Appendix 2

Major Myths

EPIC SOURCES

The Rimagemimageyaimagea is one of the most important sources for the commentators who write on the poems of the imageimagevimager. Periyavimageccimageimage Piimageimageai, in particular, does not pass up an opportunity to cite from the Vimagelmimageki Rimagemimageyaimagea. The Vimagelmimageki Rimagemimageyaimagea consists of seven books in total. I summarize the major plot elements of each book below. The number and the name of the relevant book are given within parenthesis at the conclusion.

Rimagemimageyaimagea

King Daimagearatha of Ayodhyimage has three principal wives—Kausalyimage, Sumitrimage, and Kaikeyimage. After being childless for a number of years, he performs a grand sacrifice and is blessed with four sons, who are all emanations of Viimageimageu. Rimagema is the eldest and is born to Kausalyimage. Sumitrimage gives birth to two sons, Lakimagemaimagea and imageatrughna, while Kaikeyimage is mother to Bharata. The boys grow up into handsome and noble princes, with Rimagema beloved by all, for he embodies every virtue.

When they are but mere youth, Rimagema and Lakimagemaimagea accompany the great sage Viimagevimagemitra into the forest to aid him in vanquishing demons, who seek to disrupt his great sacrifice. During their sojourn they defeat the demoness Timageimageakimage, release the beautiful Ahalyimage from a curse, and acquire various magical weapons. Viimagevimagemitra then takes the boys to the city of Mithilimage, ruled by King Janaka. Rimagema wins a contest and marries the king’s lovely daughter, Simagetimage. Rimagema and Lakimagemaimagea and their wives return to Ayodhyimage triumphant, and thus spend many blissful years (Book 1: Bimagelakimageimageimagea).

One day, Daimagearatha, aware of his old age, decides to anoint Rimagema as his successor. He makes the announcement immediately, even though Bharata is away. Everyone is delighted by the news, except a loyal maid to Queen Kaikeyimage. She convinces the noble Kaikeyimage that it is not in her best interests for Rimagema to become king, and urges her to redeem two promised boons from Daimagearatha. Kaikeyimage does so, requesting that Bharata be made king in Rimagema’s place, and that Rimagema be exiled to the forest for fourteen years. Daimagearatha is heartbroken, but accedes to her wishes, because he cannot go back on his word. Rimagema accepts his father’s decree without comment or protest, and prepares for his exile. Both Lakimagemaimagea and Rimagema’s wife Simagetimage insist on accompanying him to exile, and the three of them leave. Daimagearatha, separated from his beloved Rimagema, dies of a broken heart.

Bharata returns to hear the news of Rimagema’s exile. He is thunderstruck and falls into a swoon. He disowns his mother and prepares to follow Rimagema into the forest, and to beg him to return. Bharata implores Rimagema to forgo his exile, but Rimagema, steadfast in upholding his father’s vow, refuses. Bharata eventually accepts Rimagema’s decision, and agrees to rule in his place for the duration of his exile. He takes Rimagema’s sandals as a symbol, installs them on the throne of Ayodhyimage, and vows not to enter the city until Rimagema returns. He swears that should Rimagema not return in exactly fourteen years, he, Bharata, would leap into the fire and kill himself. (Book 2: Ayodhyimagekimageimageimagea)

Rimagema and Simagetimage have many adventures in the forest. Toward the end of their exile, imageimagerpaimageakhimage, the demon sister of Rimagevaimagea, the king of Laimageka, falls in love with Rimagema and attempts to seduce him. imageimagerpaimageakhimage sees the beautiful Simagetimage, decides to kill her rival, and attacks her. Lakimagemaimagea intervenes and mutilates her. When a local band of demon relatives are unable to defeat the two princes, imageimagerpaimageakhimage turns to her brother Rimagevaimagea and secures his aid by inciting his lust for Simagetimage.

