang (Tzu-an) fl. A.D. 1294.” In The Bamboo-Leaf Boat: The Magic of the Chinese Theatre, edited by Dana Kalvodová, 11–65. Prague: Univerzita Karlova.
Crump, James I. Jr., and M. Dolezelová-Velingerová. 1971. Ballad of the Hidden Dragon: Liu Chih-yüan chu-kung-tiao. Oxford: Oxford University Press.
Degkwitz, Jochen. 1983. Yue Fei und sein Mythos: Die Entwicklung der Yue-Fei-Saga bis zum “Shuo Yue quan zhuan.” Bochum: Brockmeyer.
Di Junhou 狄君厚. 1958. Xinbian guanmu Jin Wengong huoshao Jie Zi Tui 新編關目晉文公火燒介子推. In Anon 1958c, 20:1a–8b.
Dott, Brian R. 2004. Identity Reflections: Pilgrimages to Mount Tai in Late Imperial China. Cambridge, Mass.: Harvard University Asia Center.
Du Haijun 杜海軍. 2007. “Zhao Qimei jiaokan zaju ji qi dui xiqu wenxue fazhan de gongxian—jian lun Sun Kaidi shuo Zhao Qimei yu Maiwangguan zaju jiaokan wugong shuo” 趙琦美校勘雜劇及其對戲曲文學發展的貢獻−兼論孫楷弟說趙琦美於脈望館雜劇校勘無功說. Xiqu yishu 28, no. 4:48–54.
——. 2008. “Cong Yuan zaju Yuan Ming kanben zhi bijiao lun Mingdai xiqu de jinbu” 從元雜劇元明刊本之比較論明代戲曲的進步. Yishu baijia, no. 3:142–46.
——. 2009. “Cong Yuankan zaju chongxin shenshi Yuan zaju tizhi zhi yuanmao” 從元刊雜劇重新審視元雜劇體制之原貌. Qiushi xuebao 36, no. 4:107–11.
——. 2010. “Yuankan zaju sanshizhong de keben xingzhi ji xiqushi yiyi” 元刊雜劇三十種的刻本性質及戲曲史意義. Yishu baijia, no. 1:111–15.
Dudbridge, Glen. 1991. “A Pilgrimage in Seventeenth-Century Fiction: T’ai-shan and the Hsing-shih yin-yüan chuan.” T’oung Pao 77:226–52.
——. 1992. “Women Pilgrims to T’ai Shan: Some Pages from a Seventeenth-Century Novel.” In Naquin and Yü, Pilgrims and Sacred Sites, 39–64.
Ebrey, Patricia Buckley, and Maggie Bickford, eds. 2006. Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics. Cambridge, Mass.: Harvard University Asia Center.
Ebrey, Patricia Buckley, and Peter Gregory, eds. 1993. Religion and Society in T’ang and Sung China. Honolulu: University of Hawai`i Press.
Eskildsen, Stephen. 2004. The Teachings and Practices of the Early Quanzhen Taoist Masters. Albany: SUNY Press.
Espesset, Grégoire. 2008. “Bao Jing.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 211–12. London: Routledge.
Esposito, Monica. 2008. “Xuanguan.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1131–32. London: Routledge.
Fan Kang 范康. 1958. Xinkan guanmu Chen Jiqing wudao zhuyezhou 新刊關目陳季卿悟道竹葉舟. In Anon 1958c, 27 :1a–8b.
——. 1998. Chen Jiqing wushang zhuye zhou 陳季卿悞上竹葉舟. In Zang 1998, 473–81.
Fan Xiheng 范希衡 and François-Marie Arouet [Voltaire]. 2010. Zhaoshi gu’er yu Zhongguo gu’er 《趙氏孤兒》與《中國孤兒》. Shanghai: Shanghai guji chubanshe.
Fei, Faye Chunfang. 2002. Chinese Theories of Theater and Performance from Confucius to the Present. Ann Arbor: University of Michigan Press.
Feng Menglong, comp. 2000a. “Humu Di Intones Poems and Visits the Underworld.” In Feng, Stories Old and New, 557–771.
——, comp. 2000b. Stories Old and New: A Ming Dynasty Collection, translated by Shuhui Yang and Yunqin Yang. Seattle: University of Washington Press.
Fu Dixiu 伏滌修. 2008. “Yüe Fei ticai xiqu liubian kaoshu” 岳飛題材戲曲流變考述. Zhejiang yishu zhiye xueyuan xuebao 16, no. 3:39–44.
Fu, Hongchu. 1995. “Historicizing Chinese Drama: The Power and Politics of Yuan Zaju.” Ph.D. diss., University of California, Los Angeles.
——. 1999. “The Cultural Fashioning of Filial Piety: A Reading of “Xiao Zhangtu” (Little Zhang the Butcher).” Journal of Song Yuan Studies 29:63–90.
——. 2008. “On the Authorship of Three Zaju Plays Commonly Attributed to Yang Zi.” Literary Heritage 6:76–83.
Fu Xuanzong 傅璇琮. 1990. Tang caizi zhuan jiaojian 唐才子傳校箋. 4 vols. Beijing: Zhonghua shuju.
Gao Sixi 高禩熹. 1976. “Qingji cangshu dajia kao (3): Qiantang Dingshi Jiahui tang” 清季藏書大家考(3)錢塘丁氏嘉惠堂. Jiaoyu ziliao kexue yuekan 9, nos. 4–6:32–35.
Gao Wenxiu 高文秀. 1958a. Haojiu Zhao Yuan yu Shanghuang 新刊關目好酒趙元遇上皇. Palace ed. In Zhao Qimei 1958, 31:1a–27a.
——. 1958b. Xinkan guanmu Haojiu Zhao Yuan yu Shanghuang 新刊關目好酒趙元遇上皇. Guben xiqu congkan 古本戲曲叢刊, no. 5:1a–5b. Shanghai: Shanghai yinshuguan.
Gong Tianting 宮天庭 [Fei Tangchen 費唐臣]. 1958. Shengsi jiao Fan Zhan ji shu 生死交范張雞黍. Xijizi ed. In Zhao Qimei 1958, 12:1a–32b.
