11 Gambits: Marshall and Abrahams

This chapter deals with a couple of sharp variations which fall somewhere between the Slav and the Semi-Slav; Black plays...e6 and ...c6, but delays...f6. This may be intended simply as a clever move order to reach the Semi-Slav while avoiding some unpleasant exchange variations, but Black may also choose to give the move-order independent significance after 4 f3 by capturing on c4 (the Abrahams). Instead White may take the bull by the horns with the immediate central thrust 4 e4. These lines constitute our subject-matter here.

Marshall’s Gambit

Since Black has delayed developing his king’s knight (to prevent the pin with g5), it is logical for White to exploit Black’s lack of control over e4 with Marshall’s sharp pawn sacrifice. If these positions are not to your taste, we can recommend 4 f3, leading to the Abrahams/Noteboom (4...dxc4) or the Semi-Slav proper (4...f6).

Game 25

Lautier – M.Gurevich

Biel IZ 1993

1 d4 d5 2 c4 e6 3 c3

3

...

c6

4

e4 (D)

 

Illustration

4

...

dxe4

If Black doesn’t want to go into the complications following White’s pawn sacrifice, he could try 4...b4!?. This move is very rarely played but there doesn’t seem to be a simple way for White to gain a substantial advantage:

a) 5 exd5 cxd5 6 f3 f6 is the Caro-Kann, Panov Attack, and not dealt with in this book.

b) 5 e5 e7 is possible. Then 6 a3 xc3+ 7 bxc3 b6 8 cxd5?! (8 f3) 8...xd5 9 f3 c5 gave Black a good game in Borisenko-Korchnoi, Moscow 1955, but 6 f3 looks better.

5

xe4

b4+

a) 5...f6 6 xf6+ xf6 7 f3 h6 (7...b4+ 8 d2 xd2+ 9 xd2 ) 8 d2 d8 9 c3 e7 10 d3 with better prospects for White; Reindermann-Hartmans, Purmerend 1993.

b) 5...d7 6 f3 gf6 7 d3 xe4 8 xe4 b4+ 9 d2 a5 10 0-0 xd2 11 xd2 0-0 12 c2 Vaiser-Dejkalo, Tallinn 1986.

6

d2

 

This move constitutes the gambit itself, though by this point White has little option if he wishes to make anything of the opening, since 6 c3 c5 (or 6...e5!?) 7 f3 f6 8 e2 c6 promises White nothing.

6

...

xd4

7

xb4

xe4+ (D)

Illustration

The key position. White’s compensation is based on his lead in development, his bishop pair and Black’s sensitive dark squares.

8

e2

 

White’s first major decision is between the text, which invites Black to grab another pawn on g2, and 8 e2 which holds on to this pawn but delays White’s natural development. It is not obvious which of these moves is better; the main game certainly shows the advantages of the bishop move, but there are some unanswered questions, while the knight move may have been underestimated.

a) 8...d7 9 d6 c5 (9...a5!? 10 a3 e5 {10...c5!? Stoica} 11 d2 gf6 was played in Hauchard-Dorfman, Brussels Z 1993, whereupon 12 f4 would have been far more testing than 12 0-0-0?! e4) 10 c3 gf6 11 0-0-0 e5 (11...c6 12 g3 g8 13 f3 e7 14 f4 b6 15 d3 a6 16 e5 xe5 17 xe5 ad8 18 e2 a4 19 b1 d5 20 b3 a5 21 b2! ± G.Georgadze-Matlak, Naleczow 1989) 12 g3 c6 13 xe5 ± G.Georgadze-Maliutin, USSR 1991.

