Web sites
Ammerman Center for Arts and Technology, Connecticut College, New London. http://www.conncoll.edu/CAT/
Ars Electronica, Linz, Austria. http://www.aec.at/
Art and Genomics Center, Leiden, Netherlands. http://www.artsgenomics.org/
Art and Science Collaborations, New York City. http://www.asci.org/
Australian Network for Art and Technology, Adelaide, South Australia. http://anat.org.au/
Center for Digital Arts and Experimental Media, University of Washington, Seattle. http://dxarts.washington.edu/
Department of the Arts (iEAR, Integrated Electronic Arts at Rensselaer), Rensselaer Polytechnic Institute, Troy, New York. http://arts.rpi.edu/
Design Interactions, Royal College of Art, London. http://www.design-interactions.rca.ac.uk/
Electronic Visualization Laboratory, University of Illinois at Chicago. http://www.evl.uic.edu/
Humanities, Arts, Science, and Technology Alliance and Collaboratory. http://www.hastac.org/
Institut de Recherche et Coordination Acoustique/Musique, Paris. http://www.ircam.fr/
Institute of Advanced Media Arts and Sciences, Ogaki, Gifu, Japan. http://www.iamas.ac.jp/en/
Interactive Telecommunications Program, Tisch School of the Arts, New York University. http://itp.nyu.edu/
MIT Media Lab, Cambridge, Massachusetts. http://media.mit.edu/
MIT Program in Art, Culture, and Technology, Cambridge, Massachusetts. http://act.mit.edu/
Zentrum für Kunst und Medientechnologie/Center for Art and Media, Karlsruhe, Germany. http://zkm.de/
General bibliography
Alexenberg, M. The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness. 2nd ed. Bristol, Intellect Ltd., 2011.
Arends, B.; Thackara, D. Experiment: Conversations in Art and Science. London, Wellcome Trust, 2005.
Artec. Exhibition Catalogues, First and Second Biennials. Nagoya, 1989 and 1991.
Calvesi, M. Biennial Exhibition Catalogue, Art and Science. Venice, 1986.
Changeux, J.-P. Raison et plaisir. Paris, Odile Jacob, 1994.
Clair, J.; Changeux, J.-P. Exhibition Catalogue, L’âme au corps: art et sciences 1793–1993, Grand Palais. Paris, Réunion des musées nationaux/Gallimard, 1993–94.
Clarke, A.; Mitchell, G. Videogames and Art. 2nd ed. Bristol, Intellect Ltd., 2014.
Cook, T. The Curves of Life. New York, Dover, 1979.
Daston, L. (ed). Things That Talk: Object Lessons from Art and Science. Cambridge, Massachusetts, MIT Press, 2007.
Druckrey, T. (ed.). Ars Electronica: Facing the Future; A Survey of Two Decades. Cambridge, Massachusetts, MIT Press, 1999.
Ede, S. Art and Science. London, I. B. Tauris, 2005.
Emmer, M. The Visual Mind: Art and Mathematics. Cambridge, Massachusetts, MIT Press, 1993.
———. The Visual Mind II. Cambridge, Massachusetts, MIT Press, 2006.
Frieling, R.; Daniels, D. (eds.). Medien Kunst Netz/Media Art Net 1. Vienna, Springer, 2004.
———. Medien Kunst Netz/Media Art Net 2. Vienna, Springer, 2005.
Fuller, M. (ed.). Software Studies: A Lexicon. Cambridge, Massachusetts, MIT Press, 2008.
Gould, S. J.; Purcell, R. W. Crossing Over: Where Art and Science Meet. New York, Three Rivers Press, 2000.
Graubard, S. R. (ed.). Art and Science. The Daedalus Journal of the American Academy of Arts and Sciences. Lanham, Maryland, University Press of America, 1986.
Hartal, P. Z. The Brush and the Compass: The Interface Dynamics of Art and Science. Lanham, Maryland, University Press of America, 1988.
Haskell, F. Art as a Prophecy: History and Its Images. New Haven, Yale University Press, 1995, pp. 389–430.
Hofstadter, D. R. Gödel, Escher, Bach: An Eternal Golden Braid. New York, Basic Books, 1980.
