The Immortal Wisdom
THE IMMORTAL AHA EXPERIENCE
If the thirty-third layer above the half measure represents the shore of this world, then the fortieth layer represents the shore of the other world, the imperishable and immortal world of the self.
In the Vedic alphabetical model, the shore of this world was represented by ha, the final consonant in the classical Sanskrit alphabet. Due to its final position in the sequence of thirty-three letters (or thirty-three layers), it can be argued that ha is transformed automatically into the soft vocalic sound aha, which is written in the form of two dots placed one above the other (like a colon).
In actuality, however, ha is not the final letter or layer. It is merely the last of the thirty-three letters that pertain directly to the golden yolk of the cosmic egg and its surrounding white. There are six additional layers beyond the thirty-third that the soul must traverse to reach the shore of the other world. In the Agama texts1 of the Vedic tradition, these additional layers were represented by six extraordinary consonants (or sets of consonants), which were included in the older Vedic alphabet but not in the later classical alphabet. Rather than being simple consonants, these extraordinary letters are complex consonants produced by the process of phonetic conjunction (sandhi).2 They were used to represent the six additional layers because those layers serve to join the two shores.
In this expanded alphabetical model, the shore of the other world was represented by the unique vowel known as the visarga (the emitter), which is pronounced as the softly aspirated aha. This is precisely the Sanskrit letter into which ha is transformed when it appears as the final letter of a word or sentence, in which case it is written in the form of two dots placed one above the other.
We can say, then, that there are two types of Aha experience: The first is attained on the scale of the thirty-third layer, when the soul stands on the shore of this world and realizes the two truths about the universe (that it is both created and uncreated at the same time). Because this marks the final, thirty-third realization in the soul’s ascent through the layers of the created universe, the consonant ha can be taken as the final letter in the sequence. As soon as the soul steps into the cosmic sea that lies beyond the shore of this world, however, this thirty-third realization ceases to be final. It becomes instead an initial realization regarding the uncreated reality of the universe. In this case, the thirty-third layer can be represented by the initial form of ha, as though it were the first consonant in a sequence of letters.
As the soul traverses the seven cosmic shells represented by ha and the six extraordinary consonants, the created appearance of the universe is dissolved in awareness. This means that the universe assumes an increasingly uncreated appearance. When the soul finally washes upon the shore of the other world (represented by the fortieth layer) the dissolved universe is reconstructed in awareness on the basis of pradhana, the truly imperishable substance of pure consciousness.
This reconstructed form of the universe, cognized on the scale of the fortieth layer, was represented by the final form of ha as though it were the final letter or layer in the sequence. According to the system of Vedic phonetics, the final form of ha represents not a consonant, but one of the sixteen vowels of the classical Sanskrit alphabet, pronounced as aha and written in the form of two dots placed one above the other, like a colon.
This unique vowel identified with the fortieth layer was assigned two complementary names: As we have seen, it was called the visarga (the emitter), and it was also called the visarjaniya (that which is emitted). These two represent the two complementary aspects of the ultimate Aha experience attained on the scale of the fortieth layer. When the soul ascends to this layer, it realizes simultaneously two truths regarding its existence: that it is immortal and that it is mortal. The immortal aspect of the soul represents the emitter, the one immortal self established on the shore of the other world who emitted all mortal souls in the very beginning and who has never descended into creation. The mortal aspect of the soul represents that which is emitted, the mortal soul that was emitted into creation in the very beginning and covered with the veil of ignorance. After evolving over the course of billions of years and becoming enlightened eventually, the emitted soul ascends the divine ladder and returns to its original source.
When it ascends to the scale of the fortieth layer, the soul realizes its identity with the emitter, that its whole evolutionary journey was but a dream in the night and that it was never actually emitted in the first place. It then realizes two truths: that it is both the one immortal soul that never descended into creation and the mortal soul that has descended into creation. The emitter is immortal, while that which is emitted is mortal. The two truths realized on the scale of the fortieth layer can therefore be summarized by the two opposing statements “I am mortal” and “I am immortal.” The paradoxical synthesis of these is represented by the Sanskrit word tat (that), which is a synonym for Brahman, the ultimate reality.
This understanding is also reflected in the Hebrew tradition of kabbalah on which the fortieth layer (or sephirothic emanation) counted in the ascending direction is represented by the cryptic formula ESYR AHIH ESYR (“I am that I am”)—“I am mortal” and “I am immortal.” As in the Vedic tradition, the synthesis of the two opposing statements is denoted here by the term that.
In the Egyptian tradition, the fortieth layer was represented symbolically by the Hall of Osiris, where the soul who has just arrived on the shore of the other world is greeted by the family of truly immortal souls (the Grail family) and undergoes its final judgment. This hall was also known as the Hall of Two Truths. The final judgment that takes place there was represented symbolically by a weighing ceremony involving a cosmic balance. On one side was placed the heart of the aspirant, which was then weighed against the feather of Maat, the Egyptian goddess of cosmic truth, harmony, and justice. The heart of the aspirant represents the mortal aspect of the soul, and the feather of Maat represents its immortal aspect. In order to pass the final judgment, mortality must be balanced with immortality. If one aspect outweighs the other, then, according to the Egyptian texts, the soul will be rejected and cast back into the dark abyss of the cosmic shells to be further consumed by the demons of its own false imagining until it attains a cosmic state of balance.
We can conclude, then, that the Vedic, Egyptian, and Hebrew traditions shared a similar understanding regarding the nature of the fortieth layer, which represents the shore of the other world. To become a citizen of the other world, or a member of the immortal Grail family, the soul must attain a state of balance regarding the two truths: that it is both mortal and immortal.
There is a reason for this requirement: If the soul views itself as more mortal than immortal, then it will possess, naturally, an attachment to the cosmic egg from which it has “hatched.” In this case, its own cosmic egg will be favored over all the other cosmic eggs that exist within the bosom of the infinite. The Supreme Being, however, shows no such favoritism—all of the cosmic eggs must be treated equally. Conversely, if the soul views itself as more immortal than mortal, then it will view the cosmic eggs as different from the self or unrelated to its immortal existence and will therefore have no interest in maintaining them. The Supreme Being, however, shows no such lack of interest—all of the cosmic eggs must be maintained at all times.
To be identified with the Supreme Being, then, the soul must balance the two truths in its awareness so that both the infinite, immortal world and the finite, mortal world are simultaneously upheld in a state of equanimity.
We have seen that there is a direct correspondence between the four Hebrew letters k, b, l, and h that constitute the word kabbalah and the four Sanskrit consonants ka, ba, la, and ha representing the first, twenty-third, twenty-eighth, and thirty-third layers of the metaphysical Logos. Yet because the letter h stands as the final letter of the word, it also has an interpretation as aha, the sound into which the consonant ha is transformed when it stands at the end of a word or sequence of letters.
Whereas the initial sound ha denotes the shore of this world (the thirty-third layer), the final sound aha denotes the shore of the other world (the fortieth layer). In this sense, the word KBLH may be viewed as a sonic formula that encodes the immortal wisdom extending beyond the first thirty-three layers all the way to the fortieth layer.
In the tradition of kabbalah, these forty layers (or sephirothic emanations) were viewed as organized into four sets of ten and were conceived as the four worlds denoted by the Atziluth, Briah, Yetzirah, and Assiah. The lowest of the four worlds, Assiah, was viewed as the most concrete and physical, and the highest of the four, Atziluth, was viewed as the most abstract and archetypal. The ten layers that make up the Atziluth extend from the thirty-first to the fortieth layers. This was known as the world of spiritual archetypes, and the highest of these layers (the fortieth in the ascending direction) was known as the Great Sacred Seal, the immortal archetype from which are copied all the inferior worlds (upheld by the other thirty-nine layers). The knowledge pertaining to this immortal archetype, however, goes beyond the cosmic wisdom; it is part of the immortal wisdom, which deals with the infinite and immortal realms that lie beyond the outermost shell of the cosmic egg.