Rimagevaimagea decides to abduct Simagetimage and enlists the help of Mimagerimageca, whom he commands to assume the form of a magical deer. Mimagerimageca prances in front of Simagetimage and beguiles her with his false beauty. Simagetimage requests Rimagema to capture the deer for her, and Rimagema agrees to do so, despite Lakimagemaimagea’s warnings. Rimagema chases the deer, corners it, and kills it. But Simagetimage urges Lakimagemaimagea to follow Rimagema. Lakimagemaimagea refuses, but eventually agrees, defying Rimagema’s orders. Rimagevaimagea seizes the opportunity and abducts Simagetimage. The great vulture king Jaimageimageyus gives chase, but is killed. Rimagevaimagea imprisons Simagetimage in his island city of Laimageka. (Book 3: Araimageyakimageimageimagea)

Rimagema and Lakimagemaimagea return to find Simagetimage gone. Rimagema is distraught, but urged by Lakimagemaimagea he begins the search. Finally, the two brothers find themselves in Kiimagekindhimage, the land of the monkeys, where they meet Hanumimagen and his friend Sugrimageva. Sugrimageva is an exiled monkey prince, and Rimagema aids him to regain his throne, after securing his promise of aid in return. Rimagema secretly kills Vimagelin, Sugrimageva’s brother, and installs Sugrimageva on the throne of Kiimagekindhimage. As the monsoon arrives, Sugrimageva forgets his promise and the monkeys are immersed in having a good time. Rimagema sends Lakimagemaimagea as an emissary to Sugrimageva and once again secures his help. All of the monkeys, including Sugrimageva, Vimagelin’s son, Aimagegada, and Hanumimagen rally to support Rimagema. (Book 4: Kiimagekindhimagekimageimageimagea).

Sugrimageva dispatches his monkey army to search for Simagetimage. Hanumimagen and a small contingent of monkeys are sent south, where they learn that Simagetimage is in Laimageka. Hanumimagen, who is the son of the wind, and is blessed with great strength and wisdom, leaps across the ocean to Laimageka. He searches far and wide for Simagetimage, until he finds her imprisoned in a grove of aimageoka trees. He introduces himself as Rimagema’s messenger and gifts her with Rimagema’s ring. Hanumimagen offers to rescue her, but Simagetimage refuses, not willing to be touched by any man other than her husband. She requests Hanumimagen to urge Rimagema to hurry to Laimageka and avenge the insult to her (and his) honor. Hanumimagen causes havoc in Laimageka and allows himself to be captured by Rimagevaimagea’s guards. Rimagevaimagea punishes him by setting fire to his tail. Hanumimagen, in turn, escapes and burns down Laimageka. Hanumimagen returns to Rimagema and gives him Simagetimage’s message. (Book 5: Sundarakimageimageimagea)

Rimagema and his monkey army ready for battle. Rimagevaimagea’s advisors warn him of Rimagema’s might and valor, but he ignores them. Chief among his detractors is his brother, Vibhimageimageaimagea, who is virtuous and noble. Unable to support Rimagevaimagea’s misguided actions, Vibhimageimageaimagea defects and surrenders to Rimagema. Rimagema accepts him into the fold, despite the warnings of his allies, saying that he would give refuge to even an enemy if he came in the guise of a friend. Vibhimageimageaimagea proves an invaluable asset. Rimagema and his army of monkeys build a bridge across the ocean to Laimageka. A terrible battle rages between the forces of Rimagema and Rimagevaimagea, and finally, Rimagema kills Rimagevaimagea.

Simagetimage is freed, and she returns to Rimagema. Rimagema however rejects her, and demands that she enter the fire to prove her chastity. She does so and emerges from the flames, unscathed. Rimagema and Simagetimage are reunited. They return to Ayodhyimage, where a jubilant Bharata and the entire citizenry of Ayodhyimage greet them. Rimagema is crowned, and rules over a happy and peaceful Ayodhyimage for a number of years (Book 6: Yuddhahakimageimageimagea).