Jones, C. Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, Massachusetts, MIT Press, 2006.
Kappraff, J. Connections: The Geometric Bridge between Art and Science. New York, McGraw-Hill Inc., 1991.
Kemp, M.; Wallace, M. Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now. Berkeley, University of California Press, 2001.
Kepes, G. The New Landscape in Art and Science. Chicago, Theobald and Co., 1956.
Kluver, B.; Martin, J.; Rose, B. (eds.). Pavilion: Experiments in Art and Technology. New York, E. P. Dutton, 1972.
Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Cambridge, Massachusetts, MIT Press, 1968–
Leshan, L.; Margenau, H. Einstein’s Space and Van Gogh’s Sky. New York, Collier, 1982.
Levy, E. K.; Sichel, B. M. (eds.). Contemporary Art and the Genetic Code. Art Journal, New York, College Art Association, Vol. 55, No. 1, 1996.
Merleau-Ponty, M. L’oeil et l’esprit. Paris, Gallimard, 1964.
Naguy, L. Vision in Motion. Chicago, 1947.
O’Sullivan, D.; Igoe, T. Physical Computing: Sensing and Controlling the Physical World with Computers. Boston, Thomson, 2004.
Pollock, M. (ed.). Common Denominators in Art and Science. Aberdeen University Press, 1983.
Popper, F. Exhibition Catalogue, Électra: l’électricité et l’électronique dans l’art au xxe siècle. Musée d’Art Moderne de la Ville de Paris, 1983.
Robin, H. The Scientific Image. New York, Freeman, 1992.
Root-Bernstein, R. The Visual Arts and Sciences. Transaction. Philadelphia, The American Philosophical Society, Vol. 75/6, 1985, pp. 50–68.
Root-Bernstein, R.; Root-Bernstein, M. Sparks of Genius. Boston–New York, Houghton Mifflin Co., 1999.
Shaw, J.; Weibel, P. (eds.). Future Cinema: The Cinematic Imaginary after Film. Cambridge, Massachusetts, MIT Press, 2004.
Shlain, L. Art and Physics. New York, William Morrow and Co., 1991.
Smith, C. S. A Search for Structure: Selected Essays on Science, Art and History. Cambridge, Massachusetts, MIT Press, 1981.
Sommerer, C.; Mignonneau, L. (eds.). Art@Science. New York, Springer, 1998.
Thacker, E. The Global Genome: Biotechnology, Politics, and Culture. Cambridge, Massachusetts, MIT Press, 2005.
Thompson D’Arcy, W. On Growth and Form. Cambridge University Press, 1961.
Topper, D. R. Historical Perspectives on the Arts, Sciences and Technology. Leonardo, Cambridge, Massachusetts, MIT Press, Vol. 18, No. 1, 1985.
Valéry, P. Selected Writings of Paul Valéry. New York, W. W. Norton, 1991.
Vitz, P. C.; Glimcher, A. B. Modern Art and Modern Science. New York, Praeger, 1984.
Wechsler, J. On Aesthetics in Science. Cambridge, Massachusetts, MIT Press, 1981.
Wijers, L.; Pijnappel, J. Art Meets Science and Spirituality. New York, St. Martin’s Press, 1990.
Wilson, S. Information Arts: Intersections of Art, Science, and Technology. Cambridge, Massachusetts, MIT Press, 2002.
Art history
Arnheim, R. Visual Thinking. Berkeley, University of California Press, 1970.
Beck, J.; Daley, M. Art Restoration: The Culture, the Business and the Scandal. London, John Murray, 1993.
Cook, E. T.; Wedderburn, A. (eds.). The Works of John Ruskin. London/New York, 1903–12.
Focillon, H.; Kubler, G. (transl.). The Life of Forms in Art. Brooklyn, Zone Books, 1992.
Gablik, S. Progress in Art. London, Thames and Hudson, 1976.
Goethe, J. W. von; Geary, J. (ed.). Essays on Art and Literature. Princeton University Press, 1994.
Gombrich, E. H. Art and Illusion. New York, Pantheon Books, 1972.
