At Chartres
It’s more than a place to shelter from the rain
While listening to a sermon about forgiveness.
No need of a grand building of stone for that,
Of fluted pillars rising more than a hundred feet
To a vaulted ceiling. No need of windows
That instead of providing a view of the town
And the farms beyond, the barns and orchards,
Display in colored glass the faces of saints and angels.
Here is a church that offers its congregation
Not merely talk of the New Jerusalem
But an actual portal or anteroom.
Here is a chance for believers to feel
Something akin to the awe that’s waiting
Once they pass through to the other side.
But if there’s no gate that the church can open,
No Jerusalem beyond the gate, only oblivion,
Does that mean a cathedral has to be visited
As a castle nobody lives in now is visited
By students of life in the Middle Ages?
Does it mean its purpose should be reconceived
As an abandoned mill might be reconceived
To serve as affordable housing or as a clinic
Or a civic center? Wouldn’t that be boorish,
Like using a painting as a piece of canvas
To patch a chair with, like using
A marble statue as a coatrack?
So what’s the alternative that requires
No alterations, that welcomes the solemn feelings
Summoned by this cavernous vaulted space?
Can I imagine a congregation of urban planners
From around the world filling the pews
On weekends to muse on the possibility
Of building the New Jerusalem on earth,
An earth made green again, as Blake imagines?
Can I see Chartres as the headquarters of a practical
Pilot program for asking what features
Would any design for a city want to include
So would-be residents could live in harmony?
Even if I assume that each participant
Will be filled with the awe that Chartres
Often induces, free for the moment
Of the pride that insists on domineering,
It’s hard for me to believe that their joy
Of fellowship in a single enterprise
Will succeed in bridging their differences,
However sincere their attempts at compromise.
Still, if they need a miracle to keep talking,
It needn’t be a grand one. A small one might do.
One of the planners might claim to hear the walls
Of the church speaking to him directly,
Assuring him that long ago their design,
Like the design being debated now,
Was only a sketch on paper,
Subject to last-minute changes and long delays
That caused the masons and carpenters
Who’d said they were ready to start at once
To begin to lose interest and drift away.
And then another planner may claim that the walls
Have prophesied to her in a dream
That however late in the day the laborers
In the New Jerusalem take up their tasks,
They won’t be too late to contribute something
Before passing the task along
To those who are waiting to move it forward,
Glad that the project has no end.