BIBLIOGRAPHY

Belcher, Judy. Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts. New York: Watson-Guptill Publications, 2006.

Dancik, Robert. Amulets and Talismans: Simple Techniques for Creating Meaningful Jewelry. Cincinnati, OH: North Light Books, 2009.

Haunani, Lindly and Maggie Maggio. Polymer Clay Color Inspirations: Techniques and Jewelry Projects for Creating Successful Palettes. New York: Potter Craft, 2009.

Haunani, Lindly and Pierrette Brown Ashcroft. Artists at Work: Polymer Clay Comes of Age. Gaithersburg, MD: Flower Valley Press, 1997.

Picarello, Julie. Patterns in Polymer: Imprint and Accent Bead Techniques. Waukesha, WI: Kalmbach Books, 2011.

Roche, Nan. The New Clay: Techniques and Approaches to Jewelry Making. Gaithersburg, MD: Flower Valley Press, 1992.

“One autumn I took a class with Robert at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee. He piled personally made artifacts on his desk, and I immediately chose a three-dimensional piece made from wire. Without hesitating, he gave me permission to use it. As I worked on my vision that week, Robert shared thoughts and help. Ophelia is the result of a natural collaboration, unplanned and inspired.”

—Leslie

Leslie Blackford and Robert Dancik, Ophelia and the Egg, 2010; polymer, wire, copper, nylon, hemp, antique cameo, glass beads, and marbles; 11 × 3 × 2 inches (28 × 7.5 × 5cm). Photograph by Leslie Blackford