The journalists and documentarians and small-time film producers filed out of the van and toward St. Columba Anglican Church, a gray-brick building on the corner of NY1 and NY109 in Gugulethu, a township eleven miles outside Cape Town city center. Easy and I stayed behind, he in the driver’s seat and me on the passenger’s side. Easy was a short, compact man with butterscotch skin and a large, round, clean-shaven head. At forty-two, he had this weird ability to shape-shift. Did he look like a hardened old gangster? Yes, some days. Did he look like an adorable, harmless child? Yes, some days. In one of the photos I’ve snapped of him over the years, he is menacing, crouching on the ground with a cigarette between his thumb and forefinger, his band of brothers behind him, one of them holding up a disembodied sheep’s head. But in the next, he’s curled on a small stool, cradling his infant son and smiling as his ten-year-old daughter drapes herself over his shoulder.

Easy laughed generously, from the belly, and moved in quick spurts. His features were framed by a constellation of small dark scars: from a knife fight, a stick fight, an adolescent bout with acne, that time he crashed a van into a horse in the middle of the night and then fled, that time the taxi he was riding in collided with a hatchback, and a recent incident involving a scorned ex-girlfriend with long nails and a vendetta. His arms were dotted with fading ballpoint-pen tattoos—one pledging devotion to a long-defunct street gang, one to a prominent prison gang, and one to an old flame named Pinky. The first one had become infected immediately, when he was fifteen, and his mom had spent months tending to it. After that, for a few years at least, Easy felt like it made him look particularly tough.

I liked Easy very much. I won’t pretend otherwise. But then again: precisely twenty years before our meeting in the van, on August 25, 1993, and approximately fifteen yards away, Easy had been part of a mob that had hunted down a young white American woman. If you plucked her out of that moment in history and slotted me in, my fate would have likely been the same. Easy chased her through the streets, chanting the slogan “One settler, one bullet,” and hurled jagged bricks at her. He stabbed at her as she begged for her life. She died, bleeding from her head and her chest, on the pavement just across the road.

At least this is the crime Easy repeatedly claimed to have committed. He was convicted of her murder, and sentenced to eighteen years in jail. He’d done it, he publicly stated, because “during that time my spirit just says I must kill the white.” The dead woman was named Amy Biehl, and she was twenty-six years old.

Once we finished our conversation, Easy and I hopped out of the van. He locked the door and patted the hood. The vehicle was a shiny silver donation from a local auto dealership that said across the side in bold letters: THE AMY BIEHL FOUNDATION.

We walked toward the church together, but as I stepped toward the door, Easy lingered in the winter sunshine. “I’m coming now,” he said. This was South Africanese for “I’ll be right back.”

I went on without him. A sorry-eyed man in an ill-fitting suit motioned me into a pew. I slid in and scanned the room, its high ceilings, its tall burning votives. On a portrait nailed high above on the wall, a white Jesus, as lithe and glossy as a Hollywood star, reclined among a small herd of angelic lambs. Behind the pulpit hung an enormous cross.

I could see Amy Biehl’s mother, Linda, sitting several rows ahead, her sharp platinum bob distinct in a dark sea of cornrows, weaves, wraps, curls, and towering church hats. Linda was the sort of woman who swept into town, and then swept into rooms, and then swept around rooms, her lipstick and eyeliner painted in broad, unbroken lines. She was nearly seventy. She liked to tell stories to rapt audiences. She always set her jaw and held her head high, and when I had first met her, just over a year earlier, I had found her to be impossibly composed. But with time, I came to notice that her body betrayed her attempts at imperturbable dignity: her shoulders slumped forward and she seemed, often, to be fighting against a great weight that threatened to drag her down.

Her friends, a pair of white American filmmakers, flanked her in the pew. She held in her arms a three-year-old black girl, hair cropped close to the head, dressed all in purple. The father of the girl was a man named Ntobeko Peni. According to all available reports, court records, and his own voluntary confession, Ntobeko had joined Easy and two other men in the attack on Amy. Back then, Ntobeko was a teenager and Easy and the other men were in their early twenties.