Goodrich, Anne Swann. 1964. The Peking Temple of the Eastern Peak: The Tung-yüeh Miao in Peking and Its lore, with 20 plates. Nagoya: Monumenta Serica.
Goossaert, Vincent. 2008a. “Quanzhen Taoism.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 814–20. London: Routledge.
——. 2008b. “Taiyi jiao.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 959–60. London: Routledge.
Graham, A. C. 1990. The Book of Lieh Tzu. New York: Columbia University Press.
Guan Hanqing 關漢卿. 1958. Guan dawang du fu dandao hui 關大王獨赴單刀會. Palace ed. In Zhao Qimei 1958, 15:1a–26b.
Hansen, Valerie. 1990. Changing Gods in Medieval China, 1127–1276. Princeton: Princeton University Press.
Harper, Donald. 1986. “The Analects Jade Candle: A Classic of T’ang Drinking Custom.” T’ang Studies 4:69–91.
Hartman, Charles. 1998. “The Making of a Villain: Ch’in Kuei and Tao-hsüeh.” Harvard Journal of Asiatic Studies 58, no. 1:59–146.
Hashimoto Yō 橋本堯. 1986. “Xue Rengui: Atarashii monogatari taipu no tanjō” 薛仁貴: 新らしい物語タイプの誕生. Wakō daigaku jimbunkagakubu kiyō 21:19–29.
Hawkes, David. 1985. The Songs of the South: An Ancient Chinese Anthology of Poems by Qu Yuan and Other Poets. New York: Penguin.
He Jinli 何金俐. 2006. “Wang Guowei Song Yuan xiqu shi zhongde wenyi meixue sixiang ji qi xiandai wudu” 王國維《宋元戲曲史》中的文藝美學思想及其現代誤讀. Yishu baijia 3, no. 89:112–17, 131.
He Yuming. 2007. “Wang Guowei and the Beginnings of Modern Chinese Drama Studies.” Late Imperial China 28, no. 2:129–56.
Hennessey, William, trans. 1981. Proclaiming Harmony. Ann Arbor, Mich.: Center for Chinese Studies.
——. 1984. “Classical Sources and Vernacular Sources in Xuanhe yishi: The Presence of Priority and the Priority of Presence.” Chinese Literature: Essays, Articles, and Reviews 6:33–52.
Hightower, Robert. 1970. The Poetry of Tao Ch’ien. Oxford: Clarendon Press.
Holzman, Donald. 1976. Poetry and Politics: The Life and Works of Juan Chi (A.D. 210–263). Cambridge: Cambridge University Press.
Hsia, Adrian. 1988. “The Orphan of the House of Zhao in French, English, German, and Hong Kong Literature.” Comparative Literature Studies 25, no. 4:335–51.
Hsia, C. T. 1974. “The Military Romance.” In Studies in Chinese Literary Genres, edited by Cyril Birch, 339–90. Berkeley: University of California Press.
Hsu, Elizabeth. 2008. “Huangdi neijing.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 506–7. London: Routledge.
Hsü, Francis L. K. 1971. “Filial Piety in Japan and China: Borrowing, Variation and Significance.” Journal of Comparative Family Studies 2, no. 1:67–74.
Hu Ji 胡忌. 2008. Song Jin zaju kao dingbu ben 宋金雜劇考訂補本. Shanghai: Zhonghua shuju.
Huang Donglan. 2004–2005. “Shrines of Yue Fei: Spaces for Creation of Public Memory.” Translated by William Crawford. Chinese Sociology and Anthropology 37, nos. 2–3:74–112.
Huang Pilie 黃丕烈. 1958. Weijian shuzhai tilu 未見書齋題錄. In Zhao Qimei 1958, 1:12a–17a.
Huang Shizhong 黃仕忠. 2009. “Cong Mori Kainan, Kōda Rohan, Sasakawa Rinbō dao Wang Guowei: Riben Meiji shiqi (1869–1912) de Zhongguo xiqu yanjiu kaocha” 從森槐南、幸田露伴、笹川臨風到王國維:日本明治時期(1869–1912)的中國戲曲研究考察. Xiju yanjiu 7:155–94.
Huang Tianji 黃天驥. 2001. “Yuan zaju de ‘za’ ji qi shenmei tezheng” 元雜劇的『雜』及其審美特徵. In Zhongguo gudian xiqu yu gudai wenxue yanjiu lunji 中國古典戲曲與古代文學研究論集. Beijing: Zhonghua shuju.
Huo Jianyu 霍建瑜. 2005. “Yuandai Xue Rengui huaben yu zaju” 元代薛仁貴話本與雜劇. Yishu baijia 1:54–57.
Idema, Wilt L. 1985. The Dramatic Oeuvre of Chu Yu-tun (1379–1439). Sinica Leidensia. Leiden: Brill.
——. 1988. “The Orphan of Chao: Self-Sacrifice, Tragic Choice and Revenge, and the Confucianization of Mongol Drama at the Ming Court.” Cina 21:162–89.
——. 1989. “The Tza-jiu of Yang Tz: An International Tycoon in Defense of Collaboration?” In Di’erjie guoji Hanxue huiyi lunwen ji, Wenxue zu 第二屆國際漢學會議論文集,文學組, 523–48. Taipei: Academia Sinica.
——. 1990a. “The Founding of the Han Dynasty in Early Drama: The Autocratic Suppression of Popular Debunking.” In Thought and Law in Qin and Han China, edited by W. L. Idema and E. Zurcher, 183–207. Leiden: Brill.
——. 1990b. “The Remaking of an Unfilial Hero: Some Notes on the Earliest Dramatic Adaptations of ‘The Story of Hsüeh Jen-kuei.’” In As the Twig Is Bent … : Essays in Honour of Frits Vos, edited by Erika de Poorter, 83–111. Amsterdam: Gieben.
——. 1993. “Some Aspects of Pai-yüeh-t’ing: Script and Performance.” In Proceedings of the International Conference on Kuang Han-ch’ing, edited by Tseng Yong-yih [Zeng Yongyi], 3–23. Taipei: Xingzhengyuan wenhua jianshe weiyuanhui.
