Bibliography

Primary Sources

Abercrombie, Lascelles, ‘A New Voice’, The Nation 15 (13 June 1914): 423–4, reprint in Robert Frost: The Critical Reception, ed. Linda W. Wagner (New York: Burt Franklin, 1977), 11–14.

Aldington, Richard, Death of a Hero (1929; reprint, London: The Hogarth Press, 1984).

Anderson, Margaret, ‘The Poet Speaks’, Little Review 3, no. 2 (April 1916): 11–12.

———, ‘Editorial’, The Little Review 12, no. 2 (May 1929): 3–4.

———, My Thirty Years’ War: an Autobiography (London: Knopf, 1930).

Anonymous, ‘When the White Hunter Hunts’, New York City Sun, 21 June 1914.

———, ‘Shantih, Shantih, Shantih’, Time, 3 March 1923, 12.

———, ‘Influenced Books’, Psychic Science 17, no. 4 (January 1939): 186–91.

———, ‘The Aim and Work of the Institute’, Psychic Science 18, no. 2 (July 1939): 100–101.

Barnes, Djuna, ‘Letter’, Little Review 12, no. 2 (May 1929): 17.

Beckett, Samuel, Three Novels (New York: Grove Press, 1958).

Blunden, Edmund, and Humphrey Cotton Minchin, Great Short Stories of the War: England, France, Germany, America (London: Eyre and Spottiswoode, 1930).

Brittain, Vera, Honourable Estate (1936, reprint London: Virago, 2000).

———, On Becoming a Writer (London: Hutchinson, 1947).

Burrage, Alfred McLelland [Ex-Private X], War Is War (London: Victor Gollancz, 1930).

Burton, Richard, ‘Posing’, Minneapolis Bellman, 17 October 1914, 163.

Carr, Harry C., ‘Griffith, Maker of Battle Scenes, Sees Real War’, Photoplay 82 (March 1918): 23–8, 119.

Clutton-Brock, Arthur, ‘Professionalism in Art’, Times Literary Supplement (31 January, 1918), 49–50.

———, ‘On Some Perversities of Criticism’, The London Mercury 5, no. 30 (April 1922): 628–34.

Conrad, Joseph, The Nigger of the ‘Narcissus’, Typhoon and Other Stories (Harmondsworth: Penguin, 1973).

Cook, E. Wake, ‘Letters to the Editor: Post-Impressionism’, The New Age 8, no. 7 (15 December 1910): 166–7.

Coward, Noel, Post-Mortem (Garden City, NY: Doubleday, 1931).

Cowley, Malcolm, Exile’s Return: A Literary Odyssey of the 1920s (London: Penguin, 1976).

Dodge, Mabel, ‘Speculations, or Post-Impressionism in Prose’, Arts and Decoration, March 1913, 174.

Eliot, T.S., ‘Professional, Or .’., The Egoist 5, no. 4 (April 1918): 61.

———, ‘A Brief Treatise on the Criticism of Poetry’, The Chapbook 2, no. 9 (March 1920): 1–10.

———, ‘The Perfect Critic’, The Athenaeum, no. 4708 (1920): 102–4.

———, ‘Tradition and the Individual Talent’, in Selected Essays (London: Faber, 1932).

———, ‘The Function of Criticism’, in Selected Essays (New York: Harcourt, Brace, 1950).

———, ‘Ulysses, Order and Myth’, in Selected Prose of T.S. Eliot, ed. Frank Kermode (London: Faber and Faber, 1975).

———, The Waste Land (New York: W.W. Norton, 2001).

Ellison, Ralph, Invisible Man (Harmondsworth: Penguin, 1965).

———, The Collected Essays of Ralph Ellison, ed. John F. Callahan (New York: Modern Library, 1995).

Falls, Cyril, War Books: A Critical Guide (London: P. Davies, 1930).

Finer, Herman, Mussolini’s Italy (London: Victor Gollancz, 1935).

Flaubert, Gustave, Madame Bovary (Paris: Éditions Gallimard, 1972).

———, Madame Bovary, trans. Margaret Mauldon (Oxford: Oxford University Press, 2004).

Ford, Ford Madox, The Spirit Of the People (London: Alston Rivers, 1907).

———, Ancient Lights (London: Chapman and Hall, 1911), xv–xvi.

———, ‘On Impressionism’, Poetry and Drama 2 (June and December 1914), 167–75, 323–34.

———, Joseph Conrad: A Personal Remembrance (London: Duckworth, 1924).

———, It Was the Nightingale (London: Heinemann, 1934).

———, The Good Soldier, ed. Max Saunders, Oxford World’s Classics (Oxford: Oxford University Press, 2012).

Freud, Sigmund, ‘The Uncanny’, The Pelican Freud Library: Volume 14: Art and Literature, ed. Albert Dickson (Harmondsworth: Penguin, 1985), 335–76.

Gide, André, Les Faux-Monnayeurs (Paris: Éditions Gallimard, 1925).

———, The Counterfeiters, trans. Dorothy Bussy (1931; reprint Harmondsworth: Penguin Books, 1966).

———, Journal 1889–1939 (Paris: Éditions Gallimard, 1951).

———, ‘Desperate Words Call for Desperate Little Remedies’, reprint Louis Gillet, Claybook for James Joyce (London: Abelard-Schuman, 1958), 123–7.

———, Correspondance André Gide – Dorothy Bussy, 3 vols, ed. Jean Lambert and Richard Tedeschi (Paris: Gallimard, 1979–1982), vol. 1 (1979).

de Gourmont, Remy, Le Problème du Style: Questions d’Art, de Littérature et de Grammaire (Paris: Société du Mercure de France, 1902).

Graham, Collins, ‘Danger of Personal Sureties’, Live Articles on Suretyship: A Series of Articles Reprinted from the Monthly Suretyship Supplement of The Weekly Underwriter (New York: Underwriter, 1918) 22–37.

Graves, Robert, and Laura Riding, A Survey of Modernist Poetry (New York: Haskell House, 1968).

H.D., Hermetic Definition (Oxford: Carcanet, 1972).

———, Trilogy (Manchester: Carcanet, 1997).

