Italic figures indicate illustrations
‘Accursed Thing, The’ (Barrie) – see Will, The
Adams, Maude, (i), (ii); as Babbie in The Little Minister, (i), (ii); as Phoebe in Quality Street, (i); considered as Wendy, (i); as Peter Pan, (i), (ii), (iii), (iv), (v); Barrie's letter to, (i); visits Sylvia, (i)
Adelphi Terrace House, Strand, (i), (ii), (iii), (iv), (v), (vi), (vii); Barrie's move to third-floor flat in, (i), (ii); his move to top floor, (i), (ii); ingle-nook, (i), (ii), (iii), (iv); study, (i), (ii); as Michael's and Nico's home, (i), (ii), (iii), (iv), (v); Barrie on roof of, (i); Barrie at his desk in, (i)
Admirable Crichton, The (Barrie), (i), (ii), (iii); quoted, (i); Davies boys' Black Lake exploits as material for, (i), (ii); success of, (i); ‘return to nature’ theme, (i); film based on, (i)
Adored One, The (Barrie), (i)
Ainley, Henry, (i)
Alice Sit-by-the-Fire (Barrie), (i), (ii); comparative failure, (i); American production, (i)
Allahakbarries cricket club, (i), (ii), (iii), (iv), (v); presentation of ‘The Greedy Dwarf’, (i)
Alphonse (Barrie's chauffeur), (i), (ii)
Amhuinnsuidh Castle (Outer Hebrides), (i); holiday at, (i); Mary Rose's island near, (i), (ii)
Anderson, Wellwood, (i)
‘Anon: A Play’, original title of Peter Pan, (i)
Ansell, Mary (later Barrie, then Cannan), (i), (ii); second lead in Walker, London, (i), (ii); attracted to Barrie, (i), (ii); Barrie's notebook observations on, (i), (ii); accepts Barrie, (i); nurses him through illness, (i); marriage, (i); disconcerting honeymoon, (i); love of dogs, (i), (ii), (iii), (iv), (v); unfulfilled desire for children, (i), (ii), (iii), (iv), (v); attitude to Barrie's flirtations with actresses, (i); plays Babbie in copyright performance of Little Minister, (i); failing marriage, (i), (ii), (iii), (iv), (v), (vi), (vii); usurped by Sylvia as model for Grizel, (i), (ii); attempt to win Sylvia's friendship, (i); flamboyance and snobbishness, (i); seeks country house, (i); converts Black Lake Cottage, (i); in ‘The Greedy Dwarf’, (i), (ii); redesigns new home at Leinster Corner, (i); tenth wedding anniversary, (i); infrequent visits to Peter Pan rehearsals, (i); decreasing communication with Barrie, (i); motoring trips in France, (i), (ii); sympathy for Cannan, (i), (ii); growing relationship with him, (i), (ii), (iii); their adultery revealed, (i); determined to marry Cannan, (i), (ii); alleged other lovers, (i); supposed marital relations with Barrie, (i), (ii)n; divorce, (i), (ii); break-up of marriage to Cannan, (i); Barrie's annual allowance to, (i)
Archer, William, (i), (ii), (iii); on Admirable Crichton, (i)
Ashton Farm (Devon), Sylvia's last days and death at, (i), (ii), (iii)
Ashwell, Lena, (i)
Asquith, Lady Cynthia, (i), (ii), (iii); Barrie's letters to, (i), (ii), (iii); engaged as Barrie's secretary, (i); on Barrie's reaction to Michael's death, (i), (ii)
Asquith, Herbert (later Earl of Oxford and Asquith), (i), (ii), (iii), (iv)
Asquith, Herbert (‘Beb’), (i)
Asquith, Michael, (i), (ii), (iii)
At the Back of the North Wind (MacDonald), (i)
Auch Lodge (Argyllshire), holiday at, (i), (ii), (iii)
Auld Licht Idylls (Barrie): origin of, (i); publication of, (i)
Authors Club Dinner (1932), Barrie's speech at, (i)
Baldwin, Stanley, (i)
‘Bandeloro the Bandit’, Barrie's first dramatic effort, (i)
Barbara's Wedding (Barrie), (i)
Barnard, Mr (Barrie's barrister in divorce case), (i)
Barrie, Alexander Ogilvy (brother), (i), (ii), (iii)
Barrie, Charlie (nephew), (i), (ii); killed in action, (i)
Barrie, David (father), (i); in about 1871, (i); little influence on Barrie, (i); death, (i)
Barrie, David Ogilvy (brother), (i), (ii), (iii); death in skating accident, (i); mother's protracted grief over, (i)
Barrie, Isabella Ogilvy (sister), (i)
Barrie, James Matthew, (i), (ii), (iii); childhood, (i); smallness, (i), (ii), (iii), (iv); aged six, (i); aged nine, (i); acts out role of dead brother, (i); germ of idea of boy never growing up, (i), (ii), (iii); sense of rejection and inferiority, (i), (ii); image of substitute mother, (i), (ii), (iii); early literary efforts, (i); aged fourteen, (i); regret for end of boyhood, (i), (ii); schooling, (i); interest in theatre, (i), (ii); first dramatic effort, (i); prize for sweetest smile, (i); failure with girls, (i), (ii), (iii), (iv); ‘next best thing to being boys is to write about them’, (i); loneliness at university, (i); entry in Querist's Album, (i); shyness, (i), (ii), (iii), (iv); as an M.A., (i); provincial journalism, (i); interest in cricket, (i), (ii), (iii), (iv), (v), (vi), (vii); goes to London, (i); aged twenty-six, (i); journalistic success, (i); first novel, (i); sentimental streak, (i); sadism, (i), (ii); literary and social success, (i); child friends, (i), (ii), (iii), (iv); use of nephews as copy, (i); susceptibility to pretty young actresses, (i), (ii), (iii), (iv), (v), (vi); first critical stage success, (i); interest in Mary Ansell, (i); erratic moods, (i), (ii), (iii), (iv); with Margaret Ogilvy in 1893, (i); notebooks, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx); premonition of un-suitability for married life, (i); marriage, (i); oblique notebook references to dilemma, (i), (ii); first London home, (i); frequents Kensington Gardens, (i), (ii), (iii); ability to gain child's affection, (i), (ii); Nicholson's portraits of, 35, 107, observations of Margaret Ogilvy, (i); and her death, (i); his memoir of her, (i); lifelong quest for Land of Lost Content, (i); affinity with children, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); first trip to America, (i); self-analysis, (i), (ii), (iii), (iv), (v), (vi); first meeting with Davies boys, (i); his silences, (i), (ii), (iii), (iv); favourite photograph of himself, (i); first meeting with Sylvia, (i), (ii); increasing friendship with Davies family, (i), (ii), (iii), (iv), (v), (vi), (vii); frustrated fatherhood, (i), (ii); failing marriage, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix); inability to grow up, (i), (ii); invention of Peter Pan, (i), (ii), (iii); flair for games, (i), (ii); development of Never Never Land, (i); and idea of dead young mothers returning as ghosts, (i), (ii), (iii), (iv), (v); writes and appears in pantomime, (i); with George, (i); enacts pirate and ‘wrecked islands’ saga with boys, (i), (ii); begins notes for fairy play, (i), (ii); and father's death, (i); finds own family oppressive, (i); and idea of ‘boy who can't grow up’, (i); and Davies move to country, (i); with dog Luath, (i); at Dives, (i); in Allahakbarries, (i), (ii); with Michael at Black Lake, (i), (ii); only ‘professional’ performance, (i); his sexuality, (i); diverse social and literary activity, (i), (ii), (iii), (iv); ‘flirtations’ with aristocracy, (i), (ii); financial responsibility in Arthur's illness, (i), (ii); accepted as integral part of family, (i); as Captain Hook to Michael's Peter, (i); references to ‘my boys’, (i), (ii), (iii), (iv), (v); with George and Jack, (i); whimsicality, (i); theme of ‘second chance’, (i), (ii), (iii), (iv); ‘ownership’ of Davieses after Arthur's death, (i), (ii), (iii); Scottish holidays, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix); troubled conscience about wealth, (i); ‘alarming’ perceptiveness, (i), (ii); refuses knighthood, (i); collapse of marriage, (i), (ii); rumoured impotence, (i); divorce, (i); and Sylvia's illness, (i), (ii); as ‘Uncle