——. 1996. “Why You Never Have Read a Yuan Drama: The Transformation of Zaju at the Ming Court.” In Studi in onore di Lionello Lanciotti, edited by S. M. Carletti et al., 765–91. Naples: Dipartimento di Studi Asiatici, Istituto Universitario Orientale.
——. 1997. “The Pilgrimage to Taishan in the Dramatic Literature of the Thirteenth and Fourteenth Centuries.” Chinese Literature: Essays, Articles, and Reviews 19:23–57.
——. 2004. “Banished to Yelang: Li Taibai Putting on a Performance.” Minsu quyi 145:5–38.
——. 2005. “Educational Frustration, Shape-Shifting Texts, and the Abiding Power of Anthologies: Three Versions of Wang Can Ascends the Tower.” Early Medieval China 10-11, no. 2:145–83.
——. 2005–2006. “Li Kaixian’s Revised Plays by Yuan Masters (Gaiding Yuanxian chuanqi) and the Textual Transmission of Yuan Zaju as Seen in Two Plays by Ma Zhiyuan.” CHINOPERL 26:47–66.
——. 2007a. “Fighting in Korea: Two Early Narrative Treatments of the Story of Xue Rengui.” In Korea in the Middle—Korean Studies and Area Studies: Essays in Honour of Boudewijn Walraven, edited by Remco E. Beuker, 341–58. Leiden: CNWS.
——. 2007b. “Madness on the Yuan Stage.” Hōrin: Vergleichende Studien zur japanischen Kultur 14:65–85.
——. 2008. Meng Jiangnü Brings Down the Great Wall: Ten Versions of a Chinese Legend. With an Essay by Haiyan Lee. Seattle: University of Washington Press.
——. 2010a. Judge Bao and the Rule of Law: Eight Ballad-Stories from the Period 1250–1450. Singapore: World Scientific.
——. 2010b. “Prosimetric and Verse Narrative.” In The Cambridge History of Chinese Literature, edited by Kang-i Sun Chang and Stephen Owen, 343–412. Cambridge: Cambridge University Press.
Idema, Wilt. L., and Stephen H. West. 1982. Chinese Theater, 1100–1450: A Source Book. Münchener ostasiatische Studien. Wiesbaden: Steiner.
——. 2012. Battles, Betrayals, and Brotherhood: Early Chinese Plays on the Three Kingdoms. Cambridge, Mass.: Hackett.
——. 2013. The Generals of the Yang Family: Four Early Plays. Singapore: World Scientific.
Iwaki Hideo 岩城秀夫. 1961. “Genkan kohon zatsugeki sanjūshū no denryū” 元刊古本雑劇三十種の伝流. Chūgoku bungakuhō 14:67–89.
Ji Junxiang 紀君祥. 1958. Zhaoshi gu’er 趙氏孤兒. In Anon 1958c, 13:1a–4b.
——. 1998. Zhaoshi gu’er da baochou zaju. In Zang 1998, 664–74.
——. 2010. Zhaoshi gu’er. Shanghai: Shanghai guji chubanshe.
Jiang Shaoyu 江少虞. 1981. Songchao shishi leiyuan 宋朝事實類苑. Shanghai: Shanghai guji chubanshe.
Jin Renjie 金人傑 [Kong Wenqing 孔文卿]. 1958. Dadu xinkan guanmu diben Dongchuang shi fan 大都新刊關目的本東窗事犯. In Anon. 1958c, 26:1a–8b.
Johnson, David. 1980. “The Wu Tzu-hsü Pien-wen and Its Sources: Parts I and II.” Harvard Journal of Asiatic Studies 40, no. 1: 93–119; no. 2: 466–505.
——. 1985. “The City-God Cults of T’ang and Sung China.” Harvard Journal of Asiatic Studies 45, no. 2:363–457.
Jordan, David K. 1986. “Folk Piety in Taiwan: The Twenty-four Filial Exemplars.” In The Psycho-Culture of the Confucian Family: Past and Present, edited by Walter H. Slote, 47–106. Seoul: International Cultural Society of Korea.
Kang, Jinzhi. 1980. “Li K’uei Carries Thorns.” In Crump 1980, 201–46.
Katz, Paul R. 1996. “Enlightened Alchemist or Immoral Immortal? The Growth of Lü Dongbin’s Cult in Late Imperial China.” In Shahar and Weller, Unruly Gods, 70–104.
——. 1999. Images of the Immortal: The Cult of Lü Dongbin at the Palace of Eternal Joy. Honolulu: University of Hawai`i Press.
Kim Bunkyō 金文京. 1983. “Yuankan zaju sanshizhong josetsu” 元人雜劇三十種序說, Mimei 3:46–75.
——. 1984. “Yuankan zaju sanshizhong josetsu hosei” 元人雜劇三十種序說補正. Mimei 4:64–67.
Kinney, Anne Behnke. 2014. Exemplary Women of Early China: The “Lienü zhuan” of Liu Xiang. New York: Columbia University Press.
Kirkland, Russell. 2008. “Sima Chengzhen.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 911–13. London: Routledge.
Knapp, Keith N. 2006. Selfless Offspring: Filial Children and Social Order in Medieval China. Honolulu: University of Hawai`i Press.
Knechtges, David.1976. The Han Rhapsody: A Study of the Fu of Yang Hsiung (53 B.C.–A.D. 18). Cambridge: Cambridge University Press.
——. 1982. Wen Xuan, or Selections of Refined Literature, Volume I: Rhapsodies on Metropolises and Capitals. Princeton: Princeton University Press.
——. 1987. Wen Xuan, or Selections of Refined Literature, Volume II: Rhapsodies on Sacrifices, Hunting, Travel, Sightseeing, Palaces and Halls, Rivers and Seas. Princeton: Princeton University Press.
——. 2006. “Jîngŭ and Lán Tíng: Two (or Three?) Jìn Dynasty Gardens.” In Studies in Chinese Language and Culture—Festschrift in Honour of Christoph Harbsmeier on the Occasion of His 60th Birthday, edited by Christoph Anderl and Halvor Eifring, 395–406. Oslo: Hermes Academic.