———, [as Delia Alton], The Sword Went Out to Sea (Synthesis of a Dream), ed. Cynthia Hogue and Julie Vandivere (Gainesville: University of Florida Press, 2007).

Hulme, T.E., The Collected Writings of T.E. Hulme, ed. Karen Csengari (Oxford: Clarendon Press, 1994).

James, William, The Will to Believe and Other Essays in Popular Philosophy (New York: Longmans Green, 1897).

———, Pragmatism, ed. Bruce Kuklick (Indianapolis: Hackett, 1981).

Jerrold, Douglas, The Lie About the War, Criterion Miscellany (London: Faber, 1930).

John, Augustus, Chiaroscuro (London: Jonathan Cape, 1952).

Joyce, James, Finnegans Wake (1939; reprint London: Faber, 1975).

———, Stephen Hero, ed. Theodore Spencer, revd edn (New York: New Directions, 1969).

———, Ulysses, ed. by Hans Walter Gabler with Wolfhard Steppe and Claus Melchior (New York: Random House, 1986).

———, A Portrait of the Artist as Young Man, ed. Jeri Johnson (Oxford: Oxford University Press, 2000).

Jung, Carl, Four Archetypes: Mother, Rebirth, Spirit, Trickster, trans. R.F.C. Hull (London: Routledge and Kegan Paul, 1972).

Kant, Immanuel, Critique of Pure Reason, tr. Norman Kemp Smith (London: Macmillan, 1982).

———, Lectures on Ethics (Cambridge: Cambridge University Press, 1997).

Keats, John, Letters of John Keats, ed. Robert Gittings (Oxford: Oxford University Press, 1975).

Lawrence, D.H., The Symbolic Meaning: The Uncollected Versions of Studies in Classic American Literature (London: Centaur Press, 1962).

———, Studies in Classic American Literature (Harmondsworth: Penguin, 1977).

———, Apocalypse and the Writings on Revelation (London: Penguin, 1995).

Leavis, F.R., New Bearings in English Poetry; a Study of the Contemporary Situation (Ann Arbor: University of Michigan Press, 1960).

Lewis, Wyndham, ‘The New Egos’, Blast, no. 1 (July 1914), (reprint; London: Thames and Hudson, 2009) 141.

———, ‘Essay on the Objective of Plastic Art in our Time’ (1922), reprint in Wyndham Lewis on Art: Collected Writings 1913–1956, ed. Walter Michel and C.J. Fox (London: Thames and Hudson, 1969).

———, ‘The Critical Realists’ (1924), unpublished ts, The Poetry and Rare Books Collection, University of Buffalo (B1 F11).

———, ‘The Physics of the Not-Self’, The Chapbook: A Yearly Miscellany 40 (London: Jonathan Cape, 1925), 68–77.

———, The Art of Being Ruled, ed. Reed Way Dasenbrock (1926; reprint, Santa Rosa: Black Sparrow Press, 1989).

———, Time and Western Man, ed. Paul Edwards (1927; reprint, Santa Rosa: Black Sparrow Press, 1993).

———, The Childermass: Section I (London: Chatto and Windus, 1928).

———, Hitler (London: Chatto and Windus, 1931).

———, Men without Art, ed. Seamus Cooney (1934; reprint, Santa Rosa: Black Sparrow Press, 1987).

———, Blasting and Bombardiering (London: Eyre and Spottiswoode, 1937).

———, ‘A Letter to the Editor’, Twentieth Century Verse 6–7 (Wyndham Lewis Double Number) (1937), n.p. [3–4].

———, The Revenge for Love, ed. Reed Way Dasenbrock (1937; reprint Santa Rosa: Black Sparrow Press, 1991).

———, The Jews: Are They Human? (London: Allen and Unwin, 1939).

———, The Hitler Cult (London: Dent, 1940).

———, Rude Assignment: A Narrative of my Career Up-to-date (London: Hutchinson, n.d. [1950]).

———, The Revenge for Love (London: Methuen, 1952).

———, Blasting and Bombardiering: an Autobiography (1914–1926), revised edition (London: John Calder, 1982).

———, The Complete Wild Body, ed. Bernard Lafourcade (Santa Barbara: Black Sparrow Press, 1982).

———, ‘Manifesto: “Everyone’s Reality Should be What he Wants”’ (n.d.), Wyndham Lewis Annual 2 (1995), 13.

———, ‘Preliminary Aside to the Reader; regarding Gossip, and its pitfalls’, Modernism/modernity 4, no. 2 (1997): 183–7.

Lunt, Edward C., Surety Bonds: Nature, Functions, Underwriting Requirements (New York: Ronald Press, 1922).

———, ‘Fidelity Insurance and Suretyship’, The Annals of the American Academy of Political and Social Science 161 (May 1932), 105–10.

MacCarthy, Desmond, ‘New Poets, T.S. Eliot’, New Statesman, January 1921, 418–20, reprinted in T.S. Eliot: The Critical Heritage, ed. Michael Grant (London: Routledge and Kegan Paul, 1982), 111–17.

———, ‘“The End of War”?: A Correspondence between the Author of All Quiet on the Western Front and General Sir Ian Hamilton, G.C.B., G.C.M.G. ’, Life and Letters 3 (1929): 399–411.

Mather, Frank Jewett, ‘Newest Tendencies in Art’, in The Armory Show; International Exhibition of Modern Art, 1913, vol. 3 (New York: Arno Press, 1913), 504–12.

McAlmon, Robert, and Kay Boyle, Being Geniuses Together 1920–1930 (London: Hogarth, 1984).

McKensie, Mrs Hewitt, ‘A Great Clairaudient: Mrs Curren, Patience Worth’s Medium’, Psychic Science: Quarterly Transactions of the British College of Psychic Science 17, no. 1 (April 1938): 6–11.

Melville, Herman, The Confidence-Man: His Masquerade, ed. Harrison Hayford, Hershel Parker, and G. Thomas Tanselle (Evanston, IL: Northwestern University Press, 1984), 122.

Monroe, Harriet, ‘A Misguided Poet. Sappho in Levkas and Other Poems, by William Alexander Percy’, Poetry 10, no. 4 (July 1917): 213–15.

de Montaigne, Michel, Essays of Montaigne, trans. Charles Cotton, vol. 3 (London: Reeves and Turner, 1902).