Jim’, (i), (ii); seen as family guardian angel, (i); and Sylvia's death, (i), (ii); ‘betrothal’ to Sylvia, (i); assumes guardianship of boys, (i), (ii), (iii); fascination of English public school system, (i); extravagant indulgence of boys, (i), (ii); ‘freezing’ of boys' friends, (i), (ii), (iii), (iv); with Michael in July 1912, (i); and ‘Island that likes to be visited’, (i), (ii); daily correspondence with Michael, (i), (ii); baronetcy, (i); lack of interest in music, poetry and painting, (i); in fishing hat, (i); and outbreak of war, (i), (ii); first use of ‘loving’ signature, (i); American visit, (i); attempt at dramatic propaganda, (i), (ii); and dilemma of undemonstrative males wishing to communicate affection, (i); his last letter to reach George, (i); on monstrosity of war, (i); and George's death, (i); George's last letter to, (i); visit to war zone, (i); at Bettancourt orphanage, (i); at Glan Hafren, (i), (ii), (iii); with Hugh Macnaghten at Eton, (i); in his ingle-nook, (i), (ii); in Adelphi study doorway, (i); cruel streak, (i); difficulties with Mary Hodgson, (i), (ii), (iii); with Michael, (i); takes Michael and Nico to share flat, (i), (ii), (iii); Lavery painting of, (i); at study window, (i); theme of ‘veil’ separating survivors and killed, (i); relief at end of war, (i); with Cynthia Asquith, (i); sympathy with boys' adolescent problems, (i); with Michael at Glan Hafren, (i); his influence considered unhealthy, (i); on Adelphi roof, (i); first left-handed letter, (i); playing clock golf, (i); at work on Eilean Shona, (i); on conflicting views of age and youth, (i); at his desk, (i); desolation over Michael's death, (i), (ii), (iii); carried aloft by St Andrews students, (i); dream about ‘extra year’ with Michael, (i); notebook entry on Michael, (i); last years and gradual emergence from grief, (i); at Stanway, (i); with Nico's daughter, (i); with Elisabeth Bergner, (i); death, (i)
Barrie, Jane Ann Adamson (sister), (i), (ii), (iii); death, (i)
Barrie (later Winter), Margaret ('Maggie’) (sister), (i); devotion to Barrie, (i); death of fiancé, (i); engagement to his brother, (i)
Barrie, Margaret Ogilvy (mother) – see Ogilvy, Margaret
Barrie, Mary (wife) – see Ansell, Mary
Barrie, Sara Mitchell (sister), (i)
Barrie, Willie (nephew), (i); killed in action, (i)
Beardsley, Mabel, (i)
Beaton, Cecil, (i)
Bedford, F. D.: illustrations to Peter and Wendy, (i), (ii), (iii)
Beerbohm, Max, (i); on Barrie's never growing up, (i); on What Every Woman Knows, (i)
Bergner, Elisabeth, (i)
Berkhamsted – see Egerton House
Bettancourt, Château, home for orphaned children at, (i), (ii)
Better Dead (Barrie), his first novel, (i)
Bigham, Sir John (later Viscount Mersey), (i)
Black Lake Cottage (Surrey), (i), (ii), (iii), (iv), (v), (vi), (vii); bought by Mary Barrie, (i); lake as setting of Boy Castaways, (i), (ii), (iii), (iv); Sylvia at, (i), (ii); Davies holidays at, (i), (ii); Allahakbarries at, (i); incorporated in Peter Pan, (i), (ii); Mary Barrie at, (i), (ii)
Blake, George: on Barrie's ‘sadism’, (i), (ii); reproof for Margaret Ogilvy, (i)
Bluebell in Fairyland (Hicks), (i), (ii)
Boothby, Robert, Lord: on ‘morbid’ relationship between Barrie and Michael, (i); Paris holiday with Michael and friends, (i); on Rupert Buxton's ‘morbid’ influence on Michael, (i); on Michael's death, (i); Barrie's letter to, (i)
Boucicault, Dion, (i), (ii), (iii); production of Peter Pan, (i), (ii), (iii), (iv)
Boucicault, Nina, (i); as Peter Pan, (i), (ii), (iii); her 1904 script, (i)
Boy Castaways of Black Lake Island, The (Barrie), (i), (ii), (iii); Davies exploits as material for, (i), (ii), (iii), (iv); production as book, (i); cover, (i); anticipation of Peter Pan, (i), (ii); title-page, (i); Arthur's copy lost, (i), (ii); sole surviving copy later asked for by Arthur, (i)
Boy David, The (Barrie), (i)
Bright, Arthur Addison, (i); in ‘The Greedy Dwarf’, (i), (ii); financial troubles, (i), (ii); death, (i), (ii)
Brighton, (i)
British Weekly: Barrie's ‘open letter’ on sister's bereavement published in, (i); on Margaret Ogilvy, (i)
Brooke, Rupert, (i)
Broughton, Phyllis, (i)
Brown, Harry (Barrie's manservant), (i), (ii), (iii); ‘interview’ in New York, (i)
Brownlow, Lieutenant-Colonel the Hon. J. R., (i)
Bruce, Kathleen – see Scott, Kathleen
Burpham (Sussex), Davies Holiday at, (i), (ii)
Burt, Clive: on Michael, (i); Paris holiday with him, (i)
Buxton, Rupert: friendship with Michael, (i), (ii); drowning with Michael, (i); memorial to, (i)
Cambridge, George at, (i), (ii), (iii)
Cameron, Julia, photograph of George and Emma du Maurier, (i)
Campbell, Mrs Patrick, (i)
Campden Hill Square (No. 23), Kensington: Davies home at, (i), (ii), (iii), (iv), (v); Sylvia's illness at, (i), (ii), (iii); boys' life at, after her death, (i), (ii), (iii), (iv), (v), (vi); difficult situation at, (i); Mary Hodgson leaves, (i), (ii), (iii); closing down of, (i), (ii)
Cannan, Gilbert, (i); secretary to Censorship Committee, (i), (ii); rejected by Kathleen Bruce, (i); turns to Barries for comfort, (i), (ii); growing relationship with Mary, (i), (ii), (iii); their adultery, (i), (ii)n, (iii), (iv); cited in Barrie's divorce, (i); infidelity to Mary and mental disorder, (i)
Carrington, Dora, (i)
Castle, Irene and Vernon, (i)
Caught Napping (Barrie), unsuccessful farce, (i)
Caux (Switzerland), ski-ing holiday at, (i)
Censorship, Committee for Abolition of, (i), (ii), (iii), (iv)
Censorship, Government Committee, (i), (ii)
Chamberlain, Joseph, lampooned in Josephine, (i)
Chaplin, Charlie, (i); Nico's enthusiasm for, (i), (ii)
Chase, Pauline, (i), (ii); as First Twin in Peter Pan, (i); becomes Barrie's god-daughter, (i); as Peter Pan, (i), (ii); Scott's flirtation with, (i); Barrie's letters to, (i), (ii)
Chesterton, G. K., (i)
Churchill, Winston, (i); contrasted with Lloyd George, (i)
Clarke, Mary Anne, (i)
Clough, Eleanor, (i)
Clown, The (Dumfries Academy school magazine), (i)
Collins, Michael, (i)
Compton, Fay, (i); as Mary Rose, (i)
Cooper, Gary, in Medals, (i)
Coral Island, The (Ballantyne), (i); as model for Boy Castaways, (i), (ii)
Corfe Castle, (i)
Coronet Theatre, (i)
Courage (Barrie's address to St Andrews University), (i); quoted, (i);s notes for, (i), (ii); Michael's sonnet in, (i), (ii)
Court Theatre, (i)
Coward, Noël, as Slightly in Peter Pan, (i)
Craven Terrace (No. 18), Paddington, first Davies family home, (i), (ii), (iii)
Crompton, Charles, (i)
Crompton, Mary (later Llewelyn Davies, q.v.), (i)
Daily Express, (i); on Peter's death, (i)
Daily Mail, report of Barrie divorce case, (i), (ii)
Daily Telegraph: on Barrie, (i); on Wedding Guest, (i); on Peter Pan, (i); report of Barrie divorce case, (i), (ii)
Darlington, W. A.: on The Twelve-Pound Look, (i); on A Well-Remembered Voice, (i)
David Copperfield (Parker stage version), (i)
Davies – see Llewelyn Davies
Davies, Peter, Ltd, (i)
Davis, Richard Harding, (i)
Day Lewis, Cecil, on Nico at Wilkinson's (i)
Dear Brutus (Barrie), quoted, (i); ‘second chance’ theme, (i), (ii), (iii), (iv), (v); rehearsals, (i); self-analysis in, (i); first night, (i)
Deslys, Gaby: Barrie's revue written for, (i), (ii), (iii), (iv), (v); George's possible mild flirtation with, (i), (ii)
Dhivach Lodge (Inverness), (i), (ii); holiday at, (i), (ii)
Dilke, Sir Charles, Barrie's letter to, (i)
Dives (France), holiday at, (i)
Dogs and Men (Ansell), quoted, (i), (ii), (iii), (iv)
Downe House (Sussex), Allahakbarrie and Lucas teams at, (i)
