ON TIMES I HAVE FORCED MYSELF TO DANCE
HANIF ABDURRAQIB
Safe to say none of the other Muslim kids on the eastside of Columbus got MTV or BET in their cribs & we do at my crib sometimes like after pops got a promotion or after grandma moved in & kept a bible on her nightstand & had to
watch the channel where her game shows ran 24/7 & so it is also safe to say that I was the only one in the Islamic Center on Broad Street who got to stay up & watch the shows on MTVthat came on after my parents cut out the lights & went up to bed & it was only me & the warmth of an old television’s glow & the DJs spinning C+C Music Factory for people in baggy & colorful getups & bouncing on a strobe-light-drenched floor & so it is safe to say that only I danced along the slick surface of my basement floor with the moon out & all the lights in the house out & the television playing hits & this wasn’t exactly practicing dance moves as much as it was learning the different directions my limbs could flail in & there is no church like the church of unchained arms being thrown in every direction in the silence of a sleeping home & speaking of church to be Muslim is to pray in silence sometimes even though the call to prayer is one of the sweetest songs that can hang in the air & there is no praise & there is no stomping in the aisles & there is no holy spirit to carry the blame for all manner of passing out or shouting or the body’s pulsing convulsions & I do not want a spirit to enter me but I do want a girlfriend or at least a kiss from a girl at the Islamic Center where we go on Friday afternoons in the summers for Juma’ah prayer & kick our shoes off on the carpet & slip into the hallway where the boys & girls would congregate briefly before being separated for prayer & it is absolutely safe to say that with my socks on the marbled tile of the Islamic Center on Broad Street I felt overcome by something we will call holy I suppose for the sake of not upsetting the divine order & this was the mid ‘90s & so no one was really doing the moonwalk anymore & even when they did no one was doing it right & there is only one Michael & I am not that nigga & still with the girls at the Islamic Center standing in line for the water fountain I thought now is the time & I was decidedly not in the dark of my basement anymore where I knew the floors & I understood every corner of the architecture & I slid back on the top of my toes & no one even turned their eyes toward me & so no one could tell me about the stairs I was sliding toward & so no one saw my brief moment of rhythm before it unraveled & just like that I was in a pile of discarded shoes & it is safest to say that there was no girlfriend for me that summer or the summer after & the cable at my house got cut off in the year my mother died.
ALL IMAGES:
Brendan Fernandes
Move in Place, 2015
Digital C-print, 30" x 30" each. Series of 8.
African art images courtesy of the Agnes Etherington Art Centre, The Justin and Elisabeth Lang Collection of African Art. All images courtesy of the artist and Monique Meloche Gallery, Chicago.
ABDURRAQIB