——. 2008. The Han Rhapsody: A Study of the “Fu” of Yang Hsiung, 53 B.C–A.D. 18. Cambridge: Cambridge University Press.
Komatsu Ken 小松謙. 2001. Chūgoku koten engeki kenkyū 中国古典演劇研究. Tokyo: Kyūko shoin.
Komjathy, Louis. 2007. Cultivating Perfection: Mysticism and Self-Transformation in Early Quanzhen Daoism. Leiden: Brill.
Kong Wenqing 孔文卿. See Jin Renjie.
Lang Ying 郎瑛. 1959. Qixiu leigao 七修類稿. Beijing: Zhonghua shuju.
Lau, Joseph S. M. 1985. “Duty, Reputation, and Selfhood in Traditional Chinese Narratives.” In Expressions of Self in Chinese Literature, edited by Robert E. Hegel and Richard C. Hessney. Studies in Oriental Culture. New York: Columbia University Press.
Lau, Joseph S. M., and John Minford. 2000. Classical Chinese Literature: An Anthology of Translations. Hong Kong: Chinese University Press.
Lee Haiyan. 2005. “Tears That Crumbled the Great Wall: The Archaeology of Feeling in the May Fourth Folklore Movement.” Journal of Asian Studies 64, no. 1:35–65.
Leung, Cécile. 2002. Étienne Fourmont (1683–1745): Oriental and Chinese Languages in Eighteenth-Century France. Leuven Chinese Studies. Leuven: Leuven University Press.
Levine, Ari L. 2009. “The Reigns of Hui-tsung (1100–1126) and Ch’in-tsung (1126–1127) and the Fall of the Northern Song.” In The Cambridge History of Chinese History, Volume 5, Part 1: The Sung Dynasty and Its Precursors, 907–1279, edited by Denis Twitchett and Paul Jakov Smith, 556–643. Cambridge: Cambridge University Press.
Li Fang 李昉, ed.1986. Taiping guangji 太平廣記. 10 vols. Beijing: Zhonghua shuju.
Li He 李賀. 1961. Sanjia pingzhu Li Changji geshi 三家評注李長吉歌詩. Beijing: Zhonghua shuju.
Li Kaixian 李開先. 1982. Cinue 詞謔. In Zhongguo gudian xiqu lunzhu jicheng 中國古典戲曲論著集成, 2nd ed., vol. 3:259–418. Beijing: Zhongguo xiju chubanshe.
——. 2004. Li Kaixian quan ji 李開先全集. 3 vols. Annotated and edited by Bu Jian 卜鍵. Beijing: Wenhua yishu chubanshe.
Li Lin 李琳 2004. “Song Yuan Ming ‘fengsengxi’ gushi liubian yanjiu” 宋元明瘋僧戲故事流變研究. Shenyang shifan daxue xuebao 28:52–54.
Li Xiusheng 李修生, Li Zhenyu 李真瑜, and Hou Guangfu 侯光復. 2003. Yuanqu dacidian 元曲大辭典. 1st rev. ed. Nanjing: Fenghuang chubanshe.
Little, Stephen, and Shawn Eichman. 2001. Taoism and the Arts of China. Chicago: Art Institute of Chicago; Berkeley: University of California Press.
Liu, James T. C. 1972. “Yüeh Fei and China’s Heritage of Loyalty.” Journal of Asian Studies 31, no. 2:291–97.
Liu, Wu-chi. 1953. “The Original Orphan of China.” Comparative Literature Studies 5:193–212.
Liu Yiqing 劉一清. 1782. Qiantang yishi 錢塘遺事. Siku quanshu ed. Beijing: Wuying dian.
Liu Yiqing and Liu Jun. 2002. A New Account of Tales of the World. 2nd ed. Edited and translated by Richard Mather. Michigan Monographs in Chinese Studies. Ann Arbor: Center for Chinese Studies, University of Michigan.
Llamas, Regina. 2010. “Wang Guowei and the Establishment of Chinese Drama in the Modern Canon of Classical Literature.” T’oung Pao 96, nos. 1–3:165–201.
Loewe, Michael. 1974. “The Fall of the House of Huo.” In Crisis and Conflict in Han China, 104 BC to AD 9, edited by Michael Loewe, 113–53. London: Allen and Unwin.
Lü Weifen 呂薇芬 and Wu Gengshun 吳庚舜. 2000. Quan Yuan sanqu guangxuan, xinzhu, jiping 全元散曲廣選、新注、集評. 2 vols. Shenyang: Liaoning renmin chubanshe.
Lundbaek, Knud. 1991. Joseph de Prémare, 1666–1736, S.J.: Chinese Philology and Figurism. Acta Jutlandica. Aarhus: Aarhus University Press.
Luo Jintang 羅錦堂. 1977. Jintang lunqu 錦堂論曲. Taipei: Lianjing chubanshiye gongsi.
Lynn, Richard John. 1980. Kuan Yün Shih. Twayne’s World Authors Series, TWAS 562: China. Boston: Twayne.
Ma Zhiyuan 馬致遠. 1958. Lü Dongbin sanzui Yueyang lou 呂洞賓三醉岳陽樓. Gu mingjia 古名家 ed. In Zhao Qimei 1958, 3:1a–23a.
McLaren, Anne. 1998. Chinese Popular Culture and Ming Chantefables. Leiden: Brill.
Meng Hanqing 孟漢卿. 1958a. Xinkan guanmu Zhang Ding zhikan moheluo 新刊關目張鼎智勘磨合羅. In Anon. 1958c, 43:1a–6a.
——. 1958b. Zhang Ding zhikan moheluo 張鼎智勘磨合羅. Gu mingjia 古名家 ed. In Zhao Qimei 1958, 43:1a–32b.
Miao Huaiming 苗懷明. 2004. “Ershi shiji Yuankan zaju sanshizhong de faxian, zhengli yu yanjiu” 二十世紀《元刊雜劇三十種》的發現、整理與研究. Zhongguo xiqu xueyuan xuebao 25, no. 1:15–17.
