EXT.—LONG SHOT—DAY
A white Cadillac convertible, top down, rolls slowly to a fortified border crossing on a country road: guard tower, machine guns, tank traps, sandbags topped with concertina wire. Armed sentries man the gate. As the Cadillac stops, a SOLDIER steps to driver’s side. SPENCER is driving, AMBERLEA (Amy Faris?) in front passenger seat, GLORIA LORRAINE (Betty White) in backseat with MISTER BONES on lap.
EXT.—WIDE SHOT LOOKING UP TO SOLDIER FROM SPENCER’S P.O.V.—DAY
SOLDIER
snapping fingers twice)
Papers. Passports.
EXT.—WIDE SHOT INTO CAR FROM OVER SOLDIER’S SHOULDER—DAY
SPENCER
(handing over everyone’s papers)
You keep good time.
AMBERLEA
(stroking the back of Spencer’s neck)
Must be all that marching.
INT.—GUARD HOUSE
A JUNIOR OFFICER watches through binoculars as the GUARD at the car reads the documents. He lowers binoculars and picks up a telephone.
EXT.—WIDE SHOT INTO CAR FROM OVER SOLDIER’S SHOULDER—DAY
GLORIA LORRAINE
(glaring at soldier)
How much longer is this going to take? If I don’t get a Dependable soon I’m going to need to use your helmet.
EXT.—WIDE SHOT LOOKING UP TO SOLDIER FROM CAR—DAY
SOLDIER ignores comment and continues to read.
INT.—GUARD HOUSE—WIDE SHOT
A bald SENIOR OFFICER wearing a monocle strides in. JUNIOR OFFICER hands him the binoculars. He looks through them at camera.
EXT.—ZOOM TO CAR LICENSE, FRAMED BY BINOCULAR LENSES—DAY
PAN UP TO TIGHT FOCUS ON BULLET HOLE IN WIND-SHIELD
INT.—CLOSE-UP, SENIOR OFFICER’S FACE
SENIOR OFFICER
(lowering binoculars)
Good. Let them through. But follow them. And, Kurt, do it discreetly.