Murry, John Middleton, The Problem of Style (London: Humphrey Milford and Oxford University Press, 1922).

Nichols, Lewis, ‘Talk with Mr. Stevens’, The New York Times Book Review, 3 October 1954, 3, 31.

Nietzsche, Friedrich, Friedrich Nietzsche on Rhetoric and Language, trans. Sander L. Gilman, Carole Blair and David J. Parent (New York: Oxford University Press, 1989).

Norton, Louise, ‘Buddha of the Bathroom’, Blind Man 2 (1917): 5–6, reprint in The Dada Reader: A Critical Anthology, ed. Dawn Ades (London: Tate, 2006), 154–6.

Orage, A.R., ‘Readers and Writers’, The New Age 16, no. 19 (March 11, 1915): 509.

———, ‘Letter’, Little Review 12, no. 2 (May 1929): 65.

Pater, Walter, The Renaissance: Studies in Art and Poetry: the 1893 Text, ed. Donald L. Hill (Berkeley: University of California Press, 1980).

Paulhan, Jean, Les Fleurs de Tarbes ou La Terreur dans les Lettres (Paris: Gallimard, 1990).

‘PAULHAN Paris 1954’ (typewritten notes), Richard Ellmann Papers, Jean Paulhan Box, University of Tulsa Archive.

Plato, ‘Ion’, trans. Percy Bysshe Shelley, Five Dialogues of Plato Bearing on Poetic Inspiration (London: J.M. Dent, [1910]), 1–16.

Pound, Ezra, ‘Prolegomena’, Poetry Review 1, no. 2 (February 1912): 72–6.

———, ‘The Serious Artist’, The New Freewoman 1, no. 9 (15 October 1913): 161–3.

———, ‘Letters to the Editor: Imagisme’, The New Age 16, no. 15 (11 February 1915): 415.

———, ‘A List of Books’, The Little Review 4, no. 11 (March 1918): 57.

———, ‘Modern Thought’, Exile 2 (Autumn 1927): 117.

———, ‘Mr. Eliot’s Solid Merit’, New English Weekly 5, no. 13 (12 July 1934): 297–9.

———, ‘Open Letter from Ezra Pound’, Rocking Horse 2, no. 3 (Spring 1935): 27–9.

———, Jefferson and/or Mussolini (1935; reprint New York: Liveright, 1970).

———, Social Credit: An Impact (London: Stanley Nott, 1935).

———, ‘Italy’s Frame-up’, British-Italian Bulletin 2, no. 5 (1 February 1936): 2.

———, ‘Why I Live in Sunny Rapallo. A Matter of Degrees’, British-Italian Bulletin 2, no. 9 (29 February 1936): 3.

———, ‘Banks are a Blessing’, British Union Quarterly 3, no. 1 (January–April 1939): 47–53.

———, ‘The Central Problem’, Townsman 4, no. 13 (March 1941): 13–17.

———, ‘Ancora Jefferson’, Meridiano di Roma 6, no. 21 (25 May 1941): 1.

———, ‘Credito Sociale’, Meridiano di Roma 7, no. 39 (27 September 1942): 1.

———, ‘Il tesoro di una nazione non è il denaro ma l’onestà’, Il Popolo di Alessandria, 17 February 1944, 2.

———, ‘Così scriveva Marcantonio’, Il Popolo di Alessandria, 21 November 1944, [n.p.].

———, ‘Presenza di F.T. Marinetti’ in La Marina repubblicana 2, no. 2 (15 January 1945): 2.

———, ‘Oro e princisbecco’, Il Popolo di Alessandria, 23 January 1945, 2.

———, ‘Poundiana’, Il Popolo di Alessandria, 23 January 1945, 2.

———, ‘Canto LXXIII: Cavalcanti – Corrispondenza Repubblicana’, La Marina repubblicana 2, no. 3 (1 February 1945): 7.

———, Confucius: The Great Digest, The Unwobbling Pivot, The Analects (1951; reprint New York: New Directions, 1969).

———, Thrones: 96–109 de los cantares (London: Faber, 1960).

———, Selected Prose, 1909–1965, ed. William Cookson (London: Faber, 1973).

———, ‘Ezra Pound Speaking’: Radio Speeches of World War II, ed. Leonard W. Doob (Westport: Greenwood, 1978).

———, Personæ: The Shorter Poems of Ezra Pound, ed. Lea Baechler and A. Walton Litz, revd edn (New York: New Directions, 1990).

———, The Cantos (New York: New Directions, 1996).

Proust, Marcel, Remembrance of Things Past, trans. C.K. Scott Moncrieff and Frederick A. Blossom, 2 vols (New York: Random House, 1932).

———, A la recherche du temps perdu, 3 vols, vol. 2 (Paris: Gallimard, 1954).

Read, Herbert, English Prose Style (London: G. Bell, 1928).

———, ‘A Lost Generation’, The Nation and Athenaeum 45, no. 4 (1929): 116.

Richards, I.A., The Principles of Literary Criticism (London: Routledge and Kegan Paul, 1960).

———, Poetries and Sciences (New York: Norton, 1970).

Richardson, Dorothy, preface to These Moderns: Some Parisian Close-ups, by F. Ribadeau Dumas (London: Humphrey Toulmin, 1932), 5–10.

Riding, Laura, and Robert Graves, A Survey of Modernist Poetry (London: Heinemann, 1927).

Ruskin, John, Sesame and Lilies, The Two Paths and The King of the Golden River (London: Dent, 1911).

Sabin, Arthur K., ‘On Criticism’, The Poetry Review 1, no. 1 (1912): 6–8.

Savage, Henry, A Long Spoon and the Devil, Being Fish Quaint and Queer from the Spoon River, the Property of Edgar Lee Masters (London: Cecil Palmer, 1922).

Selva, Salomón de la, ‘Ruben Dario’, Poetry 8, no. 4 (July 1916): 200–204.

Simmel, Georg, The Sociology of Georg Simmel, trans. Kurt H. Wolff (Glencoe, Illinois: Free Press, 1950).

———, The Philosophy of Money, trans. Tom Bottomore and David Frisby (New York: Routledge, 1990).