Rimagema and Simagetimage rule for several years, until rumors surface among the population of Ayodhyimage of Simagetimage’s infidelity with Rimagevaimagea. Rimagema, cleaving to the role of a good king, banishes the pregnant Simagetimage, although he knows the rumors to be false. Many years later, Rimagema performs a sacrifice, at which the twin boys Lava and Kuimagea, students of Vimagelmimageki, recite the story of Rimagema. He discovers that they are his sons, and Rimagema is ready to reclaim Simagetimage. Simagetimage, however, has suffered too much, refuses, and disappears into the bosom of the Earth from which she was born. Rimagema, unable to bear this final separation from Simagetimage, divides the kingdom between his two sons, enters the Sarayimage river, accompanied by the citizens of Ayodhyimage, and returns to Viimageimageu’s abode. (Book 7: Uttarakimageimageimagea).

Mahimagebhimagerata

The Mahimagebhimagerata is not as significant a text for the commentators as the Rimagemimageyaimagea. In their commentaries to the Tiruppimagevai and Nimagecciyimager Tirumoimagei, they rarely quote directly from it.

The one episode that is of immense importance concerns Draupadimage, the heroine of the Mahimagebhimagerata. When the oldest of the five Pimageimageimageava brothers, Yudhiimageimagehira, loses everything in a game of dice against his Kaurava cousins, who are his archenemies, the oldest brother Duryodhana orders Draupadimage to be brought before the assembly. Draupadimage is menstruating and refuses to do as he bids. She is finally dragged by her hair and then disrobed in public. At this time of dishonor, Draupadimage appeals to Kimageimageimagea to protect her. He does so by supplying endless length of cloth to cover Draupadimage, thus protecting her honor.

However, the Bhagavad Gimagetimage, which is a part of the Mahimagebhimagerata, is of enormous significance to the imagerimagevaiimageimageava commentators.

The Bhagavad Gimagetimage (Song of God) is Kimageimageimagea’s discourse to Arjuna, the hero of the Mahimagebhimagerata. It takes place on the battlefield of Kurukimageetra, on the eve of the great battle between the two sets of cousins, the Pimageimageimageavas and Kauravas. The Bhagavad Gimagetimage is divided into eighteen chapters, and it deals with a variety of issues, including the nature of desireless action (niimagekimagema karma), the relation between sacrifice and action, and the discipline of devotion (bhakti yoga).

imagerimagevaiimageimageava theologians see verse 18.66 as the crux of the Gimagetimage. In this verse, Kimageimageimagea tells Arjuna to practice an exclusive devotion to him. Verse 29 of the Tiruppimagevai is understood in imagerimagevaiimageimageava commentaries as reiterating the central ideas of this verse, which is known as the carama imageloka.

The verse is as follows:

[Kimageimageimagea says]
Relinquishing all sacred duties to me,
make me your only refuge;
do not grieve,
for I shall free you from all evils.

(Trans. Barbara Stoler Miller, p. 144)

Bhimagegavata Purimageimagea

The Kimageimageimagea legend is a rich source of material for the imagerimagevaiimageimageava commentators. While they do quote from the Bhimagegavata Purimageimagea and the Viimageimageu Purimageimagea, these instances are frequent as the quotations from the Rimagemimageyaimagea. Instead, they often retell favorite stories to illustrate a point about Kimageimageimagea’s compassionate nature, his accessibility, or his valor. Therefore, it is not possible to determine if the commentators are relying solely on the Bhimagegavata Purimageimagea, or if they are working from a set of circulating narratives that include oral and multiple written versions. However, it must be noted that by the period of the commentaries (mid-twelfth to thirteenth centuries), the Bhimagegavata Purimageimagea is a well-known text, and the imagerimagevaiimageimageava commentators are no doubt aware of it.

Although the Bhimagegavata Purimageimagea is not the earliest compilation of Kimageimageimagea stories–the Hari Vaimageimagea and Viimageimageu Purimageimagea are probably older—it is, without a doubt, the most well known and popular among Vaiimageimageavas. It is for this reason that I refer to the Bhimagegavata Purimageimagea version of the Kimageimageimagea stories in the synopses below.

