| List of Figures |
| Acknowledgements |
| Notes on Contributors |
| Introduction |
PART I
Conceptual Cartographies |
| 1 | On the Zoopolitics of the Voice and the Distinction Between Nature and Culture |
| Ana María Ochoa |
| 2 | The Aesthetic Subject and the Politics of Speculative Labor |
| Marina Vishmidt |
| 3 | Art and the Politics of Time-as-Substance |
| John Roberts |
| 4 | The Choreopolitical: Agency in the Age of Control |
| André Lepecki |
| 5 | Thinking Contradictory Thoughts: On the Convergence of Aesthetic and Social Factors in Recent Sociologies of Art |
| Eduardo de la Fuente |
| 6 | Becoming Revolutionary: On Russian Suprematism |
| Boris Groys |
| 7 | Failure Over Utopia |
| Lisa Le Feuvre |
| 8 | What Did You Hear? Another Ten Theses on Militant Sound Investigation |
| Ultra-red |
PART II
Institutional Materialities |
| 9 | Institutional Critique Redux |
| Critical Art Ensemble |
| 10 | Social Turns: In Theory and Across the Arts |
| Shannon Jackson |
| 11 | The Politics of Contemporary Curating: A Network Perspective |
| Joasia Krysa |
| 12 | Perverse Joy: The Paradoxes of Censorship |
| Svetlana Mintcheva |
| 13 | Art Is Garbage |
| Toby Miller |
| 14 | Grass Stage's Theater of Precarity in Shanghai |
| Mark Driscoll |
| 15 | Evangelicalism and the Gay Movement in Singapore: Witnessing and Confessing Through Masks |
| Keng Sen Ong |
| 16 | A Transformative Initiative for Achieving Cultural Equity: Community Arts University Without Walls |
| Marta Moreno Vega |
| 17 | Hapticality in the Undercommons |
| Stefano Harney |
PART III
Modalities of Practice |
| 18 | Charming for the Revolution: Pussy and Other Riots |
| Jack Halberstam |
| 19 | The Yes Men |
| Jacques Servin |
| 20 | 16 Notes on Collectivism and Dark Matter |
| Gregory Sholette |
| 21 | Some Notes about Art, Code, and Politics under Cloudy Empire(s) |
| Ricardo Dominguez |
| 22 | The Aesthetics of Algorithmic Experience |
| Ned Rossiter and Soenke Zehle |
| 23 | Computational Aesthetics in the Practices of Art as Politics |
| Patricia Ticiento Clough |
| 24 | Toward Participatory Aesthetics: An Interview with Claire Bishop |
| Claire Bishop with David Riff and Ekaterina Degot |
| 25 | The Politics of Popular Art in India |
| Swati Chattopadhyay |
PART IV
Making Publics |
| 26 | Living Politics: The Zapatistas Celebrate their Twentieth Anniversary |
| Diana Taylor |
| 27 | Carnival, Radical Humor, and Media Politics |
| Robert Stam |
| 28 | Dynamic Encounters and the Benjaminian Aura: Reflections on the New Media, Next Media, and Connectivity |
| Wafaa Bilal |
| 29 | Seeking a Theater of Liberation |
| Dudley Cocke |
| 30 | By Any Means Necessary |
| Jan Cohen-Cruz |
| 31 | If You Really Care about Change, Why Devote Your Life to Arts and Culture? Reflections of a Cultural Organizer |
| Caron Atlas |
| 32 | Pedagogies in the Oakland Projects |
| Suzanne Lacy |
| Index |