South Africa was in the final, fiery days of apartheid, when the entire country seemed poised for civil war. The young men, in the stories they would later repeat to various officials and commissions and journalists, had just left a political rally for a fringe militant party called the Pan Africanist Congress of Azania, or the PAC. Ntobeko and Easy were among around one hundred young people marching down NY1, the street where the church still sits. After forty-five years of state-sanctioned racial segregation, which saw black South Africans stripped of basic human rights and contained in slums, Nelson Mandela was poised to be the first black president of the country. Apartheid was on its way to being dismantled.

Amy, a Fulbright scholar at a Cape Town university, had spent nearly a year researching the rights and roles of disadvantaged women and children of color in this transitioning new democracy. That day, she had agreed to give two black students a lift home to the townships. As she drove by, the marchers spotted her, her long dirty-blond hair a bull’s-eye. The crowd, knowing nothing about her, decided she looked very much like the oppressor. Her death, they claimed to believe, would further their cause to bring African land back to indigenous Africans: One settler, one bullet. Or maybe they were just looking for revenge on a pretty afternoon. They pulled Amy from her car, chased her down the road, and stoned and stabbed her to death on a little patch of grass in front of a gas station.

Four men—Easy and Ntobeko among them—were tried and convicted of Amy’s murder and were sentenced to eighteen years in prison. But in 1997, they applied for amnesty at the Truth and Reconciliation Commission, South Africa’s experiment in restorative justice. Chaired by Archbishop Desmond Tutu, the commission offered release and a clean slate to those who, upon taking responsibility, fully and honestly, for their apartheid-era crimes, could prove that their misdeeds were politically motivated.

In 1993, Linda, a stay-at-home mom turned clothing saleswoman, and her husband, Peter, a businessman, lived in a wealthy California coastal suburb. They had never before set foot on the African continent, but soon after Amy’s death they flew to Cape Town. They immersed themselves in the rapidly changing country. They educated themselves on its complex political situation. They threw themselves into social welfare programs and spent time with the political elite of the African National Congress, Nelson Mandela’s party and the party Amy had admired.

“We want to carry on where our daughter left off,” Peter told a TV reporter. “We want to assist at the grassroots level anyone who’s working for human rights and women’s rights in particular. We want to be just as active as she was.”

The ANC, for its part, took the Biehls into their fold. Amy had been a “comrade,” the ANC announced. Moreover, she had been a martyr for their cause: liberty for all, racial harmony, and equality. Also, it looked good to have these two appealing, well-off Americans stand up for the ANC. Eventually Linda and Peter became friendly with a bunch of the liberation-era luminaries: Mandela himself; Archbishop Tutu; deputy president and soon-to-be-president Thabo Mbeki; and Ahmed Kathrada, who had been sentenced to life imprisonment with Mandela in 1964.

In 1997, when the men convicted of killing Amy sat before the Truth and Reconciliation Commission, the Biehls, too, attended. They decided that Amy, who often wrote of the importance of reconciliation and moving forward in post-apartheid South Africa, would have wanted them to respect the processes of this new democracy. And so, unlike many families of victims, the Biehls did not oppose amnesty for Amy’s killers, and the men were released from prison in 1998, after serving between three and five years.

A University of California at Berkeley anthropologist named Nancy Scheper-Hughes—who now sat near Linda in a pew in St. Columba Church—had been working in South Africa in 1993. She had written about the crime and the trial in several academic papers. In the ensuing years, when Nancy was not tracking an international ring of organ traffickers or looking into infant mortality rates in the Brazilian favelas, she was investigating violence in post-apartheid South Africa. She had grown especially intrigued by Easy and Ntobeko, and in August 1999 she hired a guide to take her to Gugulethu, where the men were staying after their release from prison. Nancy interviewed them, and they expressed to her an admiration for Peter Biehl and the desire to meet him in person, and to apologize face-to-face.

“I thought that there was one thing that could possibly make me better,” Ntobeko confessed to Nancy. “I wanted to tell Mr. Biehl that I did not take the death of his daughter lightly. That this thing has weighed heavily on me. And I wanted him to know that he is a hero father to me. If I could just get Peter Biehl to listen to me and to forgive me to my face—why that would be as good as bread.”

Nancy called Peter, who was staying at a Cape Town hotel at the time, and arranged for such a meeting.

“He probably thought I was a real buttinski,” she recalled.

