SELECTED BIBLIOGRAPHY

Aaron, Melissa D., ‘“Beware at What Hands Thou Receiv’st Thy Commodity”: The Alchemist and the King’s Men Fleece the Customers, 1610’, in Paul Menzer (ed.), Inside Shakespeare: Essays on the Blackfriars Stage (Selinsgrove, PA: Susquehanna University Press, 2006), 72–9.

Alwes, Derek B., ‘Service as Mastery in The Alchemist’, Ben Jonson Journal 17.1 (2010), 38–59.

Armstrong, William, ‘Ben Jonson and Jacobean Stagecraft’, in John Russell Brown and Bernard Harris (eds), Jacobean Theatre, Stratford-upon-Avon Studies 9 (London: Arnold, 1966), 43–61.

Barbour, Richmond, ‘“When I Acted Young Antinous”: Boy Actors and the Erotics of Jonsonian Theater’, Publications of the Modern Language Association 110.5 (1995), 1006–22.

Barish, Jonas, Ben Jonson and the Language of Prose Comedy (Cambridge, MA: Harvard University Press, 1960).

— ‘Feasting and Judging in Jonsonian Comedy’, Renaissance Drama n.s. 5 (1972), 3–35.

Barton, Anne, ‘The Alchemist’, in Ben Jonson: Dramatist (Cambridge and New York: Cambridge University Press, 1984), 136–53.

Beaurline, L. A., ‘Ben Jonson and the Illusion of Completeness’, Publications of the Modern Language Association 84.1 (1969), 51–9.

Jonson and Elizabethan Comedy: Essays in Dramatic Rhetoric (San Marino, CA: Huntington Library, 1978).

Beecher, Donald, ‘Suspense Is Believing: The Reality of Ben Jonson’s The Alchemist’, Theta 8 (2009), 3–14, www.cesr.univ-tours.fr/Publications/Theta8

Bellanta, Melissa, ‘The Larrikin Girl’, Journal of Australian Studies 34.4 (2010), 499–512.

Bevington, David, ‘The Major Comedies’, in Richard Harp and Stanley Stewart (eds), The Cambridge Companion to Ben Jonson (Cambridge: Cambridge University Press, 2000), 72–89.

Blissett, William, ‘The Venter Tripartite in The Alchemist’, Studies in English Literature 8.2 (1968), 323–34.

Boehrer, Bruce Thomas, The Fury of Men’s Gullets: Ben Jonson and the Digestive Canal (Philadelphia: University of Pennsylvania Press, 1997).

— ‘Renaissance Classicism and Roman Sexuality: Ben Jonson’s Marginalia and the Trope of Os Impurum’, International Journal of the Classical Tradition 4.3 (1998), 364–80.

Boluk, Stephanie and Wylie Lenz, ‘Infection, Media, and Capitalism: From Early Modern Plagues to Postmodern Zombies’, Journal for Early Modern Cultural Studies 10.2 (June 2010), 126–47.

Bowers, Rick, Radical Comedy in Early Modern England (Aldershot: Ashgate, 2008).

Buccola, Regina, ‘The Fairy Quean: Fairyland Meets the Fifth Monarchy in Ben Jonson’s The Alchemist’, in Fairies, Fractious Women, and the Old Faith; Fairy Lore in Early Modern British Drama and Culture (Selinsgrove, PA: Susquehanna University Press, 2006), 109–33.

Cave, Richard, Ben Jonson (Houndmills: Macmillan, 1991).

Cave, Richard, Elizabeth Schafer, and Brian Woolland (eds), Ben Jonson and Theatre: Performance, Practice and Theory (London: Routledge, 1999).

Craig, D. H. (ed.), Ben Jonson: The Critical Heritage, 1599–1798 (London and New York: Routledge, 1990).

Crane, Mary Thomas, ‘What Was Performance?’ Criticism: A Quarterly for Literature and the Arts 43.2 (2001), 169–87.

Davies, Robertson, ‘Ben Jonson and Alchemy’, in B. A. W. Jackson (ed.), Stratford Papers 1968–9 (Hamilton, ON: McMaster University Press, 1972), 40–60.

Dessen, Alan, ‘The Alchemist: Jonson’s “Estates” Play’, Renaissance Drama 7 (1964), 35–54.

Jonson’s Moral Comedy (Evanston, IL: Northwestern University Press, 1971).

Dick, Aliki Lafkidou, Paedeia through Laughter: Jonson’s Aristophanic Appeal to Human Intelligence, Studies in English Literature 76 (The Hague: Mouton, 1974).

