Many modern novels, poems, and pictures, which we are brow-beaten into ‘appreciating’, are not good work because they are not work at all. They are mere puddles of spilled sensibility or reflection. When an artist is in the strict sense working, he of course takes into account the existing taste, interests, and capacity of his audience. These, no less than the language, the marble, or the paint, are part of his raw materials, to be used, tamed, sublimated, not ignored or defied. Haughty indifference to them is not genius or integrity; it is laziness and incompetence.
The World’s Last Night and Other Essays
(from “Good Work and Good Works”)