BL8861B_plate01a.tif

Two of Titian’s poesie: ‘The Rape of Europa’, (c. 1560–2), Isabella Stewart Gardner Museum, Boston (above) and ‘Danae Receiving the Shower of Gold’, (1553), Prado, Madrid (below)

BL8861B_plate01b.tif
BL8861B_plate02.tif

Diego Velázquez, ‘The Spinners or The Fable of Arachne’, (c. 1655–60), Prado, Madrid

BL8861B_plate03.tif

Titian, ‘Portrait of King Philip II’, (1551), Prado, Madrid

BL8861B_plate04.tif

Sir Joshua Reynolds P.R.A., ‘Portrait of Louis-Philippe-Joseph d’Orléans, Duke of Chartres, later Duke of Orléans’, (1779), Musée Condé, Chantilly (above); The Palais-Royal, Paris (below)

BL8861B_plate04b.tif
BL8861B_plate05a.tif

The Picture Gallery at Attingham Park, Shrewsbury, Shropshire (above); Cobham Hall, Cobham, Kent (below)

BL8861B_plate05b.tif
BL8861B_plate06.tif

Art historian Bernard Berenson at his home outside Florence, Villa I Tatti, 1903

BL8861B_plate07.tif

John Singer Sargent, ‘Portrait of Isabella Stewart Gardner’, (1888), Isabella Stewart Gardner Museum, Boston

BL8861B_plate08.tif

The courtyard of the Isabella Stewart Gardner Museum, Boston, Massachusetts