Donaldson, Ian, Ben Jonson: A Life (Oxford: Clarendon Press, 2012).

Jonson’s Magic Houses: Essays in Interpretation (Oxford: Oxford University Press, 1997).

— ‘Language, Noise and Nonsense: The Alchemist’, in Earl Miner (ed.), Seventeenth-Century Imagery: Essays on Uses of Figurative Language from Donne to Farquhar (Berkeley: University of California Press, 1971), 69–82.

Duncan, Douglas, Ben Jonson and the Lucianic Tradition (Cambridge and New York: Cambridge University Press, 1979).

Dutton, Richard, ‘Volpone and The Alchemist: A Comparison in Satiric Techniques’, Renaissance and Modern Studies 18 (1974), 36–62.

Dynes, William R., ‘The Trickster Figure in Jacobean City Comedy’, Studies in English Literature 33.2 (1993), 365–84.

Eggert, Katherine, ‘The Alchemist and Science’, in Garrett A. Sullivan, Patrick Cheney and Andrew Hadfield (eds), Early Modern English Drama: A Critical Companion (Oxford: Oxford University Press, 2006), 200–12.

Ellis, Anthony, Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage (Aldershot: Ashgate, 2009).

— ‘Senescence in Jonson’s Alchemist: Magic, Mortality, and the Debasement of (the Golden) Age’, Ben Jonson Journal 12 (2005), 23–44.

Empson, William, ‘The Alchemist’, Hudson Review 22.4 (1969–70), 595–608.

Evans, Robert, Habits of Mind: Evidence and Effects of Ben Jonson’s Reading (Lewisburg: Bucknell University Press, 1995).

Farrell, Mary, ‘The Alchemy of Rabelais’s Marrow Bone’, Modern Language Studies 13.2 (1983), 97–104.

Flachmann, Michael, ‘Ben Jonson and the Alchemy of Satire’, Studies in English Literature 17.2 (1977), 259–80.

Gertmenian, Donald, ‘Comic Experience in Volpone and The Alchemist’, Studies in English Literature 17.2 (1977), 247–58.

Gibbons, Brian, Jacobean City Comedy: A Study of Satiric Plays by Jonson, Marston, and Middleton (Cambridge, MA: Harvard University Press, 1968).

Greene, Thomas M., ‘Ben Jonson and the Centered Self’, Studies in English Literature 10.2 (1970), 325–48.

Gurr, Andrew, ‘Prologue: Who Is Lovewit: What Is He?’, in Richard Cave, Elizabeth Schafer and Brian Woolland (eds), Ben Jonson and Theatre: Performance, Practice, and Theory (London and New York: Routledge, 1999), 5–19.

Harp, Richard, ‘Ben Jonson’s Comic Apocalypse’, Cithara 34.1 (1994), 34–43.

Harris, Jonathan Gil, Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England (Cambridge, UK: Cambridge University Press, 1998).

Harris, Jonathan Gil. Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England (Philadelphia: University of Pennsylvania Press, 2004).

Haynes, Jonathan, ‘Representing the Underworld: The Alchemist’, Studies in Philology 86.1 (1989), 18–41.

Hirsch, James (ed.), New Perspectives on Ben Jonson (Madison, NJ: Farleigh Dickinson University Press; London: Associated University Presses, 1997).

Hiscock, Andrew, The Uses of This World: Thinking Space in Shakespeare, Marlowe, Cary and Jonson (Cardiff: University of Wales Press, 2004).

Jackson, Gabriele Bernhard, Vision and Judgment in Ben Jonson’s Drama (New Haven: Yale University Press, 1968).

Jensen, Ejner J., Ben Jonson’s Comedies on the Modern Stage (Ann Arbor: UMI Research Press, 1985).

Johnston, Mark Albert. ‘Prosthetic Absence in Ben Jonson’s Epicoene, The Alchemist, and Bartholomew Fair’, English Literary Renaissance 37.3 (2007), 401–28.

Jones, Myrddin, ‘Sir Epicure Mammon: A Study in “Spiritual Fornication”’, Renaissance Quarterly 22.3 (1969), 233–42.

Judd, Arnold, ‘Lovewit’s Triumph and Jonsonian Morality: A Reading of The Alchemist’, Criticism 11.2 (1969), 151–66.

Kay, W. David, Ben Jonson: A Literary Life (Houndmills, Basingstoke: Macmillan; New York: St Martin’s Press, 1995).

Kernan, Alvin, ‘Alchemy and Acting: The Major Plays of Ben Jonson’, Studies in the Literary Imagination 6.1 (1973), 1–22.