b) 8...a6 9 f8! (a striking move, characteristic of Marshall’s Gambit) 9...e7 (9...g6 10 d2 f6 11 d6 e7 12 0-0-0 0-0 13 c3 d8 14 d3 g615 e4 d4 16 g5 with better prospects for White; Terpugov-Smyslov, Leningrad 1949) 10 xg7 b4 (10...g8 11 f6 g6 12 d4 is better for White) 11 xh8 e5 12 d6 c2+ 13 d2 f5 14 d1! (14 g3 f4+ 15 c3 d5+! 16 cxd5 d4+ 17 b3 xa1+ 18 a3 c2+ 19 b3 a1+ ½-½ Gomez Esteban-Illescas, Lisbon Z 1993) 14...d8 15 xd8+ xd8 16 c1+ (16 g3? f4+ 17 c3+ d5+! 18 b3 d4+ 19 xd4 xd4 20 cxd5 d3! –+ Berg-Hector, Århus 1993) 16...e8 17 c3 f4+ 18 d2 (Illescas). The position is still highly unclear but White’s prospects should be preferred.

c) 8...e7 9 d2! (Georgadze’s move) 9...c5 10 0-0-0 0-0 11 xc5 bc6 (11...xc4+ 12 c3 xc3+ 13 xc3 bc6 14 b5 +−) 12 d4 xd4 13 xe7 e5 14 xf8 xf8 15 f3 c6 16 d3 + G.Georgadze-Cruz Lopez, San Sebastian 1991.

8

...

a6

Black has various other moves:

a) 8...xg2 9 d6 d7 (9...c5 10 d1! +– Wells) 10 0-0-0 xf2 (10...g5+ 11 f4 e7 12d2c5 13 c3 gf6 14 f3 0-0 15 g2 b8 16 e2 followed by a kingside attack gave White the better chances in Furman-Kopaev, USSR 1949) 11 h5 e3+ 12 b1 e5 13 xf7+ xf7 14 f1+ gf6 15 e7+ g8 and now 16 f3! wins, despite White being a piece and two pawns down, e.g. 16...f5+ 17 a1 g6 18 hg1 f7 19 xg7+! xg7 (or 19...xg7 20 g1+) 20 xe6+ f7 21 g1 + mating.

b) 8...c5:

b1) 9 c3 e7 10 f3 (an attempt to revive a line considered dubious; its one recent outing was a resounding success) 10...0-0 11 0-0 f6 12 d3 f4 13 e1 bc6 14 d2 d8 15 e4 f5 16 g3 c7 (16...xd3? 17 h5 +−; 16...xe4! is more testing) 17 g5 e5 18 h5 h6 19 f7+ h8 20 f3 (20 h4) 20...d5 21 g5 de7 (offering a repetition; 21...hxg5 22 h5+ g8 23 cxd5 d4) 22 h4! hxg5 23 hxg5 e6 (23...f4 24 g2 f3+ 25 xf3 is good for White, since 25...h3+ 26 xh3 d7+ 27 g2 xd3 is met by 28 f7 +−) 24 xe6 d4 25 xd4 xd4 26 xf5 +– I.Sokolov-San Segundo, Madrid 1994.

b2) 9xc5 xg2 and now:

b21) 10 d4 d7 (10...c6 11 d6 ge7 12 0-0-0 is good for White; 10...xh1? fails to 11 xg7 d7 12 d6) 11 0-0-0! g5+ 12 f4 f6 13 f3 xd4 (13...xc5 14 xc5 xf4+ 15 d2 f6 16 hg1 d7 17 a3 e5 18 f3 c5 19 xg7! ± Yuferov-Moroz, Mikolaiki 1991) 14 xd4 f6 15 hg1 f7 16 d2 e7 17 e4 f5 18 c3 was good for White in Vera-Semkov, Rome 1990.

b22) 10 f3 g5 11 d6 e7 12 e2:

b221) 12...bc6 13 g1 f6 14 c3 f5 (14...d4! 15 e4 df5 16 a3 gives White compensation – Spraggett) 15 xc6+ bxc6 16 e4 d8 17 d2 and with the black king stuck in the centre White enjoys a clear advantage; Spraggett-Majorovas, Cannes 1992.

b222) 12...f5 13 a3 c6 14 xc6+ bxc6 15 g1 d8 16 xd8+ xd8 17 0-0-0+ c7 18 g3 ±.

