References and Further Reading

A. Main textbook references and suggestions for further reading

Chapter 1 What Is Your Taste in Music?

Adrian North and David Hargreaves, “Musical Preference and Taste,” chap. 3 of The Social and Applied Psychology of Music (Oxford University Press, 2008).

Peter J. Rentfrow and Jennifer A. McDonald, “Preference, Personality, and Emotion,” chap. 24 of Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrick Juslin and Justin Sloboda (Oxford University Press, 2010).

Chapter 2 Lyrics, and Meaning in Music

Adrian North and David Hargreaves, The Social and Applied Psychology of Music (Oxford University Press, 2008).

Chapter 3 Music and Your Emotions

Patrik Juslin and John Sloboda, “Music and Emotion,” chap. 15 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

John Sloboda, “Music in Everyday Life: The Role of Emotions,” chap. 18 of Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrik Juslin and John Sloboda (Oxford University Press, 2010).

Chapter 4 Repetition, Surprises, and Goose Bumps

Elizabeth Helmuth Margulis, On Repeat: How Music Plays the Mind (Oxford University Press, 2014).

David Huron, Sweet Anticipation: Music and the Psychology of Expectation (MIT Press, 2006).

Patrik Juslin and John Sloboda, “Music and Emotion,” chap. 15 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Chapter 5 Music as Medicine

Suzanne B. Hanser, “Music, Health and Well-Being,” chap. 30 of Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrik Juslin and John Sloboda (Oxford University Press, 2010).

Adrian North and David Hargreaves, “Music, Business, and Health,” chap. 5 of The Social and Applied Psychology of Music (Oxford University Press, 2008).

Chapter 6 Does Music Make You More Intelligent?

E. Glenn Schellenberg and Michael W. Weiss, “Music and Cognitive Abilities,” chap. 12 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Chapter 7 From Psycho to Star Wars: The Power of Movie Music

Kathryn Kalinak, Film Music: A Very Short Introduction (Oxford University Press, 2010).

Siu-Lan Tan, Annabel Cohen, Scott Lipscombe, and Roger Kendall, eds., The Psychology of Music in Multimedia (Oxford University Press, 2013).

Annabel Cohen, “Music as a Source of Emotion in Film,” chap. 31 of Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrik Juslin and John Sloboda (Oxford University Press, 2010).

Chapter 8 Are You Musically Talented?

Geoff Colvin, Talent Is Overrated (Nicholas Brealey Publishing, 2008).

Adrian North and David Hargreaves, “Composition and Musicianship,” chap. 2 of The Social and Applied Psychology of Music (Oxford University Press, 2008).

Isabelle Peretz, “The Biological Foundations of Music: Insights from Congenital Amusia,” chap. 13 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Chapter 9 A Few Notes about Notes

John Powell, How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond (Little, Brown and Company, 2010).

Charles Taylor, Exploring Music: The Science and Technology of Tones and Tunes (IOP Publishing, 1992).

Ian Johnston, Measured Tones (IOP Publishing, 1989).

Chapter 10 What’s in a Tune?

David Huron, Sweet Anticipation: Music and the Psychology of Expectation (MIT Press, 2006).

Aniruddh D. Patel and Steven M. Demorest, “Comparative Music Cognition: Cross-Species and Cross-Cultural Studies,” chap. 16 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

David Temperley, Music and Probability (MIT Press, 2010).

Chapter 11 Untangling the Tune from the Accompaniment

Diana Deutsch, “Grouping Mechanisms in Music,” chap. 6 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Chapter 12 Don’t Believe Everything You Hear

William Forde Thompson, “Intervals and Scales,” chap. 4 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

John A. Sloboda, “Music, Language, and Meaning,” chap. 2 of The Musical Mind: The Cognitive Psychology of Music (Oxford University Press, 1985).

Chapter 13 Dissonance

Isabelle Peretz, “Towards a Neurobiology of Musical Emotions,” chap. 5 of Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrik Juslin and John Sloboda (Oxford University Press, 2010).

William Forde Thompson, “Intervals and Scales,” chap. 4 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Chapter 14 How Musicians Push Our Emotional Buttons

Andreas C. Lehman, John A. Sloboda, and Robert H. Woody, Psychology for Musicians (Oxford University Press, 2007).

Eric Clarke, Nicola Dibben, and Stephanie Pitts, Music and Mind in Everyday Life (Oxford University Press, 2010).

Bruno Nettl, “Music of the Middle East,” chap. 3 of Bruno Nettl et al., Excursions in World Music, 2nd ed. (Prentice-Hall, 1997).

Reginald Massey and Jamila Massey, “Ragas,” chap. 10 of The Music of India (Stanmore Press, 1976).

Chapter 15 Why You Love Music

Marjorie Shostak, Nisa: The Life and Words of a !Kung Woman (Routledge, 1990).

Laurel J. Trainor and Erin E. Hannon, “Musical Development,” chap. 11 of The Psychology of Music, 3rd ed., ed. Diana Deutsch (Academic Press, 2013).

Raymond MacDonald, David J. Hargreaves, and Dorothy Miell, “Musical Identities,” chap. 43 of The Oxford Handbook of Music Psychology, ed. Susan Hallam, Ian Cross, and Michael Thaut (Oxford University Press, 2009).