Peter, Nancy, and Nancy’s guide proceeded to drive to Gugulethu for what began, Nancy told me, as a “tense meeting, on a miserable, rainy day.” She stood to the side, taking copious notes and snapping photos, as a sullen, skinny Ntobeko and a sullen, skinny Easy patted down a grave Peter Biehl, checking him for a gun in case he took this meeting as an opportunity for a couple of revenge killings. Then the men ushered Peter into a shack they had claimed as their “clubhouse,” a drafty hovel with a couple of small chairs and a love seat. The three spoke to each other, gruffly at first, but soon they softened. Easy served Peter tea. Easy and Ntobeko explained to Peter that they were starting a youth group; the bunch had already climbed Table Mountain together and they’d designed T-shirts. They nicknamed Nancy “the bridge” for her role in connecting the two worlds. They asked to meet Linda, who was in America, where her youngest daughter, Molly, had just given birth to a baby boy. Soon thereafter, Linda arrived in Cape Town and accompanied Peter to Gugulethu. Ntobeko and Easy were waiting for her. Easy showed her a photograph of his six brothers. Linda in turn showed him a photograph of her new grandson.

“Makhulu,” Easy said.

“What does that mean?”

“Grandmother.”

From then on, Easy and Ntobeko addressed Linda and Peter as Makhulu and Tatomkhulu, respectively: Grandmother and Grandfather in the Xhosa language, honorifics used to express reverence. Linda and Peter spent a lazy Sunday evening as guests of honor at the official launch of Easy and Ntobeko’s youth club; mostly it involved sitting outside and watching kids dance and give speeches. Next, the Biehls invited the men to dinner.

“Easy’s mother said we would be given such things,” Ntobeko whispered when a waiter presented them menus a few days later. Until then, the young men’s dining out experience had been limited to a few trips to a takeaway joint.

Easy shoveled in steak and a milkshake, leaving his vegetables pushed to the side of his plate, while Ntobeko, who had a more adventurous culinary spirit, picked at a towering pile of nachos and then watched in wonder as the remainder was gathered into a package called a “doggie bag.” The four ambled over the wide, sanded docks by the ocean and into the mall. During apartheid, the men had had limited access to white-designated areas, the sorts of places that boasted ritzy shops and restaurants. When apartheid fell, they were in prison. Since they’d left prison, they hadn’t had a penny to their names. The Biehls bought four tickets to an IMAX film about water, and then the group wandered around the adjacent BMW dealership, admiring the shiny cars until showtime. After that, the Biehls bought four tickets to Austin Powers: The Spy Who Shagged Me. Linda fell asleep during the movie. It was too late for the men to catch a taxi, so the Biehls drove into the township at night and deposited the men at their homes.

The next morning, Easy called Linda at her hotel to inform her that, in a rare turn of events, a small tornado had swept through the township in the early morning hours, flattening shacks. He was checking to see that the Biehls had gotten back safely. He also wished to tell the Biehls that his family was furious at him, since Ntobeko had returned home with leftover nachos to share, while Easy had returned empty-handed. The legend of the doggie bag had then been disseminated through the families and has endured. Years later, while dining with Easy and Ntobeko and their relatives, Linda once excused herself to go to the restroom; when she returned, her meal, which she had not finished, was boxed up and sitting in front of one of the guests.

The Biehls developed a warm relationship with Easy and Ntobeko, which they maintained felt entirely natural. They took them to dozens of restaurants, taught them how to tip, introduced them to wine. Soon, they employed the two men to work at the foundation they had established in Amy’s name.

The Amy Biehl Foundation, initially funded largely by the American government, was supposed to work to prevent violence, create jobs, develop the area, provide food, and offer recreation opportunities within Cape Town’s townships. But these days, the foundation focused on after-school classes for local kids. The staff taught dance and reading and music, and handed out jam sandwiches.

Over time, Ntobeko rose in the ranks at the foundation. Without a high school degree, he began as a security guard on a bakery truck, but by 2013, Ntobeko was an office manager who lorded over the employees (most of them black), despairing at their lack of ambition, reading The Seven Habits of Highly Effective People, and idolizing Henry Ford. His old socialist days were long gone, and he was a capitalist now. He even had a couple of sidelines: school transport, wholesale chicken distribution, soft-serve ice cream, and a little wash-and-fold laundromat run from his garage. Easy, meanwhile, had risen from security guard to sports coordinator, and then had been dubbed unreliable and demoted to driver, a position he had accepted with resignation and relief.