c) 8...d7 9 d6 (9 f3 c5 {9...b6!?} 10 c3 e7 11 0-0!? Crouch-Wells, Dublin Z 1993) 9...c5 (for 9...xg2 10 0-0-0, see line ‘a’) 10 c3!? (after 10 xc5 xg2 11 f3 g5 12 e3 a5+ 13 b4 e5 14 xe5 xe5 15 e2 the pair of bishops gives White some compensation for the sacrificed pawn) 10...e7 11 d2 0-0 12 0-0-0 g6 13 h3!? xg2 14 e3 e5 15 hg1 c6 16 f4! exf4 17 xf4 f6 18 f3 a6 19 d5 xd5 20 xd5 d7 21 h4 ae8 22 xc5. White has a clear advantage but A.Sokolov-Bagirov, Riga 1993 now came to a very sudden end after 22...xa2? 23 xg6! 1-0. 23...hxg6 is answered with 24 d4.

d) 8...e7 9 d2 (9 f3 d5! 10 a3 f4 11 0-0 xe2+ 12 h1 « Borisenko-Kalikstein, Uzbekistan Ch 1992) 9...g6 10 h3!? (10 0-0-0 f4) 10...c5 11 0-0-0 (11 g5 f4 {11...d4!} 12 xc5 xd2+ 13 xd2 ±) 11...d7 12 g5 f4 13 c3 xd2+ 14 xd2 0-0 15 hd1 with a good game for White.

Illustration

9

c3

 

9 d6 b6 (9...e5 10 b3 f6 11 g3! ± Yudovich) 10 f3 b7 11 0-0 0-0-0 (11...d8 I.Sokolov) 12 e5 f5 13 g4 f6 14 f3 e7 15 xe7 xe7 16 a4 c7 17 xc6 xc6 18 xa6+ b8 = Verduga-Vera, Havana 1986.

9

...

e7

Black has some alternatives here but they all seem to give White an edge:

a) 9...f6 10 f3 d7 11 0-0 0-0-0 12 d3 g4 13 c2 f4 14 b4 c5 15 b5 b4 16 xb4 cxb4 17 fe1 ± I.Sokolov-Akopian, Groningen 1991.

b) 9...e5 10 d6 e7 11 d1 e6 12 f3 f5 13 xe5 xe5 14 xe5 f6 15 c3 c5 16 g4 e7 17 g5 f7 18 gxf6 gxf6 19 h4 Semkov-Spassov, Sofia 1991.

c) 9...f6 10 d6 d7 11 0-0-0 0-0-0 12 g3 g6 13 e3 b6 14 h3 h6 15 f4 e7 16 g4 e5 17 d2 c5 18 a3 e4 19 f2 Bronstein-Szily, Budapest 1949.

10

xg7!

 

10 f3 0-0 11 0-0 g6 12 e1 f4 (12...f6!?) 13 b4 f6 14 c1 c7 15 b5 b8 16 b3 f4 17 f1 e5 18 d2 e6 19 b1 with some compensation; Antonsen-Votruba, Tåstrup 1992.

10

...

g8

11

f6!

 

This is far better than 11 c3?, although Black must play precisely to highlight the shortcomings of this move: 11...d5!! 12cxd5 xg2 13 dxe6 (the careless 13 f3? runs into 13...xg1+!) 13...xe6 14 f6 g6! 15h4 xh1 16 d6 g5!! (Razmoglin) and Black refutes the attack.

11

...

f4

11...g6 12 c3 (12 xe7 xe7 13 d2 e5 14 d1 e6 15 f3 d4 16 xd4 exd4 17 f2 d8 = Vaiser-Savchenko, Moscow Tal mem 1992) 12...d5 13 cxd5 xg2 14 d4! ±.

12

c3!

 

Keeping the dark-squared bishop certainly makes sense, but 12 xe7 is also possible: 12...xe7 13 g3 e5 (Wells later preferred 13...f6) 14 b1! d7 15 f3 a5+ 16 f1 h5 17 d3 ad8 18 d1 c8 19 e3 h3+ 20 e1 xd1+ 21 xd1 d8+ 22 d3 f5 23 e2 g4 24 c1 and White, with the better pawn formation, keeps a small edge; Flear-Wells, London Lloyds Bank 1993.

