There’s too much gobbling
going on. Gobble up the baby
with his cheeks! Gobble up the girlhood,
with its eyes. Gobble up the novel with its world
and scoop the lovers up, to coop them in.
After the gulletful, the lip
is dabbed. No trouble.
Just a single gob can multiply
into a gobble’s worth—or one small rub
into a rubbled history—the hag a whole
damned marketplace. And one scribe’s
nib? Well, after all, you get
the point. Get out the bib
(and lengthen up the eye).
Take that—a double-handled cup! Take
this—a clamor for acclaim. Throw in
a fiddle for Fidelio, and for the little lady
baby Bob, a nodding ornament.
The gleam of insight dimmed into a glimmer.
Our awe before a one-and-only
bogged down into frequentatives. From the break
in space and time—a crack across the priceless pottery—
we crackled up production lines. The thunderbolt to shake
your being’s very frame—the heavens’ way
of sparking up a conversation—that
got channeled down into white noise.
We slept in letters, woke in stitches,
toggled off and on. At last, forever
happened: we appeared in Oz, on Death TV,
where the illusions of expanded view
could not diminish anybody’s hunger.
Given an allowance, we began
to spend eternity, all but agog
in our designer goggles.