The two men had grown up together. Ntobeko was a friend of Easy’s younger brother and had spent many nights at the Nofemela house. They had grown closer in prison and, bonded by the experience, spent a great deal of time together upon their release. But these days, with Ntobeko acting as Easy’s boss, the two only saw each other at work.

“We’re just colleagues, not friends,” Easy said. “If a person choose his own direction, I don’t blame him.”

The men visited the Biehls in America, and were invited to speak at conferences across the country. They were disappointed that they did not meet many of “the Black Americans,” whom Easy expected—as per a lifetime of watching TV shows and movies, particularly Big Momma’s House, starring the “great actor and great guy” Martin Lawrence—to say things like, “Yeah, mah maaannn, wussup, mah maaannn!” and “Mudderfucker!” Easy and Ntobeko preferred the New Jersey suburbs to the towering New York buildings, and once looked upon a swath of untamed Massachusetts land and noted that they could build an African village there. They were pleased to stay near a Manhattan police station, which they referred to as “NYPD Blue” and had their snapshots taken with mustachioed cops. Easy discovered that his favorite cuisine was the American buffet, which allowed a person to eat as much meat as desired for no additional fee. The men were impressed by hotels, and in particular, hotel bathrooms, which were the polar opposite of Gugulethu outhouses. During one trip, they took a series of photographs of each other dressed in color-coordinated b-boy outfits, lounging on the marble sink and striking a pose by the glass-encased shower. Easy kept these pictures, along with several stand-alone portraits of toilets and bathtubs, in a photo album.

After Peter died of aggressive colon cancer at age fifty-nine in 2002, Ntobeko and Easy helped arrange a Gugulethu memorial service in his honor. The two marched Linda around the township, one man on each arm, trailed by a crowd of mourners. As they had done before Peter’s death, the men continued to accompany Linda to paid engagements in Europe and the United States, where their relationship was held up as an example of the power of forgiveness, reconciliation, and redemption.

At least—with the exception of some blogs run by disapproving white-power enthusiasts who, upon relating Amy’s story, gleefully claimed, “liberalism can get you killed!”—that was how the story had always gone, repeated ad infinitum in over a thousand national and international newspaper and magazine articles, in award-winning documentaries, on talk shows, on radio shows, on TV shows. And why wouldn’t it? Its stars played their parts, and confirmed the arc and breadth of the distinct narrative: black South Africans, loving by nature but distorted into rampage by apartheid, who had been reformed and redeemed through the grace of an inspirational if puzzling pair of good-looking white Americans.

Now it was the twentieth anniversary of Amy’s death. Press interest had waned years ago. Before, the top journalists at major international papers had covered the ongoing story, but now the only foreign press was a reporter from Linda’s hometown paper, The Orange County Register, jotting down notes. During this trip, Linda had one radio interview, which was in turn picked up by a single website. The press had largely forgotten about Amy and the Truth and Reconciliation Commission, and were busy looking into the more immediate potty protests, during which angry township residents who wanted to relieve themselves in flush toilets instead of the communal sludge buckets they currently employed, had taken to throwing human feces at the mayor’s vehicle and dumping the contents of their latrines near Parliament. CAPE TOWN POO WARS, the BBC headline shouted.

Regardless, the people in St. Columba’s church that day were focusing on Amy’s too-brief life. The foundation loyalists, women who had known and worked for Linda for fifteen years, snuck into the church late, one with her hair tied into knots so tight that her scalp was pulled and red, one intently applying lip gloss with a wand. Ntobeko’s wife, wearing a pale gray skirt and top with her hair in ringlets, and their two older daughters in freshly pressed dresses, sat to the back. Ntobeko himself was not there. A haze of incense settled near the ceiling; I could feel the perfume spreading through my lungs.

“Jesus was a teacher, Jesus was a rector, Jesus was everything!” a lady preacher in colorful patterned Xhosa garb began.

“Yes!” said the congregants. They were mostly women, ranging in age from thirty to ninety, in African-print dresses, cardigans, shawls, blazers. A minority of men and children were scattered few and far between.

“Whom do I trust?” the preacher asked rhetorically. “Jesus!”