Knapp, Peggy A., ‘The Work of Alchemy’, Journal of Medieval and Early Modern Studies 30.3 (2000), 575–99.

Knights, L. C. ‘Ben Jonson: Public Attitudes and Social Poetry’, in William Blissett, Julian Patrick and R. W. Van Fossen (eds), A Celebration of Ben Jonson (Toronto: University of Toronto Press, 1973), 167–87.

Drama and Society in the Age of Jonson (London: Chatto & Windus, 1937).

Knoll, Robert, Ben Jonson’s Plays: An Introduction (Lincoln: University of Nebraska Press, 1964).

Knowles, James, ‘Jonson’s Entertainment at Britain’s Burse’, in Martin Butler (ed.), Re-Presenting Ben Jonson: Text, History, Performance (Houndmills, Basingstoke: Macmillan, 1999), 114–51.

Lanier, Douglas, ‘Masculine Silence: Epicoene and Jonsonian Stylistics’, College Literature 21.2 (1994), 1–18.

Levin, Richard, ‘Another “Source” for The Alchemist and Another Look at Source Studies’, English Literary Renaissance 28.2 (1998), 210–30.

— ‘“No Laughing Matter”: Some New Readings of The Alchemist’, Studies in the Literary Imagination 6.1 (1973), 85–99.

— ‘Occult Interior Design in Jonson’s Day and Ours, and a New Source for The Alchemist’, Research Opportunities in Renaissance Drama 46 (2007), 116–18.

Linden, Stanton J., Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration (Lexington: University Press of Kentucky, 1996).

Low, Jennifer A., Manhood and the Duel: Masculinity in Early Modern Drama and Culture (London: Palgrave Macmillan, 2003).

Loxley, James, The Complete Critical Guide to Ben Jonson (London: Routledge, 2002).

Lucking, David, ‘Carrying Tempest in His Hand and Voice: The Figure of the Magician in Jonson and Shakespeare’, English Studies: A Journal of English Language and Literature 85.4 (2004), 297–310.

McAdam, Ian, ‘The Repudiation of the Marvelous: Jonson’s The Alchemist and the Limits of Satire’, Quidditas 21 (2000), 59–77.

McEvoy, Sean, Ben Jonson, Renaissance Dramatist (Edinburgh: Edinburgh University Press, 2008).

— ‘Hieronimo’s Old Cloak: Theatricality and Representation in Ben Jonson’s Middle Comedies’, Ben Jonson Journal 11 (2004), 67–87.

McIntosh, Shona, ‘Space, Place and Transformation in Eastward Ho! and The Alchemist’, in Joan Fitzpatrick and John Martin (eds), The Idea of the City: Early-Modern, Modern and Post-Modern Locations and Communities (Newcastle upon Tyne: Cambridge Scholars, 2009), 65–77.

McManus, Caroline, ‘Queen Elizabeth, Dol Common, and the Performance of the Royal Maundy’, English Literary Renaissance 32.2 (2002), 189–213.

Marcus, Leah S., The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes (Chicago: University of Chicago Press, 1986).

Mardock, James, Our Scene Is London: Ben Jonson’s City and the Space of the Author (London: Routledge, 2008).

Martin, Mathew, ‘Play and Plague in Ben Jonson’s The Alchemist’, English Studies in Canada 26.4 (2000), 393–408.

Maus, Katharine Eisaman, Ben Jonson and the Roman Frame of Mind (Princeton: Princeton University Press, 1984).

Mebane, John S., Renaissance Magic and the Return of the Golden Age (Lincoln: University of Nebraska Press, 1989).

Meskill, Lynn S., ‘Jonson and the Alchemical Economy of Desire: Creation, Defacement and Castration in The Alchemist’, Cahiers élisabéthains 62 (2002), 47–63.

Miller, Anthony, ‘Ben Jonson and “the Proper Passion of Mettalls”’, in Andrew Lynch and Anne M. Scott (eds), Renaissance Poetry and Drama in Context: Essays for Christopher Wortham (Newcastle upon Tyne: Cambridge Scholars, 2008), 145–57.

Miola, Robert, ‘Ben Jonson, Catholic Poet’, Renaissance and Reformation 25.4 (2001), 101–15.

Oseman, Arlene, ‘Going Round in Circles with Jonson and Shakespeare’, Shakespeare in Southern Africa: Journal of the Shakespeare Society of Southern Africa 15 (2003), 71–82.

Ouellette, Anthony J., ‘The Alchemist and the Emerging Adult Private Playhouse’, Studies in English Literature, 1500–1900 45.2 (2005), 375–99.