Miller, Amy Lynn. 2008. “Daluo tian.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 299. London: Routledge.
Miura, Kunio. 2008. “Initiation.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 16–17. London: Routledge.
Murray, Julia. 2007. Mirror of Morality: Chinese Narrative Illustration and Confucian Ideology. Honolulu: University of Hawai`i Press.
Naquin, Susan, and Chün-fang Yü, eds. 1992. Pilgrims and Sacred Sites in China. Berkeley: University of California Press.
Nienhauser, William, trans. 1978. “The World Inside a Pillow.” In Traditional Chinese Stories: Themes and Variations, edited by Joseph S. M. Lau and Y. W. Ma, 435–48. New York: Columbia University Press.
Nienhauser, William H., Jr. 2010. Tang Dynasty Tales: A Guided Reader. Singapore: World Scientific.
Ning Xiyuan 寧希元. 1988. Yuankan zaju sanshizhong xinjiao 元刊雜劇三十種新校. 2 vols. Lanzhou: Lanzhou daxue chubanshe.
O’Hara, Albert R. 1945. “The Wife of Yang of Han and the Wife of Ho of Han.” In The Position of Woman in Early China According to the Lieh Nü Chuan, “The Biographies of Eminent Chinese Women,” edited by Albert R. O’Hara, 222–25. Washington, D.C.: Catholic University Press.
Ouyang Xiu 歐陽修 and Song Qi 宋祁. 1975. Xin Tangshu 新唐書. 20 vols. Beijing: Zhonghua shuju.
Owen, Stephen. 1996. An Anthology of Chinese Literature: Beginnings to 1911. New York: Norton.
Pan, Ku [Ban Gu]. 1944. “Liu Ho’s Brief Reign and Deposition,” “The Selection of Emperor Shiun,” “The Dangerous Intrigues and Downfall of the Ho Clan.” In The History of the Former Han Dynasty, Translation, Volume Two: First Division, Chapters VI–X, edited and translated by Homer H. Dubs. 181–90. London: Kegan Paul, Trench, Trubner.
Penny, Benjamin. 2008a. “Guangchengzi.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 457–58. London: Routledge.
——. 2008b. “Magu.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 731–32. London: Routledge.
——. 2008c. “Xu xianzhuan: Sequel to Biographies of Immortals.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1123–24. London: Routledge.
Pregadio, Fabrizio. 2008a. “Baopu zi.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 215–18. London: Routledge.
——. 2008b. “Ge Hong.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 442–43. London: Routledge.
——. 2008c. “Huandan.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 16–17. London: Routledge.
Qian, Cai. 1995. General Yue Fei: A Novel. Translated by T. L. Yang. Hong Kong: Joint Publishing.
Qian Zhongshu. See Ch’ien Chung-shu.
Raz, Gilbert. 2008. “Chisong zi.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 271–72. London: Routledge.
Ren Zhongming 任中敏 and Ji Guoping 季國平. 1983. “Dui Wang Guowei xiqu lilun de jianping” 對王國維戲曲理論的簡評. Yangzhou shiyuan xuebao (shehui kexue ban) 1:33–37.
Robinet, Isabelle. 2008a. “Daode jing.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 311–14. London: Routledge
——. 2008b. “Han Wudi neizhuan: Inner Biography of Emperor Wu of the Han.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 472. London: Routledge
——. 2008c. “Huangting jing.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 511–14. London: Routledge.
Rosemont, Henry Jr., and Roger T. Ames. 2009. The Chinese Classic of Family Reverence: A Philosophical Translation of the Xiaojing. Honolulu: University of Hawai`i Press.
Schipper, Kristofer. 1965. L’Empereur Wou des Han dans la légende taoïste. Publications de l’École française d’Extrême-Orient 58. Paris: École française d’Extrême-Orient.
Shahar, Meir, and Robert P. Weller, eds. 1996. Unruly Gods: Divinity and Society in China. Honolulu: University of Hawai`i Press.
Shao Zengqi 邵曾祺, ed. 1955. Yuanren zaju 元人雜劇. Shanghai: Chunming chubanshe.
Shi Junbao 石君寶. 1958. Gu Hang xinkan diben guanmu Fengyue Ziyunting 古杭新刊的本關目風月紫雲庭. In Anon. 1958c, 2:1a–7b.
Shih, Chung-wen. 1976. The Golden Age of Chinese Drama: Yüan Tsa-chü. Princeton: Princeton University Press.
Shu Dan 舒丹. 2008 “Yuan zaju Xue Rengui yijin huanxiang yu Xue Rengui rong gui guli zhi bijiao” 元雜劇《薛仁貴衣錦還鄉》與《薛仁貴榮歸故里》之比較. Anhui wenxue (pinglun yanjiu) 2:2–3.
Sima Qian 司馬遷. 1959. Shiji 史記. 10 vols. Beijing: Zhonghua shuju.
Slingerland, Edward G., trans. 2003. Confucius Analects: With Selections from Traditional Commentaries. Indianapolis: Hackett.
Smith, Thomas. 2008. “Wang Xianfu.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1008. London: Routledge.
Song Kefu 宋克夫 and Yu Ying 余瑩. 2003. “Zhuye zhou yuanben yu Zangben zhi bijiao” 《竹葉舟》元本與臧本之比較. Hubei zhiye jishu xueyuan xuebao 6, no. 2:43–48.
Ssu-ma Ch’ien. 1995a. The Grand Scribe’s Records: Volume I, The Basic Annals of Pre-Han China. Edited by William H. Nienhauser Jr. Translated by Tsai-fa Cheng et al. Bloomington: Indiana University Press.
——. 1995b. The Grand Scribe’s Records: Volume VII, The Memoirs of Pre-Han China. Edited by William H. Nienhauser Jr. Translated by Tsai-fa Cheng et al. Bloomington: Indiana University Press.
——. 2002. The Grand Scribe’s Records: Volume II, The Basic Annals of Han China. Edited by William H. Nienhauser Jr. Translated by Weiguo Cao et al. Bloomington: Indiana University Press.