“Mmmm hmmm,” the ladies said.

The preacher launched into Xhosa, then reverted to English. She introduced Linda as “Amy Biehl’s mother.”

“Hiiii,” the ladies said in unison. In these parts, for the older generation, the name Amy Biehl required no explanation.

The preacher said she’d organized a speaker on the occasion of American guests but the speaker had disappointed her by bailing, so she herself would be speaking today. Don’t we all know about disappointment? Everyone nodded vigorously.

“Amy was a hero,” the preacher said uncertainly. She was winging it. “That was the plan of God. That she must die the way she did.” The preacher turned to Linda. “Thank you for having heart to show peace and love.”

“Amen,” the ladies said solemnly. Linda bowed her head slightly.

A male preacher, dressed in a heavy robe, took over.

“You are here for a reason, Amy was here for a reason,” he said to Linda. “We wish you a good day and we will always remember you in our prayers.”

“Amen,” said the ladies.

I looked around for Easy, then recalled that he was allergic to churches, and so probably would not make an appearance after all. Then again, he sometimes, without great enthusiasm, talked about how Jesus died for his sins, which usually signaled that his evangelical uncle had succeeded in dragging him to a service. So perhaps Easy was, more accurately, allergic not to churches but to the annual memorials to Amy that were held in churches. A year earlier, to the day, at a Catholic church nearby, I had also looked up from the service to find Easy missing. I’d slipped out of the pew and found him pacing nervously on the lawn. He took me into a back room and showed me a bare wall, where local kids used to watch projector movies; he was a sentimentalist, and he remembered, with characteristic nostalgia, not having the five-cent admission fee and sneaking in through a bathroom window.

Now, as the women sang hymns, I went outside to look for Easy, but he was gone, and he had taken the van. I stood in the sunlight, trying to get warm. August is chilly in Cape Town, winter in the Southern Hemisphere. A gray-haired white lady was cutting hearts out of fabric on a bench nearby, assisted by a pretty black teenage girl who called her Grandma. They offered me a heart and a safety pin decorated with colorful beads.

“They symbolize love over violence,” the girl explained as I stuck the pin to my sweater.

Some months earlier, the country had been in an uproar about Anene Booysen, a plain-looking brown-skinned seventeen-year-old from a poor Western Cape town who was gang-raped and disemboweled on an abandoned construction site. An even more newsworthy victim, and one who would captivate the nation’s attention for years to come, was Reeva Steenkamp, the radiant blond thirty-year-old model and reality TV star shot to death through a bathroom door by her boyfriend, the Olympian and double-amputee Oscar Pistorius. These fabric hearts, the lady said, honored Anene and Reeva and Amy, too, and all the thousands of women injured, murdered, and violated by men each year.

I wandered down NY1 to Amy’s memorial statue, by the Caltex gas station and garage where she was killed. From across the street, I could see the dry grass, the old cars piled up for repair, the low stone wall that had long ago replaced the white fence that Amy had leaned on during the attack. The memorial statue was a slick gray marble cross erected in 2010 by the Fulbright Foundation, unveiled to vague fanfare by the U.S. ambassador at the time. On the base of the memorial, carved into stone in elegant capitals, were the words:

AMY BIEHL

26 APRIL 1967 - 25 AUGUST 1993

KILLED IN AN ACT OF POLITICAL VIOLENCE.

AMY WAS A FULBRIGHT SCHOLAR AND TIRELESS HUMAN RIGHTS ACTIVIST.

A disheveled old man usually spent his days leaning against the cross, sleeping rough with his three dogs, but the man had been temporarily relocated to a nearby field. I spotted Ntobeko standing on the pavement above, by the gas pumps. His childhood nickname was Blacks, for he was so dark-skinned that from afar his features were hard to make out. Up close, he was a rotund, somber-looking man in his late thirties, with a narrow face and a weak chin. His head was shaved and rubbed with lotion. His small, glistening eyes were intelligent and suspicious, his nose long and Roman. He was neither tall nor short, and he wore his black Amy Biehl Foundation logo polo shirt stretched tight over his expansive belly.