THE HOLY GRAIL
The myth of the Holy Grail presents another take on this same immortal wisdom. In this myth, the Holy Grail can be interpreted as either the holy vessel (san greal) or the holy blood (sang real) contained within the vessel.
According to the standard version of the story, the seeker of the Holy Grail must first find the Grail Castle perched on the summit of Mount Salvation, for that is where the Holy Grail can be found. The problem: Mount Salvation is surrounded by a vast wasteland, which hides the sacred mountain from all unworthy eyes.
The summit of Mount Salvation, representing the highest of the thirty-nine layers within the cosmic egg, must be ascended just as we would climb the rungs of a divine ladder or the slopes of a mountain. The summit, however, is hidden from view by the vast wasteland of the cosmic shells wherein is dissolved the created appearance of the universe. According to the Grail myth, when the soul somehow finds the divine mountain and ascends to its summit, it is greeted by the divine Fisher King, who stands guard at the gate of the Grail Castle. This Fisher King is none other than the unborn Creator, whose cosmic station corresponds to the thirty-ninth layer above the half measure—the summit of Mount Salvation.
The myth goes on to tell us that the Fisher King puts the aspiring soul to a test to determine whether it is worthy to enter the Grail Castle and obtain the Holy Grail. The test is: “Whom does the Grail serve?” This can be translated to mean, “Whom does the immortal blood serve?” It is a trick question, and apparently; there are two possible answers. First, it can be said that the immortal blood serves the imperishable reality of God. Second, it can be said that the immortal blood serves the perishable reality of the universe. Yet neither answer is correct on its own. The true answer is that the immortal blood serves both the perishable reality of the universe and the imperishable reality of God. This answer grants immediate access to the Grail Castle and the Holy Grail contained within it.
In other words, to pass the final test, the soul must hold two truths in a state of balance: “I am mortal” and “I am immortal.” If there is the slightest imbalance between these two truths so that one outweighs the other, then the soul will answer incorrectly and fail the test. If, however, the two truths are balanced perfectly, then the soul will be admitted into the Grail family—that is, the family of immortal souls that abide beyond the outermost shell of the cosmic egg in the mysterious Grail Castle, which is cognized on the scale of the fortieth layer above the half measure and which represents the imperishable reality that rests on the summit of Mount Salvation (the thirty-ninth layer).
To enter the Grail Castle, the soul must “hatch” from the cosmic egg; it must break through the outermost shell and ascend, like the risen phoenix, into the imperishable reality that first dawns on the scale of the fortieth layer. There it cognizes a completely new type of reality filled with an infinite number of cosmic eggs similar to our own. These eggs are organized not in a higgledy-piggledy fashion, but ideally, according to the dictates of cosmic intelligence. More specifically, they are organized in the form of an infinite crystalline lattice—the transcendental superlattice, which represents a living embodiment of the Logos, the infinite and immortal body of God transcending the finite boundaries of the cosmic egg. That alone is the real Grail Castle, the immortal vessel (san greal) that contains the holy blood (sang real).
We can find here a deep duality: The holy blood corresponds to the imperishable substance of pure consciousness, which pervades and flows throughout the immortal body. Yet in the final analysis, this substance is not different from the immortal body. On the scale of the fortieth layer, the enlightened soul realizes that its own cosmic egg, in fact, all of the cosmic eggs that make up collectively the immortal body, are ultimately fashioned out of the same imperishable substance. In this sense, the immortal vessel and the immortal blood are one. The mere taste or sight of that immortal blood is enough to render the soul immortal, but it is also enough to make the wasteland whole. Upon cognizing the imperishable substance of pure consciousness, the dissolved universe is reconstructed in awareness on that imperishable basis, and the covenant between heaven and earth becomes established.
Although the myth of the Holy Grail is viewed typically as Christian in origin and a product of medieval fantasy, it has a deep resonance in the much more ancient Vedic texts. In the Rig Veda, the divine Fisher King was called Divodasa-Atithigva, “the divine fisherman to whom guests should go.” The guests correspond to the aspiring souls who have entered the sea of death—the wasteland of the cosmic shells. They should go to the divine fisherman—that is, the unborn Creator—so that they can be fished from the sea of death and delivered to the other shore.
According to the Vedic seers, when the soul ascends to the station of the unborn Creator, it becomes identified with the unborn Creator and with the sea of cosmic intelligence that abides within the outermost shell of the cosmic egg. Although the soul may transcend that shell by ascending into the imperishable realms that lie beyond, a portion of the enlightened soul identified with the unborn Creator remains behind. In this case, the guest becomes the host: the portion of the soul that remains behind becomes the divine fisherman to whom guests should go and the unborn Creator of the universe who upholds eternally the covenant between heaven and earth and serves to fish aspiring souls from the sea of death.
THE IMMORTAL ARCHETYPE
When the soul breaks through the outermost shell of the cosmic egg and becomes truly immortal, it is marked by the sign of immortality. To use a biblical analogy, this may be compared to the mark of Cain—the mark that prevented Cain from being killed lest his killer be subjected to a sevenfold death.
In the tradition of kabbalah, the sign of immortality was represented by the Great Sacred Seal, the sign of the fortieth layer, which was referred to as “I am that I am.” This sign corresponds to the immortal archetype of the immortal body, which is first cognized on the scale of the fortieth layer above the half measure.
Fig. 12.1. The immortal archetype
Geometrically speaking, the immortal archetype assumes the form of a cosmic cube composed of twenty-seven cosmic eggs. In other words, it corresponds to the unit cell of the transcendental superlattice.
The idea that the immortal archetype assumes the form of a cube can be explained in terms of the Sanskrit: The Sanskrit word for a cube is aksha, which also means “eye,” “letter,” “bead,” “salt,” and “die” (the noun; plural, “dice”). These various meanings provide the basis for various wisdoms concerning the immortal archetype. For example, the cosmic cube can be compared to the eye of God, because it is from the cosmic cube that the Supreme Being can see all things in the imperishable world. Just as the pupil that sits at the center of the human eye (aksha) provides a point of view for the human self on the perishable reality of the mortal world, so the cosmic egg that sits at the center of the cosmic cube (aksha) provides a point of view for the supreme self on the imperishable reality of the immortal world.
The immortal cube can be compared to a letter because it represents a form of space, and hence a form of speech. This is consistent with the space-speech duality presented throughout the Vedic texts. Just as the sequence of letters (akshas) in the Sanskrit alphabet serve to represent the sequence of layers in the metaphysical Logos, so the same can be represented by a sequence of cubes (akshas) whose parameters are established in terms of the system of matched pairs. In other words, each layer can be assigned its own cubic archetype, which exists on a particular scale of space and time. Yet all of these archetypes reflect the immortal archetype cognized on the scale of the fortieth layer.
The immortal cube can be compared to a bead (aksha), because the archetypal cubes that exist on different scales of time and space are strung together like so many beads on a string by the one eternal self. The sequence of letters (akshas) in the Sanskrit alphabet was thus often compared to a necklace of letters (aksha-mala) worn by the Supreme Being.
The immortal cube can be compared to a grain of salt (aksha), because salt crystals have the natural crystalline habit of a cube. To coin a popular phrase, we should take what we read in this book “with a grain of salt,” because the understanding presented here is highly subjective and rooted in an underlying cubic geometry. Yet the analogy goes beyond the overall form of a cube. As we have seen, the internal crystalline geometry of the transcendental superlattice is the same as that of ordinary table salt. From a purely geometric perspective ignoring both scale and substance, the transcendental superlattice is identical formally to the sodium-chloride lattice. By extension, the cubic archetype can be compared to the proverbial “salt of the earth”—the underlying metaphysical foundation of the physical universe.
