1970s

May King’s Prophecy

Spring green buddings, white-blossoming trees, Mayday

picnic

O Maypole Kings Krishnaic Springtime O holy Yale

Panther Pacifist Conscious populace awake alert

sensitive tender

children’s bodies — and a ring of quiet Armies around

town —

planet students cooking brown rice for scared

multitudes —

Oh souls all Springtime prays your bodies

quietly pass mantric peace Fest grass freedom thru our

nation

thru your holy voices’ prayers

your bodies here so tender & so wounded with Fear —

Metal gas fear, the same fear whales tremble war

consciousness

Smog city — Riot court paranoia — Judges, tremble!

Armies weep your fear —

O President guard thy sanity

Attorneys General & Courts obey the Law

and end your violent War Assemblage

O Legislatures pass your Creeds of order

& end by proper Law illegal war!

Now man sits Acme Conscious over his gas machine

covered Planet —

Springtime’s on, for all your sacred & satanic magic!

Ponds gleam clouded heaven — Black voices chant thru

car radio

Oh who has heard the scream of death in jail?

Who has heard the quiet Maytime Om beneath wheel–

whine and drumbeat

In railyards on wire tower’d outroads from New Haven?

—New Haven, CT, May 1, 1970

Published in: Strike Newspaper (May 2, 1970), p. 3.

For the Soul of the Planet Is Wakening

For the soul of the planet is

Wakening, the time of dissolution

of material forms is here, our

generation’s trapped in Imperial

Satanic cities & nations, & only

the prophetic priestly consciousness

of the bard — Blake, Whitman

or our own new selves — can

steady our gaze into the

fiery eyes of the tygers of the

Wrath to come

—before September 21, 1970

Published as a broadside: For the Soul of the Planet Is Wakening (Desert Review Press, 1970).

Six Senses

Hiss, gaslamp —

Night wind shakes leaves.

*

Hemp smoke in wood hall,

Kerosene leaked at lampbase

knocked off desk.

*

Yellow light on knotted wall,

Aladdin chimney, brass

wick cutter, pencil bottle

plastic passport, staple shine.

*

Who am I? Saliva,

vegetable soup,

empty mouth?

*

Hot roach, breath smoke

suck in, hold, exhale —

light as ashes.

*

Eye lids heavy, dreamed yesterday dawn

kissing the two eyed horse.

—Xmas Meditation on Milarepa, 1970

Published in: Coyote’s Journal, no. 9 (1971), back cover. In addition the fourth and fifth parts have been collected in Ginsberg’s Collected Poems, but not the other four parts.

[Poem]

Frank O’Hara darkly

hearing Così Fan Tutte

scratches his nose.

— ca. 1970

Published in: Clothesline, no. 2 (1970), p. 36.

[Poem]

Hum! Hum! Hum!

Gregory Corso’s genius despised,

Muses bored,

Mediocrity is prized —

Bullshit the award.

Hum! Hum! Hum!

ca. early 1971

Published in: Washington Post (March 3, 1971), p. C1.

[Poem]

The world’s an illusion

Everybody dies the day after they graduate High School

—August 30, 1971

Published in: Embers (Wayne Valley Senior High School, 1972), p. 134.

Reef Mantra

… Blue Starfish

Violet minnow,

Sea cucumber

Coral tide …

Fiji, March 3, 1972

Published in: Allen Ginsberg, First Blues (Full Court Press, 1975), p. 35.

Postcard To D

Chugging along in an old open bus

past the green sugarfields

down a dusty dirt road

overlooking the ocean in Fiji

thinking of your big MacDougal street house

& the old orange peels

in your mail-garbage load

smoggy windows you clean with a

squeegee —

Fiji, March 3, 1972

Published in: Allen Ginsberg, First Blues (Full Court Press, 1975), p. 34.