Stimson, Hugh M. 1966. The Jongyuan In Yunn: A Guide to Old Mandarin Pronunciation. Sinological Series. New Haven: Far Eastern Publications, Yale University.
Sun Kaidi 孫楷弟. 1953. Yeshi yuan gujin zaju kao 也是園古今雜劇考. Zhongguo xiqu lilun congshu 中國戲曲理論叢書. Shanghai: Shangza chubanshe.
Takahashi Bunji 高橋文治. 1988. “Genkanhon Xue Rengui yijin huanxiang geki o megutte” 元刊本薛仁貴衣錦還香劇をめぐって. Tōhōgaku 76:63–77.
Tan, Tian Yuan. 2008. “The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions.” In Long Live the Emperor! Uses of the Ming Founder across Six Centuries of East Asian History, edited by Sarah Schneewind, 149–69. Minneapolis: Society for Ming Studies.
——. 2009. “Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with His Banter about Lyrics.” In Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema, Edited by Maghiel van Crevel, Tian Yuan Tan, and Michel Hockx, 139–52. Leiden: Brill.
——. 2010. Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China. Harvard-Yenching Institute Monograph Series. Cambridge, Mass.: Harvard University Asia Center.
Tao, Jing-shen. 2009. “The Move to the South and the Reign of Kao-tsung (1127–62).” In The Cambridge History of Chinese History, Volume 5, Part 1: The Sung Dynasty and Its Precursors, 907–1279, edited by Denis Twitchett and Paul Jakov Smith, 664–709. Cambridge: Cambridge University Press.
Tao Zongyi 陶宗儀. 1959. Nancun chuogeng lu 南村輟耕錄. Beijing: Zhonghua shuju.
Teiser, Stephen F. 1993a. “The Growth of Purgatory.” In Religion and Society in T’ang and Sung China, edited by Patricia Buckley Ebrey and Peter N. Gregory, 115–46. Honolulu: University of Hawai`i Press.
——. 1993b. The Scripture on the Ten Kings and the Making of Purgatory in Medieval China. Honolulu: University of Hawai`i Press.
Trauzettel, Rolf. 1975. “Sung Patriotism as a First Step toward Chinese Nationalism.” In Crisis and Prosperity in Sung China, edited by John Winthrop Haeger, 199–213. Tucson: University of Arizona Press.
Tseng Yong-yih [Zeng Yongyi] 曾永義. 2009. Xiqu zhi yasu, zhezi, liupai 戲曲之雅俗、折子、流派. Guojia xiqu yanjiu congshu 國家戲曲研究叢書. Taipei: Guojia chubanshe.
Tuotuo 脫脫 et al. 1977. Songshi 宋史. Beijing: Zhonghua shuju.
Twitchett, Denis, ed. 1979. The Cambridge History of China, Volume 3, Part 1: Sui and T’ang China, 589–906. Cambridge: Cambridge University Press.
Wagner, Donald B. 1998. A Classical Chinese Reader: The Han Shu Biography of Huo Kuang. Richmond, Surrey, U.K.: Curzon Press.
Wang Bocheng 王伯成. 1958. “Gu Hang xinkan guanmu diben Li Taibo bian Yelang” 古杭新刊關目的本李太白貶夜郎. In Anon. 1958c, 18:1a–9b.
Wang Guowei 王國維. 1964. Song Yuan xiqu shi 宋元戲曲史. Hong Kong: Taiping shuju.
——. 1983. Wang Guowei yishu 王國維遺書. 16 vols. Shanghai: Shanghai guji shudian.
Wang Liqi 王利器. 1981. Yuan Ming Qing sandai jinhui xiaoshuo xiqu shiliao 元明清三代禁毀小說戲曲史料. Shanghai: Shanghai guji chubanshe.
Wang Meng’ou 王夢鷗. 1971. Tangren xiaoshuo yanjiu—Zuanyi ji yu Chuanqi jiaoshi 唐人小說研究:纂異記與傳奇校釋, vol. 1. Taipei: Yiwen yinshuguan.
Wang, Pi-twan. 1978. “The Revenge of the Orphan of Chao, by Chi Chün-hsiang.” Renditions 9:103–31.
Wang Qi 王圻. 1959. Ming Wanli Xu Wenxian tongkao 明萬曆續文獻通考. In Xu Wenxian tongkao erbaiwushisi juan 續文獻通考二百五十四卷, vol. 11. Taipei: Wenhai chuban youxian gongsi.
——. 1988. Sancai tuhui 三才圖會. 3 vols. Shanghai: Shanghai guji chubanshe.
Wang Rutao 王汝濤. 1987. Taiping guangji xuan 太平廣記選. Jinan: Qi Lu shushe.
Wang Shipei 汪詩珮. 2008. “Wenrenhua yu zhezhonghua de gaibian: Cong ‘Yuankanben’ yu Yuanqu xuan de Xue Rengui shuoqi” 文人化與折衷化的改編:從元刊本與元曲選的薛仁貴說起. Hanxue yanjiu / Chinese Studies 26, no. 1:137–64.
Wang Shizhen 王世貞. 1982. Quzao 曲藻. In Zhongguo gudian xiqu lunzhu jicheng 中國古典戲曲論著集成, vol. 2:15–42. Beijing: Zhongguo xiju chubanshe.
Wang Xiaojia 王曉家. 2004. “Gao Wenxiu zaju kaolun” 高文秀雜劇考論. Xiqu yanjiu 65:87–97.
Wang Zhihan 王之涵. 2007. “Yuankan zaju sanshizhong biaoyan tishi yanjiu” 元刊雜劇三十種表演提示研究. Chuzhou xueyuan xuebao 9, no. 2:34–36.
Wang-Toutain, Françoise. 1998. Le bodhisattva Ksitigarbha en Chine du Ve au XIIIe siècle. Paris: Presses de l’École française d’Extrême-Orient.
Ward, Adrienne. 2010. Pagodas in Play: China on the Eighteenth-Century Italian Opera Stage. Lewisburg, Penn.: Bucknell University Press.