The cubic archetype can also be compared to a die (aksha) because the enlightened soul is endowed with choice regarding its scale of consciousness. It has the potential to ascend by grasping larger cubic forms of reality, and it also has the potential to descend by grasping smaller cubic forms of reality. Each choice may be compared to a roll of the dice, or a “roll of the cubes,” because, in the final analysis, all such choices are made by the omniscient Supreme Being, who is the very self of all individual beings. Therefore, in the absence of omniscience, the individual soul will always have some uncertainty about the outcome of its choices—or the outcome of its rolls of the dice. The soul “wins” by ascending the divine ladder, and it “loses” by descending the divine ladder. In this case, the winning roll that results in the attainment of immortality corresponds to the cognition of the fortieth layer above the half measure. This is the ultimate jackpot that makes all other wins and losses pale by comparison. In this way, the term aksha provides a multidimensional understanding of the immortal cubic archetype. In actuality, though, this word is a mantra (a phonemic formula) that encodes the entire spectrum of layers.
As we have seen, the letter a represents the infinite self, and the letter k represents the first form of the enlightened soul, cognized on the scale of 1 digit. Moreover, we have seen that the letter s represents the golden yolk of the cosmic egg, cognized on the scale of the thirty-second layer; and the letter h represents the surrounding white, cognized on the scale of the thirty-third layer. When the awareness of the self descends from infinity to the scale of the half measure and then begins its return journey by ascending to the scale of the divine Ka, it becomes the embodiment of a + k. When it ascends subsequently to embrace the entire cosmic egg, consisting of both the golden yolk and its surrounding white, it becomes the embodiment of a + k + s + h. Finally, when it ascends beyond the cosmic egg into the bosom of the infinite, it becomes the embodiment of a + k + s + h + a = aksha. In this way, the term aksha symbolizes both the descending and ascending paths, which lead from the infinite to the half measure and then back to the infinite.
On the scale of the fortieth layer, this cubic archetype is cognized in terms of cosmic eggs, each of which spans hundreds of trillions of light-years. Yet from the perspective of infinity, these eggs may be compared to tiny atoms in the infinite body of God. The Vishnu Purana tells us that to the Supreme Being, the cosmic eggs seem no bigger than paramanus (supreme atoms), and the period called Para, which spans some three hundred trillion solar years, seems no longer than the blink of an eye.
THE BLUE-RED FORM OF THE SUPREME BEING
The Vedic seers referred to the imperishable body of the Supreme Being as nila-lohita (blue-red), related to the two types of cosmic eggs from which is composed the imperishable body. To maintain the ideal form of pure geometry, which displays maximum symmetry in three intuitive dimensions, the transcendental superlattice must be composed of two categorically distinct types of point values or cosmic eggs. Yet these cosmic eggs are not different in form or size or with respect to their geometric environment. As far as the category of space is concerned, they are all similar. Their difference lies with the category of time.
This means that when one set of cosmic eggs is in the process of progressive creation, the other is in the process of progressive dissolution so that their cycles of creation and dissolution are 180 degrees out of phase. In other words, the two sets of cosmic eggs are similar with respect to space, but different with respect to time.
The term nila-lohita (blue-red) refers to the luminous appearance of these two types of cosmic eggs—as perceived by those who have the eyes to see and ears to hear the imperishable reality of the self. More specifically, the transcendental light emitted by the eggs in the process of creation appears blue shifted, while that emitted by those in the process of dissolution appears red shifted. From the perspective of unbounded awareness, the two types of cosmic eggs thus appear as luminous point values of consciousness colored blue and red.
In accordance with the principle that humans are created in the image of the Creator, we find that throughout the human body there are blue and red blood vessels constituting the circulatory system: The vessels that carry blood from the heart to the extremities are red, and those that deliver blood back to the heart are blue. This corresponds directly to the imperishable body of the Supreme Being. In this analogy, the unit cell of the superlattice may be compared to the archetypal form of the imperishable body, and the cosmic egg that sits at the center of the cell may be compared to the body’s heart. The blood of the imperishable body is none other than the immortal blood (amrita rasa), which corresponds to the flowing substance of pure consciousness.
During the process of creation, the immortal blood flows toward the central cosmic egg so that its created form can be nourished and built. Because the egg then appears blue, the converging streams of immortal blood can be assigned a blue color, like the streams of blood flowing toward the human heart. During the process of dissolution, the immortal blood flows away from the central cosmic egg. Because the egg then appears red, the diverging streams of immortal blood can be assigned a red color, like the streams of blood flowing away from the human heart. In this way, there is a color correspondence between the imperishable body of the Supreme Being and the perishable body of the human being.
THE CELLULAR STRUCTURE OF THE IMPERISHABLE BODY
The analogy also extends to the cellular structure of the body. The human body, like all organic bodies, is composed of biological cells. Each of these cells contains DNA, the genetic blueprint from which the human body is built. Similarly, the imperishable body is composed of crystallographic cells. Each of these contains the imperishable blueprint (that is, the point-group symmetry of the superlattice) from which the imperishable body is built.
Each cell also contains a conscious being, the cosmic soul (jiva) identified with the central cosmic egg. This soul is none other than the Creator in both his created (born) and uncreated (unborn) forms. Yet there is not just one Creator; there are an infinite number that are identified with the infinite number of cosmic eggs in the imperishable body of the Supreme Being. Each Creator has an imperishable form, which corresponds to the cubic cell in which the cosmic egg is centrally located. This is a space cell, not a biological one, and it is conceived in terms of the category of transcendental space—the space of consciousness.
Although the imperishable body of the supreme self (atman) is infinite in extent, the cosmic selves (jivas) identified with the cosmic eggs have limited imperishable forms. With respect to the categorical appearance of space, the imperishable forms of the cosmic selves may be compared to space cells. The Vedic seers explained it this way: “Since the atman [infinite Self] appears in the form of jivas [finite cosmic selves] in the same way that space appears in the form of space cells, which are composite things like jars, therefore with respect to the categorical appearance [of space] this is the illustration [to be taught].” 3
The space cells referred to in this passage are none other than the crystallographic cells of the transcendental superlattice. Each such cell may be compared to a jar that contains a conscious cosmic self—the Creator of the cosmic egg located at the center of the cell.”
THE CIRCULATORY SYSTEM OF THE IMPERISHABLE BODY
Like the human body, the imperishable body also has a circulatory system. It is pervaded by flowing streams of the imperishable substance of pure consciousness, which constitutes the amrita rasa, the immortal blood of God.
Fig. 12.2. The thirteen symmetry axes of the superlattice
These streams are organized not in a random manner, but in terms of the rotational symmetry axes of the superlattice, which correspond to the thirteen rotational symmetry axes of a cube. According to modern crystallography, these axes are organized into three groups: the cubic, rhombic, and octahedral axes.
The terms cubic, rhombic, and octahedral come from the fact that the three sets of axes may be viewed as connecting the six faces of a cube, the twelve faces of a rhombic dodecahedron, and the eight faces of a regular octahedron, respectively. From the perspective of the cosmic soul located at the center of the cube, these thirteen axes appear as twenty-six rays serving to connect the central egg to the twenty-six other eggs on the surface. Each such ray upholds a circulatory stream of immortal blood, which circulates around the ray as it flows between the cosmic eggs.
The circulatory streams of immortal blood may be compared to cosmic whirlpools or cosmic vortices within the imperishable fluid of pure consciousness. These vortices have a biconical form: As they diverge from one cosmic egg, they expand in radius, and as they converge onto another, they contract in radius, as illustrated from the side.