Ntobeko used to be the scrawniest kid, a pencil neck sticking out of an oversized T-shirt, often borrowed. Now he owned a home, the chicken wholesale business, and two minivans that he used to transport upwardly mobile township children to schools in the city or the suburbs. He was married to his childhood sweetheart and had three daughters. He was a manager, which in Gugulethu held a grand allure—no longer was he merely bossed around, no, finally he got to do the bossing. Ntobeko ate meat nearly every day. His old friends to whom he no longer spoke remembered that he had been a naughty kid who ran around the streets and lived in a tiny house full of extended family. He would miss his household curfew and supper, and find himself locked out for the night. “He was a wild boy who slept in the trees,” one such friend once told me. Ntobeko saw me from across the road and, as always, averted his gaze.

Ntobeko was helping two other foundation staffers arrange a group of children before two marimbas. Marimbas are wooden xylophone-like instruments that originated in Africa and were introduced by sixteenth-century slaves to Latin America, where they were redesigned and spread around the world. A few kids were expertly hitting the bars with mallets, the chimes whipped up into the wind. A chorus swayed behind them, biding their time, singing halfheartedly. I turned back and went to wait outside the church.

Soon, the doors opened and Linda followed the stream of churchgoers. She wore a black pleated skirt, just above the knee, a black top, black pumps, a coral blazer, and a silk coral scarf. Her hair was, as always, perfect: short, angular, gleaming white-blond, and stick-straight.

A ragtag group of people gathered around her, comprised of a couple of academics Amy had known when she studied in Cape Town; the ambulance driver who had tried unsuccessfully to treat Amy as she died; the fabric-heart-making lady and girl; the reporter for Linda’s hometown paper and the photographer who accompanied her; some Los Angeles–based college graduates making a short film starring black South Africans whose hope against all odds would stun and inspire any audience; several people involved in some form of media; and Nancy Scheper-Hughes, the anthropologist who had introduced Easy and Ntobeko to the Biehls.

Nancy was an elfin sixty-something woman with a pert nose and short gray hair; she radiated a nervous intellectual energy. She was a woman molded by the 1960s free love movement, who tended toward all views radically left-wing and, “being an old Wobbly socialist,” actually celebrated Labor Day. Nancy had been working at the University of Cape Town when Amy was killed, though she’d left the country soon after. Back then, Nancy had joined a band of furious women of all different races and marched the streets of Gugulethu in protest, waving placards demanding that the brutality cease. Now Nancy and her husband had flown out from California, carrying the old cardboard signs from that 1993 peace march, which Nancy had saved for all these years and handed out to anyone who wanted one. Nancy was the director of the Program of Medical Anthropology at UC Berkeley, and had published three books significant in her field, but she appeared not to mind bad spelling: a couple of the handwritten signs read STOP THE SENCELESS VIOLENCE and AMY BIEHL, OUR COMERADE.

The small group walked down the street toward the marimba music. Linda wore her sunglasses; she would have made a great first lady, at once regal and Midwestern, warm but removed, with the looks of an aging, corn-fed beauty queen. Everyone followed. Locals, sitting on low walls and smoking on milk crates, watched with little interest. A young man in long shorts stood outside the TyreMan Tyre Shop and clapped without knowing why.

Ntobeko, who saw the group coming, walked slowly away, expertly disappearing into the township. His daughter, the little girl in purple, grabbed Linda’s hand tightly. She wasn’t even in kindergarten, but she knew the drill. The full-color image promptly appeared in The Orange County Register, accompanying a story on love and reconciliation in South Africa:

Linda Biehl, front left, walks with Avile Peni, 3, the daughter of one of the four men convicted and imprisoned for her daughter Amy Biehl’s death on August 25, 1993.

The group arrived at the marble cross, the kids stopped playing, and everyone briefly grappled with what to do next. Somebody had placed upon the memorial a blown-up old photo of the late Peter Biehl, a smiling, white-haired man with the chunked-out build of a retired college football player, flanked by a young Easy flashing a peace sign and a young Ntobeko grinning broadly; it had been taken during their first meeting and was weighed down with a cracked brick, of the sort that had been used to bludgeon Amy. Amy’s old Cape Town university colleagues had offered to arrange a memorial day a while back but hadn’t done anything, so this whole makeshift show had been put together on the fly in the days since Linda had landed a week earlier.