Greenberg, C. Art and Culture. Boston, Beacon Press, 1961.
Huyghe, R. Formes et forces de l’atome à Rembrandt. Paris, Flammarion, 1971.
Janson, H. W. History of Art. New York, Abrams, 1991.
Logan, C.; Liedtke, W. A.; Van Sonnenburg, H. Exhibition Catalogue, Rembrandt/Not Rembrandt: Aspects in Connoisseurship. Metropolitan Museum of Art, New York, 1995.
Panofsky, E. Meaning in the Visual Arts. Woodstock, Overlook Press, 1974.
Panofsky, E.; Wood, C. S. (transl.). Perspective as Symbolic Form. Brooklyn, Zone Books, 1997.
Read, H. E. The Philosophy of Modern Art. London, Faber and Faber, 1982.
———. Art and Alienation: the Role of the Artist in Society. New York, Horizon, 1967.
Renfrew, C.; Bahn, P. Archaeology: Theories, Methods and Practice. London, Thames and Hudson, 1991.
Vasari, G.; Hinds, A. B. (transl.); Gaunt, W. (ed.). Lives of the Most Eminent Painters, Sculptors and Architects. New York, Dutton, 1963.
History of science and ideas
Boorstin, D. J. The Discoverers. New York, Vintage Books, 1983.
Burke, J. The Day the Universe Changed. London and Boston, Little, Brown and Co., 1985. BBC television series.
Canguilhem, G.; Delaporte, F. (eds.). A Vital Rationalist: Selected Writings. Brooklyn, Zone Books, 1994.
Clark, R. W. Einstein: The Life and Times. New York, Avon, 1971.
Diderot, D.; Alembert, J. Le Rond d’. A Pictorial Encyclopedia of Trades and Industry. New York, Dover, 1993.
Hancock, G. Fingerprints of the Gods: A Quest for the Beginning and the End. New York, Crown, 1995.
Koyré, A. Metaphysics and Measurement: Essays in the Scientific Revolution. Cambridge, Massachusetts, Harvard University Press, 1968.
Kuhn, T. The Structure of Scientific Revolutions. University of Chicago Press, 1996.
Landes, D. S. Revolution in Time: Clocks and the Making of the Modern World. Cambridge, Massachusetts, Harvard University Press, 1983.
Needham, J. Science and Civilization in China. Cambridge University Press, 1954.
Neugebauer, O. The Exact Sciences in Antiquity. New York, Dover Publications, 1957.
Popper, K. Objective Knowledge: An Evolutionary Approach. Oxford, 1972.
Ronan, C. The Cambridge Illustrated History of the World’s Science. Twickenham, Middlesex, Newnes Books, 1983.
Russell, B. History of Western Philosophy. London, Unwin Paperbacks, 1982.
Seamon, D.; Zajonc, A. (eds.). Goethe’s Way of Science: A Phenomenology of Nature. State University of New York, 1998.
Van Doren, C. A History of Knowledge. New York, Ballantine, 1992.
Creativity and cognitive sciences
Boorstin, D. J. The Creators. New York, Vintage Books, 1993.
Collins, A.; Smith, E. E. (eds.). Readings in Cognitive Science: A Perspective from Psychology and Artificial Intelligence. San Mateo, California, Morgan Kaufmann, 1988.
Edwards, B. Drawing on the Artist Within. New York, Simon and Schuster, 1986.
Einstein, A. Autobiographical Notes. In P. A. Schilpp (ed.), Albert Einstein: Philosopher-Scientist. Evanston, Illinois, The Library of Living Philosophers, 1949.
Gardner, H. Art, Mind and Brain: A Cognitive Approach to Creativity. New York, Basic Books, 1982.
———. Creating Minds. New York, Basic Books, 1993.
———. Multiple Intelligences. New York, Basic Books, 1993.
Gruhle, H. W.; Jung, R.; Mayer-Gross, W.; Müller, M. (eds.). Psychiatrie der Gegenwart: Forschung und Praxis. Berlin, Springer, 1967.
Hadamard, J. The Psychology of Invention in the Mathematical Field. New York, Dover, 1954.