Because of their biconical forms, the Vedic seers referred to the whirlpools of consciousness using the technical term parna, which means “petal,” “leaf,” or “feather.” In accordance to these meanings, the whirlpools were compared variously to the petals of a cosmic lotus, the leaves of a cosmic tree, and the feathers of a cosmic bird.
Fig. 12.3. A biconical whirlpool of consciousness
One of the most prominent conceptions of the Supreme Being in the Vedic tradition was that of Vishnu, meaning “all-pervading.” According to the Vedic creation myth, in his archetypal form as pundarika-aksha, Vishnu grew a cosmic lotus from his navel. From the center of that lotus the Creator (Brahma) was born. For this reason, the Creator was often called Padma-bhavam (Lotus-born). The same notion can be found in the Egyptian tradition in which it was also said that the Creator was born from a cosmic lotus.
The term pundarika-aksha is often translated as the “lotus eye” of the Supreme Being—but it also means “lotus (pundarika) cube (aksha),” referring to the archetypal form of the all-pervading Being cognized on the scale of the fortieth layer above the half measure. This immortal archetype not only has the form of a cube, but also has the form of a fully blossomed cosmic lotus, consisting of twenty-six parnas (cosmic whirlpools) enclosed within the cube. In the Vedic tradition, the immortal archetype was viewed as having the form of a divine lotus cube.
The importance of this archetype within the Vedic tradition cannot be overemphasized. When an individual is initiated into the practice of meditation designed to deliver the awareness to the state of pure consciousness, a sacred verse is recited traditionally at the beginning of the initiation ceremony: “Whether purity or impurity is pervading everywhere, whoever remembers the lotus cube obtains both inner and outer purity.”
This remembrance marks the culmination of the evolutionary process. Once the soul has ascended through the thirty-nine layers that represent its evolutionary course and has broken through the outermost shell of the cosmic egg, it then “remembers” the divine lotus cube as the archetypal form of its own eternal and all-pervading self. This is the Great Sacred Seal, the mark of immortality impressed upon the soul when it becomes established in the fortieth layer. At that point, the soul realizes that the archetypal form is all-pervading—it fills the entire evolutionary course of the soul through all thirty-nine layers. This means that every imperishable point value of consciousness in every layer of the metaphysical Logos, no matter what its scale, ultimately reflects the archetypal image of the fortieth layer, the divine lotus cube. On the scale of the fortieth layer, however, that archetypal image assumes an immortal living form: the form of a living cell in the imperishable body of the Supreme Being.
According to tradition, the cosmic lotus has twenty-six aspects. The two cosmic whirlpools that lie along the main axis of vision were called the stem and stamen, and the other twenty-four whirlpools, which lie obliquely to the main axis, were called the twenty-four petals. The cosmic lotus was assigned creative potential: The circulating streams of all twenty-six whirlpools wrap around the cosmic egg like the coils of an enclosing serpent, and these enclosing coils serve to churn out the created form of the universe, much as curds are churned from milk.
As a result, all created forms of existence within the universe display forms of rotation or spin. The stars rotate around the center of the galaxy, the planets rotate around the stars, electrons rotate around the atomic nucleus, and every individual elementary particle spins on its own axis. All of these created forms of rotational motion have their ultimate basis in the twenty-six rotational streams of consciousness that wrap around the cosmic egg and stir the field of cosmic intelligence that lies within. Therefore, the unborn Creator can be said to have twenty-six rotational aspects.
We can find support for this in the tradition of kabbalah in which the deity identified with the outermost shell of the cosmic egg (the shell of cosmic intelligence) was known as YHVH (Jehovah), the unborn Creator. According to the ancient system gematria, the Hebrew letters can be assigned numerical meanings so that Hebrew words have an alternate interpretation as numerical formulas. In this way, the four-lettered name of God (YHVH) is assigned a secret number, which, Hebrew scholars tell us, is the number twenty-six. This is representative of the twenty-six rotational aspects of the unborn Creator, which serve to churn the created universe from the field of pure consciousness, the perishable from the imperishable.
TONGUES OF FIRE
We may compare each crystallographic cell in the imperishable body to a habitation of God or a habitation of the immortal soul. These habitations are connected to each other by the circulatory streams of consciousness, which resemble cosmic whirlpools. Like ordinary bathtub whirlpools or tornadoes, these cosmic whirlpools have a hollow center, which is why the Vedic seers compared them to hollow reeds through which the immortal soul could travel from one cosmic habitation to another.
This description was related particularly to Agni, the personification of cosmic fire whose womb was likened to a parna (petal) of the cosmic lotus. In this case, the hollow inside the whirlpool was compared to the hollow of a womb from which Agni was born, the cosmic fire that assumes the form of the cosmic egg.
As the wombs of Agni, the petals of the cosmic lotus were often compared to so many tongues of fire emanated by the fiery form of the cosmic egg. By entering into these tongues of fire, the immortal soul can travel from one crystalline habitation to another within the imperishable body of God. This Vedic metaphor is reflected in the apocryphal Book of Enoch. According to Genesis, the biblical patriarch Enoch, who was the son of Jared and a direct descendant of Adam and Eve, was assigned a unique destiny: It is said that he lived for 365 years (the same number as the number of days in a solar year), and then “was seen no more, because God had taken him away.” This implies that Enoch ascended beyond this world into the other immortal world.
The doctrine regarding the ascension of Enoch is presented in the Book of Enoch, which is part of the pseudographia of the Hebrew scriptures. The author, who claims to be Enoch himself, describes his ascent to heaven:
Winds in the vision assisted my flight, accelerating my progress. They elevated me aloft to heaven. I proceeded, until I arrived at a wall built of crystal, surrounded by tongues of fire. . . . I entered into the tongue of fire and drew nigh to a vast habitation built of crystal. Its walls too, as well as its pavement, were formed of crystal, and crystal likewise was the ground. . . . And I looked and saw therein a lofty Throne: its appearance was as crystal.4
The “vast habitation” described here is none other than the crystalline habitation of God—the cosmic cube—that is but one cell in the infinite and immortal body of God. The “tongues of fire” correspond to the whirlwinds of cosmic fire that constitute the petals of the cosmic lotus enclosed inside the cube. By entering into a tongue of fire, the soul can travel from one cosmic egg to another. At the end of its journey, it spirals automatically onto the center of a lotus cube, which serves as the throne of God within the crystalline habitation. In the Book of Enoch, both the habitation and the throne are described as crystalline because they are part and parcel of the crystalline body of Logos, the imperishable body of God that is cognized on the scale of the fortieth layer above the half measure.
THE MYTH OF THE RISEN PHOENIX
One of the most prominent of the ancient immortality myths, a story that can be found throughout the old world, from India to Egypt, is the myth of the risen phoenix. According to this myth, the phoenix is a divine bird, which has initially a mortal body. In order to attain immortality, it must offer its body to the sacred fire so that it is reduced to ashes. Yet from those ashes a new immortal body is resurrected. Once the phoenix attains this new body, it then stretches its wings and flies above into the immortal realms.
In effect, the phoenix represents the ascending soul whose mortal body corresponds to the created body of the universe. In the process of ascending through the seven shells, the mortal vestige of the soul is offered to the fire of universal destruction and is reduced to ashes. When the soul finally hatches from the cosmic egg by breaking through the egg’s outermost shell, the ashes of the dissolved universe are infused with imperishability and a new immortal body—an imperishable body of Logos—is obtained.
The archetypal form of the immortal body is none other than the divine lotus cube, which is fashioned from twenty-seven cosmic eggs linked together by imperishable whirlwinds of cosmic fire. These may be compared to the outstretched feathers (parnas) of the risen phoenix, which ascends on wings of fire. In the Vedic tradition, the phoenix was thus called suparna, the bird with “beautiful feathers.”
