Writing a book of this sort means consulting the papers. For Frank Lloyd Wright, the most essential source of correspondence is the Getty Research Institute, Los Angeles, California, where in excess of one hundred thousand original documents are archived. Other storehouses I consulted for Wright materials include Manhattan’s Museum of Modern Art and Columbia University; the latter’s Avery Library has become the repository for the bulk of his drawings. I found valuable materials at the Victoria and Albert Museum, London. I’ve also drawn upon related research done for a previous book on Wright, which involved many hours spent at the Frank Lloyd Wright Home and Studio in Oak Park, Illinois, and the Frank Lloyd Wright Foundation Archives, then located at Taliesin West in Scottsdale, Arizona, prior to their recent relocation east to Columbia and MoMA. For Philip Johnson, the two principal repositories for his correspondence and papers are the Getty and MoMA.
Other papers consulted include those of Alfred H. Barr, found in the Archives of American Art in Washington, D.C.; Peter Blake, Avery Library, Columbia University; Henry-Russell Hitchcock, Archives of American Art; Arthur Cort Holden, Rare Books and Special Collections, Harvey S. Firestone Library, Princeton University; Fiske Kimball, Philadelphia Museum of Art; Carter H. Manny Jr., Art Institute of Chicago; Lewis Mumford, University of Pennsylvania; Hilla von Rebay, Solomon R. Guggenheim Museum, New York; Selden Rodman, Yale University; Paul J. Sachs, Harvard Art Museums Archives; William H. Short, Harvey S. Firestone Library, Princeton University; Calvin Tomkins, MoMA; Alexander Woollcott, Houghton Library, Harvard University.
What follows is a selected bibliography of the published material consulted.
Adams, Samuel Hopkins. A. Woollcott: His Life and His World. New York: Reynal & Hitchcock, 1945.
Andersen, Kurt. “Philip the Great.” Vanity Fair, June 1993, 130–38, 151–57.
“Architectural Student Jonathan Barnett Interviews Architect Philip Johnson.” Architectural Record 128, no. 6 (December 1960): 16.
Art of Tomorrow: Fifth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings. New York: Guggenheim Foundation, 1939.
Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim. New York: Guggenheim Museum, 2005.
“Art Museum Designed as Continuous Ramp, New York City.” Architectural Forum 88, no. 1 (January 1948): 136–38.
Barr, Alfred H., Jr. “Dutch Letter.” Arts, January 1928, 48–49.
——. “Modern Architecture.” Hound and Horn, June 1930, 431–35.
——. “The NECCO Factory.” Arts, May 1928, 292–95.
——. Painting and Sculpture in the Museum of Modern Art, 1929–1967. New York: MoMA, 1967.
Barr, Margaret Scolari. “‘Our Campaigns’: Alfred H. Barr, Jr., and the Museum of Modern Art: A Biographical Chronicle of the Years 1930–1944.” New Criterion (New York: Foundation for Cultural Review), special issue, Summer 1987, 23–74.
Besinger, Curtis. Working with Mr. Wright. New York: Cambridge University Press, 1995.
Bjone, Christian. Philip Johnson and His Mischief: Appropriation in Art and Architecture. Victoria, Australia: Images Publishing, 2014.
Blake, Peter. “The Guggenheim: Museum or Monument?” Architectural Forum, December 1959, 86–92.
——. The Master Builders. New York: Alfred A. Knopf, 1960.
——. No Place Like Utopia. New York: Alfred A. Knopf, 1993.
——. Philip Johnson. Basel: Birkhäuser Verlag, 1996.
——. “Philip Johnson Knows Too Much.” New York 11 (May 15, 1978): 58–61.
Blodgett, Geoffrey. “Philip Johnson’s Great Depression.” Timeline, June–July 1987, 2–17.
Brierly, Cornelia. Tales of Taliesin: A Memoir of Fellowship. Tempe, AZ: Arizona State University, 1999.
Brooks, H. Allen. Writings on Wright: Selected Comment on Frank Lloyd Wright. Cambridge, MA: MIT Press, 1981.
Brown, Milton. “Frank Lloyd Wright’s First Fifty Years.” Parnassus 12, no. 8 (December 1940): 37–38.
Campbell, Robert. “The Joker: Philip Johnson, the Corporate Architect as Clown.” Lear’s, September 1989, 108–114, 178.
The Charlottesville Tapes. New York: Rizzoli, 1985.
Cleary, Richard L. Merchant Prince and Master Builder: Edgar J. Kaufman and Frank Lloyd Wright. Pittsburgh, PA: Heinz Architectural Center, 1999.
Cooke, Alistair. “Memories of Frank Lloyd Wright.” AIA Journal 32 (October 1959): 42–44.
Corbusier, Le. Towards a New Architecture. Essex, UK: Butterworth Architecture, 1989.
Dennis, Lawrence. Is Capitalism Doomed? New York: Harper & Brothers, 1932.
Drexler, Arthur. “Architecture Opaque and Transparent.” Interiors & Industrial Design, October 1949, 99–101. Reprinted in Whitney and Kipnis, Philip Johnson (1993).
——. The Drawings of Frank Lloyd Wright. New York: Horizon, 1962.
Earls, William D. The Harvard Five in New Canaan: Midcentury Modern Houses by Marcel Breuer, Landis Gores, John Johansen, Philip Johnson, Eliot Noyes and Others. New York: W. W. Norton, 2006.
Einbinder, Harvey. An American Genius: Frank Lloyd Wright. New York: Philosophical Library, 1986.
