Acocella, Joan. “The Diaries of Marius Petipa.” Edited, translated, and introduced by Lynn Garafola. Dance Research: The Journal of the Society for Dance Research 12, no. 1 (Summer 1994): 78–84.
———. “Souls in Single File.” New York Review of Books, December 19, 2019.
Alberge, Dalya. “Tchaikovsky and the Secret Gay Loves Censors Tried to Hide.” Observer, February 6, 2018.
Arbeau, Thoinot. Orchesography: 16th-Century French Dance from Court to Countryside. Translated by Mary Stewart Evans. New York: Dover, 1967.
Balanchine, George. By George Balanchine. Edited by Thomas W. Schoff. New York: San Marco Press, 1984.
———. “The Dance Element in Stravinsky’s Music.” Dance Index 6, nos. 10–12 (October–December 1947): 250–56.
———. “Notes on Choreography.” Dance Index 4, nos. 2–3 (February–March 1945): 20–31.
———, and Francis Mason. Balanchine’s Complete Stories of the Great Ballets. Garden City, N.Y.: Doubleday, 1977.
———, and Francis Mason. 101 Stories of the Great Ballets. New York: Anchor, 1975.
———, Jerome Robbins, Paul Hindemoth, et al. Balanchine: New York City Ballet in Montreal: Vol. 1: Orpheus and Serenade. Performed 1957, 1960. Pleasantville, N.Y.: Video Artists International, April 29, 2014. DVD, 59 min.
Beeny, Emily A. “Poussin, Ballet, and the Birth of French Classicism.” PhD diss., Columbia University, 2016. https://academiccommons.columbia.edu/doi/10.7916/D8KD1XV6.
Bentley, Toni. Winter Season: A Dancer’s Journal. New York: Random House, 1982.
Brown, David. Tchaikovsky: The Man and His Music. New York: Pegasus Books, 2007.
———. Tchaikovsky: The Years of Fame 1878–1893. London: Victor Gollancz Ltd., 1992.
Brusegan, Marcello. I palazzi di Venezia [The Palaces of Venice]. Rome: Newton Compton, 2007.
Buckle, Richard, in collaboration with John Taras. George Balanchine: Ballet Master. New York: Random House, 1988.
Burden, Michael, and Jennifer Thorp, eds. Ballet de la Nuit. Hillsdale, N.Y.: Pendragon Press, 2010.
Chujoy, Anatole. The New York City Ballet. New York: Alfred A. Knopf, 1953.
Croce, Arlene. “Balanchine Said.” New Yorker, January 26, 2006.
———. “On ‘Beauty’ Bare.” New York Review of Books, August 12, 1999.
Daniels, Don. “Academy: The New World of Serenade.” Ballet Review 5, no. 1 (1975–76): 1–12.
Danilova, Alexandra, and Holly Brubach. Choura: The Memoirs of Alexandra Danilova. New York: Alfred A. Knopf, 1986.
Denby, Edwin. Looking at the Dance. Introduction by B. H. Haggin. New York: Popular Library, 1968.
Dunning, Jennifer. “But First a School”: The First Fifty Years of the School of American Ballet. New York: Viking, 1985.
———. “Fifty Years Ago: The Beginning of the School of American Ballet,” Playbill (Winter Season 1983–84), 8–9.
———. “A Whimsical Balanchine Maps June Tchaikovsky Festival.” New York Times, February 10, 1981.
Feuillet, Raoul-Auger. Chorégraphie ou l’art de décrire la dance. Paris: Chez l’Auteur et Michel Brunet, 1701. https://publicdomainreview.org.
Goldner, Nancy. Balanchine Variations. Gainsville: University Press of Florida, 2008.
Goldschmidt, Hubert. “Marie Taglioni.” Ballet Review 46, no. 2 (Summer 2018): 101–24.
Gottlieb, Robert. George Balanchine: The Ballet Master. New York: HarperCollins, 2004.
———, ed. Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras. New York: Pantheon Books, 2008.
Gregory, John. “Obituary: Tamara Toumanova.” The Independent, May 31, 1996.
Grunwald, Lisa, and Stephen J. Adler, eds. Letters of the Century: 1900–1999. New York: Random House, 1999.
Haggin, B. H. Discovering Balanchine. New York: Horizon Press, 1981.
Hansen, Kathryn Kane. “Dancing for Distinction: Pierre Beauchamps and the Social Dynamics of Seventeenth-Century France.” Undergraduate honors thesis, College of William and Mary, 2010, Paper 344.
Heine, Heinrich. The Works of Heinrich Heine, Vol. VI, Elementary Spirits. 1834. Translated by Charles Godfrey Leland, 1891. Reprint. New York: E. P. Dutton and Co., 1906.
Holden, Anthony. Tchaikovsky: A Biography. New York: Random House, 1996.
Homans, Jennifer. Apollo’s Angels: A History of Ballet. New York: Random House, 2010.
———. “Balanchine: Making and Being Don Quixote.” New York Review of Books, June 4, 2015.
———. “Hail Balanchine.” New York Review of Books, December 21, 2017.
———. “The Unknown Young Balanchine.” New York Review of Books, October 24, 2013.