Doyle, Arthur Conan, (i)
Dramatic League, (i)
Drummond, Alec, (i)
Du Maurier, Daphne, (i), (ii), (iii); on Gerald as Hook, (i), (ii), (iii)
Du Maurier, Emma, (i), (ii), (iii), (iv), (v); reservations over Sylvia's engagement, (i), (ii); boys' holidays with, (i), (ii), (iii), (iv); and Sylvia's illness and death, (i), (ii), (iii); as boys' guardian, (i)
Du Maurier, George, (i), (ii), (iii), (iv); cartoon by, (i); death, (i); burial at Hamptead, (i), (ii)
Du Maurier, Gerald, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix); on Sylvia's engagement, (i); in ‘The Greedy Dwarf’, (i), (ii); as Ernest in Admirable Crichton, (i); as Mr Darling and Captain Hook, (i), (ii), (iii), (iv); in What Every Woman Knows, (i); and Michael's death, (i)
Du Maurier, Guy, (i), (ii), (iii), (iv), (v); success of An Englishman's Home, (i); on Western Front, (i), (ii), (iii); death in action, (i), (ii), (iii)
Du Maurier, Gwen, (i), (ii), (iii)
Du Maurier, May, (i), (ii), (iii), (iv); mother's letters to, (i), (ii); ‘paralysed’ by Barrie, (i)
Du Maurier, Muriel née Beaumont), (i); in Admirable Crichton, (i)
Du Maurier, Trixie, (i), (ii), (iii)
Dublin, (i)
Duff, Lady Juliet, Barrie's letter to, (i), (ii)
Duke of York's Theatre: Admirable Crichton at, (i); Peter Pan at, (i), (ii); Alice Sit-by-the-Fire at, (i); What Every Woman Knows at, (i); The New Word at, (i), (ii); Rosy Rapture at, (i), (ii)
Dumfries: Barrie's speech on receiving Freedom of, (i), (ii); Moat Brae garden, (i)
Dumfries Academy: Barrie's five years at, (i), (ii); school magazine, (i)
Dumfries Herald, criticism of ‘Bandeloro the Bandit’, (i)
Dundas, Robin, Barrie's letters to, (i), (ii), (iii)
‘Dynamite King, The’, Nico's serial story, (i)
Earl, Sebastian, on Michael, (i)
Edinburgh Evening Dispatch: Barrie's ‘Peter-kin’ article in, (i); his ‘My Ghastly Dream’ article in, (i)
Edinburgh University: Barrie at, (i); his honorary degree from, (i); as Chancellor of, (i)
Edwardes, George, on Peter Pan, (i)
Egerton House, Berkhamsted: Davies home at, (i), (ii), (iii), (iv), (v); Peter Pan performance in nursery, (i), (ii); Michael and Nico in garden, (i); Arthur's last days and death at, (i), (ii), (iii); Nico, aged three, at, (i); Sylvia and George at, (i); sale of, (i); Michael revisits, (i)
Eilean Shona (Argyll): holiday on, (i); Barrie at work on, (i)
Emery, Winifred, as Babbie in Little Minister, (i), (ii)
Empire Theater (New York), (i); Little Minister at, (i); Peter Pan at, (i)
Englishman's Home, An (Du Maurier), (i); Eton: George at, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv); O.T.C. Field Day exercise, (i); Peter at, (i), (ii), (iii); Michael at, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x); Nico at, (i), (ii), (iii), (iv), (v), (vi); Barrie's version of fagging system, (i); Barrie with Macnaghten at, (i)
Eton College Chronicle, (i); on George, (i); Michael as co-editor, (i)
Evening Standard, on Michael's death, (i)
Figaro, Le, (i)
‘Fight for Mr Lapraik, The’ (Barrie), draft of, (i), (ii)
Forbes, Norman, (i)
Forbes-Robertson, Jean, (i)
Forbes-Robertson, Sir Johnston, (i)
Ford, H. J., (i); in Allahakbarries, (i)
Fortingal (Perthshire), holiday at, (i)
Frampton, Sir George, his Peter Pan statue, (i), (ii)
Frith, Walter, (i)
Frohman, Charles, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); Barrie's first meeting with, (i); their lasting friendship, (i), (ii), (iii); enthusiasm and support for Peter Pan, (i), (ii), (iii), (iv), (v), (vi), (vii); ‘childlike’ holiday with Barrie in Paris, (i); and Court Theatre avant-garde, (i); and ‘Cinema Supper’, (i); drowning in Lusitania, (i)
Furse, Charles, his portrait of Sylvia, (i)
Galloway, Robert, (i)
Galsworthy, John, (i)
Garrick Club, (i)
Garrick Theatre, Wedding Guest at, (i)
Garsington Manor, (i)
Gay, Florence, (i)
Geoghegan, Winifred, as Michael in Peter Pan, (i), (ii)
George VI, King, (i)
Gibb, Geraldine – see Llewelyn Davies, Geraldine
Gilmour, Thomas, (i), (ii); in Allahakbarries, (i); Barrie's letter to, (i)
Glan Hafren, (i), (ii); Barrie and Peter at, (i); later holidays at, (i); Michael and Nico at, (i); Barrie and Michael at, (i)
Gloucester Road (No. 133), South Kensington: Barrie's first married home, (i); ‘Greedy Dwarf’ pantomime at, (i); move from, (i)
Goffe, Dr, (i)
Gordon, Stuart, (i)
Graham, Harry, in Allahakbarries, (i), (ii)
Granville-Barker, Harley, (i), (ii), (iii), (iv); banning of his Waste, (i)
‘Great White Father, The’, original title of Peter Pan, (i), (ii)
‘Greedy Dwarf, The’ (Barrie): pantomime, (i), (ii); programme, (i), (ii)
Greenwood, Frederick, (i), (ii), (iii)
Greenwood Hat, The (Barrie), quoted, (i), (ii), (iii), (iv), (v), (vi), (vii)
Hampstead Churchyard, Du Maurier and Davies burials in, (i), (ii), (iii), (iv)
Hardy, Florence, (i); Barrie's letter to, (i)
Hardy, Thomas, (i), (ii), (iii), (iv); Barrie's admiration for, (i), (ii)
Hawkins, Betty, George's flirtation with, (i)
Hawtrey, Charles, (i)
Haymarket Theatre, Mary Rose at, (i)
Hedda Gabler (Ibsen), Barrie's parody on, (i)
Henley, Margaret, (i), (ii); invents name ‘Wendy’, (i); as Reddy in Sentimental Tommy, (i)n
Henley, W. E., (i), (ii); Barrie's letter to, (i)
Hewlett, Maurice, (i), (ii), (iii); in Allahakbarries, (i), (ii); criticism of Barrie over divorce, (i)
Hewlett, Pia, (i)
Hicks, Seymour, (i), (ii); as Valentine in Quality Street, (i)
Hill, Mary, (i)
Hodder and Stoughton, (i), (ii), (iii)
Hodgson, Mary, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)n, (xiv), (xv); engaged as nurse to Davies family, (i); portrayed as Irene in Little White Bird, (i), (ii); hostility to Barrie, (i), (ii), (iii), (iv), (v); Sylvia's letters to, (i); account of Nico's birth, (i); carrying Nico to bed, (i); Peter's letters to, (i), (ii), (iii), (iv); and Sylvia's illness and death, (i), (ii), (iii), (iv), (v); entrusted in Sylvia's Will with care of boys, (i), (ii), (iii), (iv); rivalry with Barrie over guardianship, (i), (ii); on Amhuinnsuidh holiday (i); entry in Nico's ‘Confession Book’, (i); George's letter to, (i); Nico's letter to, (i); Michael's letters to, (i), (ii), (iii), (iv), (v), (vi); jealousy of boys' wives, (i), (ii); and Peter's affair with married woman, (i); offers resignation, (i); impossible situation with Gerrie, (i); final resignation and departure, (i), (ii); Barrie's letters to, (i), (ii); locket given to, with boys' photos, (i); and news of Michael's death, (i)
Hope, Anthony: on Peter Pan, (i), (ii); at Amhuinnsuidh, (i), (ii)
Housman, A. E., (i), (ii), (iii)
Hughes, Gareth, as Tommy Sandys in Sentimental Tommy film, (i)
Hullo Ragtime! (revue), (i), (ii)
Hunt, Mr (Black Lake gardener), (i)
Hunt, Mrs, (i)
Ibsen, Henrik, (i)
Ibsen's Ghost (Barrie), his first critical stage success, (i)
Illustrated London News, on Ibsen's Ghost, (i)
Incorporated Society of Authors, Playwrights and Composers, Barrie's speech to (1928), (i)
Irving, Sir Henry, (i); Professor's Love Story written for, (i)
Irving, H. B., (i)
‘Island that likes to be visited’, (i), (ii)
James, Henry, (i), (ii); on Sylvia's death, (i); Emma's letter to, (i)
James, Mary (Mrs Nicholas Llewelyn Davies), (i)
Jeans, Ronald, (i)
Jerome, Jerome K., (i)
‘Jocelyn’, Barrie's pet name for Sylvia, (i)
Jolivet, Rita, (i)
Josephine (Barrie), (i)
Kensington Gardens, (i), (ii), (iii), (iv), (v); Barrie's meetings with Davies boys in, (i), (ii), (iii), (iv), (v), (vi), (vii); Balloon Woman outside, (i); ‘child's map’ of, (i); Peter Pan and, (i), (ii), (iii), (iv); boundary stones in, (i), (ii); Barrie presented with personal key to gates, (i); Peter Pan statue in, (i), (ii)