12

...

xg2

13

13 (D)

 

Illustration

This seems to be the critical position.

13

...

f6

After the game the players analysed a number of other moves for Black:

a) 13...c5 14 e5 h6 15 d4 b6 16 d1 b7 17 f6! with the idea of b4 +–.

b) 13...f5 14 e5 h6 15 d2! g8 (15...xd2+ 16 xd2 threatens 17 g3 and 16...g6 17 e4 is also better for White) 16 f4 f8 17 0-0-0 e7 18 hg1 +−.

c) 13...d7 14 e5 h6 15 g3 f5 16 d2! +–.

These three examples show how important the move e5 is, so this leaves us with only:

d) 13...g6 leaves the rook in trouble on g2 after 14 f1!:

d1) 14...e5 (a tactical method which wins the queen but gives up too many pieces) 15 xg2 h3+ 16 xh3 f5+ 17 g2 f4+ 18 f1 h3+ 19 e1 g2+ 20 d2 d8+ 21 c2 xd1 22 axd1 +−.

d2) 14...h4 15 e5 (this manoeuvre again!) 15...f5 16 g3 h3 17 e1! and the rook is trapped (but 17 g5? would be very careless because of 17...g1++! 18 xg1 g2#!)

d3) 14...g4 15 h3 +−.

14

d2!

 

An extremely powerful move. 14 d3 is another possibility, but by exchanging queens White robs Black of his most important defensive piece.

14

...

xd2+

15

xd2

e5

16

e4

f7

17

dl

 

There’s no point winning an exchange with 17 g3 since Black obtains significant counterplay after 17...g6 18 f3 h4 19 xg2 xg2+ 20 e2 f4+. White should not cash in his compensation so cheaply.

17

...

g8?!

This plausible move is probably a mistake, since after White’s next move Black is pretty much lost. In view of this Black should have tried 17...c7 but after 18 h5+ White wins the exchange under more favourable circumstances than on move 17, e.g. 18...g6 19 f3 h4 20 xg2 xg2+ 21 e2 f4+ 22 f3±.

18

f4! (D)

 

Illustration

18

...

g6

19

d6

e7

19...e6 runs into 20 f5!.

20

xf6

xf4

20...exf4 is well answered by 21 h4!.

21

xe5

xe2

22

d6+

e8

23

xe2

h3

Black could gain a tempo with 23...g4+ but that would give some problems on the g-file, e.g. 24 e3 d8 25 g1.

24

h6

g4+

24...g2 25 g1 f3+ doesn’t help since 26 xf3 xg1 27 xh7 is decisive.

25

e3

f5

26

f6+

f7

27

xg8

xg8

28

f4!

 

With an extra exchange White had no difficulties in winning the game: 28...g6 29 e1 d8 30 e7+ f6 31 c5 b4 32 exh7 d5+ 33 f3 e8 34 h4 e3+ 35 f2 f5 36 g7 e6 37 h5 1-0.

Abrahams/Noteboom Variation

This variation, developed first by Gerald Abrahams in Britain, and later by Noteboom in the Netherlands, is one of the more violent lines in the Queen’s Gambit. On move four Black grabs a ‘hot’ pawn, and imparts a great deal of imbalance into the position.

White can certainly win his pawn back, and gain a central preponderance, but Black’s queenside pawns and active pieces keep matters double-edged.

In this section we shall discuss some of the more interesting deviations from the main line, and some gambit approaches for White in the early stages.