I give below a summary of the stories that occur most frequently in the commentaries to the Tiruppimagevai and Nimagecciyimager Tirumoimagei. These are based on Edwin Bryant’s translation of the Bhimagegavata Purimageimagea, book 10; on Swami Venkatesananda’s retellings; and the references in Vettam Mani’s Purimageimageic Encyclopedia. The Bhimagegavata Purimageimagea is a voluminous work of eighteen thousand verses. The bulk of the Kimageimageimagea narrative takes place in book 10 and book 11. All citations below refer to the relevant book and chapter in the Bhimagegavata Purimageimagea. Therefore, “10.22” refers to book 10, chapter 22.

In addition to this summary of stories, I have also included a very brief synopsis of those Kimageimageimagea stories that occur frequently in the Tiruppimagevai and Nimagecciyimager Tirumoimagei in the “Index of Myths and Names in the Tiruppimagevai and Nimagecciyimager Tirumoimagei.”

1. Kimageimageimagea’s Birth, 10.3 and 10.4

Kimageimageimagea is born in the city of Mathurimage at midnight as the eighth child of Devakimage and Vasudeva. Kaimagesa, Devakimage’s brother, has imprisoned them because of a prophecy that their eighth child will kill him. Furthermore, he has killed all their previous seven children. Aided by the divine child, the doors to their prison fly open, and Vasudeva spirits the child away, across the swollen Yamunimage, which magically recedes to grant him passage to Gokula. On the same night, Yogamimageyimage (divine illusion) is born as a daughter to Nandagopa and Yaimageodimage. Unbeknownst to the cowherds of Gokula, Vasudeva switches the babies, and brings Yogamimageyimage back to Mathurimage. When Kaimagesa attempts to kill Yogamimageyimage, she escapes his grasp and announces that the one who will kill him has already been born elsewhere.

2. Kimageimageimagea Kills Pimagetanimage, 10.6

Kaimagesa dispatches Pimagetanimage, the devourer of children, to kill Kimageimageimagea. She wanders the area killing children. One day, she changes her form into that of a beautiful woman and arrives in Gokula. She enters Nanda’s house and proceeds to suckle Kimageimageimagea at her poisoned breast. Kimageimageimagea sucks her life breath out of her body, reveals her true form, and kills her. When the cowherds cremate Pimagetanimage’s body, a delightful fragrance wafts from the pyre, because all her sins have been destroyed when she suckled Kimageimageimagea.

3. Kimageimageimagea Submits to Yaimageodimage, 10.9

Kimageimageimagea steals butter from Yaimageodimage, much to her frustration and anger. She beats the child until he cries. Then she takes a rope and tries to bind him to a grinding stone. But because Kimageimageimagea is the supreme lord, she is unable to do so, as no length of rope is sufficient. Finally, Kimageimageimagea takes pity on his mother, and allows himself to be bound, demonstrating his devotion to his devotees. It is for this reason that he is known as Dimagemodara—the one whose belly was bound by a rope.

4. Kimageimageimagea Kills Bakimagesura, 10.11

A terrible demon assumes the form of a crane and swallows Kimageimageimagea. The watching cowherds are distressed, but the demon immediately disgorges Kimageimageimagea, who is like a fire in his belly. When the crane-demon approaches Kimageimageimagea once again, intent on killing him, Kimageimageimagea destroys him by splitting his beak.

5. Kimageimageimagea Vanquishes Kimageliya, 10.16

A giant thousand-headed snake, Kimageliya, takes up residence in the Yamunimage and poisons it. Kimageimageimagea decides to vanquish it, and leaps into the river from the top of a katampa tree. He tussles with the snake and at one point, pretends to be inert. All the cowherds are distraught and gather on the banks of the Yamunimage. Realizing their distress, Kimageimageimagea subdues the snake and begins to dance on its crest. In this way, he subdues Kimageliya, who surrenders to Kimageimageimagea and offers him worship. The Yamunimage once again returns to its pure state.

6. Kimageimageimagea and Balarimagema Vanquish Pralamba, 10.18

A demon named Pralamba disguises himself as a cowherd, and joins Kimageimageimagea, Balarimagema, and their friends in their games. He is intent on killing Kimageimageimagea and Balarimagema. They play a game in which the loser has to carry the victor on his back. Thus Pralamba finds himself carrying Balarimagema. He tries to kidnap the boy, but, because of Balarimagema’s great weight, is brought to a halt. Then Pralamba assumes his true form, but Balarimagema smites him and thus kills him.