Hormigón, Laura. “La apasionante fuga de España de Marius Petipa. Una cuestión de estado.” ADE Teatro 169 (January–March 2018): 8–19.
———. Marius Petipa en España, 1844–1847: Memorias y Otros Materiales. Madrid: Danzarte Ballet, S.L., 2010.
Hugo, Victor. Les Orientales. Paris: J. Hetzel, 1829.
Hunt, Marilyn. “Encounters with Poetry: Serenade at Fifty.” Dance Magazine, June 1985: 52–57.
———. “Joseph Duell: Coming of Age.” Dance Magazine, June 1985: 57–61.
Jenyns, Soame. The Art of Dancing: A Poem, in Three Canto’s. 1729. Reprint, London: Forgotten Books, 2018.
Jerome Robbins Dance Division, the New York Public Library. Balanchine in America. Film of Serenade in the New York Public Library Digital Collections, 1990. Telecast on WNET/Thirteen’s Great Performances: Dance in America series.
Karl-Johnson, Gabriella. “From the Page to the Floor: Baroque Dance Notation and Kellom Tomlinson’s ‘The Art of Dancing Explained.’” Signs and Society 5, no. 2 (Fall 2017). Semiosis Research Center.
Kendall, Elizabeth. Balanchine and the Lost Muse: Revolution and the Making of a Choreographer. New York: Oxford University Press, 2013.
Kirstein, Lincoln. “Beliefs of a Master.” New York Review of Books, March 15, 1984.
———. Diaries (unpublished), 1934. Writings by Lincoln Kirstein are held at the New York Public Library (Astor, Lenox and Tilden Foundations).
———. Flesh is Heir: An Historical Romance. New York: Brewer, Warren & Putnam, 1932.
———. Four Centuries of Ballet: Fifty Ballet Masterworks. New York: Dover Publications: 1984.
———. Lincoln Kirstein: Program Notes. Edited by Randall Bourscheidt. New York: Eakins Press Foundation, 2009.
———. Mosaic: Memoirs. New York: Farrar, Straus & Giroux, 1994.
———. Portrait of Mr. B: Photographs of George Balanchine. New York: Viking Press, 1984.
———. Thirty Years: Lincoln Kirstein’s The New York City Ballet. New York: Alfred A. Knopf, 1978.
Kisselgoff, Anna. “Balanchine and Tchaikovsky.” New York City Ballet Playbill, June 1981.
———. “City Ballet: ‘Pathétique’ with Balanchine ‘Adagio.’” New York Times, June 2, 1981.
———. “Ballet as Balm in a Tribute to a City on the Mend.” New York Times, November 22, 2001.
Kunzle, Régine. “Pierre Beauchamp: The Illustrious Unknown Choreographer,” parts I and II. Dance Scope 8, no. 2 (Spring/Summer 1974): 32–42, and 9, no. 1 (Winter 1974–75): 30–45.
Levinson, André. André Levinson on Dance: Writings from Paris in the Twenties. Edited by Joan Acocella and Lynn Garafola. Middletown, Conn.: Wesleyan University Press, 1991.
Lobanova, Marina. “Nadeshda von Meck.” MuGI (Musik und Gender im Internet), July 12, 2009. https://mugi.hfmt-hamburg.de.
Lobenthal, Joel. Wilde Times: Patricia Wilde, George Balanchine, and the Rise of New York City Ballet. Lebanon, N.H.: University Press of New England/ForeEdge, 2016.
Lysgaard, Sarah Curtis. “Ballet de la Nuit: Staging the Absolute Monarchy of Louis XIV.” PhD diss., San Jose State University, 2019.
Macaulay, Alastair. “Serenade: Evolutionary Changes.” Ballet Review 44, no. 4 (Winter 2016–17): 74–119.
The Marius Petipa Society. Amy Growcott, founder. https://petipasociety.com.
Mason, Francis. I Remember Balanchine: Recollections of the Ballet Master by Those Who Knew Him. New York: Doubleday, 1991.
Massie, Suzanne. “Mr B: ‘God Creates, I Assemble.’” Saturday Evening Post, October 23, 1965.
McCarthy, Justin. “History of Our Own Times.” Dance Index 3, nos. 7–8 (July–August 1944): 119.
Meisner, Nadine. Marius Petipa: The Emperor’s Ballet Master. New York: Oxford University Press, 2019.
Moore, Lillian. “The Petipa Family in Europe and America.” Dance Index 1, no. 5 (May 1942): 71–84.
Needham, Maureen. “Louis XIV and the Académie Royale de Danse, 1661: A Commentary and Translation.” Dance Chronicle 20, no. 2 (1997): 173–90.
Nilsen, Richard. “A Conceited Mediocrity: The Story of Tchaikovsky and Brahms.” Imaginative Conservative, May 6, 2017.
Petipa, Marius. “The Diaries of Marius Petipa.” Edited, translated, and introduced by Lynn Garafola. Studies in Dance History: The Journal of the Society of Dance History Scholars 3, no. 1 (Spring 1992): vi–103.
———. Russian Ballet Master: The Memoirs of Marius Petipa. Edited by Lillian Moore. Translated by Helen Whittaker. London: Dance Books, 1958.
