62 Some provocative analyses of the interplay of colonialism, slavery, and visual representation include Michael Palencia-Roth, “Mapping the Caribbean: Cartography and the Cannibalization of Culture,” in A History of Literature of the Caribbean, Volume 3: Cross-Cultural Studies, ed. A. James Arnold (Amsterdam: John Benjamins, 1994), 3–27; Robert J.C. Young, Colonial Desire: Hybridity in Theory, Culture, and Race (London: Routledge, 1995); and Marcus Wood’s Blind Memory: Visual Representations of Slavery in England and America, 1780–1863 (London: Routledge, 2000).