Watson, Burton. 1968. The Complete Works of Chuang-tzu. New York: Columbia University Press.
——. 1974a. “Accounts of the Families Related to the Emperor by Marriage (Excerpts).” In Courtier and Commoner in Ancient China: Selections from the “History of the Former Han” by Pan Ku, 247–78. New York: Columbia University Press.
——. 1974b. “The Biography of Huo Kuang and Chin Mi-ti.” In Courtier and Commoner in Ancient China: Selections from the “History of the Former Han” by Pan Ku, 121–57. New York: Columbia University Press.
Weng Minhua 翁敏華. 2006. “Gudai jiusu yu Yuandai zaju Haojiu Zhao Yuan yu Shanghuang” 古代酒俗與元代雜劇《好酒趙元遇上皇》. Shanghai shifan daxue xuebao 35, no. 2:55–59.
West, Stephen H. 1997. “Playing with Food: Performance, Food, and the Aesthetics of Artificiality in the Sung and Yuan.” Harvard Journal of Asiatic Studies 57, no. 1:67–106.
——. 2000. “The Emperor Sets the Pace: Court and Consumption in the Northern Song.” In Selected Essays on Court Culture in Cross-Cultural Perspective, edited by Lin Yaofu, 25–50. Taipei: National Taiwan University Press.
——. 2002. “Huanghou, zangli, youbing yu zhu” 皇后、葬禮、油餅與豬. In Wenxue, wenhua yu shibian 文學、文化與世變, edited by Li Fengmao, 197–218. Taipei: Academia Sinica.
——. 2004. “Text and Ideology: Ming Editors and Northern Drama.” In The Song-Yuan-Ming Transition in Chinese History, edited by Paul Jakov Smith and Richard von Glahn, 329–73. Cambridge, Mass.: Harvard University Asia Center.
——. 2005. “Meng Yuanlao, ‘Recollections of the Northern Song Capital.’” In Hawai`i Reader in Traditional Chinese Culture, edited by Victor H. Mair, Nancy Shatzman Steinhardt, and Paul R. Goldin, 405–22. Honolulu: University of Hawai`i Press.
——. 2006. “Crossing Over: Huizong in the Afterglow, or the Deaths of a Troubling Emperor.” In Ebrey and Bickford, Emperor Huizong and Late Northern Song China, 565–608.
——. 2008. “Shifting Spaces: Local Dialect in A Playboy from a Noble House Opts for the Wrong Career.” Journal of Theater Studies 1, no. 1:83–108.
West, Stephen H., and Wilt L. Idema. 2010a. “Little Butcher Sun.” In West and Idema, Monks, Bandits, 389–454.
——. 2010b. Monks, Bandits, Lovers, and Immortals: Eleven Early Chinese Plays. Indianapolis: Hackett.
Wilhelm, Helmut. 1962. “From Myth to Myth: The Case of Yüeh Fei’s Biography.” In Confucian Personalities, edited by Arthur F. Wright and Denis Twitchett, 146–61. Stanford: Stanford University Press.
Wong, Alan L., and Chün-hsiang Chi. 1973. The Orphan of China: A Play of Five Acts and a Prologue. London: Mitre Press.
Wu, Pei-yi. 1992. “An Ambivalent Pilgrim to T’ai Shan in the Seventeenth Century.” In Naquin and Yü, Pilgrims and Sacred Sites, 65–88.
Xia Tingzhi 夏庭芝. 1996. Qinglou ji jianzhu 青樓集箋注. Edited by Sun Chongtao 孫崇濤 and Xu Hongtu 徐弘圖. Beijing: Guojia xiju chubanshe.
Xu Mengxin 徐夢莘. 1987. Sanchao beimeng huibian 三朝北盟會編. 4 vols. Shanghai: Shanghai guji chubanshe.
Xu Qinjun 徐沁君. 1980. Xinjiao Yuan kan zaju sanshizhong 新校元刊雜劇三十種. 2 vols. Beijing: Zhonghua shuju.
Xu Shuofang 徐朔方. 1956. Xiqu zaji 戲曲雜記. Shanghai: Shanghai gudian wenxue chubanshe.
——. 1993. “Zang Maoxun he tade Yuanqu xuan” 臧懋循和他的元曲選. In Xu Shuofang ji 徐朔方集, vol. 1:1–64. Hangzhou: Zhejiang guji chubanshe.
Xu Zheng 徐征 and Zhang Yuezhong 張月中. 1998. Quan Yuan qu 全元曲. 12 vols. Shijiazhuang: Hebei jiaoyu chubanshe.
Yang, Chi-ming. 2011. Performing China: Virtue, Commerce, and Orientalism in Eighteenth-Century England, 1660–1760. Baltimore: Johns Hopkins University.
Yang, Richard F. S. 1972. Four Plays of the Yuan Drama. Taipei: China Post
Yang Zi 楊梓. 1958. Gu Hang xinkan guanmu Huo Guang guijian 古杭新刊關目霍光鬼諫. In Anon. 1958c, 22 :1a–7b.
Yao Tongshou 姚桐壽. 1936. Lejiao siyu 樂郊私語. In Xuehai leibian 學海類編, edited by Cao Rong 曹溶, vol. 114. Shanghai: Hanfen lou.
Yen Yuan-shu. 1970. “Hsüeh Jen-kuei and Hsüeh Ting-shan: A Chinese Oedipal Conflict.” Tamkang Review 1:223–32.
Yin Yun 殷芸. 1999. Xiaoshuo 小說. In Han Wei Liuchao biji xiaoshuo daguan 漢魏六朝筆記小說大觀. Shanghai: Shanghai guji chubanshe.
Yoshikawa, Tadao. 2008a. “Baxian: Eight Immortals.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 220–22. London: Routledge.
——. 2008b. “Xiwang mu: Queen Mother of the West.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1119–20. London: Routledge.
——. 2008c. “Zhang Guolao.” In The Encyclopedia of Taoism, edited by Fabrizio Pregadio, 1225–26. London: Routledge.