Kensington Park Gardens (No. 31), Notting Hill, Davies home at, (i), (ii), (iii); (No. 23) Davies home at, (i), (ii)
Kern, Jerome, (i)
Keys, Nelson, (i)
Kipling, Rudyard, (i)
Kirby, George, his flying harness, (i)
Kirby Lonsdale, Rev. J. Llewelyn Davies as Rector of, (i), (ii)
Kirriemuir, (i), (ii), (iii), (iv); Barrie's birthplace, (i); his childhood at, (i), (ii); as original ‘Thrums’, (i), (ii); Auld Lichts in, (i), (ii); Strath View (Barries' later home), (i), (ii); picture postcard of, (i); Barrie's illness at, (i); his wedding at, (i); Margaret Ogilvy's death and burial at, (i); family grave, (i)
Kiss for Cinderella, A (Barrie), (i)
Kitchener of Khartoum, Lord, (i)
Knutsford, Sydney Holland, 2nd Viscount, (i)
Kyle of Lochalsh, (i)
Lavery, Sir John, his portrait of Barrie, (i)
Leinster Corner, Bayswater Road, (i), (ii); Barries' move to, (i); move from, (i)
Lewis, Eiluned, (i), (ii); Michael's letter to, (i); Nico's letter to, (i)
Lewis, Sir George, (i), (ii), (iii), (iv), (v)
Lewis, Mrs Hugh, (i)n, (ii); Barrie's letters to, (i), (ii), (iii), (iv), (v)
Lewis, May, (i)
Lewis, Medina, (i)
Lewis, Peter, (i); Barrie's letter to, (i); at Glan Hafren, (i), (ii)
Little Mary (Barrie), (i), (ii), (iii); production of, (i); Jack's contribution to, (i)
Little Minister, The (Barrie), (i); writing of, (i); success of, (i); stage adaptation, (i), (ii), (iii); rehearsals for, (i), (ii); successful production, (i); copyright performance of, (i), (ii)
Little White Bird, The (Barrie), (i)n, (ii), (iii), (iv); quoted, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii); George disguised as David in, (i), (ii), (iii), (iv); evolvement of, (i), (ii), (iii), (iv), (v), (vi), (vii); introduction of Peter Pan, (i), (ii), (iii); frontispiece, (i); Barrie's yearnings for paternity shown in, (i); Wilkinson portrayed in, (i), (ii); Rackham illustrations to, (i), (ii); completion of, (i); success of, (i), (ii), (iii); Peter's opinion of, (i); Peter Pan chapters published as Peter Pan in Kensington Gardens, (i); George's fondness for, (i), (ii); ‘no second chance’ remark, (i)
Liverpool Daily Post, (i)
Llewelyn Davies, Arthur: family background, (i); legal training, (i); in 1890, (i); engagement to Sylvia, (i), (ii), (iii); with mother in about 1891, (i); slow progress at Bar, (i); legacy from uncle, (i); marriage, (i); with Sylvia in 1893, (i); with Sylvia and George in 1893, (i); move to larger house, (i); at Lewises' dinner party, (i); attitude to Barrie's ‘intrusion’, (i), (ii), (iii), (iv); Rustington holidays, (i), (ii), (iii); loses copy of Boy Castaways, (i), (ii); vexation at Sylvia's Paris trip with Barrie, (i); and birth of Nico, (i); move to Berkhamsted, (i), (ii); faimly life, (i); with boys in 1905, (i); untypical Edwardian father, (i); greater parental instinct than Sylvia, (i); simplicity, (i), (ii); patience over Barrie's frequent visits, (i); discovered to be suffering from sarcoma, (i); operation for removal of cheekbone, (i), (ii), (iii); his note of ‘things I think about’, (i); his letters to Peter and Michael, (i), (ii); homecoming, (i); fitted with artificial jaw, (i); reconciled to Barrie as integral part of family, (i), (ii), (iii), (iv); gratitude to Barrie, (i), (ii); learns he has not long to live, (i), (ii); on Barrie's ‘unfailing kindness and tact’, (i); shortlived optimism and onset of final phase, (i); his conversation notes, (i); urges Barrie to ‘write more things than plays’, (i); last letter of his life to Michael, (i); death, (i); his beauty, (i), (ii)
Llewelyn Davies, Crompton (brother of Arthur), (i), (ii), (iii), (iv); on Arthur's operation, (i); as guardian to boys, (i), (ii); death, (i); special fondness for Peter, (i)
Llewelyn Davies, Emily, (i)
Llewelyn Davies, George, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); makes Barrie's acquaintance in Kensington Gardens, (i), (ii); cultivates his friendship, (i), (ii); ‘never a cockier boy’, (i); as David in Little White Bird, (i), (ii), (iii), (iv), (v); birth, (i); with Sylvia and Jack in 1895, (i); with Sylvia, (i); with Jack in 1897, (i); wins Barrie's closest affection, (i), (ii), (iii); ‘waiting for the dawn’, (i); at Norland Place School, (i), (ii); discussion of Peter Pan with Barrie, (i), (ii); Rustington holidays, (i), (ii), (iii), (iv); aged seven, (i); with Peter and Jack in wheelbarrow, (i); with Sylvia in 1900, (i); ‘on the idle hill of summer’, (i); at Wilkinson's, (i), (ii), (iii); ‘dressed for the kill’, (i); aiming at Barrie's camera, (i); with Barrie, (i); Isle of Wight holiday, (i); with Peter and Jack, (i); outside Tilford Cottage, (i); at Black Lake on Boy Castaway adventures, (i), (ii), (iii), (iv), (v), (vi); and Barrie's notes and ideas for fairy play, (i), (ii), (iii), (iv), (v); and Nico's birth, (i); ‘excited approval’ of Peter Pan, (i); with brothers and Arthur in 1905, (i); question of Barrie's being platonically ‘in love’ with, (i); aged twelve, (i); fishing at Fortingal, (i); and Arthur's illness, (i); with Barrie and Jack, (i); at Eton, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv); with Sylvia at Egerton House, (i); Barrie's ‘peculiar equilibrium’ of dominating and being dominated by, (i); aged fourteen, (i); first letter home from Eton, (i); his Eton ‘phiz’, (i); New Forest holiday, (i); encounter with Highlanders, (i); ski-ing holiday in Switzerland, (i); on O.T.C. Field Day exercise, (i); Postbridge holiday, (i); talent for colourful language, (i); and Sylvia's illness, (i), (ii), (iii); with Macnaghten, (i); sporting skill, (i), (ii), (iii); as full-blown Eton blood, (i); modesty and charm, (i), (ii), (iii), (iv); sense of humour, (i), (ii), (iii); use of term ‘Uncle Jim’ for Barrie, (i); and Sylvia's death, (i), (ii), (iii), (iv), (v); regards Barrie as close and intimate friend, (i), (ii); at Scourie, (i); entry in Barrie's Querist's Album, (i); spectacular catch at Lord's, (i), (ii); flirtation with Betty Hawkins, (i); at Cambridge, (i), (ii), (iii); in Allahakbarries, (i); in Cambridge A.D.S., (i); courtship of Josephine Mitchell-Innes, (i); vein of sadness, (i), (ii); first glimpse of Paris, (i); aged twenty-one, (i); introduction to Italy, (i); Scottish holiday, (i), (ii), (iii); diary entry for Aug. 4 (1914), (i); entry in Nico's ‘Confession Book’, (i); fishing diary, (i), (ii); commissioned in 60th Rifles, (i); Barrie's first use of signature ‘loving’ to, (i); engaged to Josephine, (i); training at Sheerness, (i), (ii); shortly before leaving for Western Front, (i); posted to 4th Battalion, Rifle Brigade, (i), (ii); possible mild flirtation with Gaby Deslys, (i), (ii); takes Little White Bird to read in trenches, (i); on Western Front, (i), (ii), (iii), (iv), (v); one of his letters from France, (i); Barrie's complex affection for, (i); romantic mind, (i); sees ‘violent death within a yard’, (i); Barrie's last letter to reach him alive, (i), (ii); death in action, (i), (ii), (iii); effect on Barrie and brothers, (i), (ii); his last letter to Barrie, (i); his grave, (i), (ii); Well-Remembered Voice inspired by, (i), (ii); ‘original’ of Peter Pan, (i). Letters: from Barrie, (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi); to Barrie, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); from Nico, (i); to Michael, (i); from Michael, (i); to Peter, (i); from Peter, (i); to Sylvia, (i), (ii), (iii), (iv), (v), (vi), (vii)
