Illustration

The Maldive Shark

About the Shark, phlegmatical one,

Pale sot of the Maldive sea,

The sleek little pilot-fish, azure and slim,

How alert in attendance be.

From his saw-pit of mouth, from his charnel of maw,

They have nothing of harm to dread,

But liquidly glide on his ghastly flank

Or before his Gorgonian head;

Or lurk in the port of serrated teeth

In white triple tiers of glittering gates,

And there find a haven when peril’s abroad,

An asylum in jaws of the Fates!

They are friends; and friendly they guide him to prey,

Yet never partake of the treat—

Eyes and brains to the dotard lethargic and dull,

Pale ravener of horrible meat.

Herman Melville
(1819–1891)

’Tis the Voice of the Lobster

“‘Tis the voice of the Lobster: I heard him declare

“You have baked me too brown, I must sugar my hair.”

As a duck with its eyelids, so he with his nose

Trims his belt and his buttons, and turns out his toes.

When the sands are all dry, he is gay as a lark,

And will talk in contemptuous tones of the Shark:

But, when the tide rises and sharks are around,

His voice has a timid and tremulous sound.”

“I passed by his garden, and marked, with one eye,

How the Owl and the Panther were sharing a pie:

The Panther took pie-crust, and gravy, and meat,

While the Owl had the dish as its share of the treat.

When the pie was all finished, the Owl, as a boon,

Was kindly permitted to pocket the spoon:

While the Panther received knife and fork with a growl,

And concluded the banquet by—

Lewis Carroll
(1832–1898)

The Smile of the Walrus

The Smile of the Walrus is wide and distraught,

And tinged with pale purples and green,

Like the Smile of a Thinker who thinks a Great Thought,

And isn’t quite sure what it means.

Oliver Herford
(1863–1935)

How the Whale Got His Throat

When the cabin port-holes are dark and green

Because of the seas outside;

When the ship goes wop (with a wiggle between)

And steward falls into the soup-tureen,

And trunks begin to slide;

When Nursey lies on the floor in a heap,

And Mummy tells you to let her sleep,

And you aren’t waked or washed or dressed,

Why, then you will know (if you haven’t guessed)

You’re “Fifty North and Forty West!”

Rudyard Kipling
(1865–1936)

Illustration

A Hymn in Praise of Neptune

Of Neptune’s empire let us sing,

At whose command the waves obey;

To whom the rivers tribute pay,

Down the high mountains sliding:

To whom the scaly nation yields

Homage for the crystal fields

Wherein they dwell:

And every sea-dog pays a gem

Yearly out of his wat’ry cell

To deck great Neptune’s diadem.

The Tritons dancing in a ring

Before his palace gates do make

The water with their echoes quake,

Like the great thunder sounding:

The sea-nymphs chant their accents shrill,

And the sirens, taught to kill

With their sweet voice,

Make ev’ry echoing rock reply

Unto their gentle murmuring noise

The praise of Neptune’s empery.

Thomas Campion
(1567–1620)

The Song of the Great Bull Whale

O, I am the Great Bull Whale!

In the storm you shall hear me bellow,

Power bestride of my shoulders, as I tumble the seas aside:

I thrash the deep from ooze to foam, and I churn the froth

all yellow;

For Wa-ha! I am hale—

And when I make sail

My sundering bulk hurls the billows aside

Hurls the billows aside—

Takes a league in a stride,

And slogs, with a bellow, the face of the storm,

’Tis naught when the blood’s running warm!

For ‘tis naught when the blood’s running warm, Wa! Ha!

The might of my bulk in the face of the storm!

With me! Wa! Ha! Ha!

It has far too much side

For a bit of a breeze on the top of the tide!

For I am the Great Bull Whale!

I smite the sea with my tail—

At the thundering sound the oceans resound

And the Albicore tumbles into a swound

For Wa-ha! I am hale,

And when I make sail

My thundering bulk roars over the tides,

Roars over the tides,

And everything hides,

Save the Albicore-fool! a-splitting his sides—

A fish-kangeroo a-jumping the tides.

For he’s naught but a fish and a half, Wa! Ha!

A haddock far less than a young bull calf!

With me! Wa! Ha! Ha!

He has far too much side

For a bit of haddock a-jump in the tide!

Yes, I am the Great Bull Whale!

I have shattered the moon when asleep

On the face of the deep, by a stroke of my sweep

I have shattered its features pale.

Like the voice of a wandering gale

Is the smite of my sounding tail,

For Wa-ha! I am hale,

And when I make sail

My thundering bulk roars over the tide,

Roars over the tide,

And scatters it wide,

And laughs at the moon afloat on its side—

‘Tis naught but a star that has died!

For ‘tis naught but a star that had died, Wa! Ha!