The feathers of the risen phoenix correspond to the feathers of the Egyptian goddess Maat, the personification of truth, justice, and harmony. In this comparison, we can understand as a measurement ceremony the final judgment scene, which takes place in the Hall of Two Truths. In this interpretation, the heart of the aspirant represents a measure of the cosmic egg itself, while the feather of Maat represents a measure of the relation among cosmic eggs, which is upheld by an immortal feather (parna). If the awareness of the soul can span only the outermost dimensions of the cosmic egg so that its mortal heart outweighs the immortal feather, then the soul is rejected. Yet if it can span both the cosmic egg and the relation among cosmic eggs, then it is accepted—because it has developed the ability to conceive the relations on the basis of which the immortal body is conceived. Those relations were represented symbolically by the immortal feathers (parnas) of Maat.
Metaphorically, the risen phoenix ascends into the immortal realms by stretching its feathers to embrace ever-larger forms of the divine lotus cube, which are stacked one inside the other like an infinite series of concentric Chinese boxes. As the phoenix ascends, the cosmic eggs from which the cubes are composed appear to become smaller and smaller, until they eventually resemble infinitesimal points. Just as an ordinary crystal composed of discrete atoms appears continuous when viewed from a macroscopic perspective, so the crystalline body of God composed of cosmic eggs (or cosmic atoms) appears to assume an increasingly continuous character when viewed from increasingly large, transfinite scales of consciousness. Eventually, the discrete crystalline structure of consciousness, which represents the imperishable body of God, assumes the appearance of the infinite continuum of consciousness, which represents the immortal self of God.
THE ETERNAL FIG TREE
In accordance with the interpretation of a parna as a leaf, the Vedic seers compared the infinite crystalline lattice of cosmic eggs to an eternal fig tree known as the Ashvattha. This is actually the name of a certain type of tree that grows on the Indian subcontinent and whose wood was often used to kindle sacrificial fires.
In this way, the cosmic eggs are compared to the fruits of the tree, or figs, because a fig is spherical and contains many spherical seeds. Similarly, the spherical cosmic egg contains many universal, galactic, and solar spheres, each of which represent the embodiment of a celestial being capable of growing to become the very embodiment of the divine tree itself.
In the fifteenth chapter of the Bhagavad Gita, the eternal Ashvattha tree is described as the living embodiment of the Veda (or Logos):
They say the eternal Ashvattha tree has its root above and its branch below, such that its leaves (parnani) are the (Vedic) hymns. He who knows this is a knower of the Veda. Its form is not perceptible here in this world, nor its end, nor its beginning, nor its staying. This Ashvattha tree, with its well-grown root, should be cut by the strong ax of nonattachment. Then that place is to be sought, from which having gone, they do not return, saying, “In that primordial soul I take refuge, from whence the primeval activity anciently streamed forth.”
In this cosmic metaphor, the crystalline layers of the metaphysical Logos are compared to the branches of an eternal tree. These support the fruits of the tree, which correspond to the cosmic eggs, and the leaves of the tree, which correspond to the cosmic whirlwinds that connect the eggs. These leaves are compared specifically to the Vedic hymns or Vedic texts. In this regard, the ancient seers placed a great deal of importance on the organization of the Vedic literature into different sets of texts. In a series of lectures given to several thousand Vedic pandits during the 1980s, Maharishi Mahesh Yogi outlined this ancient organization as involving 26 + 1 = 27 different types of texts. First he showed that twenty-six types of texts are organized in pairs:
ORGANIZATION OF VEDIC TEXTS | |
Primary Texts | Subordinate Texts |
Four Vedas | Four Upavedas |
Upanishads, Aranyakas, Brahmanas | Itihasas, Puranas, Smritis |
Six Vedangas | Six Upangas |
It turns out that the twenty-six cosmic whirlwinds, which correspond to the leaves of the eternal tree, are also organized in pairs along each of the thirteen symmetry axes. The thirteen axes in turn are organized into three groups, which correspond to the four octahedral axes, the three cubic axes, and the six rhombic axes. We find, therefore, that there is a direct correspondence between the 8 + 6 + 12 = 26 sets of Vedic texts and the 8 + 6 + 12 = 26 whirlwinds.
Maharishi, however, pointed out that there is an additional twenty-seventh set of texts, which stands alone (26 + 1). These texts are called the pratishakhyas, and they deal with the science of pronunciation within the mouth. This twenty-seventh aspect of the Vedic literature corresponds to the cosmic egg at the center of the cube whose outermost shell may be compared to the mouth of the unborn Creator. It is there that all twenty-six aspects of divine speech are pronounced, thus giving rise to the appearance of creation, which is literally spoken into existence. The idea that the leaves of the divine tree correspond to the hymns of the Veda or to the various sets of Vedic texts is therefore quite precise.
After establishing the correspondence between the leaves of the tree and the Vedic texts, the passage then exhorts the soul to cut the root of the eternal tree with the “strong ax of nonattachment,” and to seek that place from which there is no return. If the eternal tree is likened to the Veda, then this amounts to seeking the “end of the Veda,” otherwise known as Vedanta. To be admitted into the immortal realms, the soul must first sever its attachment to the fruit of the tree, which corresponds to the cosmic egg from which it has hatched. Yet it still remains attached to the root of the tree, which exists above. This well-grown root is none other than the imperishable crystalline body of Logos cognized above and beyond the scale of the thirty-ninth layer.
In order to transcend the discrete crystalline structure of consciousness and realize the infinite continuum of the self, the well-grown root of the tree must be severed by the “strong ax of nonattachment.” This is accomplished by ascending beyond the fortieth layer into the higher immortal realms. In doing so, the distinction between the crystalline body of Logos and the infinite continuum of the self is eventually obliterated.
THE UNOBSTRUCTED BEING AND HIS FOUR IMMORTAL STATES
In the Vedic literature, the crystalline lattice of universes was viewed as the imperishable body of Viraj, the supreme ruler of all the cosmic eggs and their contents. Viraj was also known as Annirudha, the Unobstructed Being, because his vision of the crystalline body of Logos does not obstruct his vision of the infinite continuum of the self.
The awareness of the Unobstructed Being is established on the scale of the forty-third layer above the half measure, the scale of the omniscient, omnipotent, and omnipresent Godhead that rules all of the cosmic eggs and their contents. That supreme Godhead is the supreme self of all beings—whether mortal or immortal. According to the Vedic Upanishads, the supreme self has four immortal states of consciousness, which were compared to the waking, dreaming, sleeping, and transcendental states of human consciousness. Yet unlike human states of consciousness, the immortal states are not cyclical. Instead, they pertain to different scales of consciousness within the immortal realms. More specifically, they pertain to the scales of consciousness associated with the fortieth, forty-first, forty-second, and forty-third layers above the half measure.
In this way, the fortieth layer was viewed as the immortal waking state from which can be seen the crystalline organization of cosmic eggs. In the human waking state, the awareness of the human being is identified with his or her own physical body. Similarly, in the immortal waking state, the awareness of the Supreme Being is identified with its own metaphysical body—the crystalline body of Logos.
The forty-first layer was viewed as the immortal dreaming state. On this scale, the concrete form of the crystalline body ceases to dominate awareness. What dominates instead are glorious and radiant forms of transcendental light that uphold the immortal dream world of the self. In the human dreaming state, we tend to imagine various dreamlike forms and phenomena, which are not part of our waking world. Similarly, in the immortal dreaming state, the Supreme Being imagines various dreamlike forms and phenomena, which are not part of its waking world.