Inscribed In George Whitman’s Guest Register

Cold January ends snowing on sidewalks,

Millions of kids cry & sing in Lowell,

Massachusetts is full of bearded pubescent saints,

Notre Dame’s lit up white as Whitman’s beard,

I got a $1 wool suit from Salvation Army and a tie

flowered from 1967 and a new round watch

& no beard, & Gregory a leopard spotted coat

on his back returned your Pomes Pennyeach

talking of Jonathan Robbins the punk Jersey Rimbaud,

& Brion’s operation, & who’s been in & out the

bookshop

— This morning acid wakefulness overlooking the

Seine

Gregory claimed death’s democracy while the river

streets

floated in Eternity eyeballed from the balcony, solid

evanescent apartments under a grey familiar sky —

Back and forth to Paris, utopian socialists’ beards grow

longer

and whiter — someday the whole city’ll be white as

Notre

Dame’s snow-illumined facade, George’s goatee, this

page

—Shakespeare & Co. Bookshop, Paris, ca. 10 a.m.,

January 31, 1976

Unpublished.

On Farm

Noisy beets boiling in the pressure cooker

Gas mantle mirrored white gold in the window

Answering letters, September first midnight

Cherry Valley, NY, September 1, 1973

Published in: Bombay Gin, no. 7 (Summer/Fall [1980] 1979), p. 82.

Wyoming

A mountain outside

a room inside

a skull above

Snow on the mountain

flowers in the room

thoughts in the skull.

Teton Village, WY, November 1973

Published in: Poetry Project Newsletter, no. 11 (January 1, 1974), p. 6.

Exorcism

You’re going to grow old, white haired withered gasping

stretched on sick-room bed helpless conscious oxygen

tent paralyzed

Several days secure immobile protected in coma

Fortunate karma, family billions, born power wealth

nurses richest doctors & medicines the world

unguents, attendants, gases, needles, morphines private

suites —

Then suddenly realize no help — coma spreading thru

brain nerves

— your power Powerless, your money sand, dreamtime,

illusion

Lonely as an arthritic-handed charwoman washing the

floor in your skyscraper —

You stare at the ceiling and disappear, board rooms and

Arabian derricks vanish with your extinction

Remember pain suffering you caused others Power

Head!

Stop & Frisk laws on your deathbed conscience! No-

Knock you introduced the Nation 1963

Anyone’s head bashed to the door — police in his own

home no warning —

fragile in hospital sheets remember your tough-

mouthed Violence Governor

Built insubstantial buildings highways drained liquid

chemicals

from earth to spread over unsuspecting mortals

poisoning their air

Crazy cars roam the landscape lonesome scared of your

police — You worshipped petroleum bank’s

money monopoly with your brothers —

Your anger ordered massacre the guards and prisoners

Attica Prison yard

How you hid in your Albany mansion reading papers on

your lap

willing Mass Murder in Jail while junkies screamed Stop

their Torture

How you screamed back a year later in front of Labor

Unions to send junkies to death!

Yea you money addict power fixer petroleum pusher

grow whitehaired sickened frail someday, body pained,

gasping for morphine

on deathbed remember Ego’s actions & hatreds

Strangle to death as I will Governor, no guards protect

you

Die blind wondering where the President went —

Reborn a red necked cursing gas station attendant on

thruways paved in Hell

Because you pounded the table mandatory death

penalty for junkies 1973

You energy-junkie Nelson Aldrich Rockefeller be reborn

in your own image.

—January 28, 1974

Published in: Seven Days (October 5, 1974), p. 7.

Eyes Full Of Pitchpine Smoke
(by Allen Ginsberg and Gary Snyder)

Eyes full of pitchpine smoke

Ears full of frogs

How can I keep my books?

Pitchpine smoke

drives mosquitoes crazy

they all go over to the Greensfelders

Bookkeeping in the moonlight

— frogs count

my checks.

Kitkitdizzie, CA, June 16, 1974

Published in: End, no. 9 (1975), p. 24, and the third section
“Bookkeeping in the moonlight …” is in Ginsberg’s Collected Poems as one of “Sad Dust Glories.”

Freedom of Speech

Freedom of speech

Oh yeah, scared of the cops

freedom of speech

I’m an average citizen

scared of the cops

freedom of speech

I’m an average citizen

scared of the cops

That’s my attitude

That’s my attitude too

That’s my attitude

That’s my attitude too

That’s my attitude

That’s my attitude too

Boulder, CO, ca. June 1975

Unpublished.