Llewelyn Davies, Geraldine (‘Gerrie’) (née Gibb), (i), (ii), (iii), (iv), (v); accepts Jack's proposal, (i); Jack's letters to, (i); first meeting with Barrie and boys, (i); marriage, (i); shocked by Barrie's apparent cruelty, (i); difficulties with Mary Hodgson, (i), (ii)
Llewelyn Davies, Rev. John (father of Arthur), (i), (ii), (iii); Arthur's letters to, (i), (ii); Peter's letter to, (i)
Llewelyn Davies, John (‘Jack’), (i), (ii); makes Barrie's acquaintance in Kensington Gardens, (i), (ii), (iii), (iv); birth, (i); with Sylvia and George in 1895, (i); with George in 1897, (i); with Arthur and George, (i); at Norland Place School, (i); Rustington Holidays, (i), (ii); with Peter and George in wheelbarrow, (i); Isle of Wight holiday, (i); with George and Peter, (i); outside Tilford Cottage, (i); at Black Lake on Boy Castaway adventures, (i), (ii), (iii), (iv), (v); letter to Barrie, (i); contribution to Little Mary, (i); Agreement with Barrie, (i); with Arthur and brothers in 1905, (i); Dives holiday, (i), (ii); fishing at Fortingal, (i); at Osborne Naval College, (i), (ii), (iii), (iv); aged eleven, with Sylvia, (i); and Arthur's illness, (i); on Arthur's attitude to Barrie, (i); with Barrie and George, (i); and Arthur's death, (i); on Ramsgate beach, (i); aged thirteen, (i); misery at Osborne, (i); growing resentment towards Barrie, (i), (ii); New Forest holiday, (i); and Mary's growing friendship with Cannan, (i); Postbridge holiday, (i); and Sylvia's illness, (i); and her death, (i), (ii), (iii), (iv); anger at idea of Sylvia marrying Barrie, (i), (ii); in Navy, (i), (ii), (iii), (iv), (v), (vi), (vii); entry in Barrie's Querist's Album, (i); and Barrie's baronetcy, (i); and George's death, (i); engaged to Gerrie Gibb, (i); puts case to Barrie, (i); marriage, (i); difficulties with Mary Hodgson, (i), (ii)
Llewelyn Davies, Laura (Nico's daughter) (now Mrs David Duguid), (i)
Llewelyn Davies, Margaret (sister of Arthur), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); Arthur's letters to, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); Sylvia's letters to, (i), (ii), (iii), (iv); Michael's letter to, (i); concern at Barrie's extravagance over boys, (i)
Llewelyn Davies, Margaret (née Ruthven) (wife of Peter), (i)
Llewelyn Davies, Mary (mother of Arthur), (i); affection for Sylvia, (i), (ii), (iii); letters to Sylvia, (i), (ii); with Arthur, (i); death, (i)
Llewelyn Davies, Mary (née James) (wife of Nico), (i)
Llewelyn Davies, Maurice (brother of Arthur), (i), (ii)
Llewelyn Davies, Michael, (i), (ii), (iii), (iv), (v); birth, (i); with Sylvia, (i), (ii), (iii); instinctive appeal to Barrie, (i); early illnesses, (i), (ii), (iii); aged one, (i); a spectator in Boy Castaway games, (i), (ii); alleged creation of Tinker Bell, (i); Barrie's joint letter to Peter and, (i); aged four, (i); with brothers and Arthur, (i); Dives holiday, (i); at Black Lake, (i); as Allahakbarries mascot, (i); nightmares, (i), (ii), (iii); Barrie's ‘alphabet poem’ to, (i); with Nico, (i), (ii); nursery performance of Peter Pan for, (i), (ii); question of Barrie being platonically ‘in love’ with, (i); fifth birthday, (i); last page of Sylvia's birthday letter to, (i); in Peter Pan costume, (i), (ii); photographs intended as model for Peter Pan statue, (i), (ii), (iii); fishing at Fortingal, (i); fear of water and inability to swim, (i), (ii), (iii), (iv), (v); first surviving literary effort, (i); letter to Peter Pan, (i); wish for immortality, (i); Arthur's last letter to, (i); at Ramsgate, (i), (ii), (iii); elements of, in Peter Pan, (i); Barrie's notes on, (i), (ii), (iii); portrayed in Neil and Tintinnabulum, (i), (ii), (iii), (iv), (v), (vi); aged seven, (i); at Norland Place school, (i); eighth birthday, (i); entry in Barrie's Querist's Album, (i); at Wilkinson's, (i), (ii), (iii), (iv); aged nine, (i); and Sylvia's illness, (i); suspected tuberculosis, (i)n; and Sylvia's death, (i), (ii); fishing, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); adoration of Barrie, (i), (ii), (iii); their close, complex relationship, (i), (ii), (iii); devotion to Mary Hodgson, (i), (ii); ‘Record of Breaks’ at billiards, (i); at Scourie Lodge, (i), (ii); entry in Barrie's Querist's Album, (i); athletic prowess, (i); Outer Hebrides holiday, (i), (ii); aged twelve, (i), (ii); brief return to belief in fairies, (i); Barrie's concern for, (i); at Eton, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x); homesickness, (i); extreme sensibility, (i); concealed emotions, (i), (ii), (iii), (iv), (v); daily correspondence with Barrie, (i), (ii), (iii), (iv); Paris visit, (i); Auch Lodge Holiday, (i), (ii); entry in Nico's ‘Confession Book’, (i); Barrie's mixture of paternal, maternal and lover affection for, (i); only surviving letter to George, (i); ‘dark and dour and impenetrable’, (i), (ii); romantic charm, (i); wit, (i); playing clock golf, (i); brilliance, (i), (ii), (iii); essay on ‘What makes a Gentleman’, (i); friendship with Senhouse, (i), (ii), (iii), (iv), (v); at Glan Hafren, (i), (ii), (iii); with house cricket cup, (i); as ‘sternest of [Barrie's] literary critics’, (i); only surviving Eton letter to Barrie, (i); at Public Schools camp, (i); subdued by prospect of trenches, (i); first glimpse of Gerrie Gibb, (i); considers Dear Brutus ‘not so bad’, (i); in fancy dress, (i); and domestic crisis over Mary Hodgson, (i), (ii); ‘minute thoughtfulness for others’, (i); makes Barrie's flat his home, (i), (ii); in Pop at Eton, (i); Barrie's only surviving letter to, (i); in Eton O.T.C., (i); on Armistice night, (i); desire to roam before deciding on future, (i); concedes defeat and goes to Oxford, (i); at Christ Church, (i), (ii), (iii), (iv), (v), (vi); effect on contemporaries, (i); possible fleeting homosexuality, (i), (ii); Paris holiday, (i); restlessness and moodiness, (i), (ii); friendship with Buxton, (i), (ii); efforts to establish independence, (i); decision to leave Oxford for University of Paris, (i); at Eilean Shona, (i), (ii), (iii); his sonnet, (i), (ii); decision to return to Oxford, (i), (ii), (iii); reading-party in Dorset, (i), (ii); last letter to Nico, (i); drowning, (i); possible suicide, (i); effect of his death, (i), (ii), (iii); memorial to, (i); Barrie's dream about his ‘extra year’, (i); Barrie's notebook entry on, 297. Letters: from Arthur, (i), (ii); from Barrie, (i), (ii), (iii), (iv), (v); to Barrie, (i), (ii); to Mary Hodgson, (i), (ii), (iii), (iv), (v), (vi); to Eiluned Lewis, (i); from Sylvia, (i), (ii)
Llewelyn Davies, Moya (wife of Crompton), (i)
