The Features

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NO. 1: THE EYES

The eyes are brown or black or blue

Or grey, and of them there are two.

They are arranged beside the nose,

One to each side, which, I suppose

Was done because no other place

Was vacant in the human face.

How helpfully eyes scan the dish

And watch for bones when eating fish,

Or with a side glance, indirect, eyes

Warn us of grease spots on our neckties.

Then, eyes are used to show our feelings,

In place of yells and sobs and squealings.

For instance, to express surprise,

You raise the lids and pop the eyes;

In showing grief, the lids are dropped

And tears (if any) gently sopped

Up with a handkerchief—a white one

(And preferably clean) ’s the right one.

The eyes are cleverly equipped

With little lids, which can be flipped

Up in the morning, down at night,

To let in or shut out the light.

We could fill pages with our cries

Of admiration for the eyes;

They’re indispensable (see above).

True, eyebrows are well spoken of;

The ears are hard to do without;

The nose is useful too, no doubt;

But eyes! Do not dispense with those!

Abandon ears; give up your nose;

But we most earnestly advise:

Hang on most firmly to your eyes.

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NO. 2: THE EARS

The ears are two in number, and

Beside the head, on either hand,—

One to the left, one to the right—

They are attached extremely tight.

Their purpose is twofold, to wit:

To give the hat a place to sit,

So that it will not lose its place

And, slipping down, engulf the face.

Also to ventilate the brain,

When heated by great mental strain,

By standing at right angles out

To catch whatever wind’s about,

Or when the summer breeze is napping,

To substitute by gently flapping.

Do not, therefore, attempt to pull

The ears from off the parent skull.

Though ears look odd and out of place,

And add so little to the face,

Though as adornment they’re lamentable,

Without them you’d be unpresentable;

And he who rashly grabs the shears

Will find too late, with bitter tears,

That there’s no substitute for ears.

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NO. 3: THE NOSE

The nose, in general, finds its place

About the center of the face,

Continuing the forehead south

Between the eyes, down towards the mouth,

Above which, usually it

Stops short, in order not to hit

The chin, which in its normal place

Below the mouth, completes the face.

(Though here of ears we make no mention,

They are well worthy of attention.)

And thus we see, by its position,

The nose has an important mission;

For, gathered round it in a troop,

The other features thus can group

Themselves upon it, each in place

Symmetrically to form a face.

Without a nose to rally round

The other features would be bound

To wander off in all directions

And with the face lose all connections.

Without a nose, I rather guess

Your face would be an awful mess.

A nose, too, if not badly bent

Can be a handsome ornament

Which one can wear with joy and pride,

So do not lay your nose aside.

Preserve your nose at any cost;

You can’t replace it if it’s lost.

And wear it in its normal place,

Right in the middle of your face.

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NO. 4: THE MOUTH

The mouth is located below

The nose, and is constructed so

That when it grins, it stretches wide

To touch the ears on either side.

This elasticity is handy

In eating pie, or hunks of candy.

Though hunks that stretch the mouth too tight

(By some considered impolite)

Require much earnest concentration,

And interfere with conversation.

In fact, there are extremely few

Who can, with charm, both talk and chew.

It’s best to keep the two things separate;

When dinner’s served, just salt and pepper it,

And for your conversation wait

Until there’s nothing on your plate.

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NO. 5: THE CHIN

Proceeding south upon the face

The forehead first takes up some space,

Beneath which you will find the eyebrows

And then the eyes (called “orbs” by highbrows).

Along the nose continue south

And presently you reach the mouth

And see, beyond, on the horizon,

The chin’s bold promontory risin’.

Consider, then, the chin. Although it’s

Never been praised by famous poets,

Yet do not sneer at it, nor scoff,

And never, never chop it off,

For if removed, the face is shortened,

The mouth no longer looks important

But rests directly on the collar—

Which makes the public laugh and holler.

For with no chin you’d be no vision

Of beauty. You’d invite derision.

You’d look half-witted; you’d look funny;

No one would ever lend you money;

And dentists, putting in a filling,

Would have no place to lean when drilling.

The chin is used in mastication;

Thrust out, it shows determination;

And other uses I could mention—

But I’m afraid that your attention

Is wandering. Confidentially,

This verse is even boring me.

As for the chin, I must admit

I’m getting good and sick of it.

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NO. 6: THE WHISKERS

The whiskers on some men are quite

The most important things in sight.

On Mr. Bean or General Grant.

Among the foliage you can’t

Tell ears from eyes or mouth from nose;

The beard among the features grows

Luxuriant, it overflows

The chin, cascading down the chest,

Conceals the collar, tie and vest.

(Were I with whiskers so bedecked, I

’d never, never wear a necktie.)

But there are dangers to be feared,

For of one aged man I’ve heerd

Who had a most enormous beard

And chipmunks, mice and other creatures,

Who ventured in among his features

Got lost among those bushy cheeks

And wandered there for weeks and weeks.

Yes, some, they say, went in and then

Vanished, were never seen again.

Such stories, though, can hardly be

Accepted unreservedly.

It’s possible, of course, they’re true;

For one bewhiskered gent I knew,

A traveling man from Kalamazoo,

Who used his beard to keep things in—

His pipe, tobacco, and a tin

Or two of Portuguese sardines,

Boxes of crackers, cans of beans,

And several current magazines.

When traveling on local trains,

In steamships or in aeroplanes,

His simple wants he kept supplied

With what he had concealed inside

That whiskered shade—as gum, or smokes,

Light lunches or a book of jokes.

Thus were his lonely journeys cheered—

But that’s enough about the beard.

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