Squire, J.C., ‘Editorial Notes’, The London Mercury 1, no. 1 (November 1919): 1–6.

———, ‘Editorial Notes’, The London Mercury 1, no. 4 (February 1920): 385–8.

———, ‘Editorial Notes’, The London Mercury 18, no. 106 (August 1928): 337–46.

Stein, Gertrude, Everybody’s Autobiography (London: Heinemann, 1938).

———, Everybody’s Autobiography (Cambridge: Exact Change, 1993).

———, The Autobiography of Alice B. Toklas (London: Penguin, 2001).

Stevens, Wallace, The Collected Poems (New York: Vintage, 1982).

———, Opus Posthumous (New York: Vintage, 1989).

Tarde, Gabriel, ‘Monadologie et sociologie’, in Essais et mélanges sociologiques (Paris: G. Masson, 1900).

———, Psychologie économique, 2 vols, vol. 1 (Paris: F. Alcan, 1902), 6.

———, Les Lois de l’imitation: étude sociologique (Paris: Félix Alcan, 1904).

Taylor, Bert Leston, ‘A Line-O’-Type or Two’, Chicago Daily Tribune, 20 March 1913, 6.

Tertullian, De carne christi, 5.4.

Tomlinson, H.M., ‘War Books’, Criterion 9 (April 1930): 402–19.

Tyrell, G.M., ‘Psychical Research or Spiritualism’, Psychic Research 22, no. 4 (January 1944): 139.

Wells, H.G., Mankind in the Making (London: Chapman and Hall, 1906).

———, ‘The So-Called Science of Sociology’, Sociological Papers 3 (1907): 357–78.

———, Tono-Bungay (London: Penguin, 2005).

Wittgenstein, Ludwig, On Certainty, ed. G.E.M. Anscombe and G. H. von Wright, trans. Denis Paul and G.E.M. Anscombe (New York: Harper & Row, 1969).

Woolf, Virginia, The Common Reader: First Series, ed. Andrew McNeillie (1925; reprint London: Hogarth Press, 1984).

———, The Death of the Moth and other Essays (New York: Harcourt Brace, 1942).

———, Selections from Her Essays, ed. Walter James (London: Chatto and Windus, 1966).

———, A Room of One’s Own and Three Guineas, ed. Morag Shiach (Oxford: Oxford University Press, 1992).

———, Selected Essays (Oxford: Oxford University Press, 2008).

Wroblewski, W., ‘Towards the Art of the Future’, The New Age 11, no. 11 (July 11, 1912): 257–8.

Yeats, W.B., Ideas of Good and Evil, 2nd edn (Dublin: Maunsel, 1905).

———, A Vision and Related Writings, ed. A. Norman Jeffares (London: Arena, 1990).

Secondary Sources

Adorno, Theodor, Minima Moralia: Reflections on a Damaged Life (1951), trans. E.F.N. Jephcott (London: Verso, 2005).

Agamben, Giorgio, The Man without Content, trans. Georgia Albert (Stanford, CA: Stanford University Press, 1999).

———, Profanations, trans. Jeff Fort (New York: Zone, 2007).

Akerlof, George A., and Robert J. Shiller, Animal Spirits: How Human Psychology Drives the Economy, and Why It Matters for Global Capitalism (Princeton, NJ: Princeton University Press, 2009).

Alexander, Michael, The Poetic Achievement of Ezra Pound (London: Faber, 1979).

Amariglio, Jack, ‘Tracing the Economic: modern art’s construction of economic value’, in Sublime Economy: On the Intersection of Art and Economics, ed. Jack Amariglio, Joseph W. Childers and Stephen E. Cullenberg (New York: Routledge, 2009), 29–64.

Amossy, Ruth, ‘A Rhetorical Approach to Rewriting: Genre and Vera Brittain’s Experience of Mourning’, Journal of Romance Studies 3, no. 3 (2003): 23–41.

Armstrong, Paul B., The Challenge of Bewilderment (Ithaca, NY: Cornell University Press, 1987).

Armstrong, Tim, Modernism: A Cultural History (Cambridge: Polity, 2005).

Ayers, David, Wyndham Lewis and Western Man (Basingstoke: Macmillan, 1992).

Baier, Annette, ‘Trust and Antitrust’, Ethics 96 (1986): 231–60.

Baker, Houston A., Jr., Blues, Ideology, and Afro-American Literature: A Vernacular Theory (Chicago: The University of Chicago Press, 1984).

Baron, Scarlett, ‘Strandentwining Cable’: Joyce, Flaubert, and Intertextuality (Oxford: Oxford University Press, 2011).

Barthes, Roland, Image Music Text, ed. and trans. Stephen Heath (London: Fontana Press, 1977).

———, ‘Une idée de recherche’, in Recherche de Proust, ed. Gérard Genette and Tsvetan Todorov (Paris: Editions du Seuil, 1980), 34–9.

———, Le Bruissement de la langue (Paris: Éditions du Seuil, 1984).

Benjamin, Walter, Illuminations, trans. Harry Zohn, ed. Hanna Arendt (New York: Schocken, 2007).

Bernstein, Michael, The Tale of the Tribe: Ezra Pound and the Modern Verse Epic (Princeton, NJ: Princeton University Press, 1980).

Berry, Paul, and Mark Bostridge, Vera Brittain: A Life (London: Chatto and Windus, 1995).

Bersani, Leo, ‘Déguisements du moi et art fragmentaire’, in Recherche de Proust, ed. Gérard Genette and Tzvetan Todorov (Paris: Editions du Seuil, 1980), 13–33.

Blasing, Mutlu Konuk, Lyric Poetry: The Pain and the Pleasure of Words (Princeton, NJ: Princeton University Press, 2007).

Bloom, Harold, How to Read and Why (New York: Scribner, 2000).

———, ed., Ralph Ellison: New Edition (New York: Infobase, 2010).

Bluestein, Gene, ‘The Blues as a Literary Theme’, The Massachusetts Review 8.4 (1967), 593–617.

Bourdieu, Pierre, In Other Words: Essays Toward a Reflexive Sociology, trans. Loïc J.D. Wacquant (Stanford, CA: Stanford University Press, 1990).