Partridge, Edward B., The Broken Compass: A Study of the Major Comedies of Ben Jonson (New York: Columbia University Press; London: Chatto & Windus, 1958).

Phillips, Patrick, ‘“You Need Not Fear the House”: The Absence of Plague in The Alchemist’, Ben Jonson Journal 13 (2006), 43–62.

Potter, Lois, ‘How Quick Was a Quick Change? The Alchemist and Blackfriars Staging’, in Peter Kanelos and Matt Kozusko (eds), Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage (Selinsgrove, PA: Susquehanna University Press, 2010), 200–11.

— ‘The Swan Song of the Stage Historian’, in Martin Butler (ed.), Re-Presenting Ben Jonson: Text, History, Performance (Houndmills: Macmillan, 1999), 193–209.

Raza, Amra, ‘Dynamic Linguistic and Artistic Patterns in Jonson’s The Alchemist’, Journal of Research (Humanities) 42–5 (2006), 37–70.

Rebhorn, Wayne, ‘Jonson’s “Jovy Boy”: Lovewit and the Dupes in The Alchemist’, Journal of English and German Philology 79.3 (1980), 355–75.

Riggs, David, Ben Jonson: A Life (Cambridge, MA: Harvard University Press, 1989).

Rivlin, Elizabeth, ‘The Rogues’ Paradox: Redefining Work in The Alchemist’, in Natasha Korda and Michelle Dowd (eds), Working Subjects in Early Modern Drama (Aldershot: Ashgate, 2011), 115–30.

Ross, Cheryl Lynn, ‘The Plague of The Alchemist’, Renaissance Quarterly 41.3 (1988), 439–58.

Sanders, Julie (ed.), Ben Jonson in Context (Cambridge: Cambridge University Press, 2010).

Ben Jonson’s Theatrical Republics (Houndmills: Macmillan; New York: St Martin’s Press, 1998).

Sanders, Julie, Kate Chedgzoy and Susan Wiseman (eds), Refashioning Ben Jonson: Gender, Politics, and the Jonsonian Canon (Basingstoke: Palgrave Macmillan, 1998).

Schafer, Elizabeth, ‘Troublesome Histories: Performance and Early Modern Drama’, in Ton Hoenslaars (ed.), The Cambridge Companion to Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012).

Schuler, Robert M., ‘Jonson’s Alchemists, Epicures, and Puritans’, Medieval and Renaissance Drama in England 2 (1985), 171–208.

Shanahan, John, ‘Ben Jonson’s Alchemist and Early Modern Laboratory Space’, Journal for Early Modern Cultural Studies 8.1 (2008), 35–66.

Shapiro, James, Rival Playwrights: Marlowe, Jonson, Shakespeare (New York: Columbia University Press, 1991).

Shargel, Raphael, ‘The Devolution of The Alchemist: Garrick, Gentleman, and “Genteel Comedy”’, Restoration and 18th Century Theatre Research 19.2 (2004), 1–21.

Slights, William, Ben Jonson and the Art of Secrecy (Toronto: University of Toronto Press, 1984).

Smallwood, R.L., ‘“Here, in the Friars”: Immediacy and Theatricality in The Alchemist’, Review of English Studies 32.126 (1981), 142–60.

Smith, Melissa, ‘The Playhouse as Plaguehouse in Early Modern Revenge Tragedy’, Journal of the Washington Academy of Science 89.1/2 (2003), 77–86.

South, Malcolm H., ‘The “Vncleane Birds, in Seuenty-Seuen”: The Alchemist’, Studies in English Literature 13.2 (1973), 331–43.

Stallybrass, Peter, and Allon White, The Politics and Poetics of Transgression (Ithaca: Cornell University Press, 1986).

Sullivan, Ceri, The Rhetoric of Credit: Merchants in Early Modern Writing (Teaneck: Farleigh Dickinson University Press, 2002).

Sweeney, Gordon, Jonson and the Psychology of Public Theatre (Princeton: Princeton University Press, 1985).

Thayer, C. G., Ben Jonson: Studies in the Plays (Norman: University of Oklahoma Press, 1963).

Turner, Henry S., The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580–1630 (Oxford: Oxford University Press, 2006).

Williams, B., Jr, ‘Thomas Rogers as Ben Jonson’s Dapper’, Yearbook of English Studies 2 (1972), 73–7.

Wilson, Eric, ‘Abel Drugger’s Sign and the Fetishes of Material Culture’, in Carla Mazzio and Douglas Trevor (eds), Historicism, Psychoanalysis, and Early Modern Culture (New York: Routledge, 2000), 110–34.