A matter of cinders afloat in the Wide!

With me Wa! Ha! Ha!

It has far too much side

For a cinder afloat in the tide!

William Hope Hodgson
(1877–1918)

The Chambered Nautilus

This is the ship of pearl, which, poets feign

Sails the unshadowed main,—

The venturous bark that flings

On the sweet summer wind its purpled wings

In gulfs enchanted, where the siren sings,

And coral reefs lie bare,

Where the cold sea-maids rise to sun their streaming hair.

Its web of living gauze no more unfurl;

Wrecked is the ship of pearl!

And every chambered cell,

Where its dim dreaming life was wont to dwell,

As the frail tenant shaped his growing shell,

Before thee lies revealed,—

Its irised ceiling rent, its sunless crypt unsealed!

Year after year beheld the silent toil

That spread his lustrous coil;

Still, as the spiral grew,

He left the past’s year dwelling for the new,

Stole with soft step its shining archway through,

Built up its idle door,

Stretched in his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee,

Child of the wandering sea,

Cast from her lap, forlorn!

From thy dead lips a clearer note is born

Than ever Triton blew from wreathèd horn!

While on mine ear it rings,

Through the deep caves of thought I hear a voice

that sings:—

Build thee more stately mansions, O my soul,

As the swift seasons roll!

Leave thy low-vaulted past!

Let each new temple, nobler than the last,

Shut thee from heaven with a dome more vast,

Till thou at length art free,

Leaving thine outgrown shell by life’s unresting sea!

Oliver Wendell Holmes
(1809–1894)

Illustration

The Charge of the Swordfish

Edwin John Pratt
(1883–1964)

Dolphin

My Dolphin, you only guide me by surprise,

a captive as Racine, the man of craft,

drawn through his maze of iron composition

by the incomparable wandering voice of Phèdre.

When I was troubled in mind, you made for my body

caught in its hangman’s-knot of sinking lines,

the glassy bowing and scraping of my will. …

I have sat and listened to too many

words of the collaborating muse,

and plotted perhaps too freely with my life,

not avoiding injury to others,

not avoiding injury to myself—

to ask compassion… this book, half fiction,

an eelnet made by man for the eel fighting

my eyes have seen what my hand did.

Robert Lowell
(1917–1977)

Coral

This coral’s shape echoes the hand

It hollowed. Its

Immediate absence is heavy. As pumice,

As your breast in my cupped palm.

Sea-cold, its nipple rasps like sand,

Its pores, like yours, shone with salt sweat.

Bodies in absence displace their weight,

And your smooth body, like none other,

Creates an exact absence like this stone

Set on a table with a whitening rack

Of souvenirs. It dares my hand

To claim what lovers’ hands have never known:

The nature of the body of another.

Derek Walcott
(1930—)

Whales Weep Not!

They say the sea is cold, but the sea contains

the hottest blood of all, and the wildest, the most urgent.

All the whales in the wider deeps, hot are they, as they urge

on and on, and dive beneath the icebergs.

The right whales, the sperm-whales, the hammer-heads, the killers

there they blow, there they blow, hot wild white breath out of the sea!

And they rock, and they rock, through the sensual ageless ages

on the depths of the seven seas,

and through the salt they reel with drunk delight

and in the tropics tremble they with love

and roll with massive, strong desire, like gods.

Then the great bull lies up against his bride

in the blue deep bed of the sea

as mountain pressing on mountain, in the zest of life:

and out of the inward roaring of the inner red ocean of whale blood

the long tip reaches strong, intense, like the maelstrom-tip, and comes to rest

in the clasp and the soft, wild clutch of a she-whale’s fathomless body.

And over the bridge of the whale’s strong phallus, linking the wonder of whales

the burning archangels under the sea keep passing, back and forth,

keep passing, archangels of bliss

from him to her, from her to him, great Cherubim

that wait on whales in mid-ocean, suspended in the waves of the sea

great heaven of whales in the waters, old hierarchies.

And enormous mother whales lie dreaming suckling their

whale-tender young

and dreaming with strange whale eyes wide open in the waters of

the beginning and the end.

And bull-whales gather their women and whale-calves in a ring

when danger threatens, on the surface of the ceaseless flood

and range themselves like great fierce Seraphim facing the threat,

encircling their huddled monsters of love.

And all this happens in the sea, in the salt

where God is also love, but without words:

and Aphrodite is the wife of whales most happy, happy she!

and Venus among the fishes skips and is a she-dolphin

she is the gay, delighted porpoise sporting with love and the sea

she is the female tunny-fish, round and happy among the males

and dense with happy blood, dark rainbow bliss in the sea.

D.H. Lawrence
(1885–1930)

Jonah

Robert Graves
(1895–1985)