The forty-second layer was viewed as the immortal sleeping state. This was described as a “mass of consciousness” filled with abstract forms of preknowledge (prajna). The following addresses the immortal sleep state of the self:
The deep sleep state is that where the sleeper does not desire any enjoyable thing and does not see any dream. The third state [of the self] is called prajna [preknowledge], who has deep sleep as his sphere, in whom everything becomes undifferentiated, who is a mass of pure consciousness, who abounds in [abstract] bliss, who is surely an enjoyer of bliss, and who is the doorway to the experience [of waking and dreaming]. This one is the Lord of all. This one is Omniscient. This one is the inner Director of all. This one is the Source of all. This one is verily the place of origin and dissolution of all beings.5
Clearly, this passage is referring to the immortal sleep state of the Supreme Being, rather than the mortal sleep state of a human being. Unlike the human sleep state, which is experienced as a state of unconsciousness, the immortal sleep state is experienced as a “mass of pure consciousness” filled with forms of preknowledge (prajna). This pre-knowledge represents a form of omniscience, which ultimately determines the destiny of all things—including the destiny of all souls. All created souls begin and end on this scale of consciousness. As such, the immortal sleep state was described as “the place of origin and dissolution of all beings.”
The forty-third layer transcends all such notions of creation and dissolution. It represents the transcendental state of immortal consciousness. The Vedic texts describe that fourth state:
They consider the Fourth to be that which is not conscious of the internal (dreaming) world, nor conscious of the external [waking] world, nor conscious of both worlds, nor a mass of consciousness [as in the sleeping state]. It is neither consciousness, nor unconsciousness. It is that which is unseen, beyond the empirical, beyond the grasp [of reason], uninferrable, unthinkable, and indescribable, whose valid proof consists in the single intuition of the Self, in which all phenomena cease. It is that which is unchanging, auspicious, and nondual. That is the Self, and that is to be known.6
The fourth state of immortal consciousness realized on the scale of the forty-third layer represents the goal toward which tends the entire path of immortality, for it represents the state of all perfection in which the soul becomes identified fully with the omniscient, omnipotent, and omnipresent ruler of all the worlds. When the soul ascends to the forty-third layer, it therefore obtains unobstructed knowledge, power, and presence regarding the entire spectrum of layers. It becomes identified with the very self of the Unobstructed Being.
We can then say that the path of immortality consists of the first forty-two steps on the divine ladder, while the transcendental goal of the path corresponds to the final forty-third step in which the soul becomes finally identified with the very self of the Supreme Being. That supreme forty-third layer represents the absolute form of God who stands at the top of the divine ladder. It marks the end of the way of ways, the end of the path of immortality, and the end of the Veda. Upon ascending to that layer, the well-grown root of the eternal tree is severed automatically by the strong ax of nonattachment. The soul then takes refuge in that primordial soul from whom the primeval activity streamed forth anciently.
Having reached the goal of the path, such souls do not return. They become immune to the cycles of creation and dissolution that plague all lesser souls still on the path.
THE FORTY-THREEFOLD VEDIC WISDOM
From a Vedic perspective, the immortal wisdom can be summed up by the mathematical formula 42 + 1 = 43. This is presented in the esoteric doctrine called shri vidya, the “glorious wisdom,” which is considered the most authoritative of all the ancient Vedic wisdoms.
In this doctrine, the Veda or metaphysical Logos is conceived as the divine body of para shakti (the supreme mother), who is also known as the mother of the Veda (veda-janini). The doctrine revolves around the study of an esoteric diagram called the shri yantra (the glorious diagram), considered the king of all esoteric diagrams and consisting of these geometric elements:
Fig. 12.4. The shri yantra
First, we note that the entire diagram is enclosed in a square. This is a two-dimensional representation of the cosmic cube that serves as the immortal archetype of the Supreme Being. When this cube is viewed along its main axis, the axis of vision, it appears to enclose a cosmic lotus consisting of twenty-four oblique petals. As we have seen, the lotus cube represents an eternal archetype inherent in each layer. Yet each layer is tenfold, consisting of ten harmonic states of consciousness. According to the Vedic seers, the tenth (or largest) state in each layer represents the self of that layer. This is reflected by the great saying (mahavakya), “Thou art the tenth.” It is only when the tenth state is realized that the archetypal form of the self, which has the form of a lotus cube, is realized or remembered.
The nine states that lead up to this tenth realization are represented diagrammatically by the nine large triangles enclosed within the lotus cube. These nine states are represented by triangles, because they contain states of pure knowledge involving the unity of three elements: knower, process of knowing, and known. Threefold forms of pure geometry (triangles) were used to represent the threefold states of pure knowledge that lead up to the realization of the tenth state, which has the overall form of a cube.
Yet the diagram pertains to not only the archetypal structure of each layer, but also the overall spectrum of layers. As we have discovered, the type of knowledge possessed by an enlightened soul is holographic. No matter what its operational scale, the enlightened soul has the potential to grasp and envision the whole, at least in principle. This means that the knowledge regarding the entire spectrum of layers is encoded in the archetypal structure of every layer. In the shri yantra, the overall spectrum of 42 + 1 = 43 layers is represented symbolically by the 42 + 1 = 43 smaller triangles generated by the intersections of the nine larger triangles. More specifically, the forty-two outer triangles represent the path of immortality, and the central forty-third triangle represents the goal of the path. As such, the central triangle was known as the sarva-siddhi-pradha, the “bestower of all perfection.” It represents the forty-third layer of pure knowledge in which the soul becomes identified with the self of the Supreme Being and attains all perfection.
The central point (bindu) at the center of the forty-third triangle represents the pointlike reality of the soul, which is contained within and is ultimately nondifferent from the infinite reality of the self. It is from the point value of consciousness that the infinite value of consciousness becomes known.
The shri yantra thus provides a multidimensional symbol that encodes a wealth of information regarding the forty-twofold path of immortality, the archetypal forms of pure knowledge experienced at each stage on the path, and the final forty-third stage, which represents the goal of the path. It presents a concrete geometric embodiment of the mystical formula 42 + 1 = 43. Yet this formula was not unique to the Vedic tradition. The Egyptian and Hebrew sages used the same mystical formula to encode their own versions of the immortal wisdom.
THE FORTY-THREEFOLD EGYPTIAN WISDOM
As we have seen, in the Egyptian tradition, the immortal wisdom was mapped out by the divisions of the land—the land of Egypt itself was an image of heaven and represented the transcendental ground on which the forty-two layers were conceived. The forty-two nomes therefore constituted the path of immortality. In this sense, the land of Egypt as a whole represents the supreme forty-third layer, the transcendental kingdom of God, which contains the other forty-two lesser kingdoms.
As we have seen, these lesser kingdoms were presided over by the forty-two nomarchs, who were viewed as embodiments of the gods. The land of Egypt as a whole was presided over by the pharaoh, who was viewed as the embodiment of God, the Supreme Being. In this way, the Egyptians strove to create a kingdom of heaven on earth, in accordance with their understanding of the 42 + 1 = 43 layers of the metaphysical Logos.
This understanding was also reflected in the final judgment scene depicted in the Book of Coming Forth by Day, referred to by modern scholars as the Egyptian Book of the Dead: The heart of the aspirant is weighed against the feather of Maat in the presence of forty-two spiritual judges presided over by Osiris, who represents simultaneously the supreme forty-third judge, and the Lord of Immortality. Immediately prior to the final judgment, the soul must make the forty-two negative confessions by professing its innocence before the forty-two judges. Once all judges are satisfied with the soul’s innocence, the heart of the aspirant is weighed and Osiris pronounces his final judgment. This reflects the notion that when the soul ascends to the fortieth layer and enters into the Hall of Two Truths, it comes face to face with all forty-two aspects of the Supreme Being as well as the Supreme Being itself in a type of holographic vision, and is then judged by them all. These forty-three beings constitute collectively the Grail family—the family of the self.
