The Allegory of Spring

What pleasures we might find

       pass on.

Nothing to be done. Like air

       they are not long

to be held. Fast shadows darken

       fresh grass

and most of what we know

       grows bored

inside us. Like the sadness

       of money.

Like the measure of a median life,

       a McLife

like this one, rising to fall, falling

       to rise.

Yet here comes everyone—

       one by one

they peep their heads,

       creep out

from the dark to bud and spume

       like wild

fire into a teeming forest. There is

       something

mental about birth. You couldn’t

       make it up:

the fury in seeds. Death not out-

       done. Death out-

doing us, our ceremonies,

       reaching

for the intangible, the way

       it drifts

like mist from a scalded

       teapot,

the tint of irises we never

       notice

in the vase, in the corner

       of the room,

until they’re dying. Or that scent

       of moss

in the cover of the wood, creeping

       thistle,

greenfinches trilling in the brake

       as if for us

on that walk I never wanted to take

       then dreamed

about for nineteen years. Oh lay

       me low.

Convolvulus and daffodils, the glissade

       of beech leaves.

Lay me down in a shaded glade, though I

       could count

the woods I’ve walked through in the past

       nineteen years

on one hand and in that time

       I must have

been to Tesco near four thousand times

       taking four times

a week as a likely average. The soft prickle

       of twayblade.

Fingers in the soil. Grass in the mouth.

       Soft docken

leaves on buttercup-stained skin.

       What I like

best are garden centres, the calm trickle

       of their water

features, customers reverential

       in the ambience

of high ferns and pot plants. If we could rip

       the veil of habit,

witness the world truly, we would

       throw up.

And I hear their low moan, a woman

       and man

fucking in a supermarket

       toilet

because they’ve had it up to here. Hands on

       her buttocks

he tries to look the way he thinks

       he should

look, though his back hurts. Foxglove

       and may bells,

hair on willow-herb, nipples, genitals,

       cellophane.

He hopes she’s feeling what she should

       be feeling.

She feels the muffled sorrow

       and need

in the breath of pleasure. When he comes

       she hugs him

but can’t wrap herself around all

       this plenty.

Done, they close their eyes and cradle

       themselves

in that blindness. Then, as we all do,

       hoping

for the best, they creep through the door

       one by one.