Green Notebook

Nothing lonelier

than on a Greyhound

crossing Donner Pass

Superhighway 80

thru Truckee to Reno

age 20,

rolling on concrete

past pines icy

Castle Peak.

— ca. 1975

Published in: Allen Ginsberg, Sad Dust Glories (Workingmans Press, September 18, 1975), p. 3.

Imagination
(by Gregory Corso and Allen Ginsberg)

Magnifying &

transmitting

unworded

eyebrain

on command

manikins

from the compartment

wallpaper

the cockpit

with star-come

Megagalactic

Broadways

delight

Buddha-junkies

Muhammad-Ali-fight

Wipe

the muleteer

shitface

off the Zoroastrian-mount

Fly

//

unwing’d-thought

mechanics

into the see-mind

Fish

with eyes like mine

for aery sharks

no DNA

remembers

Vivid

pilots

cosmosian-skinned

land

Paris, January 30, 1976

Published in: Beatitude, no. 29 ([August] 1979), p. 50.

[Poem]

Spring night four a.m.

Garbage lurks by the glass windows

Two guys light a match

Smoke rolls over Eighth Street where

Spade queens walk lipsticked looking for a taxi

Spoon out their handkerchiefs

Coughing against the black dust rising up

Out of Imiri Baraka’s latest volume of poems

The Whole Earth Catalogue up in flames

The water pumps methods for making home-made

yogurt

The crackling red fires running over the San Francisco

Communal catalogue

Herbert Marcuse exploding in flames

Howl, fiery volume after volume

Over the precipice

Fire spreads through the Skira catalogues

The Rembrandt canvas girl

Brown holes appear in priceless Van Goghs, Roman

statuaries

Smoke covered smudged Venus de Milo

//

Up on the front in embers Andy Warhol’s Philosophy From

A To B

Tennessee Williams autobiographical life in ashes

William Carlos Williams’ poetry follows him

To a white dusty grave

Shakespeare himself leaves not a rack behind

—New York City, ca. May 6, 1976

Published in: Villager, vol. 44, no. 20 (May 13, 1976), p. 2.

Louis’ First Night In Grave

Surrounded by transmission wires

and tombstones with old names

the sound of trains and auto tires

protested modern claims —

Weeping a little, earth thrown down

on your coffin lid

oblivion you called your town

Newark wherein you hid

Came out to see your fresh dug grave

red earth, as rounded Rose

the family gather’d, what could save

your memory, what we chose.

I knew the earth that covered you

was your own choice of bed

that year had water often true

of the highway we drove that led

To a small graveyard outside Newark

where remnants gather’d round

families that remember’d the odd quirk

That made you sing in sound

//

Aunts & uncles of old times

Silent movie cousins

Grandfathers whose faces mime

grandchildren by the dozens.

Brothers tearless in the mist

Sisters silent in fog

Nephews whose dead lips were kissed

gold haired children in smog

Poets of the days of youth

Passed, and were forgotten

Brothers in law dead in the booth

of Belmar’s wharves gone rotten

Sisters uncles cousins passed

Friends from olden days

Drawers of the laundry cart,

Drugstore brothers ways —

Now I am fifty, olden days

echo like a chord

familiar from old phonographs

or photographs of yore —

Tears, tears and weeping thoughts

Sighs sighs & tears

All the world is swept away

as your coffin steers

Its way down underneath the earth,

down below life and breath

Form is emptiness and birth

Shows my Father’s death

It’s midnite on your burial day

I sit at your old desk

rhymes running thru my head that lay

a music on your breast —

Legs once strong were withered, now

can’t support the player

Silent still and settling underground

layer under layer etc.

To capture all that golden look

Naomi gave to you

& you gave to your own true love

would be something olden new

Clear, sight and yellow sun

air, trees and moon

Shine still over Paterson

as when you were young

//

Trollying to highschool class

Thru the farmer’s fields

Newark to Paterson you’d pass

Industry’s new wheels

Now silence sits and buzzes in

The house you lived in long

a silent candle in the living room

burns all this one night long

Edith sleeps and sighs and dreams

I sit up late at night

Heavy hearted that my youth

and yours, are gone from sight

Candle that with yellow flame

keeps the watch for me

while you spend your first night at home

in new eternity

ca. July 9, 1976

Unpublished.