Game 26

Aseev – Tregubov

Sochi 1993

1 d4 d5 2 c4 e6 3 c3 c6

4

f3

dxc4 (D)

5

a4

 

Those who are desperate for a sharp and messy position may wish to investigate 5 e4 b5 6 g5. Then 6...f6 is the Botvinnik Variation of the Semi-Slav (when 7 a4 stays inside the scope of this book), whilst 6...f6 leads into uncharted territory, in which Black’s pawn weaknesses and White’s central preponderance ought to provide compensation. Gaprindashvili-Bagirov, Ter Apel 1990 saw instead 6...b6 7 a4 d7 8 e2 gf6 9 axb5 cxb5 10 d5! b4 (10...exd5 11 exd5) 11 e3 c5 12 0-0 0-0 13 a2 a5 14 d4! cxe4 (Ftačnik analysed 14...exd5 15 b4 cxb3 16 xb3 fxe4 17 xc5 xc5 18 c2 +− and 14...fxe4 15 b4 cxb3 16 xb3 c7 17 xc5 xc5 18 c1 b6 19 d6 +−) 15 xe6 d6 16 xf8 c7 17 g3 xf8 18 f3 h3 19 e1 a5 (19...d8 20 xe4 xe4 21 xa7 ±) 20 d4 c5 21 c3 d3 (21...b8!?) 22 xb5! xe1 23 xe1 e8 24 c3 d8 25 xc4 +–.

Illustration

A further approach with which White makes no immediate attempt to regain the pawn is the Catalanstyle 5 g3. This has scored well in practice:

a) 5...b5 6 g2 b7 7 0-0 d7:

a1) 8 e4 gf6 9 e5 d5 10 g5 e7 11 h5 g6 12 h6 f8 13 h3 e7 14 ce4 c7 15 e1 b6 16 d6+ xd6 17 exd6 left Black defenceless in Sunye Neto-Petursson, Manila IZ 1990.

a2) 8 b1?! gf6 9 b3 cxb3 10 xb3 e7 11 e5 d5 12 xb5 cxb5 13 xb5 and now 13...c8? 14 c6 +– Rausis-S.Nikolov, Sofia 1989 is no good, but I’m not sure what White’s doing after 13...b8, e.g. 14 xd5 c8 15 c6 xb1 16 xf7 b6! and White can obtain a whole load of pawns for a rook, but that is all.

b) 5...f6 6 g2 bd7 7 0-0:

b1) 7...d6 8 c2 0-0 9 d1 e7 10 g5 h6 11 xf6 xf6 12 d2 e5 13 d5 cxd5 14 xd5 xd5 15 xd5 c3 16 xc3 g4?! 17 c4 ac8 18 e3 b8 19 e4 g5 20 h4 ± Lputian-Arencibia, Biel IZ 1993.

b2) 7...a5 8 e4 e5 9 dxe5 g4 10 f4 gxe5 11 xe5 xe5 12 d5! ± Ligterink-Kuijf, Budel Z 1987.

5

...

b4

6

e3

b5

7

d2

 

The continuation 7 d2 b6 8 g4 f8 9 g3 f6 10 f3 b7 11 g2 a6 12 0-0 bd7 got a bad reputation following the game Speelman-Flear, London 1986, in which 13 a2 d6 14 b3 cxb3 15 xb3 e7 failed to give White sufficient compensation. However, Beliavsky-Kharlov, USSR Cht (Azov) 1991 saw White find a more effective way to pursue the initiative: 13 axb5 axb5 14 xa8+ xa8 15 de4 e7 16 xf6 xf6 17 e4 c5 18 d5 e8 (18...xc3) 19 g5 e5 20 xf6+ gxf6 21 d1d2 22 e2 a5 23 f4 with good compensation.

7

...

a5

This is Black’s best reply. After other moves Black has problems meeting White’s idea of shattering his queenside pawns with b3:

a) 7...f6 8 axb5 xc3 9 xc3 cxb5 10 b3 0-0 11 bxc4 bxc4 12 xc4 Bagirov-Kupreichik, Lvov 1984.

b) 7...b7 8 b3 f6 (8...a5 can be met by 9 bxc4 bxc4 10 xc4 Spraggett-Klinger, Vienna 1986 or 9 axb5, transposing to the main game) 9 axb5 xc3 10 xc3 cxb5 11 bxc4 bxc4 12 xc4 c7 13 b5+ c6 14 a5 d6 15 b3 xb5 16 xb5+ c6 17 b4 d5 18 e5! xg2 19 e2 bd7 20 hg1 e4 21 a4 c8 22 ac1 +− Lautier-Ruban, Sochi 1989.

c) 7...e7 8 c2 f6 9 axb5 xc3 10 xc3 cxb5 11 b3 e4 12 a5 xd2 13 xd2 ± Denker-Kristoffel, Groningen 1946.

d) 7...b6 is best met by 8 e5!.