“Who wants to give a speech?” Linda asked. A curly-haired former colleague of Amy’s stood up, said a few words about her departed friend, let out a sob, and threw herself into Linda’s arms. Linda patted her while maintaining a close-mouthed smile; the photographer snapped away. Some others filed before the small crowd and spoke about the loveliness of Amy, the strength of Linda, and the importance of grace and transformation. Nancy, holding her STOP THE SENCELESS VIOLENCE sign, took the stage for twenty minutes, during which her husband shot her a stream of “cut-it-short” glares, which she ignored.

“Amy was a beautiful soul!” Nancy said. She wore wire-rim glasses and long colorful earrings.

I stood away from the group and leaned against a white sedan. Mzi Noji, a middle-aged, unemployed ex-militant, ex-con, and army veteran, arrived on foot, wearing his green cap, embroidered with the phrase UNIVERSAL MESSAGE over a Rastafarian flag. Mzi was a lifelong social activist, raised during the height of the anti-apartheid struggle. Even today, when he claimed that he wanted to get on with his life, he continually found himself embroiled in protests, marches, negotiations, meetings, neighborhood committees, and organizations.

I’d met Mzi by chance a year earlier, and he had become an unexpected kindred spirit, as well as my guide, my translator, my friend. He accompanied me on my expeditions and investigations into the Amy Biehl story, often driving my car and dredging up forgotten people from within the depths of the townships. Mzi was also to be my key to unraveling the truth, or as much truth as possible, of what really happened on that fateful day twenty years before.

Until I met Mzi at a burger shop downtown, I had been tracking the same story that every journalist before me had written, except that my aim had been to tell for the first time the full tale as it stretched over two decades. But Mzi informed me that he believed that this long-accepted story of the circumstances of Amy’s death was not exactly accurate. His revelation had led me, in a series of nearly unbelievable coincidences, to a meeting I had had the day before. After months of frenzied searching, I had finally found an old and ruined man who had also been in Gugulethu on August 25, 1993, though few remembered him. Nobody had ever told his account of that day, nor made the chilling links between what had happened to him and what had happened to Amy Biehl five hours later and a quarter mile away. The old man knew something about brutal mobs and racial violence, and he was the final piece in the jigsaw I had been painstakingly piecing together for two years.

Mzi sidled up next to me, his cap pulled low over his deep-set eyes. He was tall and strong, with a little paunch he was self-conscious about, so he was always abstaining from chocolate milkshakes even though he loved them. We each crossed our arms on the roof of the sedan and rested our chins on our forearms. By then, Easy had reappeared and parked the van to the side of the memorial, and was hiding behind us, hoping he would not be called on to talk. He was mumbling: Man, he hoped Makhulu did not make him stand up before the group.

“Amy was an accidental hero,” Nancy said.

Mzi’s hands were shaking. He looked down at them, and so did I.

“Her death was a Shakespearean tragedy!” Nancy said.

The old lady and the girl had hit up everyone, I noticed. Every lapel boasted a beaded pin and a cutout heart.

“Linda is strong, charismatic, beautiful,” Nancy said.

I looked around. I felt a surge of fury, inexplicable in its intensity. I moved closer to Mzi. In a few days, his great-aunt’s house would burn down, with his great-aunt inside. Just like his own mother’s house back in the old days of politics and firestorms, when the ANC kids in the neighborhood shot it full of lead and set it alight with petrol bombs. Now there was no liberation movement to blame, no just cause or grand scheme, no enemies intent on your demise. Just faulty wiring and cheap petroleum heaters. Mzi was listening intently to Nancy, his face set in that practiced flat expression of his, composed specifically to shroud the fact that he was almost always overwhelmed by various emotions.

Nancy praised Easy and Ntobeko. This was a story of “gentle forgiveness,” she said. “Of lived apology!”

When she finished her speech, the crowd applauded.

Linda stood before her guests. She looked for Easy and Ntobeko. Ntobeko was long gone, so she called for Easy. A sharp intake of breath, back straightened, and then he emerged from behind us and went to her. Easy hooked his arm in Linda’s and stood with her as a local reporter scribbled, a pair of student videographers filmed, the hometown newspaper photographer snapped away. Linda began to say her part. Easy and I looked at each other for the briefest of moments, eye-to-eye above the small crowd, and then he turned back to smile for the cameras.