Kidneystone Opium Traum
(for Michael Brownstein)

Its always acting like that beginning

you get in your car & drive in the opposite direction

lock bumpers with a truck going backward

Get out & taxi to the railroad station

Its bombed out & empty in Munich or its Albany

Suspicious of the train schedule suspicious of hot dogs

Suspicious of this suspicious, of that, you take a plane

to Hawaii and act suspicious at the baggage check-in

You delay the flight an hour arguing with the pilot

Suspicious the plane will take you by mistake to Buenos

Aires

You want to go to Hong Kong but don’t know the way

By foot impossible, by boat too long, by super jet

suspiciously easy. Burroughs always wanted a slow boat

to China but you didn’t, you’re suspicious of all forms of

transportation —

Cash in your ticket let’s go home, let’s stay where we

are —

I’m suspicious of any move you’ll make

Boulder, CO, ca. August 3, 1977

Published in: Portage (1978), p. 36.

Homage to Paris At The Bottom Of The Barrel
(for Philip Lamantia)

Take your god Shuddering morsel

Take delicious Lipstick

God white pussycat

Tiger moon dropped on the roof

Your god Snowflake

Gold ears Celluloid eyelids

Plaster Paris Poet bust

Take your god unreasonable Mamma

Pythagorean spaghetti

Your god oregano Henna

Hermetic multiplication of red Semen

Like solid matter kidneystones

Banana republic grammarschool silkstocking muscles

Your god Spittle-heart God atombomb

Crashed thru time like an umbrella

Descending from the Chrysler Building

O Chorusgirl God

Chant Radio City Music Hall forever

Hula hula purple gardens green sunsets

Volcanic ash sliding off your skull

With noise like a wet apple core falling into the

wastepaper basket.

— ca. 1977

Published in: David Applefield, et al., Fire Readings (Frank Books, 1991), p. 133.

[Poem]

Bebbe put me on your lap

Belly up and Jack me off

Harder Harder suck me off

Bebe I’m old I’m old

I can’t come I want you to see me

straining naked Help me Help me

come Please I can’t you make me

This is me This is me ah this is me —

I want you to suck my thick cock

yes this is me Please this is me

—March 6, 1978 1:30 a.m.

Published in: United Artists, no. 12 (January 1981), p. 101.

Verses Included In Howl Reading Boston City Hall

… when the blonde & naked angel came to pierce

them with a sword

who were busted for eye-contact in the Boston Public

Library men’s room

when a handsome youthful policeman flashed his Irish

loins & winning smile over urinal, & then

exhibited his badge

who were arrested for teenage porn ring headlines in

Boston Globe when the octogenarian bachelor

D.A. got hysterical screaming through his iron

mask at election time

lusting lusting lusting for votes, for heterosexual

ballotboxes’ votes,

who arrested bus driving fairies & put them in an iron

cage, & yelled at little homeless boys

& made them sing and dance in tears to please the

plainclothes courts

& fink on lonesome middleaged bearded lovers

kneeling to worship kid Dionysus in Revere

Lord of orgies, ecstasies, poolhalls & pinball machines

set up by Syndicate near the old amusement

park freakshow fronting Atlantic Ocean …

Boston, April 1978

Published in: Fag Rag, no. 23/24 (Fall 1978), p. 1.

All the Things I’ve Got to Do

Things I gotta do

I remembered

when I sat down to meditate

after weeks wandering streets of iron thoughts

I have to go back to the universe

Buddha imagination

Practice path, four foundations and castle of thousand

days mental breath exercise

But on this desk Friday and Saturday New York Times

its Monday noon’s lost news

Seven Days the pacifist radicals’ temporary magazine

St. Marks Church Poetry Newsletter, the Society of Useful

Manufacturers Newsletter

and poems from Paterson’s souls born after the acid

wars

Does Murray Kempton’s book Briar Patch really prove

that the FBI’s Gene Roberts started the New

York chapter of the Black Panthers?

