Laganside

I cannot call back the time, lasso the millions

of minutes by the scruff of their scrawny

wee seconds, or knockout the lost years,

bop the back of their heads and bale

them into a getaway van that will welly-it

to a warehouse where time is put right

by a crack team of agents in tandem

with a renegade but brilliant neurobiologist.

No, the missing months are truly missing,

marooned, cut adrift, left for bye-bye to dry

out in the wreck of themselves, then stalk

an undead and hollow land forever thirsting.

Anyway, it’s been ages since I last happened

by this riverside walkway, where the dead

wood reeked by weather’s spring cleaned.

And I never learned the name of anything,

but it’s nice to see no-one’s ripped the plants

out by their roots and burnt and pissed over

the empty burned space where the ripped-up,

pissed-on plants used to be. And it really is

great to stick-on names that you’ve heard

to whatever you like without caring. So,

along this riverside pathway that snakes

through the city, this laminate lagoon,

buckeyes and rose of Sharon bushes occupy

snowberry banks, restharrow and gillyflowers 

garland bamboo trunks and sapodillas,

while a lotusbird perches to coo-coo

with currawongs and chuck-will’s-widows,

orangequits and greenshanks tra-la twittering,

tittering and tottering on high branches

of lacquer trees, getting liquored on ylang

ylang, oakmoss, dragon’s blood and thyme.

But tiring of this, I ask my better half

if she knows what anything is, and she quotes to me:

‘Happiness is good health and bad memory’.

A man screams. I jitter. But he’s shouting

at his pupils tinned in a pointy-headed

rowboat, and I’m almost insulted,

given the streets are full of men who would

think nothing of going right up to a tiger

lily and scrunching its corolla, who’d shoot

the crows for target practice if they could take out

their guns; and so, I shouldn’t exaggerate,

given that if a duck even tried to quack-

quack in that water, it would be a stone-

dead duck before long; given that beneath

the bokey fudged mulch you can see 3D

nightmares of chains and pulleys, high school

bullies, trolleys, satanic creepy crawlies,

a Black & Decker angle grinder, outstanding

debt reminders, buckled pushchairs, threadbare

pink and olive striped deckchairs, moustachioed

schoolmasters, startled newscasters introducing

shots of headshots, roadblocks, deadlocks,

English cocks and Irish Jocks, mutilated livestock,

a timer’s tick-tock, confused with the cistern’s drip-

drop, keeping you up to panic at a midnight knock-

knock, which is just a drunk neighbour who thought

is missus must ive change da fuckin front-dure lock.

Anyway, while all this flows towards Belfast Lough,

it’s not exactly Xanadu above water either,

not quite Honolulu, when above and beyond

the trees all I can see are weed-nooked rustyards

fighting for space with erect hotels and pearly

office centres, tall cranes stalking everywhere:

tower cranes, hydraulic cranes, cranes for all terrain

policing thin streets in bright-sprayed armatures,

lording it over buildings like a supreme new race,

looking towards their unused elders hung

in sorrow in the dockyards to the east; whether

in sympathy, or saying up yours, I’m not sure.

Closer to the riverside, terraced doors keep

their mouths shut and children are clamped

in by barricade from this steep fall of river-

bank and clean public walkway, though buttered

faces size me up from behind a useless wall,

cursing the river’s limitations, my trespass,

this tourist sprawl. But then, moving onward,

by a cream call centre, a sunbed-skinned sales team

have finished their shift and stream through

the fence-gate to traipse toward happy hour

promotions, black power retro-nights, their navel

studs and highlights sparked by waterlight.

But these airs, this river, these sights have not

been to me some happy-clappy totem,

nor a masochistic home-truth tucked away

in the dark corner of my room mid the nee-

nar drone or bling-bling neon of foreign

towns and cities where I’ve ordered Pad

Thai noodles and drawn the blinds to dwell

on the blank page at the end of ‘Ovid

in Tomis’. It’s just I’ve never come down

since these tracks were laid, and this path

is like my tongue after biting a Pink Lady

cling-wrapped in a thin film of cellophane.

Of course, this happens all the time: you walk

up to your neighbour and note his nostril

hairs, dimples, pocks, scars, cheeks and creviced

chin; then five minutes later you catch his nut

brown eyes in the light and all the features

of his face fuse into something whole but shifting

like this river; or you run your hardly-haired

fingers over the deep blue tiles that line your bath

and soon they’re pigeon’s neck or tortoiseshell,

turquoise flashing eyes on a peacock’s wing;

so it’s unsurprising I’m a bit bamboozled

by this crash and build of trees and concrete

under ice-blue skies, which are hardly ice-

blue, but electric, kingfisher, and air-force

blue stretched over this crocodilic river

preying straight for the lough’s open maw

to leave behind all guarantees; horse chestnuts

and hazel trees; the roadways’ injured circuitry;

wheelie-bins and empties; wideboys hawking

blow to the gothic daughters of the haute

bourgeoisie; and my better half and me

below clouds that taper the city’s spires,

cupolas, scaffolding, lithe birds of origami.

No wonder I’m astray, a little bit this way

and that way, for the dockyards and ghettoes

look like a grey-quiffed and tattooed uncle

intensely line dancing on a hot night-

club floor, thinking he might yet score,

like I’ve been caught with my guard down

by this dizzy glint and easy rapture

of poplar and clover, wire-fence and river

flooding towards the basin’s broken jaws

as if hit-and-running from a crime scene,

though flushed and peach-blushed with pleasure

at the prospect of coming to a head,

having it out for once and forever

as the missing months and years dredge

past the massage of washed-out slogans,

sleek towers, ghosted union buildings,

the river overrunning its own ledge

to find itself played out in a final flush

into open seas, under drizzled rain,

while the sky arrests an outbound plane,

and my better half lags behind to savour

the shifting terrain, leaving me to find

our way back to the streets, knowing

I’ll never leave here, or come back again.