Llewelyn Davies, Nicholas (‘Nico’), (i), (ii); birth, (i); choice of name, (i); with Sylvia, (i); with Peter, (i); as Barrie's godson, (i)n; with brothers and Arthur in 1905, (i); with Michael, (i); on Barrie's feelings towards George and Michael, (i); with Michael in Egerton House garden, (i); aged three, (i); being carried to bed, (i); at Norland Place School, (i); on Jack's attitude to Barrie, (i); with chauffeur Alphonse, (i); on Barrie's innocence, (i); lugeing at Caux, (i), (ii); fury at ‘lovely boy’ compliment, (i); birthday card to Barrie, (i); aged four, (i); Sylvia's letter to, (i); and Sylvia's illness and death, (i), (ii), (iii); picture-letter to Barrie, (i); extrovert personality, (i); attitude to Barrie, (i), (ii), (iii), (iv)n; devotion to Mary Hodgson, (i), (ii); at Scourie Lodge, (i), (ii); at Wilkinson's, (i); magnetic personality, (i); entry in Barrie's Querist's Album, (i); on Barrie as ‘most wonderful of all companions’, (i); Outer Hebrides holiday, (i), (ii), (iii); and Lord Lucas's wooden leg, (i); and Barrie's baronetcy, (i); Auch Lodge holiday, (i), (ii); ‘Confession Book’, (i), (ii); enthusiasm for Chaplin, (i), (ii); letter to George, (i); and George's death, (i), (ii); delight at Rosy Rapture, (i); Scottish hoidays, (i), (ii), (iii); playing clock golf, (i); at Glan Hafren, (i), (ii); at Eton, (i), (ii), (iii), (iv), (v), (vi); Barrie's serial story for, (i); his own ‘Dynamite King’ saga, (i); Etonian letter to Eiluned Lewis, (i); Jack's favourite, (i); at Public Schools camp, (i); first glimpes of Gerrie Gibb, (i); Etonian letter to Barrie, (i); makes Barrie's flat his home, (i), (ii); in O.T.C., (i); problem of Eton friendship, (i); denies Barrie's influence as ‘unhealthy’, (i)n; Michael's last letter to, (i); and Michael's death, (i), (ii), (iii); at Oxford (i); marriage, (i); and Barrie's death, (i); Letters: to Barrie, (i), (ii), (iii), (iv), (v), (vi), (vii); from Barrie, (i), (ii), (iii), (iv)
Llewelyn Davies, Peter, (i), (ii), (iii), (iv); at Barrie's funeral, (i); suicide, (i); loathing of association with Peter Pan, (i), (ii); named after Peter Ibbetson, (i), (ii); birth, (i); Rustington holidays, (i), (ii), (iii), (iv); on Arthur's attitude to Barrie, (i), (ii), (iii), (iv), (v); with George and Jack in wheelbarrow, (i); in petticoats, (i); Isle of Wight holiday, (i); with George and Jack, (i); outside Tilford Cottage, (i); at Black Lake, on Boy Castaway adventures, (i), (ii), (iii), (iv), (v); Barrie's joint letter to Michael and, (i); on Little White Bird, (i); with Nico, (i); P.S. from Barrie, (i); with brothers and Arthur, (i); description of Peter Pan in letter to grandfather, (i); on Arthur's illness, (i), (ii), (iii); fishing at Fortingal, (i); and Arthur's death, (i), (ii); on Ramsgate beach, (i); Dolly Ponsonby letter to, (i); on Sylvia's attitude to Barrie, (i), (ii), (iii); Dhivach holiday, (i); and new house on Campden Hill, (i); at Wilkinson's, (i), (ii), (iii); New Forest holiday, (i); encounter with Highlanders, (i); Swiss holiday, (i); and Sylvia's illness, (i), (ii), (iii), (iv), (v); Postbridge holiday, (i); on Barrie's role as guardian angel, (i); Eton scholarship, (i); and Sylvia's death, (i); sceptical of her betrothal to Barrie, (i); at Eton, (i), (ii), (iii); ragged as ‘the real Peter Pan’, (i); aged twelve, (i); at Scourie Lodge, (i); and ‘water-closet’ talk, (i); burns Michael's correspondence with Barrie, (i); Paris visit, (i); on Barrie's discouragement of ‘real culture’, (i); commissioned in 60th Rifles, (i); training at Sheerness, (i), (ii), (iii); George's letter to, (i); at Chatham, (i); and George's death, (i), (ii), (iii); visit to grave, (i); at Glan Hafren, (i); invalided home after Somme, (i); mental stress, (i), (ii); as uncle Crompton's favourite, (i); affair with married woman, (i), (ii); demobilized, (i); and Michael's death, (i), (ii), (iii); engagement to Margaret Ruthven, (i); and Barrie's death, 299. Letters: from Barrie, (i), (ii), (iii), (iv); from Mary Hodgson, (i), (ii), (iii), (iv), (v), (vi), (vii); To Mary Hodgson, (i), (ii), (iii), (iv)
Llewelyn Davies, Sylvia, (i), (ii), (iii), (iv), (v), (vi), (vii); first meeting with Barrie, (i), (ii); Du Maurier family background, (i); engagement to Arthur, (i), (ii), (iii); affection for his mother, (i), (ii); her appearance, (i), (ii); work for theatrical dressmaker, (i), (ii); marriage, (i); with Arthur in 1893, (i); birth of children, (i), (ii), (iii), (iv), (v); with Arthur and George in 1893, (i); legacy from father, (i); with George and Jack in 1895, (i); with Peter in 1896, (i); with George, (i); whimsical belated wedding gift from Barrie, (i); incorporated into character of Grizel, (i); portrait by Furse, (i); Rustington holidays, (i), (ii), (iii); birthday gift from Barrie, (i); ‘Jocelyn’ as Barrie's pet name for, (i); desire for daughter, (i), (ii); with George in 1900, (i); in ‘The Greedy Dwarf’, (i), (ii); Isle of Wight holiday, (i); Tilford holiday, (i); with Peter, Jack and George, (i); at Black Lake, (i); Paris trip with Barries, (i); move to Berkhamsted, (i), (ii); Barrie's post-script sketch of her and boys, (i); at Peter Pan rehearsal, (i); less parental instinct than Arthur, (i); complex character, (i); with Michael, (i), (ii); with Barrie and boys in Dives, (i); and Arthur's illness, (i), (ii), (iii), (iv), (v), (vi), (vii); fishing at Fortingal, (i); with Jack (aged eleven), (i); anguish at Arthur's death, (i); inner life and ‘apprehensive imagination’, (i); with George at Egerton House, (i); at Dhivach Lodge, (i), (ii); her ‘Notes for a Will’, (i); hopes for the boys' future, (i), (ii), (iii); ‘special and peculiar’ attitude to Barrie, (i), (ii); buys new London home at Campden Hill Square, (i), (ii); visits to Norland Place School, (i); New Forest holiday, (i); alleged encouragement of Cannan's affair with Mary, (i); becomes unwell, (i); and collapse of Barrie's marriage, (i); fishing near Postbridge, (i); discovered to have cancer, (i); increasing weakness, (i), (ii); sketch of Nico, (i); utilizes Barrie as boys' guardian angel, (i); realizes her serious illness, (i), (ii); last days in Devon, (i); her second Will, (i), (ii); death, (i); her ‘engagement’ ring, (i); possible betrothal to Barrie, (i); desire for boys to remain together, (i); Barrie's annual reports on boys to her after her death, (i). Letters: from Barrie, (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x); from George, (i), (ii), (iii), (iv), (v), (vi), (vii)
Llewelyn Davies, Theodore (brother of Arthur), (i)
Lloyd George, David, contrasted with Churchill, (i)
Loftus, Cecilia, as Peter Pan, (i)
Loosemore, Nurse, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Lord's Eton v. Harrow match at (1912), (i), (ii), (iii)
Lowndes, Marie Belloc, on prelude to Barries' marriage, (i)
Luath (Newfoundland dog), (i), (ii), (iii), (iv); coat copied for Nana in Peter Pan, (i)
Lucas, Auberon Herbert, eighth Baron, (i), (ii); at Amhuinnsuidh, (i); Barrie's letters to, (i); death in action, (i)
Lucas, Audrey, (i), (ii); on Peter Pan, (i); at Amhuinnsuidh, (i), (ii); at Eilean Shona, (i)
Lucas, E. V., (i), (ii); and Allahakbarries, (i), (ii); at Amhuinnsuidh, (i), (ii); on Michael, (i), (ii)
Lucas, Elizabeth, (i), (ii), (iii), (iv); organizes Barrie's move to Adelphi Terrace, (i), (ii); at Amhuinnsuidh, (i), (ii); sets up Bettancourt as orphanage, (i); Barrie's letters to, (i), (ii), (iii), (iv), (v), (vi); at Eilean Shona, (i)
Lucas, Percy, (i)
Lucerne, (i); Barrie's honeymoon at, (i)
Lupino, Arthur, as Nana in Peter Pan, (i)
Lusitania, s.s., (i)
Maartens, Maarten, Barrie's letters to, (i), (ii)
McAvey, Mary, as Grizel, (i)
McCarthy, Lillah, (i), (ii), (iii), (iv)
MacDonald, George, (i)
MacDonald, Ramsay, (i)
Mackail, Clare, (i)
Mackail, Denis, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii); at ‘The Greedy Dwarf’, (i); on Nina Boucicault as Peter Pan, (i); on Barrie's and Michael's relationship, (i); in Allahakbarries, (i)
Mackay, Johnny (ghillie), (i), (ii), (iii), (iv), (v)
Macleod, Betty, (i)
McMillan, James, (i)