———, The Rules of Art: Genesis and Structure of the Literary Field, trans. Susan Emanuel (Stanford, CA: Stanford University Press, 1995).

Brantlinger, Patrick, Fictions of State: Culture and Credit in Britain, 1694–1994 (Ithaca, NY: Cornell University Press, 1996).

Brent, Trevor, ‘Keeping up Appearances: Reality and Belief in Wyndham Lewis’s Time and Western Man and The Revenge for Love’, Textual Practice 22, no. 3 (2008), 469–86.

Brinnin, John Malcolm, The Third Rose: Gertrude Stein and her World (Reading, MA: Addison-Wesley, 1987).

Brodtkorb, Paul, Jr., ‘The Confidence-Man: The Con-Man as Hero’, in The Trickster, ed. Harold Bloom (New York: Infobase, 2010), 19–36.

Brooker, Peter, and Andrew Thacker, The Oxford Critical and Cultural History of Modernist Magazines: Volume 1, Britain and Ireland 1880–1955 (Oxford: Oxford University Press, 2009).

Burnshaw, Stanley, ‘Turmoil in the Middle Ground’, Collected Poems and Selected Prose (1935; reprint Austin: University of Texas Press, 2002), 354–7.

Bush, Ronald, T.S. Eliot: A Study in Character and Style (New York: Oxford University Press, 1983).

———, ‘Ezra Pound’s Fascist “Europa”: Towards the Pisan Cantos’, in Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, ed. Sascha Bru et al. (Berlin: De Gruyter, 2009), 210–228.

Carson, Thomas L., ‘Lying, Deception, and Related Concepts’, in The Philosophy of Deception, ed. Clancy Martin (Oxford: Oxford University Press, 2009) 153–87.

Casillo, Robert, The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound (Evanston, IL: Northwestern University Press, 1988).

Cheseborough, Steve, Blues Traveling: The Holy Sites of Delta Blues (Jackson: University Press of Mississippi, 2001).

Churchill, Suzanne W., ‘The Lying Game: Others and the Great Spectra Hoax of 1917’, in Churchill and Adam McKible, ed. Little Magazines and Modernism: New Approaches (Aldershot: Ashgate, 2007), 177–95.

Coe, Jonathan, Like a Fiery Elephant: The Story of B.S. Johnson (London: Picador, 2004).

Cornutt, Kirk, ‘Inside and Outside: Gertrude Stein on Identity, Celebrity, and Authenticity’, Journal of Modern Literature 23, no.2 (1999): 291–308.

Creation Myth, Wyndham Lewis 1882–1957 (Cat. 164, catalogue of exhibition) (Madrid: Fundación Juan March, 2010).

Culler, Jonathan, The Pursuit of Signs: Semiotics, Literature, Deconstruction, augmented edn (New York: Cornell University Press, 2002).

Dasenbrock, Reed Way, ‘Afterword’ to The Revenge for Love, by Wyndham Lewis, ed. Reed Way Dasenbrock (Santa Rosa: Black Sparrow Press, 1991).

Deleuze, Gilles, Proust and Signs: The Complete Text, trans. Richard Howard (London: The Athlone Press, 2000).

Deming, Robert H., James Joyce: The Critical Heritage Volume 1: 1902–1927 (London: Routledge and Kegan Paul, 1970).

Derrida, Jacques, ‘Faith and Knowledge: The Two Sources of “Religion” at the Limits of Reason Alone’ [1996], trans. Samuel Weber, in Acts of Religion, ed. Gil Anidjar (New York: Routledge, 2002), 42–101.

Dunlop, Ian, The Shock of the New; Seven Historic Exhibitions of Modern Art (New York: American Heritage Press, 1972).

Dunn, John, ‘The concept of “trust” in the politics of John Locke’, in Philosophy in History: Essays on the Historiography of Philosophy, ed. Richard Rorty, J.B. Schneewind, and Quentin Skinner (Cambridge: Cambridge University Press, 1984), 279–301.

Dyer, Richard, Heavenly Bodies: Film Stars and Society (London: BFI, 1986).

Edwards, Paul, Wyndham Lewis: Painter and Writer (London: Yale University Press, 2000).

———, ‘A Strange Synthesis: Wyndham Lewis’s Vorticism’, The Vorticists: Rebel Artists in London and New York, 1914–1918, ed. Mark Antliff and Vivien Greene (London: Tate, 2010), 35–45.

Ellmann, Richard, James Joyce, 2nd and revd edn (Oxford: Oxford University Press, 1982).

Filreis, Alan, Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism (Cambridge: Cambridge University Press, 1994).

Foucault, Michel, ‘Qu’est-ce qu’un auteur?’ (1969) in Dits et Écrits 1954–1988, 4 vols (Paris: Gallimard, 1994), vol. 1, 793).

———, ‘What is an Author?’ in Textual Strategies: Perspectives in Post-Structuralist Criticism, ed. Josué V. Harari (Ithaca, NY: Cornell University Press, 1979).

Fraisse, Luc, ‘Une sociologie transfigurée: Marcel Proust lecteur de Gabriel Tarde’, Revue d’histoire littéraire de la France 88, no. 4 (1988): 82–96.

Frankfurt, Harry G., On Bullshit (Princeton, NJ: Princeton University Press, 2005).

———, ‘On Truth, Lies, and Bullshit’, in The Philosophy of Deception, ed. Clancy Martin (Oxford: Oxford University Press, 2009), 37–47.

Gates, Henry Louis, Jr., The Signifying Monkey: A Theory of Afro-American Literary Criticism (Oxford: Oxford University Press, 1988).

Giddens, Anthony, The Consequences of Modernity (Stanford, CA: Stanford University Press, 1990).

Glass, Loren, Authors, Inc.: Literary Celebrity in the Modern United States, 1880–1980 (New York: New York University Press, 2004).

Goffman, Erving, The Presentation of Self in Everyday Life (Harmondsworth: Penguin, 1976), 81.

Goldie, David, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928 (Oxford: Clarendon, 1998).

Goux, Jean-Joseph, The Coiners of Language (1984), trans. Jennifer Curtiss Gage (Norman: University of Oklahoma Press, 1994).

Graham, Maryemma, and Amritjit Singh, eds, Conversations with Ralph Ellison (Jackson: University Press of Mississippi, 1995).

