The subject of thread has been with me since college. I remember, I once connected the trees in a park to show the space between them. In a workshop exercise, I measured the facades of some buildings and then unrolled different dimensions of threads over me to demonstrate physically the relationship between the body and the scale of architecture.
When I intervene with threads on an image, I work on another level—I am trying to demonstrate the special relationships that are generated in a moment (in a frame, in this case).
I like to intervene on black-and-white images. I think that it’s a more “neutral” base where I can work, and where the relations I seek to emphasize can be highlighted in a better way. Also, I feel I am not working with the original and with that, the need to keep its reality. I think that the essence of an image can be more interesting through the overlapping of information, which in this case can be the visualization of an invisible geometry.
Untitled, 2012, embroidery on photograph
New Collage: Untitled, 2013, embroidery on photograph
Untitled, 2012, embroidery on photograph
Untitled, 2012, embroidery on photograph
Untitled, 2012, embroidery on photograph
Untitled, 2012, embroidery on photograph
Untitled, 2012, embroidery on photograph
Untitled, 2012, embroidery on photograph