7. Kimageimageimagea Steals the Gopimages’ Clothes, 10.22

The gopimages observe a vow in the winter months to the goddess Kimagetyimageyanimage to win Kimageimageimagea as their husband. They make images of the goddess out of sand on the banks of the river and bathe in the river. They call to each other in the morning to join in the vow. One day, Kimageimageimagea follows them to the river and steals their clothes. From high above in a katampa tree, he teases them, until they reveal themselves to him naked and worship him. He returns their clothes to them and promises to fulfill all their desires.

8. Kimageimageimagea Lifts Mount Govardhana, 10.24–10.25

Kimageimageimagea questions the cowherds’ worship of Indra and suggests instead that they worship the Govardhana hill. Kimageimageimagea assumes the form of the hill and receives their delighted worship. Indra, angered, brings down a terrible thunderstorm on the land of the cowherds. Realizing that he is their sole refuge, Kimageimageimagea lifts the Govardhana hill with one hand and shelters all of Gokula under it for seven days. Indra realizes his foolishness, and he withdraws the rain. The cowherds come out from under the protective umbrella of the Govardhana hill, and Kimageimageimagea places it gently back on the ground.

The Story of Akrimagera’s Devotion, 10.36–10.39

Akrimagera is a great devotee of Kimageimageimagea, but is also Kaimagesa’s minister. Kaimagesa dispatches Akrimagera to invite Kimageimageimagea and Balarimagema to Mathurimage. Akrimagera is delighted, because he finally gets the opportunity to see Kimageimageimagea. He makes his way to Gokula immersed in contemplation of Kimageimageimagea. When he enters Gokula, Akrimagera sees Kimageimageimagea’s footprints and, overcome with devotion, prostrates on the ground and rolls in the dust of Kimageimageimagea’s footprints. And when he finally sees Kimageimageimagea and Balarimagema, he once again falls at their feet. Kimageimageimagea embraces him, overcome with love for the devotee who has taken refuge in him.

Balarimagema and Kimageimageimagea depart for Mathurimage with Akrimagera. En route, they pause at the banks of the Yamunimage. While the two brothers wait in the chariot, Akrimagera takes a dip in the river. As he immerses himself in the water, he sees Kimageimageimagea in the water. When he breaks the surface, he sees that the boys are still seated in the chariot. Witnessing this miraculous feat, Akrimagera is overcome by love and devotion for Kimageimageimagea.

10. Kimageimageimagea Kills Kuvalayimagepimageimagea, 10.43

When Kimageimageimagea arrives in Mathurimage, Kaimagesa sends the king of the elephants, Kuvalayimagepimageimagea to kill him. Kimageimageimagea fights the elephant, and finally kills him by grabbing him by the trunk and hurling him to the ground.

11. Kimageimageimagea Kills Kaimagesa, 10.44

After Kimageimageimagea kills Kuvalayimagepimageimagea, Kaimagesa sends the two wrestlers Cimageimageimagera and Muimageimageika to fight against Kimageimageimagea and Balarimagema respectively. They fight long and hard, but Kimageimageimagea succeeds in killing Cimageimageimagera, while Balarimagema does the same to Muimageimageika. Kaimagesa, witnessing this, is afraid. He commands that the wealth of the cowherds be seized and Nanda imprisoned. Angered, Kimageimageimagea advances on him. Kaimagesa takes up his sword and shield, but Kimageimageimagea leaps up on the throne and overpowers Kaimagesa, flinging him into the center of the arena, thus ending his life. Since Kaimagesa spent every waking moment contemplating Kimageimageimagea, he was released from the cycle of life and death.

