Illustrations
- 1. Listening to opera in The Shawshank Redemption (Frank Darabont, 1994)
- 2. Audrey Hepburn at the opera in Love in the Afternoon (Billy Wilder, 1957)
- 3. A reconstruction of the original Orfeo venue in Mantua (Courtesy of the Musée de Musique, Paris)
- 4. Giovanni Carlo Coppola’s Le nozze degli dei, etching by Stefano della Bella, 1637 (© The Israel Museum, Jerusalem, Israel / Vera & Arturo Schwarz Collection of Dada and Surrealist Art / The Bridgeman Art Library)
- 5. Renata Pokupić as Irene from Tamerlano at the Royal Opera House, Covent Garden, 2010 (© 2010 Royal Opera House / Catherine Ashmore)
- 6. William Hogarth, The Bad Taste of the Town, February 1724 (© Private Collection / The Bridgeman Art Library)
- 7. William Hogarth, The Castrati, engraved print, 1726 (© Private Collection / The Bridgeman Art Library)
- 8. Portrait of Rosalie Levasseur, engraving by Noël Pruneau, 1790
- 9. Pauline Viardot as Orphée, carte de visite photograph, 1859 (TCS 25 (Viardot, Pauline), Harvard Theatre Collection, Houghton Library, Harvard University)
- 10. Wolfgang Amadeus Mozart, portrait by Barbara Krafft, 1819 (© Gesellschaft der Musikfreunde, Wien, Austria / The Bridgeman Art Library)
- 11. Wolfgang Amadeus Mozart, silverpoint drawing by Doris Stock, 1789 (© Private Collection / The Bridgeman Art Library)
- 12. Papageno from the Leipzig premiere of Mozart’s Die Zauberflöte, coloured engraving by Johann Salomon Richter, 1793 (Courtesy of the Stadtgeschichtliches Museum Leipzig)
- 13. Sarastro from the Leipzig premiere of Mozart’s Die Zauberflöte, coloured engraving by Johann Salomon Richter, 1793 (Courtesy of the Stadtgeschichtliches Museum Leipzig)
- 14. Charles Edward Horn as Caspar in Weber’s Der Freischütz, London, 1824 (© Victoria and Albert Museum, London, Great Britain / Lessing Photo Archive)
- 15. Wilhelmine Schröder-Devrient as Fidelio in Beethoven’s opera, lithograph by W. Sauter, 1823 (© akg-images)
- 16. Nineteenth-century portrait of Caroline Ungher (Authors’ collection)
- 17. Guillaume Tell apple scene rendered in Sèvres porcelain (© Réunion des Musées Nationaux (Sèvres, Cité de la céramique) / Martine Beck-Coppola)
- 18. Mickey Mouse conducting William Tell in The Band Concert, 1935
- 19. Natalie Dessay as Lucia in Donizetti’s Lucia di Lammermoor, Metropolitan Opera, 2007 (© Ken Howard/Metropolitan Opera)
- 20. Die Heldentenöre, caricature by Gustave Doré, 1860s (Authors’ collection)
- 21. A Ball at the Opera, colour lithograph by Eugène Charles François Guérard, undated (© Musée de la Ville de Paris, Musée Carnavalet, Paris, France / Giraudon / The Bridgeman Art Library)
- 22. Liebig advertising card showing Verdi’s Rigoletto (Authors’ collection)
- 23. Verdi’s funeral procession, Milan, 26 February 1901 (© akg-images / Interfoto)
- 24. Stage design by Charles-Antoine Cambon and Joseph-François-Désire Thierry for Meyerbeer’s L’Africaine, engraving published in L’illustration, May 1865
- 25. Wagner’s Tannhäuser, Metropolitan Opera, 2004 (© Marty Sohl / Metropolitan Opera)
- 26. A Treasury of Grand Opera, Simon and Schuster, 1946 (Authors’ collection)
- 27. Cover for the sheet music of Faust, 1931 (Authors’ collection)
- 28. Risë Stevens advertising Chesterfield cigarettes, 1948 (Authors’ collection)
- 29. Film poster for Aida with Sophia Loren in the title role (Clemente Fracassi, 1953) (© akg-images)
- 30. Emma Calvé as Carmen, nineteenth-century postcard (Authors’ collection)
- 31. Auber’s Fra Diavolo, lithograph by John Brandard from a photo by Herbert Watkins, c. 1858 (Authors’ collection)
- 32. Caricature of Jacques Offenbach for La Lune, colour engraving by André Gill, 4 November 1866
- 33. Carl Cochems as Hagen from Wagner’s Götterdämmerung, postcard, c. 1910 (Authors’ collection)
- 34. ‘Verdi the Latin Wagner’, caricature by Carl von Stur in Der Floh, 13 February 1887 (Courtesy of the Irving S. Gilmore Music Library, Yale)
- 35. A page of Janáček’s sketches for the original 1904 version of Jenůfa (BmJA – Janáček Archive, Moravian Regional Museum, Brno: Music History Division)
- 36. Enrico Caruso as Cavaradossi in Puccini’s Tosca, Metropolitan Opera House, 1903. Photograph by Aimé Dupont (Courtesy of The Metropolitan Opera Archives)
- 37. Geraldine Farrar as Suor Angelica in Puccini’s Il trittico, Metropolitan Opera, 1918 (Courtesy of The Metropolitan Opera Archives)
- 38. Lauritz Melchior recording the Prize Song from Wagner’s Die Meistersinger in Two Sisters from Boston (Henry Koster, 1946)
- 39. Costume design by Erté (Romain de Tirtoff) for Mélisande in Debussy’s Pelléas et Mélisande, Metropolitan Opera, 1927 (© 2012 Digital Image The Metropolitan Museum of Art / Art Resource / Scala, Florence)
- 40. Richard Strauss and Hugo von Hofmannstahl, silhouette by Willi Bithorn, 1914 (© akg-images)
- 41. Nadja Michael and Duncan Meadows in Strauss’s Salome, Royal Opera House, 2008 (© Clive Barda)
- 42. Cover of the vocal score for Ernst Krenek’s Jonny spielt auf, 1927
- 43. and 44. Costume designs by Eduard Milen for Janáček’s Cunning Little Vixen, National Theatre, Brno, 1924 (Courtesy of Moravian Museum, Brno: Theatre Department)
- 45. Still from Le Million (René Clair, 1931)
- 46. The ruined Deutsche Volksoper, Hamburg, 1945 (© akg-images)
- 47. John Adams, Nixon in China, Metropolitan Opera, 2011 (© Ken Howard / Metropolitan Opera)
- 48. Benjamin Britten, Peter Grimes, Teatro Regio Torino, 2010 (Courtesy of Teatro Regio Torino – Photo Ramella&Giannese)
- 49. Le Sortie de l’Opéra en l’an 2000, hand-coloured lithograph by Albert Robida, c. 1882 (Courtesy of the Library of Congress)
- 50. The rainbow bridge in Wagner’s Das Rheingold, Metropolitan Opera, 2010 (© Ken Howard / Metropolitan Opera)