Jung, C. G. Man and His Symbols. London, Aldus, Jupiter, 1979.
Koestler, A. The Act of Creation. London, Hutchison, 1976.
Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York, Springer, 1996.
Piaget, J. In P. Mussen (ed.), Piaget’s Theory: Manual of Child Psychology. New York, Wiley, 1983.
Poincaré, H. Science and Hypothesis. New York, Dover, 1952.
Ramon y Cajál, S. Recollections of My Life. Philadelphia, The American Philosophical Society, 1937.
Solso, R. L. Cognition and the Visual Arts. Cambridge, Massachusetts, MIT Press, 1994.
Van t’Hoff, J. H. Imagination in Science. Molecular Biology, Biochemistry and Biophysics, 1967.
Weisberg, R. Creativity: Genius and Other Myths. New York, Freeman, 1986.
Wotiz, J. H; Rudofsky, S. Kékulé’s Dream: Fact or Fiction? Chemistry in Britain, 1954.
Zeki, S. A Vision of the Brain. Oxford, Blackwell, 1993.
Science in architecture
Frampton, K.; Cava, J. (eds.). The Poetics of Construction in the Nineteenth and Twentieth Century. Cambridge, Massachusetts, MIT Press, 1996.
Galison, P. Aufbau/Bauhaus: Logical Positivism and Architectural Modernism. Critical Inquiry, 1990.
Giedion, S. Space, Time and Architecture. Cambridge, Massachusetts, Harvard University Press, 1967.
Kostoff, S. History of Architecture. New York, Oxford University Press, 1995.
Le Corbusier. Modulor. Cambridge, Massachusetts, MIT Press, 1968.
Long, De G.; Brownlee, D. B. Louis I. Kahn: In the Realm of Architecture. New York, Universe Publishing Inc., 1997.
Panofsky, E. Gothic Architecture and Scholasticism. Latrobe, Pennsylvania, Archabbey Press, 1951.
Pevsner, N. The Sources of Modern Architecture and Design. Oxford, Oxford University Press, 1977.
Picon, A. (ed.). Exhibition Catalogue, L’art de l’ingénieur. Constructeur, entrepreneur, inventeur. Paris, Éditions du Centre Pompidou–Le Moniteur, 1997.
Scholfield, P. H. The Theory of Proportion in Architecture. Cambridge University Press, 1958.
Viollet-Le-Duc, E. In M. F. Hearn (ed.), Architectural Theory: Readings and Commentary. Cambridge, Massachusetts, MIT Press, 1990.
Vitruvius. In M. H. Morgan (ed.), The Ten Books on Architecture. New York, Dover, 1960.
Decoration: a path to hi-tech
Christie, A. H. Pattern Design. New York, Dover, 1969.
Critchlow, K. Islamic Patterns: An Analytical and Cosmological Approach. London, Thames and Hudson, 1989.
Engel, P. Folding the Universe: Origami from Angelfish to Men. New York, Vintage Books, 1989.
Gombrich, E. H. The Sense of Order: A Study in the Psychology of the Decorative Arts. London, Phaidon, 1994.
Grunbaum, S. Tiling and Patterns. New York, Freeman and Co., 1987.
Hogarth, W. The Analysis of Beauty, Written with a View of Fixing the Fluctuating Ideas of Taste. London, 1753.
Mandelbrot, B. The Fractal Geometry of Nature. New York, W. H. Freeman, 1983.
McCarty, C. Information Art: Diagramming Microchips. New York, The Museum of Modern Art, 1990.
Osborne, H. (ed.). The Oxford Companion to the Decorative Arts. Oxford, Clarendon Press, 1975.
Pasteur, L. Les forces cosmiques asymétriques. Unpublished manuscript. Paris, Institut Pasteur.
Rhodes, L. Science within Art. The Cleveland Museum of Art, 1980.
Smith, C. S. A History of Metallography. Chicago University Press, 1960.
———. Aspects of Art and Science. Cambridge, Massachusetts, MIT Press, 1978.
Stevens, P. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions. Cambridge, Massachusetts, MIT Press, 1981.
Weyl, H. Symmetry. Princeton University Press, 1952.