Petrov, Oleg. “Russian Ballet and Its Place in Russian Artistic Culture of the Second Half of the Nineteenth Century: The Age of Petipa.” Translated by Tim Scholl. Dance Chronicle 15, no. 1 (1992): 40–55.
Powell, John S. “Pierre Beauchamps, Choreographer to Molière’s Troupe du Roy.” Music and Letters 76, no. 2 (May 1995): 168–86.
Poznansky, Alexander, ed. Tchaikovsky: Through Others’ Eyes. Translated by Ralph C. Burr, Jr., and Robert Bird. Bloomington and Indianapolis: Indiana University Press, 1999.
Pruiksma, Rose A. “Generational Conflict and the Foundation of the Académie Royale de Danse: A Reexamination.” Dance Chronicle 26, no. 2 (2003): 169–87.
Rabinowitz, Stanley J. “Against the Grain: Akim Volynskii and the Russian Ballet.” Dance Research: The Journal of the Society for Dance Research 14, no. 1 (Summer 1996): 3–41.
———. “The House That Petipa Built: Visions and Villains of Akim Volynsky.” Dance Research: The Journal of the Society for Dance Research 16, no. 1 (Summer 1998): 26–66.
Rameau, Pierre. The Dancing Master. 1725. Reprint, translated by Cyril Beaumont. London: C. W. Beaumont, 1931.
Reynolds, Nancy. “Apollon Musagète.” The Routledge Encyclopedia of Modernism. London: Taylor & Francis, 2016. https://www.rem.routledge.com.
———. Repertory in Review: 40 Years of the New York City Ballet. New York: Dial Press, 1977.
Simmonds, Harvey, ed. Choreography by George Balanchine: A Catalogue of Works. New York: Eakins Press Foundation, 1983.
Slonimsky, Yuri. “Balanchine: The Early Years.” Translated by John Andrews. Ballet Review 5, no. 3 (1975–76): 1–64.
———. “Marius Petipa.” Translated by Anatole Chujoy. Dance Index 6, nos. 5–6 (May–June 1947): 99–144.
Sokolov-Kaminsky, Arkady. “Mikhail Fokine in St. Petersburg 1912–18.” Dance Research: The Journal of the Society for Dance Research 10, no. 1 (1992): 53–58.
Sontag, Susan. “Mr. Balanchine.” Vanity Fair, July 1983: 71–74.
Steichen, James. Balanchine and Kirstein’s American Enterprise. New York: Oxford University Press, 2018.
———. “The Stories of Serenade: Nonprofit History and George Balanchine’s ‘First Ballet in America.’” Working Paper #46, Spring 2012.
Stoneley, Peter. A Queer History of the Ballet. London: Routledge, 2007.
Strauss, Marc Raymond. The Dance Criticism of Arlene Croce: Articulating a Vision of Artistry, 1973–1987. Jefferson, N.C.: McFarland & Company, 2005.
Talbert, Tricia. “Balanchine’s Blues,” May 24, 2013. https://www.nasa.gov.
Taper, Bernard. Balanchine: A Biography. Berkeley: University of California Press, 1984, 1996.
Taras Collection, New York City Ballet Archives.
Tchaikovsky, Modeste. The Life and Letters of Peter Ilich Tchaikovsky. Edited from the Russian and with an introduction by Rosa Newmache. New York: John Lane Company, 1906. Project Gutenberg ebook, 2014.
Tchaikovsky Research. https://en.tchaikovsky-research.net.
Tommasini, Anthony. “The Patroness Who Made Tchaikovsky Tchaikovksy.” New York Times, September 2, 1998.
Tracy, Robert. Balanchine’s Ballerinas: Conversations with the Muses. New York: Simon & Schuster, 1983.
Volkov, Solomon. Balanchine’s Tchaikovsky: Interviews with George Balanchine. Translated by Antonia W. Bouis. New York: Simon & Schuster, 1985.
Volynsky, Akim. Ballet’s Magic Kingdom: Selected Writings on Dance in Russia 1911–1925. Edited and with an introduction by Stanley J. Rabinowitz. New Haven, Conn.: Yale University Press, 2008.
von Meck, Galina. As I Remember Them. London: Dobson Books Ltd., 1973.
“The von Meck Family History.” https://www.von-meck.info.
Wiley, Roland John. A Century of Russian Ballet, Documents and Eyewitness Accounts, 1810–1910. Oxford: Clarendon Press, 1990.
———. “A Context for Petipa.” Dance Research: The Journal of the Society for Dance Research 21, no. 1 (Summer 2003): 42–52.
Willis, N. P., “La Jolie Bayadère de 1832: ‘Pencillings by the Way.’” Dance Index 3, nos. 7–8 (July–August 1944): 118.
Wilson, John Lyde. Cupid and Psyche: A Mythological Tale, from the “Golden Ass” of Apuleius. Charleston, S.C.: B. B. Hussey, 1842.
Wood, Ralph W. “Miscellaneous Orchestral Works.” In The Music of Tchaikovsky, edited by Gerald Abraham, 74–103. New York: Norton, 1946.