Yu Xuejian 于學劍. 2012. “Gao Wenxiu zaju: Tiegan yingzhi, panxuan duoci” 高文秀雜劇:鐵杆硬枝、槃旋多次. In Xiju congkan 喜劇叢刊, 1:33–40.
Yu, Shiao-ling. 2005–2006. “From Revenge to What? Seven Hundred Years of Transformations of The Orphan of Zhao.” CHINOPERL Papers 26:129–48.
Zang Maoxun 臧懋循. 1998. Yuanquxuan fu chatu 元曲選附插圖. Hanfen Lou 1918 photolithograph of Ming edition of 1616. Hangzhou: Zhejiang guji chubanshe.
Zeng Zao 曾慥. 1982. Leishuo 類說. In Beijing tushuguan guji zhenben congkan Zibu Zajia lei 北京圖書館古籍珍本叢刊子部雜家類. Beijing: Shumu wenxian chubanshe. Original edition, Yue Zhongxiu 岳鍾秀, 1625.
Zhang Geng 張庚 and Guo Hancheng 郭漢城. 1980. Zhongguo xiqu tongshi 中國戲曲通史, vol. 1. Beijing: Zhongguo xiju chubanshe.
Zhang Guobin 張國賓. 1958. Xinkan diben Xue Rengui yijin huanxiang 新刊的本薛仁貴衣錦還郷.” In Anon. 1958c, 15:1a–5b.
——. 1998. Xue Rengui rong gui guli zaju 薛仁貴榮歸故里雜劇.” In Zang 1998, 156–63.
Zhang Qingfa 張清發. 2008. “Qin Gui mingbao gushi de fazhan yu wenhua yihan” 秦檜冥報故事的演變與發展與文化意涵. Guoli Gaoxiong haiyang keji daxue xuebao 24:293–313.
Zhang Shaoduo 張紹鐸. 1981. Zhaoshi gu’er zaju yanjiu 趙氏孤兒雜劇研究. Taipei: Xuehai chubanshe.
Zhao Lingxia 趙玲霞. 2009. “Yi Quanzhenjiao ticai kan zongjiao ju zhong de ‘dutuo’ moshi” 以全真教題材看宗教劇中的『度脫』模式. Nanchang gaodeng xuebao6:50–51, 56.
Zhao Qimei 趙琦美, ed. 1958. Maiwangguan chaojiaoben gujin zaju 脈望館抄校本古今雜劇. In Guben xiqu congkan siji 古本戲曲叢刊四集. Shanghai: Shanghai yinshuguan.
Zhao Wanli 趙萬里, ed. 1957. Xue Rengui zheng Liao shilue 薛仁貴征遼事略. Shanghai: Gudian wenxue chubanshe.
Zhao Youmin 趙幼民. 1975a. “Yuan zaju zhongde dutuo ju (1)” 元雜劇中的度脫劇(上). In Wenxue pinglun 文學評論, edited by Wenxue Pinglun Bianji Weiyuanhui 文學評論編輯委員會, 153–97. Taipei: Shuping shumu chubanshe.
——. 1975b. “Yuan zaju zhongde dutuo ju (2)” 元雜劇中的度脫劇(下). In Wenxue pinglun 文學評論, edited by Wenxue pinglun bianji weiyuanhui 文學評論編輯委員會, 169–217. Taipei: Shuping shumu chubanshe.
Zhen Weini 甄煒旎. 2008. “Yuankan zaju sanshi zhong yu Li Kaixian jiuzang zhi guanxi” 元刊雜劇三十種與李開先舊藏之關系. Zhongguo dianji yu wenhua 64:64–67.
Zheng Guangzu 鄭光祖. 1958. Zuisixiang Wang Can denglou 醉思想王粲登樓. Gu mingjia 古名家 ed. In Zhao Qimei 1958, 36:1a–21b.
Zheng Li 鄭莉. 2007. “Maiwangguan chaojiaoben gujin zaju zhong Ming gongting zaju kaozheng” 《脈望館抄校本古今雜劇》中明宮廷雜劇考證. Dianying pingjie 12, no. 9:98–100.
Zheng Qian 鄭騫. 1962. Jiaoding Yuankan zaju sanshizhong 校訂元刊雜劇三十種. Taipei: Shijie shuju.
——. 1972. Jingwu congbian 景午叢編. 2 vols. Taipei: Taiwan Zhonghua shuju.
Zheng Tingyu 鄭廷玉. 1958a. Gu Hang xinkan guanmu fu Chengwang Zhougong shezheng 古杭新刊關目輔成王周公攝政. In Anon. 1958c, 6:1a–8b.
——. 1958b. Kancai nu mai yuanjia zhaizhu 看財奴買冤家債主. Xijizi 息機子 ed. In Zhao Qimei 1958, 51 :1a–31a.
Zhong Sicheng 鐘嗣成. 1982. Lugui bu 錄鬼簿. In Zhongguo gudian xiqu lunzhu jicheng 中國古典戲曲論著集成, vol. 2:85–274. Beijing: Zhongguo xiju chubanshe.
Zhou Deqing. 2006. Zhongyuan yinyun 中原音韻. In Lidai quhua huibian: Tang Song Yuan bian 歷代曲話彙編唐宋元編, edited by Sun Rongrong 孫蓉蓉 and Yu Weimin 俞為民, vol. 2. Hefei: Huangshan shushe.
Zhou Shaoxian 周紹賢. 1983. Liezi yaoyi 列子要義. Taipei: Zhonghua shuju.
Zhou Yibai 周怡白. 1979. Zhongguo xiqu fazhanshi gangyao 中國戲曲發展史綱要. Shanghai: Shanghai guji chubanshe.
Zhu Quan 朱權. 2010. Taihe zhengyin pu jianping 太和正音譜箋評, annotated by Yao Pinwen 姚品文. Zhongguo wenxue yanjiu dianji congkan 中國文學研究典籍叢刊, edited by Luo Di 洛地. Beijing: Zhonghua shuju, 2010.
Zhu Xi 朱熹. 2010. Zhuzi quanshu 朱子全書. 27 vols. Shanghai: Shanghai guji chubanshe.