Hardin, Russell, Trust (Cambridge: Polity, 2006).

Harding, Jason, ed., T.S. Eliot in Context (Cambridge: Cambridge University Press, 2011).

Hardt, Michael, and Antonio Negri, Multitude: War and Democracy in the Age of Empire (New York: Penguin, 2005).

Harper, Margaret Mills, Wisdom of Two: The Spiritual and Literary Collaboration of George and WB Yeats (Oxford: Oxford University Press, 2006).

Harper, Phillip Brian, Framing the Margins: The Social Logic of Postmodern Culture (New York and Oxford: Oxford University Press, 1994).

Harrington, Joseph, ‘Wallace Stevens and the Poetics of National Insurance’, American Literature 67, no. 1 (March 1995), 95–114.

Hawkes, Robert, ‘Trusting in Provence: Financial Crisis in The Rash Act and Henry for Hugh’, in Ford Madox Ford, France and Provence, International Ford Madox Ford Studies, no. 10, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 229–42.

Hawkins, Stephanie L., ‘The Science of Superstition: Gertrude Stein, William James and the Formation of Belief’, Modern Fiction Studies 51 (2005): 60–87.

Henry, Anne, Marcel Proust: Théories pour une esthétique (Paris: Klincksieck, 1983).

Hilliard, Christopher, ‘Modernism and the Common Writer’, The Historical Journal 48, no. 3 (2005): 769–87.

Hirsch, Jerrold, ‘T. S. Eliot, B.A. Botkin, and the Politics of Cultural Representation: Folklore, Modernity, and Pluralism’, in Race and the Modern Artist, ed. Heather Hathaway, Josef Jarab, and Jeffrey Melnick (New York: Oxford University Press, 2003), 16–41.

Hollis, Martin, Trust Within Reason (Cambridge: Cambridge University Press, 1998).

Hosking, Geoffrey, Trust: Money, Markets and Society (London: Seagull Books, 2011).

Howarth, Peter, British Poetry in the Age of Modernism (Cambridge: Cambridge University Press, 2005).

Hyde, Lewis, Trickster Makes this World: Mischief, Myth, and Art (New York: Farrar, Strauss and Giroux, 1998).

Hynes, Samuel, ‘The Epistemology of The Good Soldier’, in Edwardian Occasions (London: Routledge and Kegan Paul, 1972), 54–62.

———, A War Imagined: The First World War and English Culture (New York: Atheneum, 1991).

Jaffe, Aaron, Modernism and the Culture of Celebrity (Cambridge: Cambridge University Press, 2005).

Jameson, Fredric, Fables of Aggression: Wyndham Lewis: The Modernist as Fascist (Berkeley: University of California Press, 1979).

Jay, Martin, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Berkeley: University of California Press, 1993).

———, The Virtues of Mendacity: On Lying in Politics (Charlottesville: University of Virginia Press, 2010).

Jonas, Hans, ‘The Nobility of Sight: A Study in the Phenomenology of the Senses’, Philosophy and Phenomenological Research 14, no. 4 (1954): 507–19.

Josipovici, Gabriel, On Trust: Art and the Temptations of Suspicion (New Haven, CT: Yale University Press, 1999).

———, What Ever Happened to Modernism? (New Haven, CT: Yale University Press, 2010).

Kelly, Kevin, Out of Control: the New Biology of Machines, Social Systems, and the Economic World (New York: Basic Books, 1995).

Kenner, Hugh, A Reader’s Guide to Samuel Beckett (Syracuse: Syracuse University Press, 1996).

Kent, Georg E., ‘Ralph Ellison and Afro-American Folk and Cultural Tradition’, in Ralph Ellison: A Collection of Critical Essays, ed. John Hersey (Edgewood Cliffs, NJ: Prentice-Hall, 1974), 160–170.

Kermode, Frank, ‘Novels: Recognition and Deception’, Critical Inquiry 1, no. 1 (Sept 1974), 103–21.

———, Essays on Fiction (London: Routledge and Kegan Paul, 1983), 102.

———, ‘Foreword’, Ford Madox Ford’s Modernity, International Ford Madox Ford Studies, no.2, ed. Robert Hampson and Max Saunders (Amsterdam and Atlanta, GA.: Rodopi, 2003).

Kohn, Marek, Trust: Self-Interest and the Common Good (Oxford: Oxford University Press, 2009).

Kristeva, Julia, ‘Le Mot, le dialogue, et le roman’ (1966), Sémeiótiké: Recherches pour une sémanalyse (Paris: Éditions du Seuil, 1969).

———, ‘Word, Dialogue, and Novel’, in Desire in Language: A Semiotic Approach to Literature and Art, ed. Leon S. Roudiez, trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez (New York: Columbia University Press, 1980), 66.

Lamarque, Peter, and Stein Olsen, Truth, Fiction, and Literature: A Philosophical Perspective (Oxford: Clarendon, 1994).

Landy, Joshua, ‘“Les Moi en moi”: The Proustian Self in Philosophical Perspective’, New Literary History 32, no. 1 (2001): 91–132.

Latham, Sean, The Art of Scandal: Modernism, Libel Law, and the Roman à Clef (Oxford: Oxford University Press, 2009).

Lawrence, Karen, ‘Paternity as Legal Fiction in Ulysses’, in James Joyce: The Augmented Ninth, ed. Bernard Benstock (Syracuse: Syracuse University Press, 1988), 233–43.

———, ‘Beggaring Description’: Politics and Style in Joyce’s “Eumaeus”’, Modern Fiction Studies 38, no. 2 (1992): 355–76.

LeBlanc, Michael, ‘The Color of Confidence: Racial Con Games and the Logic of Gold’, Cultural Critique 73 (2009): 1–46.

Levine, Lawrence W., Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (New York: Oxford University Press, 1977).

Levinson, Jerrold, ‘Intention and Interpretation: A Last Look’, in Intention and Interpretation, ed. Gary Iseminger, series: The Arts and their philosophies (Philadelphia: Temple University Press, 1992), 221–56.

Lhomeau, Franck, and Alain Coelho, Marcel Proust à la recherche d’un éditeur: A la recherche face à l’édition (Paris: Olivier Orban, 1988).