8

axb5

 

8 b1!? d7 (8...b6!? should be considered) 9 e2 a6?! (Ftačnik prefers 9...f6 10 0-0 0-0) 10 0-0 f6 11 e4 e7 12 d1 c8 (12...b4 13 a2 ±) 13 g5 h6 14 h4 b4 15 d5! ± Uhlmann-Serrer, German Ch 1991.

8

...

xc3

9

xc3

 

9 bxc3 cxb5 10 b1 a6 11 e2 c6 12 0-0 f6 13 e4 h6 14 d1!? gave White compensation for the pawn in M.Gurevich-Bjork, Saltsjöbaden Rilton Cup 1987.

9

...

cxb5

10

b3

b7 (D)

Illustration

11

bxc4

 

White should not be tempted into 11 d5 f6 12 bxc4 b4 13 xf6 xf6 14 a4+ d7 15 d4 e5 16 b3 e7! with a position which is at the very least fine for Black, e.g. 17 e2 d6! Rogers-Krasenkov, Hastings 1993/4.

11

...

b4

12

b2

f6

13

d3

bd7

14

0-0

c7

14...a7?! 15 e1 a8 16 e4! a4?! 17 d5 c5 18 d4 fd7 19 e5! was pretty much decisive in Kir.Georgiev-Antunes, Manila OL 1992.

15

d2!?

 

The normal line 15 c2 0-0 16 e4 e5 17 fe1 fe8 18 c5 exd4 19 xd4 looks fine for Black after Kramnik’s useful move 19...h6!, but White may well wish to investigate 15 el 0-0 (15...e5! Van der Tak) 16 c5 e4 (16...e4 17 c2 f5 18 d2 xd2 19 xd2 f6 20 f3 d5 21 b5 ± Brigden-Amoviel, Corr 1988) 17 b5 fb8 18 a4 d8 19 d2 c6 20 e2 xa4 21 xa4 e5 22 b3 ± Malaniuk-M.Raičević, Kecskemet 1989.

15

...

e5! (D)

Black should avoid 15...0-0? 16 f4! a4 17 c1 fd8 18 e2 f8 19 e4 b3 20 b1 b6 (Vilela-Ruban, Santa Clara 1991) 21 e5 ±.

Illustration

16

e1

 

Aseev suggests 16 f3!?.

16

...

0-0

17

f1!?

fd8

Aseev points out that 17...a4 fails to 18 dxe5 xe5 19 xe5 xe5 20 xa4 ±.

17...fe8 should also be met by 18 f3.

18

f3

 

Glatman suggested 18 g3, intending 18...e4 19 e2 e5 20 c2 , but presumably he was forgetting that Black’s last move has made 18...a4 a viable option.

18

...

c6?

After this Black is in real trouble. Aseev mentions the line 18...e4 19 e2 e5 20 d2 exf3 21 gxf3 ±, and suggests that Black should investigate 18...b6!?.

19

d5

b7

Even worse are 19...a4? 20 f4 a3 21 dxc6 c5 22 xe5 +− and 19...c5 20f4 +–.

20

g3

e8

21

f4!

h6

21...g6 22 f3 ±.

22

f5

ef6

23

f3

e4

23...f8 24 g3 e8 25 fxe5 +–.

24

g3

h5

24...g6 25 xh6+ g7 26 f5+ f8 27 d6! c6 28 h4 gxf5 29 h8+ is winning for White (Glatman).

25

g4

exd3

26

xg7

1-0