12. Kimageimageimagea’s Marriage to Rukmiimageimage, 10.52–10.53

The beautiful princess Rukmiimageimage wishes to marry Kimageimageimagea, but her brother Rukmi is his sworn enemy. She dispatches a love message to Kimageimageimagea through a trustworthy Brahmin. In that message, Rukmiimageimage declares her love for Kimageimageimagea and asks him to rescue her from marriage to another. She tells him to abduct her as she emerges after performing the pre-wedding rituals at the temple of the goddess. Kimageimageimagea heeds her message, steals her away, defeats all that stand in his way, and weds Rukmiimageimage.

13. The Story of Kimageimageimagea’s son Pradyumna, 10.55

imageiva burned Kimagema, the god of desire, but also blessed him that he would regain his bodily form and be reunited with his wife, Ratimage.

Rukmiimageimage’s son Pradyumna is none other than Kimagema. A prophecy foretells that he will kill the demon imageambara. The wicked demon steals the newborn baby and flings him into the ocean. The baby Pradyumna is swallowed by a fish, which is subsequently caught and then sold to the cooks of imageambara’s kitchen. The cooks find Pradyumna and are surprised. They entrust the child to Mimageyimagevatimage, who is none other than Ratimage. Mimageyimagevatimage realizes that Pradyumna is her husband reborn. Pradyumna grows up into a strapping young man, Mimageyimagevatimage reveals their true identity, and Kimagema and Ratimage are reunited as Pradyumna and Mimageyimagevatimage. Pradyumna, now aware of imageambara’s mischief, kills him in a pitched battle. Pradyumna returns with Mimageyimagevatimage to Dvarakimage, where he is reunited with his mother Rukmiimageimage and his father Kimageimageimagea.

14. The Story of Kimageimageimagea’s Grandson Aniruddha, 10.62–63

Aniruddha is the son of Pradyumna and Rukmavatimage, the daughter of Rukmi (the brother of Kimageimageimagea’s wife Rukmiimageimage). The demon Bimageimagea’s daughter Uimageimage dreams of a beautiful youth, and falls in love with him. Her friend Citralekhimage paints the pictures of various eligible young men, and eventually Uimageimage identifies Aniruddha as the lover in her dream. Citralekhimage, who possesses magical powers, spirits a sleeping Aniruddha to Bimageimagea’s kingdom and unites the two lovers. Aniruddha and Uimageimage spend several months together. Bimageimagea soon finds out about his daughter’s secret lover, who has stolen her chastity. Bimageimagea succeeds in imprisoning Aniruddha. In the meantime, Kimageimageimagea and Pradyumna also discover Aniruddha’s whereabouts. A great battle ensues between the forces of Kimageimageimagea and those of Bimageimagea. As Kimageimageimagea is about kill Bimageimagea, he is rescued through the intervention of his mother. Bimageimagea is a great devotee of imageiva, so imageiva also lends his aid to Bimageimagea’s cause. Eventually Kimageimageimagea defeats Bimageimagea, but spares his life because imageiva appeals to Kimageimageimagea on his devotee’s behalf. Aniruddha is released, and Uimageimage and he are married.

15. Kimageimageimagea Kills imageiimageupimagela, 10.74

imageiimageupimagela insults Kimageimageimagea in the midst of a great sacrifice. When the assembled kings, angered on his behalf, rise up to defend his honor, Kimageimageimagea lifts his sword and beheads imageiimageupimagela. Immediately, a light emerges from imageiimageupimagela’s headless body and enters Kimageimageimagea. imageiimageupimagela was cursed to be born as a demon for three consecutive births. He had spent those three births consumed with hatred of Kimageimageimagea and had therefore spent every waking moment in contemplation of Kimageimageimagea. Therefore, in death he merged into Kimageimageimagea.

REFERENCES

The Rimagemimageyaimagea of Vimagelmimageki. Vols. 1–6, trans. and ed. Robert P. Goldman et al.
The Bhagavad Gimagetimage: Krishna’s Counsel in Time of War. Trans. Barbara Stoler Miller.
Bryant, Edwin. Krishna: The Beautiful Legend of God.
Venkatesananda, Swami. The Concise Srimad Bhagavatam.
Mani, Vettem. The Puranic Encyclopedia.