This Gene Roberts witnessed Malcolm X’s assassination

on stage up in Harlem as his bodyguard

a government agent

Scott Nearing approved Stalin

but his Making Of A Radical, enlightened my momma’s

history

hereby also Irving Rosenthal’s letter from anonymity

the True Levelers tilling common land in Cobham,

England April 1, 1649

“Digge up, manure and sowe corn upon George Hill in

Surrey”

Free, Irving Rosenthal proclaims

As I look out my $300 a month apartment window in

New York at TV antennae under gray sky on

the Lower East Side

I can’t write this poem I got too much to do

Of Time and The River and The Web In The Rock on my desk

old second hand books I found

got to read it before I die

The Yipster Times, old police state news,

David Erdman’s Symmetries of the Song of Los

a paper on my bookshelf a year

and my Musiphonic radio which once stood on my

father’s desk

Mahler’s symphonies flying through the air

my dirty red bandana needs washing, windows too

six foot bookshelf of unread Buddhist classics

Lotus Sutra and haikus, telephone ringing

young scholar ear waiting my attention

desk with 365 unanswered letters

undigested news clips to file under CIA FBI Cosa Nostra

dope surveillance lies & truths in my cabinet

file drawers

ten years journals now typed

I haven’t edited the misspellings and blanks the typist

left

anti-nuclear protest decade now

consider a factory loft on Mill Street, Paterson

can I go home again?

A farm to till and pay nut trees for next generation

Thin out my bedroom library

Keep Plato, Prajnaparamita, David Cope and Gampopa

Visit my stepmother Mother’s Day

A brother to cheer

Nephews to make money for and rescue from the

mental bomb

best friend to call, his day off Monday

A poetry secretary to instruct correspondence

a poem on junk mail to recall

I’ll get up now

breakfast and talk to George Balmer before I xerox my

Blake music sheets

edit Shambhala’s Talking Poets and read up my file on

nuclear poison.

—early May 1978

Unpublished.

No Way Back to the Past

On the Ferris Wheel rising to the full moon

by the canal, looking down on Ocean Grove

over a red-bulb-rooft green-lit carousel, silver Chariot of

Muse with her Lyre, revolving all too fast

through years from 1937 with cousin Claire in Asbury

Park

wandering Sunday morning from Belmar with a few

pennies dimes for tickets in Playland —

the wire-mesh railed cage swinging under a canvas-

flowered awning toward the full moon forty

years later,

a bent hunchback at the gate pulling his iron-rod

handle to bring the iron-spoked circle hung

with pleasure cars to rest.

Whacky shack’s painted toy-wizard witch-monster

window

Machinery’s laughing screaming lifting wooden eyelids

at fair skinned blond boys rubber-bumping electric cars

along a sheet-tin floor,

with trolleypole antennae sliding and sparking across

the silvery ceiling.

I used to ride the skooter with my cousins Clare and Joel

Gaidemack or brother Gene,

cars shocking lightly on the happy floor, wheeling the

toy Dodgem in a circle

turning round the curve, I looked up in the mirror

and saw a bald white bearded man in a white shirt

staring in my eyes —

and entered in the giant wood barrel-form slippery

rolling underfoot reflecting mirrored through

its other end Time Tunnel,

Time in the car with stepmother Edith at the wheel

returning from the shore, the panic of Eternal

space unchanging

through which our phantom bodies pass now highway

grandeur’d under blue sky.

And poor little Clarie’s gone, a ghost in my mind —

walking the big sandy beach, jumping granite boulders

sharp edged on the jetty with

all us who played Jungle Camp in the Belmar weed-

grown empty lot’s leafy bower

before going to Asbury, the Mayfair Theater Sunday see

Paul Muni’s movie Dr. Pasteur.