Lindberg, Gary, The Confidence Man in American Literature (New York: Oxford University Press, 1982).

Lokke, Kari Elise, ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’, Modern Fiction Studies 38, no. 1 (Spring 1992): 235–52.

Longenbach, James, Wallace Stevens: The Plain Sense of Things (Oxford: Oxford University Press, 1991).

Luhmann, Niklas, Trust and Power: Two Works by Niklas Luhmann, trans. Howard Davis, John Raffan and Kathryn Rooney, ed. Tom Burns and Gianfranco Poggi (Chichester: John Wiley, 1979).

———, Trust and Power (New York: Wiley and Sons, 1982).

———, Risk: A Sociological Theory, trans. Rhodes Barrett (Berlin; New York: de Gruyter, 1993).

Marcus, Laura, ‘The Great War in Twentieth-Century Cinema’, The Cambridge Companion to the Literature of the First World War, ed. Vincent Sherry (Cambridge: Cambridge University Press, 2005), 280–301.

Marty, Eric, ‘L’apologie de l’influence: la citation dans le Journal d’André Gide’, Revue des sciences humaines 67, no. 196 (October–December 1984), 81–92.

Materer, Timothy, Wyndham Lewis the Novelist (Detroit, MI: Wayne State, 1976).

———, Modernist Alchemy: Poetry and the Occult (Ithaca, NY: Cornell University Press, 1995).

Matz, Jesse, Literary Impressionism and Modernist Aesthetics (Cambridge: Cambridge University Press, 2001).

McDonald, Rónán, The Cambridge Introduction to Samuel Beckett (Cambridge: Cambridge University Press, 2006).

Menand, Louis, Discovering Modernism: T.S. Eliot and His Context (New York: Oxford University Press, 1987).

Mercier, Vivian, The Irish Comic Tradition (Oxford: Clarendon Press, 1962).

Michaels, Walter Benn, The Gold Standard and the Logic of Naturalism: American Literature at the Turn of the Century (Berkeley: University of California Press, 1987).

Monroe, Robert Emmett, ‘Figuration and Society in “Owl’s Clover”’, Wallace Stevens Journal 13, no. 2 (Fall 1989): 127–49.

Moser, Thomas C., The Life in the Fiction of Ford Madox Ford (Princeton, NJ: Princeton University Press, 1980), 155–6.

Muldrew, Craig, The Economy of Obligation: The Culture of Credit and Social Relations in Early Modern England (London: Macmillan, 1998).

Murray, Charles Shaar, Crosstown Traffic: Jimi Hendrix and Post-War Pop (London: Faber, 1989).

Nadel, Alan, ‘The Intergrated Literary Tradition’, in A Historical Guide to Ralph Ellison’s Invisible Man, ed. Steven C. Tracy (New York: Oxford University Press, 2004), 143–70.

Naremore, James, and Patrick Brantlinger, ‘Introduction: Six Artistic Cultures’, in Modernity and Mass Culture, ed. Naremore and Brantlinger (Bloomington & Indianapolis: Indiana University Press, 1991).

Nicholls, Peter, Ezra Pound: Politics, Economics and Writing (London: Macmillan, 1984).

Oliver, Paul, Blues off the Record: Thirty Years of Blues Commentary (Tunbridge Wells, Kent: Baton Press, 1984), 189.

Osteen, Mark, The Economy of ‘Ulysses’: Making Both Ends Meet (New York: Syracuse University Press, 1995).

Ostendorf, Berndt, ‘Anthropology, Modernism, and Jazz’, in New Essays on Invisible Man, ed. Robert O’Meally (Cambridge: Cambridge University Press, 1988), 95–121.

Outka, Elizabeth, Consuming Traditions: Modernity, Modernism and the Commodified Authentic (Oxford: Oxford University Press, 2009).

Owen, Alex, Place of Enchantment: British Occultism and the Culture of the Modern (Chicago: Chicago University Press, 2004).

Paige, Nicholas, ‘Permanent Re-Enchantments: On Some Literary Uses of the Supernatural from Early Empiricism to Modern Aesthetics’, in The Re-Enchantment of the World: Secular Magic in a Rational Age, ed. Joshua Landy and Michael Saler (Stanford, CA: Stanford University Press, 2009), 159–80.

Parrinder, Patrick, James Joyce (Cambridge: Cambridge University Press, 1984).

Pethica, James, ‘Yeats, folklore, and Irish legend’, in The Cambridge Companion to W. B. Yeats, ed. Marjorie Howes and John Kelly (Cambridge: Cambridge University Press, 2006), 129–43.

Poole, Roger, ‘How Should We Read Ford?’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna, CLUEB, 2002), 181–93.

———, ‘The Unknown Ford Madox Ford’, Ford Madox Ford’s Modernity, International Ford Madox Ford Studies, no.2, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 117–36.

Poovey, Mary, Genres of the Credit Economy: Mediating Value in Eighteenth and Nineteenth Century Britain (Chicago: University of Chicago Press, 2008).

Prendergast, Christopher, The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert (Cambridge: Cambridge University Press, 1986).

Pritchard, William H., Wyndham Lewis (New York: Twayne, 1968).

Rabaté, Jean-Michel, ‘Gender and Modernism: The Freewoman (1911–12), The New Freewoman (1913) and The Egoist (1914–19)’, in The Oxford Critical and Cultural History of Modernist Magazines, vol. 1, ed. Peter Brooker and Andrew Thacker (Oxford: Oxford University Press, 2009), 269–89.

Rachewiltz, Mary de, Discretions (London: Faber, 1971).

Raczkowski, Christopher, ‘From Modernist Detection to Modernist Detectives’, in Modern Fiction Studies 49, no. 4 (Winter 2003): 629–59.

Rainey, Lawrence, Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos (Chicago: Chicago University Press, 1991).

———, ‘Pretty Typewriters, Melodramatic Modernity: Edna, Belle, and Estelle’, Modernism/modernity 16, no. 1 (2009): 104–2.

Redman, Tim, Ezra Pound and Italian Fascism (Cambridge: Cambridge University Press, 1991).