Zerwick, C. A Short History of Glass. The Corning Museum of Glass. New York, Abrams, 1990.
Painting and cognition
Albers, J. Interaction of Colors. New Haven, Yale University Press, 1975.
Alberti. On Painting. New Haven, Yale University Press, 1966.
Apollinaire, G.; Suleiman, S. (transl.). Apollinaire on Art: Essays and Reviews, 1902–1918. Da Capo, 1988.
Arnheim, R. The Genesis of a Painting: Picasso’s Guernica. Berkeley, University of California Press, 1962.
Baltrušaitis, J. Anamorphic Art. Cambridge University Press, 1977.
Bernard, E.; Gasquet, J. (eds.). Conversations avec Cézanne. Paris, Macula, 1978.
Braque, G. Le jour et la nuit. Paris, Gallimard, 1952. (Cahiers.)
Brusatin, M. A History of Colors. Boston, Shambhala, 1991.
Burwick, F.; De Gruyter, W. (eds.). The Damnation of Newton: Goethe’s Color Theory and Romantic Perception. Dusseldorf, Walter Verlag, 1986.
Cachin, F. Seurat. Le rêve de l’art-science. Paris, Gallimard, 1991. (Découvertes.)
Cézanne, P. In I. Cahn, H. Loyrette, J. J. Rishel and F. Cachin (eds.), Cézanne. New York, Abrams, 1996.
Clair, J. Éloge du visible. Paris, Gallimard, 1996.
———. Psychanalyse et symbolisme. Exhibition Catalogue, Paradis perdus: l’Europe symboliste. Montreal, Musée des Beaux-Arts/Paris, Flammarion, 1995.
Clouzot, H.-G. Le mystère Picasso. Film, 1955.
Comar, P. La perspective en jeu. Les dessous de l’image. Paris, Gallimard, 1992. (Découvertes.)
———. Les images du corps. Paris, Gallimard, 1993. (Découvertes.)
Constable, J. Memoirs of the Life of John Constable. London, Jonathan Mayne, 1951.
Duparc, F. J.; Wheelock, A. K. Jr. (eds.). Exhibition Catalogue, Johannes Vermeer. Washington, National Gallery of Art/The Hague, Mauritshuis. Zwolle, Waanders Publishers, 1996.
Edgerton, S. Y. Jr. The Heritage of Giotto’s Geometry: Art and Science on the Eve of the Scientific Revolution. Ithaca, New York, Cornell University Press, 1991.
Flam, J. Exhibition Catalogue, De Cézanne à Matisse. Chefs-d’œuvre de la fondation Barnes. Paris, Gallimard Électa/Réunion des musées nationaux, 1993, pp. 274–91.
Freud, S. In J. Strachey (ed.), Civilization and its Discontents. New York, W. W. Norton and Company, 1989.
Ginzburg, C. Enquête sur Piero della Francesca. Paris, Flammarion, 1983.
Gleizes, A. Art et religion, art et science, art et production. Chambéry, Présence, 1970.
Helmholtz, H. Handbuch der Physiologisschen Optik. Hamburg–Leipzig, Voss, 1867.
Henderson, L. The Fourth Dimension and Non-Euclidian Geometry in Modern Art. Princeton University Press, 1984.
Henry, C. Paul Signac. Paris, Cahiers de l’Étoile, 1931.
Hulten, P. (ed.). Futurismo & futurismi. Milan, Fabbri, 1986.
Kahnweiler, D. H. Juan Gris, sa vie, son œuvre. Paris, Gallimard, 1946.
Kandinsky, W. Concerning the Spiritual in Art. New York, Dover, 1977.
Kemp, M. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven, Yale University Press, 1992.
Klee P. On Modern Art. In H. Day (ed.), Advances in Intrinsic Motivation and Aesthetics. New York, Plenum Press, 1981.
Loran, E. Cézanne’s Composition: Analysis of his Form with Diagrams and Photographs of his Motifs. Berkeley, University of California Press, 1947.
Malevitch, K. Le miroir suprématiste. Lausanne, L’âge d’homme, 1977.