Macnaghten, Hugh, (i), (ii); as George's housemaster, (i), (ii), (iii), (iv), (v); as Michael's housemaster, (i), (ii), (iii), (iv), (v), (vi); as Nico's housemaster, (i), (ii)
Male and Female (film based on Admirable Crichton), (i)
Margaret, Princess, contributes two lines to The Boy David, (i)
Margaret Ogilvy (Barrie), quoted, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); mixed reception for, (i); frontispiece, (i)
Marjoribanks, Edward, (i)
Mary, Queen, (i)
Mary Rose (Barrie): ‘ghost mother’ theme, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); Mary Rose's island, (i), (ii); notes for, (i); rehearsals, (i); success of, (i)
Mason, A. E. W., (i), (ii), (iii), (iv), (v), (vi); in ‘The Greedy Dwarf’, (i), (ii); in Allahakbarries, (i); election campaigns, (i), (ii); support for Barrie after marriage break-up, (i), (ii); at Amhuinnsuidh, (i), (ii); wartime American visit, (i), (ii)
Massa Carrara, George at, (i)
Maude, Cyril, (i), (ii); as Gavin Ogilvy in Little Minister, (i)
Maude, Margery, (i)
Maude, Pamela (Mrs W. Fraser): on Barrie, (i); on ‘The Greedy Dwarf’, (i)
Medals (film version of Old Lady Shows Her Medals), (i)
Meredith, George Jnr, (i)
Meredith, Will, (i); in ‘The Greedy Dwarf’ (i); on collapse of Barrie marriage, (i); in Allahakbarries, (i)
‘Michael Pan’, title of intended sequel to Peter Pan, (i)
Millar, Charles Hoyer, (i)
Millington-Drake, Eugen (later Sir), (i)
Milne, A. A., (i)
Mitchell-Innes, Gilbert, (i)
Mitchell-Innes, Josephine, (i), (ii), (iii), (iv); courted by George, (i); Barrie's letter to, (i); unofficially engaged, (i)
Mitchell-Innes, Norma, (i), (ii)
Mons, Battle of (1914), (i)
Moore, Unity, as Peter Pan, (i)
Morecambe, (i)
Morgue (Peter's compilation of family letters and papers), (i)n; quoted, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii)
Morrell, Julian (Mrs I. Vinogradoff), (i)
Morrell, Lady Ottoline, (i)
Morrow, George, (i)
Muir, Molly, (i)
Murray, Madge (Barrie's niece), (i); in What Every Woman Knows, (i); as Mrs Darling, (i)
Murry, John Middleton, (i)
‘My Confession Book’, Nico's, (i)
‘My Ghastly Dream’ (Barrie), quoted, (i)
My Lady Nicotine (Barrie), nephew Charlie depicted in, (i)
Nares, Owen, (i)
National Observer, (i); on Little Minister, (i)
Neil and Tintinnabulum (Barrie), quoted, (i), (ii), (iii), (iv), (v), (vi), (vii); Michael portrayed in, (i), (ii), (iii), (iv), (v), (vi)
Nettleship, Mrs (dressmaker), (i), (ii)
New Word, The (Barrie), (i), (ii), (iii); quoted, (i), (ii)
New York: Barrie's plays in, (i), (ii); his 1914 visit to, (i)
New York Herald, on Barrie's 1914 visit, (i)
New York Times: on Peter's death, (i); interview with Barrie (1914), (i)
New York Tribune, on Barrie's 1914 visit, (i)
Nicholson, William, (i); portraits of Barrie, (i), (ii); designs for Peter Pan, (i), (ii), (iii)
Nicoll, W. Robertson, (i), (ii)
Norland Place School, (i), (ii), (iii)
Nottingham Journal, Barrie as leader-writer on, (i)
Octavia, H.M.S., (i)
Ogilvy, Dr David (Barrie's uncle), (i)
Ogilvy, Margaret (Barrie's mother), (i), (ii), (iii), (iv); protracted grief over David's death, (i); in 1871, (i); childhood and Auld Licht Memories, (i), (ii), (iii); and Barrie's enthusiasm for literature, (i); desire for him to become a minister, (i); blamed for his inhibitions, (i); with Barrie in 1893, (i); only surviving letter to Barrie, (i); Barrie's observations of, for introduction to Sentimental Tommy, (i), (ii); death, (i); her grave, (i); Barrie's memoir of, (i)
Old Lady Shows Her Medals, The (Barrie), (i)
Oliver, F. S., (i)
Oliver, Mrs F. S., Barrie's letter to, (i), (ii)
Osborne Naval College, Jack at, (i), (ii), (iii), (iv)
Outlook, on Peter Pan, (i)
Oxford: Michael at Christ Church, (i), (ii), (iii), (iv), (v), (vi); his drowning at Sandford Pool, (i), (ii); Nico at, (i)
Palace Theatre, Gaby Deslys at, (i)
Pall Mall Gazette, Barrie's ‘open letter’ on sister's bereavement published in, (i)
Palmer, Minnie, (i)
Pan and the Young Shepherd (Hewlett), (i)
Pantaloon (Barrie), (i)
Paris, (i), (ii), (iii), (iv); Barrie's visit with Frohman, (i); Peter Pan in, (i), (ii); Davies boys in, (i); Michael's desire to lead Bohemian life in, (i), (ii); his visits to, (i), (ii)
Parke, Tessie, as Baby Mermaid in Peter Pan, (i)
Parry, Dolly (later Ponsonby, q.v.), (i), (ii), (iii), (iv), (v)
Partridge, Bernard, (i); in Allahakbarries, (i); illustration for Tommy and Grizel, (i)
Peter Ibbetson (Du Maurier), (i), (ii), (iii), (iv)
Peter Pan (Barrie), (i), (ii); quoted, (i), (ii), (iii), (iv), (v); Dedication to, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii); genesis in schoolboy pirate crew, (i); anticipated in Boy Castaways, (i); ‘creation’ of Tinker Bell, (i); notes for, (i), (ii); ‘boy who can't grow up’ theme, (i); work begun on, (i); original titles for, (i), (ii), (iii), (iv); opening page of, (i); writing of, (i); Davies boys' contribution to, (i), (ii), (iii), (iv), (v); quintessence of Barrie in, (i); negotiations for production of, (i); massive stage requirements, (i); notebook entry for, (i); Frohman's acceptance of, (i); Peter as a girl's role, (i), (ii); secrecy of rehearsals, (i); designs for, (i); flying system, (i); rumours concerning, (i); rehearsal mishaps and revisions, (i); Nina Boucicault's 1904 script, (i), (ii); first night, (i); programmes of, (i), (ii); success, (i); Peter as ‘tragic boy’, (i); confused emotional response to him, (i); revivals, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi); effect on Michael, (i); incorporation of Black Lake into new Act III, (i), (ii); American success, (i); performance in Michael's nursery, (i), (ii); Barrie's only ‘professional’ performance, (i); idea of statue of Peter Pan, (i), (ii); in Dublin, (i); earnings from, (i); idea for sequel to, (i); sole performance of ‘Afterthought’ showing Wendy as old married woman, (i); Barrie's solitary author's call at, (i); in Paris, (i), (ii); Peter's loathing of association with, (i); Peter Pan statue in Kensington Gardens, (i); measuring of Lost Boys actors, (i); ‘true meaning’ of, (i)
Peter Pan in Kensington Gardens (Barrie), (i); Rackham illustrations, (i), (ii), (iii), (iv), (v); origins of, (i), (ii); publication of, (i)
‘Peter and Wendy’, original title of Peter Pan, (i), (ii)
Peter and Wendy (Barrie), quoted, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii); Bedford illustrations, (i), (ii); elements of Michael in Peter Pan, (i); writing of, (i), (ii)
‘Peterkin: A Marvel of Nature’ (Barrie), quoted, (i)
Pickford, Mary, (i)
Pinero, Arthur Wing, (i)
‘Pippa, The, and Porthos’ (Barrie), (i), (ii)
Ponsonby, Arthur (later Baron Ponsonby), (i), (ii), (iii)
Ponsonby, Dolly (later Lady Ponsonby) (née Parry, q.v.), (i); Sylvia's letters to, (i), (ii), (iii); diary records of Davies family, (i), (ii), (iii), (iv), (v), (vi), (vii); on Arthur's illness, (i), (ii), (iii), (iv); on Sylvia's devotion, (i), (ii), (iii); on Barrie, (i), (ii); and Sylvia's illness, (i); on Barrie's indulgence of boys, (i)
Porthos (St Bernard dog), (i), (ii), (iii), (iv); featured in ‘The Pippa and Porthos’, (i); in Kensington Gardens, (i), (ii), (iii), (iv); in ‘The Greedy Dwarf’, (i); in The Boy Castaways, (i), (ii), (iii); death of, (i), (ii)
Postbridge (Devon), Davies holiday at, (i), (ii)
Potter, Paul, (i)
‘Pretty Boys’ (Barrie), (i)
Professor's Love Story, The (Barrie), ideas for, (i), (ii)
Punch, Du Maurier cartoons in, (i)
Punch (Barrie), (i)
Quality Street (Barrie), (i); American production, (i); London production, (i)
Quartermaine, Leon, (i)