Reesman, Jeanne Campbell, ed., Trickster Lives: Culture and Myth in American Fiction, ed. (Athens: University of Georgia Press, 2001).

Reynolds, C.W., ‘Flocks, Herds, and Schools: A Distributed Behavioral Model’, Computer Graphics vol. 21, no. 4 (1987): 25–34.

Ricoeur, Paul, Freud and Philosophy, trans. D. Savage (New Haven: Yale University Press, 1977).

Ricks, Christopher, T.S. Eliot and Prejudice (London: Faber, 1988).

Riddell, Joseph, ‘“Poets’ Politics”: Wallace Stevens’s “Owl’s Clover”’, Modern Philology 56, no. 2 (Nov. 1958): 118–32.

Rosenbaum, Susan, Professing Sincerity: Modern Lyric Poetry, Commercial Culture and the Crisis in Reading (Charlottesville: University of Virginia Press, 2007).

Sanders, Wilbur, ‘Polishing the Bright Stars: Ford’s Drama of Narration’, Agenda, 27:4–28:1 (Winter 1989–Spring 1990), 85–6.

Sartre, Jean-Paul, What is Literature? (1948), trans. Bernard Frechtman (London: Methuen, 1967).

Saunders, Max, Ford Madox Ford: A Dual Life, 2 vols (Oxford: Oxford University Press, 1996).

———, ‘Modernism, Impressionism, and Ford Madox Ford’s The Good Soldier’, Études Anglaises 57, no. 4 (Oct.–Dec. 2004): 421–37.

———, ‘Trust Me: I’m an Introduction’, CAPES / Agrégation: Anglais: The Good Soldier: Ford Madox Ford, ed. Francois Gallix (Paris: Ellipses, 2005), 17–24.

———, ‘Impressionism, Fiction, and the Location of the Ethical’, Ethics in Culture: The Dissemination of Values through Literature and Other Media, ed. Astrid Erll, Herbert Grabes and Ansgar Nünning (Berlin: Walter de Gruyter, 2008), 299–316.

———, Self Impression: Life-Writing, Autobiografiction and the Forms of Modern Literature (Oxford: Oxford University Press, 2010).

———, ‘Ford’s Thought-experiments: Impressionism, Place, History, and “the frame of mind that is Provence”’, Ford, France and Provence, International Ford Madox Ford Studies, no. 10, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 259–76.

———, ‘Ford’s Lives’, in Ford Madox Ford: An Introduction, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, forthcoming).

Schorer, Mark, preface to The Good Soldier, by Ford Madox Ford (New York: Knopf, 1951).

Schwarz, Liane, ‘Vera Brittain’s Testament of Youth: In Consideration of the Unentrenched Voice’, A/B: Auto/Biography Studies 16, no. 2 (2001): 237–55.

Seligman, Adam B., The Problem of Trust (Princeton, NJ: Princeton University Press, 2000).

Shapin, Steven, A Social History of Truth: Civility and Science in Seventeenth-Century England (Chicago: Chicago University Press, 1994).

Shell, Marc, Art and Money (Chicago: University of Chicago Press, 1995).

Shirky, Clay, Here Comes Everybody: The Power of Organizing without Organizations (New York: Penguin, 2008).

Shklar, Judith N., Ordinary Vices (Cambridge, MA: Belknap Press, 1984).

Shorey, Paul, Platonism, Ancient and Modern (Berkeley: University of California Press, 1938).

Sieburth, Richard, ‘In Pound We Trust: The Economy of Poetry / The Poetry of Economics’, Critical Inquiry 14 (Autumn 1987): 142–72.

Smethurst, James, ‘“Something Warm, Infuriatingly Feminine”: Gender, Sexuality, and the work of Ralph Ellison’, in A Historical Guide to Ralph Ellison’s Invisible Man, ed. Steven C. Tracy (New York: Oxford University Press, 2004), 115–42.

Smith, Thomas R., introduction to ‘Preliminary Aside to the Reader; regarding Gossip, and its pitfalls’ by Wyndham Lewis, Modernism/modernity 4, no. 2 (1997): 181–3.

Stang, Sondra J., ‘A Reading of Ford’s The Good Soldier’, Modern Language Quarterly 30, no. 4 (1969), 545–63.

Steiner, George, Real Presences: Is There Anything in What We Say? (London: Faber, 1989).

Strychacz, Thomas, Modernism, Mass Culture and Professionalism (Cambridge: Cambridge University Press, 1993).

Surette, Leon, Pound in Purgatory: From Economic Radicalism to Anti-Semitism (Urbana: University of Illinois Press, 1999).

Sword, Helen, ‘H.D.’s Majic Ring’, Tulsa Studies in Women’s Literature 14 (1995): 347–62.

———, Ghostwriting Modernism (Ithaca, NY: Cornell University Press, 2002).

Symons, Julian, ‘Introduction’ to The Revenge for Love, by Wyndham Lewis (Harmondsworth: Penguin, 1982).

Szalay, Michael, New Deal Modernism: American Literature and the Invention of the Welfare State (Durham, NC: Duke University Press, 2000).

Taylor, Mark C., The Moment of Complexity: Emerging Network Culture (Chicago: Chicago University Press, 2001).

———, Confidence Games: Money and Markets in a World Without Redemption (Chicago: Chicago University Press, 2004).

Terrell, Carroll F., A Companion to The Cantos of Ezra Pound (Berkeley: University of California Press, 1993).

Thurschwell, Pamela, Technology and Magical Thinking, 1880–1920 (Cambridge: Cambridge University Press, 2001).

Tratner, Michael, Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature (Stanford, CA: Stanford University Press, 2001).

Trotter, David, Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society (Oxford: Oxford University Press, 2001).

Virilio, Paul, The Vision Machine, trans. Julie Rose (Bloomington, IN: Indiana University Press, 1994).

Williams, Bernard, Truth & Truthfulness: An Essay in Genealogy (Princeton, NJ: Princeton University Press, 2002).

———, Descartes: The Project of Pure Enquiry (New York: Routledge, 2005).

Wollaeger, Mark, Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (Princeton, NJ: Princeton University Press, 2006).

Wragg, David A., Wyndham Lewis and the Philosophy of Art in Early Modernist Britain (Lewiston, ME: Edwin Mellen, 2005).