In some Egyptian traditions, the Supreme Being was represented by Thoth, the Egyptian wisdom god. Whereas the rulers of Egypt strove to follow in the footsteps of Osiris, who was viewed as the all-powerful form of God, the priests strove to follow in the footsteps of Thoth, who was viewed as the all-knowing form of God. There was an ancient Egyptian myth that Thoth had composed a set of forty-two secret books containing the knowledge of everything in heaven and earth, but no such books have ever been found. The truth is that the books of Thoth are written in consciousness, and can be “read” only by the soul as it ascends through the forty-two layers that constitute the path of immortality. They represent the forty-two forms of pure knowledge experienced on the basis of the forty-two layers. When the soul ascends to the supreme forty-third layer, it becomes identified with Thoth himself.
We find, then, that the Egyptian seers, like the Vedic seers, conceived the metaphysical spectrum as consisting of 42 + 1 = 43 layers, and sought to copy or model that metaphysical reality by mapping it out on the land and reflecting it in their central myths. The immortal wisdom is not the province of any one culture or religion; it represents a truly universal form of wisdom inherent in every human soul, and it unfolds gradually in ever-greater clarity as the soul ascends the stairway to the sky.
THE FORTY-THREEFOLD HEBREW WISDOM
In the system of kabbalah, the Hebrew sages possessed the same forty-threefold wisdom: There are a total of 42 + 1 = 43 sephirothic emanations, which correspond to the first forty-three layers above the half measure. The first forty layers were viewed as providing the archetypal basis for the creation of the universe, but beyond these, the Hebrew sages counted three additional layers, known as the ain-soph-aur.
The highest or forty-third layer was called the ain, the Supreme Godhead, from which the other forty-two emanated. As in the Vedic tradition, the Supreme Godhead was viewed as the transcendental basis for an uncountable number of universes. The ain, inconceivable and indescribable, corresponds to the fourth or transcendental state of immortal consciousness. The forty-second layer, the soph, represents the omniscient form of the Supreme Godhead, which is filled with infinite wisdom (sophia), or preknowledge (prajna). It corresponds to the sleeping state of immortal consciousness. The forty-first layer, the aur, is the self-luminous form of the Supreme Godhead, the aura of God characterized by transcendental light. It corresponds to the dreaming state of immortal consciousness. These three higher aspects of the Supreme Godhead preside over the lower aspect, represented by the fortieth layer, wherein are seen the immortal archetype and crystalline body of Logos. The fortieth layer thus corresponds to the waking state of immortal consciousness.
The Hebrew sages were therefore in agreement with both the Vedic and Egyptian sages regarding the overall forty-threefold organization of the spectrum. Although this knowledge was made most explicit in the tradition of kabbalah, it was embodied in other forms of Hebrew wisdom as well.
THE UNIQUE DIVINE NAME
In the Hebrew tradition, a great deal of emphasis is placed upon the name of God. Although this name is represented most commonly by the four-lettered name YHVH (Jehovah), the tetragammon, the rabbinical texts tell us that this is but the condensation of an earlier name of God, called the unique divine name, which consisted of forty-two letters. Although the exact spelling of this name has been lost, early commentators believed that it was encoded originally by the first forty-two letters of Genesis.
The Talmud makes clear that this unique name was entrusted not to all, but only to those worthy to receive it: “The forty-two-lettered Name is entrusted only to him who is pious, meek, middle-aged, free from bad temper, sober, and not insistent on his rights. And he who knows it, is heedful thereof, and observes it in purity, is beloved above and popular below, feared by man, and inherits the two worlds, this world and the future world.”7
The Zohar also discusses this name: The forty-two letters are described as the “ornamentation” of the Holy Name; the entire name represents the whole and the forty-two letters represent its parts: “And the earth was void and without form. This describes the original state, as it were, the dregs of ink clinging to the point of the pen in which there was no subsistence, until the world was graven with forty-two letters, all of which are the ornamentation of the Holy Name.”8
There are other passages in the Zohar that suggest that the letters of the name are much more than just letters; they are assigned creative power, both in the upper world of unification (synthesis) and the lower world of division (analysis). Moreover, they are described as the supernal mystical principle by which the upper and lower worlds were created.
“The counsel,” he said, “alludes to the sublime mystical knowledge which remains hidden and undisclosed save for those that fear the Lord continuously and thus prove themselves worthy of these secrets and able to keep them. Observe that the world has been made and established by an engraving of forty-two letters, all of which are the adornment of the Divine Name. These letters combined and soared aloft and dived downwards, forming themselves into crowns in the four directions of the world, so that it might endure. They then went forth and created the upper world and the lower, the world of unification and the world of division. . . . These forty-two letters thus constitute the supernal mystical principle; by them were created the upper and the lower worlds, and they indeed constitute the basis and recondite significance of all the worlds.”9
If the first forty-two layers above and below correspond to these forty-two letters, then the supreme forty-third layer represents the ain, the supreme Godhead that embodies the name as a whole. In this way, the ain may be viewed as the cosmic speaker to whom the name refers, while the forty-two letters represent the forms of divine speech that lead up to the realization of the name and identification with the cosmic speaker. This presents another version of the 42 + 1 = 43 immortal wisdom, expressed in terms of the unique divine name.
THE STAGES OF THE SONS OF ISRAEL
Yet another version of the same wisdom can be found in the Hebrew scriptures, where it is presented in the form of a historical-spiritual allegory. Many believe that the central, defining story for the historical Jewish tradition is Exodus, which chronicles the liberation of the ben Israel (sons of Israel) from their bondage in Egypt and their subsequent journey through the wilderness to Canaan, the Promised Land, where the immortal city of Jerusalem was to be built.
Although there is little doubt that this story describes a real historical event, it is also likely it was embellished and modified by Moses, Aaron, and their inner circle so that it could also be viewed as a spiritual allegory describing the journey of the soul from the state of mortal bondage (Egypt) to the state of immortal liberation (Canaan). In this light, the path that leads from Egypt to Canaan symbolizes the path of immortality.
We can find support for this interpretation in the thirty-third chapter of the Book of Numbers, the fourth book of the Hebrew scriptures, which begins: “These are the stages in the journey of the ben Israel, when they were led by Moses and Aaron in their tribal hosts out of Egypt. Moses recorded their starting-points stage by stage as the Lord commanded him.” What follows is a list of the sequential stages in the journey, which may be viewed as the “encampments” of the sons of Israel on their way to Canaan. It is interesting that many of the place names mentioned in this list are completely unknown; indeed, some are not mentioned anywhere else in the Bible. Why was the list compiled—and why was it placed in the thirty-third chapter of the Book of Numbers? The fact that this narrative is recorded in Numbers should tell us to pay careful attention to all the numbers involved. As we have discovered, the number 33 is very important and secret. In kabbalah it signifies the whole of the diagrammatic Tree of Life, which contains a total of 10 + 22 = 32 parts. The whole of the tree of life thus represents the thirty-third implied aspect, which rests upon the 32 parts.
Although most academic scholars believe that the tradition of kabbalah as a whole and the Tree of Life diagram specifically are relatively recent additions to Jewish lore, this assumption is based upon the earliest surviving written texts on the subject, which are not that old. According to its own traditional proponents, however, the kabbalah was passed down orally for a very long time before it was ever written. If the kabbalah was alive in the time of Moses, then it makes sense that a complete synopsis of its teachings would be recorded in the thirty-third chapter of the Book of Numbers, for 33 is the secret number of the whole Tree of Life.