One family house, sat on the porch at night and beat

away the mosquitoes

near the tiny Playland where Eugene worked, by a 20

foot Ferris wheel & carousel with tiny horses

going round

merrily on 16th Avenue across from ocean’s wide

beach —

Old ladies with rolls of fat round their waists and silk

stockings

on boardwalk benches faced the blue water spread’s

sunny waves —

Ocean side infancy, pails in brown salt puddles of

sandcastles

A thrill at the heart, hearing German Attack Poland

radio, I biked to tell Esther Cohen

or Claire Mann niece of movie mogul Louis B. Mayer

of Metro Goldwyn Mayer owned Mayfair

Theater —

Riding under the full moon on the Ferris Wheel last

night 40 years ago,

grabbing the brass ring from the horse riding up and

down whirling slowly ecstatically to carousel

toot tune

repeated, the floating balance and calm of marijuana

meditation

Now Mindy her second daughter’s alive young

vegetarian eyes

by the ocean at Long Beach, in the run down section

cleaned white in late May shine —

So return through the past to this moment on Route 36

Sandy Hook to Perth Amboy

past Exxon whose gas our car burns the Rockefellers —

David

they say wants to be loved liked respected — as long as

he’s loved and pharmacied —

I was car sick on the bus to Morristown, Naomi in

Greystone that war year? she too afraid of

Hitler —

my first mother a victim of persecution of Jewess crazed

by Earth Electric

Meanwhile I went to the shore every year from 1935 till

World War II

when I went to High School and campaigned for Irving

Abramson for Congress

& lost to Congressman Gordon Canfield Republican

Isolationist

I write newsletters to Paterson papers, thirteen years

old saved vast clipping pix of Hitler and

Hindenburg blow up

Claire whirling away at dances with her boyfriends, a

normal Jewish crowd

that went to showers and proms. When I think of the

bodies chill graves coffins & absence —

Then Claire grew up and got married to Jerry Gorlin

and moved to the ocean library in Rumsen,

NJ —

Cornell Hospital later rosey on the bed, hair cut for

cancer therapy, I gave her a Buddhabook —

Sudden hearted Death, old Claire young cousin Claire

Louis, Rose, and Claire, names returning from Belmar

through Perth Amboy and the Raritan River

Bridge, outlooking Raritan Bay

— distant towers of World Trade Center, passing White

Gas tanks flat on the marshes of Linden

Watercastles and barber-striped transmission towers

electric-armed with wires

& smokestacks smelling industrial not far from Louis

graveyard

Cracker stacks and flues & ironstairwayed metal tubes

smoking at Elizabeth’s border

& the big brown gas tanks sinking into earth on their

skeleton struts —

Newark airport, insurance buildings at left hand New

York’s skein of towers resting on the right

horizon

Railroad Southern red cars under Jersey City’s red-brick

church, green-copper spiked under blue sky

Look how bright Manhattan! towery below the hill, car

graveyard by the Turnpike,

Higher than Empire State

Mayor Hague’s Hospital, scandals not run properly

my Grandmother didn’t like the way she was

treated.

Past the Exxon sign thru Holland Tunnel’s bathroom-

polished tile

Good old N.Y. cobblestoned and sunny

—May 20, 1978

Published in: American Poetry Review, vol. 8, no. 3 (May/June 1979), p. 26.

A Brief Praise Of Anne’s Affairs

She was born in Greenwich Village

She saw Gregory Corso ambling

by MacDougal Street looking for an angry fix

She has a mother who translates

the Greek poets including Sikelianos

She has affairs with Poets & Poetesses,

Novelists, Bards & Carpenters

She has affairs with international

Shamanic minstrels dancing naked

She has affairs with herself on the side

like anybody else

She sits & meditates & prostrates

She has affairs with books

she writes, publishes, copulates

gives birth to books

She’s been around the world to

Amsterdam and Kathmandu

She comes back & has affairs with

Buddha inside out in 10 directions

She goes away again like a

princess covered

with diamonds & has affairs

with sapphires

emeralds, amber & rubies

She had an affair w/ the ancient

Christian Church St. Marks in the

Bowery lasting a decade till

the church burned down

She has affairs with William S.

Burroughs when he isn’t

looking and when he is

looking

She edits Full Court Books

like a basketball queen

She coordinates the J.K. School

of Disembodied Poetics with

her left pinkie and a

nervous breakdown full

of personal perfumo

She sings Contralto verses

like a 19th century opera

star

She orates her vowels like an

owl, she whistles consonants

like a fragile canary

She flies over her house in

Boulder like an eagle

She’s friends with Andrei

Voznesensky, Chögyam Trungpa

& Bob Dylan

She belongs in the White House

surrounded by coke-sniffing

Vajrayana bureaucrats

She eats she sleeps she shits &

pisses with ordinary mind

She teaches Apprentices

how to listen like Plato

She knocks me out, she thrills

my bones, she supports my

skull with her right hand

She’s the Muse of Naropa

She’s 80 years old in Ted Berrigan’s

whitehaired mind

She’s Anne Waldman

—August 2, 1978

Published in: Possible Flash, no. 1 (1979), pp. 17–18.