Matisse, H. Écrits et propos sur l’art. Paris, Hermann, 1972.
Molnar, F. About the Role of Visual Exploration in Aesthetics. In H. Day (ed.), Advances in Intrinsic Motivation and Aesthetics. New York, Plenum Press, 1981.
Mondrian, P. Plastic Art and Pure Plastic Art. In H. B. Chipp (ed.), Theories of Modern Art. Berkeley, University of California Press, 1968.
Penrose, R. Max Ernst’s Celebes. University of Newcastle-upon-Tyne, 1972.
Prinzhorn, H.; Brockdorff, E. Von (transl.). In J. L. Foy (ed.), Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration. New York, Springer-Verlag, 1995.
Signac, P. Neo-impressionism. Concord, Massachusetts, Paul & Company Publishers Consortium, Inc., 1990.
Waddington, C. H. Behind Appearances, a Study of the Relations between Painting and the Natural Sciences this Century. Cambridge, Massachusetts, MIT Press, 1970.
The language of graphic design
Anderson, D. The Art of Written Forms: The Theory and Practice of Calligraphy. New York, Holt, Rinehart and Winston, 1969.
Baumunk, B. M. Exhibition Catalogue, Darwin und Darwinismus. Deutsches Hygiene Museum Dresden. Berlin, Akademie Verlag, 1994.
Dürer, A. Underweisung der Messung. New York, Albaris Books, 1977.
Ford, B. J. A History of Scientific Illustration. New York, Oxford University Press, 1992.
Fridlund, A. J. Human Facial Expression: An Evolutionary View. London, Academic Press, 1994.
Hooke, R. Micrographia. In R. T. Gunther (ed.), Early Science in Oxford series, Vol. 13. Oxford University Press, 1938.
Jean, G. Writing: The Story of Alphabets and Scripts. New York, Abrams Discoveries, 1987.
McLuhan, M. The Gutenberg Galaxy: The Making of Typographic Man. University of Toronto, 1962.
———. Understanding Media: The Extensions of Man. New American Library, 1964.
Meehan, B. The Book of Kells. London, Thames and Hudson, 1995.
Meggs, P. B. A History of Graphic Design. New York, Van Nostrand Reinhold, 1992.
Rodari, F. Exhibition Catalogue, Anatomie de la couleur. L’invention de l’estampe en couleurs. Paris, Bibliothèque Nationale de France/Lausanne, Musée Olympique, 1996.
Roger, J.; Bonnefoi, L. S. (transl.). Buffon. Ithaca, Cornell University Press, 1997.
Rosenblum, N. A World History of Photography. 4th ed. New York, Abbeville Press, Inc., 2007.
Sachsse, R. Blossfeldt. Cologne, Taschen, 1996.
Schwartz, L.; Schwartz, L. The Computer Artist’s Handbook. New York, Norton, 1992.
Technique and the performing arts
Abraham, G. The Concise Oxford History of Music. New York, Oxford University Press, 1991.
Braun, M. Picturing Time: The Work of Étienne-Jules Marey. University of Chicago Press, 1994.
Cope, D. Computers and Musical Style. Berkeley, University of California Press, 1991.
Helmholtz, H. On the Sensations of Tone. New York, Dover, 1954.
Jung, D. Holographic Space: A Historical View and some Personal Experiences. Leonardo. Cambridge, Massachusetts, MIT Press, Vol. 22, Nos. 3–4, 1989, pp. 331–6.
Levenson, T. Measure for Measure: A Musical History of Science. New York, Simon and Schuster, 1994.
Muybridge, E. Complete Human and Animal Locomotion. New York, Dover Publications, 1979.
Popper, F. Art of the Electronic Age. London, Thames and Hudson, 1993.
Restany, P. Catherine Ikam: le grand jeu de la vidéo. Paris, Maeght, 1991.
Saccone, S. The Secrets of Stradivari. Cremona, Libraria del Convegno, 1972.
Thompson, S. P. Light, Visible and Invisible. New York, Macmillan, 1987.
Xenakis, I. Formalized music. Bloomington, Indiana University, 1971.
———. Diatope, plastic and musical composition, 1978.