This same number (33) also receives special emphasis in the list of encampments, which is presented unbroken except at one point: Immediately after the thirty-third stage in the journey is recited, corresponding to the encampment at the base of Mount Hor, there is a break in the narrative, followed by the description of Aaron’s death: “Aaron the priest went up Mount Hor at the commandment of the Lord, and there he died.” This is somewhat odd because the Book of Deuteronomy (10:6) states that Aaron died in Mosera.
We should also note that at this point, the Israelites had just come out of Egypt, where Moses had been raised in the royal court and surrounded by Egyptian symbolism. Hor in the Egyptian tradition refers to Horus, the son of Osiris, who was often conceived as a divine hawk and who was also viewed as having followed in his father’s footsteps by ascending beyond the shore (horizon) of this world to the shore (horizon) of the other world. For this reason, Horus was often referred to as the Lord of the Horizon.
This suggests that the story of Aaron’s death presented in the Book of Numbers carries symbolic weight. Coming immediately after the recitation of the thirty-third stage, the death of Aaron on Mount Hor appears to be an esoteric allusion to the death of physicality that is experienced when the soul ascends to the thirty-third layer, the shore of this world, and then enters into the cosmic sea of death that lies beyond the physical universe in the hopes of reaching the shore of the other immortal world.
Other than this single interruption, the list continues in an unbroken sequence, marking the stages in the journey from the first encampment just outside of Egypt to the last encampment, which lies just across the river Jordan from the land of Canaan. How many encampments were counted altogether? Exactly forty-two! The land of Canaan itself thus represents the forty-third and final encampment, where the immortal city of Jerusalem was to be built. We can say, then, that there were 42 + 1 = 43 stages in the journey of the ben Israel, from their first liberated stage outside of Egypt to their final stage in the immortal land of Canaan itself. Just as the Egyptians mapped out the forty-two stages of the path of immortality along the course of the Nile, so the Israelites mapped out the forty-two stages of the path along the course of their journey from Egypt to Canaan.
CULTURAL CORRESPONDENCES
In spite of the fact that the Vedic, Hebrew, and Egyptian sages spoke different languages, had different social customs, worshipped different gods, and practiced different religions, it appears that they all shared the same spiritual map of the layers of the metaphysical Logos and the path of immortality.
Due to the geographic proximity of the Egyptian and Hebrew cultures along with the fact that the Israelites actually lived in Egypt for some four hundred years, we can suppose that the Hebrew and Egyptian traditions came to share the same knowledge through some type of cultural dissemination. We cannot, however, come to the same conclusion with respect to the Vedic culture, which evolved thousands of miles away and employed a language belonging to a completely different language group. Contact between the Vedic culture and the Hebrew and Egyptian cultures was extremely limited.
In addition, each of the three cultures viewed its wisdom as a cultural treasure not to be shared with outsiders. The secret nature of the wisdom precluded it even being shared with the common people of each culture; it was the unique province of the elite classes—the rulers and priests. As we have seen, the common people received only glimpses of the knowledge in the form of childlike myths and arcane symbols. The deeper meanings were passed down by the hereditary tradition of initiates sworn to secrecy. It is almost unthinkable that these initiates would share their secret and immortal wisdom with “foreigners” who spoke a different language, practiced different customs, and worshipped different gods. Yet somehow, all three traditions came to possess the same knowledge.
It seems reasonable to presume that some form of cultural dissemination was necessary for this to occur, but perhaps no cultural dissemination was necessary at all—perhaps the immortal wisdom is inherent in human consciousness, where anyone, anywhere, at any time can tap into it on the basis of pure intuition. Perhaps, then, all three traditions originated the wisdom on the basis of their own enlightened consciousness.
The ancients predicted that eventually their lost wisdom would be rediscovered; at the end of a long cycle of ages spanning thousands of years, human intuition would once again begin to grasp the ultimate purpose and meaning of life, the universe, and everything. The very fact that this book has been written suggests that the immortal wisdom is percolating once again in human consciousness. This percolation may be more conscious in some and more subconscious in others, but we are all in the same boat—and the boat is moving inevitably toward its destination. To illustrate this fact, we can look to an interesting phenomenon in pop culture.
THE ANSWER TO LIFE, THE UNIVERSE, AND EVERYTHING
Typing “the answer to life, the universe, and everything” into Google’s search engine produces this result at the top of the list: “The answer to life, the universe, and everything = 42.”
Yet this does not necessarily mean that the programmers are aware consciously of the ancient immortal wisdom, which employed forty-two layers to explain the ultimate purpose and meaning of life, the universe, and everything. In actuality, the answer provided by the Google calculator is a parody of the same answer provided by the hypercomputer Deep Thought in Douglas Adams’s popular book The Hitchhiker’s Guide to the Galaxy. Deep Thought, deemed the second greatest computer of all space and time, was constructed by a hyperintelligent race of pandimensional beings to provide the ultimate answer to life, the universe, and everything. After seven and a half million years of continuous calculation, the computer finally arrived at the answer 42.
The two pandimensional beings responsible for overseeing the computer’s work were named Loonquawl and Phouchg. Upon hearing the answer, Loonquawl exclaimed: “Forty-two! Is that all you have to show for seven and a half million years’ work?” Deep Thought replied: “I checked it very thoroughly, and that quite definitely is the answer. I think the problem, to be quite honest with you, is that you’ve never actually known what the question is. . . . So once you do know what the question actually is, you’ll know what the answer means.”10
One of the computer operators then asked Deep Thought if it could tell them the question. It replied, “No. But I’ll tell you who can.” Deep Thought then described the greatest computer of all space and time, which was to be its successor: “a computer of such infinite and subtle complexity that organic life shall form part of its operational matrix.” That ultimate computer, designed to provide the ultimate question for the ultimate answer, was called Earth.
The answer to life, the universe, and everything presented in Adams’s humorous story has been woven into our popular, computer-based culture and has been embraced by many programmers—including the programmers of the Google calculator. Although it is all a matter of good fun and should not be taken seriously, for some reason the answer provided by Deep Thought has found a deep resonance in the human psyche. It has also spawned a wealth of speculation as to how Adams came up with the number. On one of his discussion forums is a posted Adams reply: “It was a joke. It had to be a number, an ordinary, smallish number, and I chose that one. . . . I sat at my desk, stared into the garden and thought, ‘Forty-two will do.’ I typed it out. End of story.”
According to Adams, the whole thing was intended as a joke, a parody on humankind’s endless quest to find the answer to the meaning of life, the universe, and everything. Sometimes, however, our spontaneous whims, drawn even in jest, provide the best possible answer to a given question. Deep Thought’s answer appears to resonate with the human psyche—but why?
Perhaps this resonance is based upon the fact that, after thousands of years of thought, this was the same answer provided by deep thinkers of the ancient past. Yet the answer is more than just the number 42. To understand what it means, 42 must be viewed as a quantity, rather than as a pure number. According to the ancients, the number corresponds to the first forty-two layers above the half measure—that is, the path of immortality. Since the ancients viewed the ultimate purpose of life, the universe, and everything as involving the pursuit of immortality, the forty-two layers represent the answer to the ultimate question concerning the meaning of it all.
While Adams may not have had any direct knowledge of the immortal Vedic, Egyptian, and Hebrew wisdom when he composed his book, his wisdom was nevertheless brewing in his awareness and became encapsulated by his spontaneous and whimsical answer. This answer was then embraced by pop culture, because that same wisdom is brewing currently in the awareness of everyone, whether or not we are conscious of it. The implication is that human awareness is ripe for the spontaneous rediscovery of the ancient immortal wisdom. It means simply remembering what has been forgotten, and bringing to conscious awareness what has been submerged in our collective subconscious for thousands of years.