Popeye and William Blake Fight to the Death
(by Kenneth Koch and Allen Ginsberg)
[Note: Ginsberg’s lines are in bold.]

Popeye sat upon his chair,

Reading William Blake.

Blake got up and screamed out there,

“This seaman is a fake.”

I as William Blake complained

Of Popeye reading me.

William Blake could not attain

My great Popeye sublimity.

William Blake sat there and stared,

At Popeye’s bulging muscle.

William Blake had never dared,

To engage him in a tussle.

Mary Blake however, sat,

Right next to Olive Oil,

And cooked her spinach in a pot,

In fact was Mary’s foil.

Mary Blake washed underwear,

While Sweetpea crawled about.

Mary Blake she wept a tear,

And Sweetpea gave a shout.

//

Mary Blake in London town,

Said, “Why is Popeye present?

I think I’ll walk old Bill around

And try to shoot a pheasant.”

Mary Blake on Primrose Hill,

Saw Alice called the goon,

Wonderland it was presumed,

To see the beast so soon.

Mary Blake’s apocalypse,

Popeye’s Deuteronomy,

Made her kiss Bill on the lips,

And praise his male economy.

Bill and Mary sat down nude

And tried to read the Bible.

Mr. Stothard came in rude,

And acting rather trodled

Mary Blake said “Popeye, there,

Sweetpea and Olive Oil,

Please throw Stothard through the air”,

Popeye began to boil.

Mr. Stothard was a friend,

of Popeye and the Blakes,

Wandering wall-eyed through the streets,

Your rhymes are somewhat fake

Stothard, he could never rhyme

And he could never spell,

William Blake both at one time,

Could do it rather well.

William Blake a vision had,

Of Popeye high ascending.

For Milton was that little lad,

With Heaven’s azure blending.

William Blake said, “Milton sir,”

And Popeye answered “Dearest.”

Please come back to earth bestir,

For earth is quite the clearest.

Milton floating in the air,

was really Popeye reader.

Said however, “I am there”,

Then Blake declared a battle dire

On Milton and his spirit

And he threw Popeye in the fire

You’d think that that would clear it.

But Popeye rose a stronger man,

The modern spirit lighting.

And closed the Blake up in a can,

On nightmares they were riding.

Then Popeye cried, “I’ve won the battle.”

And Blake said “Down the shade,”

And Olive said, “You’ve quite a clout,”

And Mary stayed unlaid.

Somehow our subject ought to be

The battle of these Titans.

However Allen as you see,

We haven’t got to the fightin’.

There has been combat old and new,

And yet what was the issue?

Something to do with shades and you,

And Olive frail as tissue.

Something to do with Blake’s foresight

And Sweetpea’s backward looking.

Something to do with Mary’s fright,

And Olive’s awful cooking.

Milton entered in the air,

And flew above the comics.

Blake in the morass floundered there,

And wrote on many topics.

//

Thus we end the contest new,

Which Padgett has suggested.

Thus the last line given to you,

We don’t know who was bested.

St. Mark’s Poetry Project, New York, May 9, 1979

Unpublished.

For School Kids In New Jersey

Dawn I’ve been up all night answering letters

— Now to write a poem for 360 child poets:

Don’t grow up like me, you never get enough sleep!

It’s 6 AM, my friends are arguing, crying in the kitchen

Sausages are smoking on the stove, the poor pigs,

Taxis are passing down Avenue A to work

Buses are grinding down the street empty

Birds are twittering on the church steeple, cats

yowling in the alley,

Punk Rock’s already playing on the phonograph

— It’s Thursday October 4th, time to go to bed.

—New York, October 4, 1979

Published in: Wit and Whimsy, vol. 2 (June 19, 1980), p. 3.