Querist's Album: Barrie's 1877 entry, (i); Michael's entry, (i); four entries in, (i)
Quiller-Couch, Arthur, (i); Barrie's letters to, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Quiller-Couch, Bevil (‘the Pippa’), (i), (ii), (iii); ‘my favourite boy in the wide, wide world’, (i); exploits photographed for ‘The Pippa and Porthos’, (i)
Rackham, Arthur: illustrations for Peter Pan in Kensington Gardens, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Ramsgate, Davies boys at, (i), (ii), (iii), (iv), (v)
‘Rekollekshuns of a Skoolmaster’, Barrie's contribution to school magazine, (i)
Rendel, Dr, (i), (ii), (iii), (iv)
Richard Savage (Barrie and Watson), (i), (ii)
Richmond, Sir William Blake, portrait of Mary Crompton (later Llewelyn Davies), (i)
Roberts, Lord, (i)
‘Rooks begin to Build, The’ (Barrie), (i)
‘Room with 2 Beds, The’, Barrie's serial story for Nico, (i), (ii), (iii)
Roosevelt, Theodore, (i)
Rosemary (Parker and Carson), (i)
Rosy Rapture, or The Pride of the Beauty Chorus (Barrie): revue written for Gaby Deslys, (i), (ii); rehearsals, (i); failure, (i)
Royal Academy of Dramatic Art, (i)
Russell, Bertrand, (i)
Rustington (Sussex), Davies holidays at, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Ruthven, Margaret (Mrs Peter Llewelyn Davies), (i)
St Andrews University: Barrie's honorary degree from, (i); Barrie's address on Courage at, (i), (ii), (iii), (iv), (v); Barrie elected Rector of, (i), (ii)
St Eloi, George's death in action near, (i)
St James's Gazette: ‘Auld Licht’ articles published in, (i), (ii); and Barrie's other work, (i)
Saturday Review, (i)
Savoy Theatre, Cinema Supper at, (i), (ii)
Scotsman, The, (i)
Scott, Kathleen (née Bruce, later Lady Kennet), (i), (ii); courted by Cannan and Scott, (i); marriage to Scott, (i); Barrie's letters to, (i), (ii), (iii); reluctance for Barrie to become son's guardian, (i), (ii)
Scott, Peter (now Sir): as Barrie's godson, (i), (ii), (iii), (iv); question of his guardianship, (i), (ii); Barrie's letters to, (i), (ii), (iii); at Peter Pan, (i); painting of Barrie in ingle-nook, (i)
Scott, Captain Robert Falcon, (i), (ii), (iii); Barrie's letter to, (i); at Dhivach, (i), (ii); marriage to Kathleen Bruce, (i), (ii); ill-fated Antarctic expedition, (i), (ii); coolness with Barrie, (i), (ii); his Message to the Public, (i); last letter to Barrie, (i); as variation of Peter Pan theme, (i)
Scourie Lodge (Sutherland), holiday at, (i)
Senhouse, Roger: obsession with Michael, (i); renewed friendship with Michael, (i), (ii), (iii), (iv); at Eilean Shona, (i), (ii); effect of Michael's death, (i)
Sentimental Tommy (Barrie), (i); quoted, (i), (ii); origin and writing of, (i), (ii); notebook entry for, (i); introduction about Margaret Ogilvy, (i), (ii); Margaret Henley's brief appearance in, (i); sequel to, (i); film version, (i)
‘Sentimentalist, The’ (later Sentimental Tommy), notes for, (i), (ii)
Serpentine, (i), (ii); Peter Pan and, (i); Bird Island, (i)
Shall We Join the Ladies? (Barrie), murder play written for Michael, (i), (ii)
Shaw, Bernard, (i), (ii); on Frohman, (i); on Peter Pan, (i); satirized in one-act Punch, (i)
Shaw, James W., as model for Peter Pan statue, (i)
Sheerness, (i); George and Peter training at, (i), (ii), (iii)
Shelton, George, as Smee in Peter Pan, (i), (ii), (iii)
Shields, Sir Douglas, (i)
Shropshire Lad, A (Housman), (i), (ii)
Sketch, interview with Mary Ansell, (i)
Somme, Battle of (1916), (i), (ii)
‘Souvenir of Thrums’ picture postcard, (i)
Stevenson, Robert Louis, (i)
Strachey, Lytton, (i), (ii), (iii)
Sutherland, Millicent, Duchess of: Barrie's flirtation with, (i), (ii), (iii); letters to, (i), (ii), (iii); at Scourie Lodge, (i)
Swanson, Gloria, in Male and Female, (i)
Tag, Der (Barrie), (i), (ii), (iii); quoted, (i)
Talbot, Evan, (i)
Tempest, Marie, (i)
Tennyson, Aubrey, account of George's death, (i)
Tennyson, Charles, in Allahakbarries, (i), (ii)
Terriss, Ellaline, (i); in Bluebell in Fairyland, (i), (ii); as Phoebe in Quality Street, (i)
Terry, Ellen, (i), (ii); in Alice Sit-by-the-Fire, (i), (ii)
Thorndike, Sybil, (i)
‘Thrums’: pseudonym for Kirriemuir, (i), (ii); picture postcard of, (i)
Tilford (Surrey), Davies holiday cottage at, (i), (ii)
Tillington (Sussex), (i), (ii)
Times, The, (i); on Barrie's ‘cruelty’, (i); on Walker, London, (i); on Little White Bird, (i); on Little Mary, (i); Barrie's obituary of Addison Bright in, (i); Scott appeal in, (i)
Titheradge, Madge, (i); as Peter Pan, (i)
Tommy and Grizel (Barrie), quoted, (i), (ii), (iii), (iv), (v), (vi); self-analysis in, (i), (ii), (iii), (iv), (v); writing of, (i), (ii); Partridge illustration for, (i); ‘lost boy’ theme, (i); ‘Wandering Child’ story in, (i), (ii); poor reception, (i); and seeking of childhood haunts, (i)
Toole, J. L., (i)
Tree, Herbert Beerbohm, (i); poor opinion of ‘Peter and Wendy’, (i), (ii)
Tree, Lady, (i)
Trevelyan, Hilda, (i), (ii), (iii), (iv), (v); as Wendy, (i), (ii), (iii); in What Every Woman Knows, (i)
Trilby (Du Maurier), (i), (ii), (iii)
Turley Smith, Charles, (i); in Allahakbarries, (i); Barrie's letters to, (i), (ii), (iii), (iv), (v)
Twain, Mark, on Peter Pan, (i)
Twelve-Pound Look, The (Barrie), quoted, (i); self-portrayal in, (i)
Van Thal, Herbert, on Peter's death, (i)
Vanbrugh, Irene, (i), (ii); in Ibsen's Ghost, (i); in Walker, London, (i); in Admirable Crichton, (i)
Vanbrugh, Violet, (i)
Vaudeville Theatre (London): Bluebell in Fairyland at, (i), (ii); Quality Street at, (i); (Paris) Peter Pan at, (i)
Vedrenne, J. E., (i)
Voormezeele, George's grave at, (i), (ii)
Voshimid, Loch (Outer Hebrides), Mary Rose's island on, (i), (ii)
Walbrook, H. M., on Admirable Crichton, (i)
Walker, London (Barrie), (i), (ii); Mary Ansell's success in, (i), (ii)
Walkley, A. B.: on Admirable Crichton, (i); on Peter Pan, (i); on Dear Brutus, (i)
Wallasey High School for Girls, Barrie's speech to, (i)
Waste (Granville-Barker), (i)
Watson, H. B. Marriott, (i)
Wedding Guest, The (Barrie), (i); quoted, (i); unfavourable reception, (i)
Well-Remembered Voice, A (Barrie), quoted, (i); inspired by George, (i); father-son relationship in, (i)
Wells, H. G., (i), (ii), (iii); supports Mary over divorce, (i); postscript doodle, (i); Mary's letter to, (i)
What Every Woman Knows (Barrie), quoted, (i); material for, (i), (ii), (iii); writing of, (i); rehearsals, (i); success of, (i); Barrie's lukewarm opinion of, (i)
‘What makes a Gentleman’, Michael's essay on, (i)
When a Man's Single (Barrie), quoted, (i)
Wilhelm II, Kaiser, (i); chief figure in Der Tag, (i)
Wilkinson, Mr (schoolmaster), (i); precursor of Captain Hook, (i); portrayed as Pilkington in Little White Bird, (i), (ii), (iii)
Wilkinson's preparatory school: George at, (i), (ii), (iii); Peter at, (i), (ii), (iii); Michael at, (i), (ii), (iii); Nico at, (i)
Will, The (Barrie) (formerly ‘The Accursed Thing’), (i); theme of vice as disease, (i), (ii), (iii); George remark used in, (i)n
Window in Thrums, A (Barrie), (i), (ii), (iii)
Wodehouse, P. G., (i)
Women's Co-operative Guild, (i)
Woodward, Nurse, (i)
Woolf, Virginia, (i)
Wrest Park (Beds), (i), (ii), (iii), (iv)
Wrigley, T., (i)
Wyndham's Theatre, Little Mary at, (i)
Yeats, W. B., (i)
York, Frederick, Duke of, (i)
‘Have I been too cunning, or have you seen through me all the time? Have you discovered that I was really pitying the boy who was so fond of boyhood that he could not with years become a man?’
Tommy and Grizel