Ely, Jean. “New Canaan Modern: The Beginning, 1947–1952.” New Canaan Historical Society Annual, 1967, 3–12.
Filler, Martin. Makers of Modern Architecture. New York: New York Review of Books, 2007.
——. “Philip Johnson: Deconstruction Worker.” Interview 18 (May 1988): 102–6, 109.
——. “Philip Johnson: The Architect as Theorist.” Art in America 67, no. 8 (December 1979): 16–19.
Fistere, John Cushman. “Poets in Steel.” Vanity Fair 36 (December 1931): 58–59, 98.
Four Great Makers of Modern Architecture: Gropius, Le Corbusier, Miës van der Rohe, Wright. A Verbatim Record of a Symposium Held at the School of Architecture from March to May 1961. New York: Columbia University, 1961.
“The Four Seasons.” Interiors, December 1959, 80–85.
“Frank Lloyd Wright: A Special Portfolio.” Architectural Forum 110, no. 6 (June 1959): 117–46.
“Frank Lloyd Wright Designs a Commercial Installation: A Showroom in New York for Sports Cars.” Architectural Forum, July 1955, 132–33.
Frank Lloyd Wright: From Within Outward. New York: Guggenheim Museum, 2009.
“Frank Lloyd Wright’s Masterwork.” Architectural Forum 96, no. 4 (April 1952): 141–44.
Friedman, Alice T. Women and the Making of the Modern House. New York: Harry N. Abrams, 1998.
Gill, Brendan. Many Masks: A Life of Frank Lloyd Wright. New York: G. P. Putnam’s Sons, 1987.
“A Glass House in Connecticut.” House & Garden, October 1949, 158–73.
Goldberger, Paul, ed. Philip Johnson/Alan Ritchie Architects. New York: Monacelli Press, 2002.
Goodyear, A. Conger. The Museum of Modern Art: The First Ten Years. New York: MoMA, 1943.
Gores, Landis. “Philip Johnson Comes to New Canaan.” New Canaan Historical Society Annual 10, no. 2 (1986): 3–12.
Gropius, Walter. Apollo in the Democracy: The Cultural Obligation of the Architect. New York: McGraw-Hill, 1968.
The Guggenheim: Frank Lloyd Wright and the Making of the Modern Museum. New York: Guggenheim Museum, 2009.
Hammer-Tugendhat, Daniela, and Wolf Tegthoff, eds. Ludwig Miës van der Rohe: The Tugendhat House. Vienna: Springer-Verlag, 2000.
Heckscher, Morrison K. “Outstanding Recent Accessions. 19th-Century Architecture for the American Wing: Sullivan and Wright.” Metropolitan Museum of Art Bulletin 30, no. 6 (June–July, 1972): 300–304.
Hedrich, William C. Oral history, Betty J. Blum, interviewer. Chicago Architects Oral History Project, Art Institute of Chicago, 1992. http://www.artic.edu/research/archival-collections/oral-histories/william-c-hedrich-1912-2001.
Henken, Priscilla J. Taliesin Diary: A Year with Frank Lloyd Wright. New York: W. W. Norton, 2012.
Henning, Randolph C. “At Taliesin”: Newspaper Columns by Frank Lloyd Wright and the Taliesin Fellowship, 1934–1937. Carbondale: Southern Illinois University Press, 1992.
Hession, Jane King, and Debra Pickrel. Frank Lloyd Wright in New York: The Plaza Years, 1954–1959. Layton, UT: Gibbs Smith, 2007.
Hitchcock, Henry-Russell, Jr. “The Architectural Work of J. J. P. Oud.” Arts 13, no. 2 (February 1928): 97–103.
——. The Architecture of H. H. Richardson and His Times. Hamden, CT: Archon Books, 1961.
——. Frank Lloyd Wright. Paris: Cahiers d’Arts, 1928.
——. In the Nature of Materials: The Buildings of Frank Lloyd Wright. New York: Duell, Sloan and Pearce, 1942.
——. “Modern Architecture: A Memoir.” Journal of the Society of Architectural Historians 27, no. 4 (December 1968): 227–33.
——. Modern Architecture: Romanticism and Reintegration. New York: Payson and Clarke, 1929.
Hitchcock, Henry-Russell, Jr., and Arthur Drexler. Built in U.S.A.: Post-War Architecture. New York: MoMA/Simon and Schuster, 1953.
Hitchcock, Henry-Russell, Jr., and Philip Johnson. The International Style: Architecture Since 1922. New York: W. W. Norton, 1932.
——. Modern Architecture: International Exhibition. New York: MoMA, 1932.
Hoffman, Donald. Frank Lloyd Wright’s Fallingwater. New York: Dover Publications, 1978.
Hoppen, Donald W. The Seven Ages of Frank Lloyd Wright. Santa Barbara, CA: Capra Press, 1993.
Hoyt, Edwin P. Alexander Woollcott: The Man Who Came to Dinner. London: Abelard-Schuman, 1968.
Jacobs, Herbert, and Katherine Jacobs. Building with Frank Lloyd Wright: An Illustrated Memoir. San Francisco, CA: Chronicle Books, 1978.
Jacobus, John M., Jr. Philip Johnson. New York: George Braziller, 1962.
Jenkins, Stover, and David Mohney. The Houses of Philip Johnson. New York: Abbeville, 2001.
Johnson, Philip. “Architecture in the Third Reich.” Hound and Horn 5 (October–December 1933): 137–39.
——. “The Architecture of the New School.” Arts 17, no. 6 (March 1931): 393–98.
——. The Architecture of Philip Johnson. Boston: Bulfinch Press, 2002.
——. “Beyond Monuments.” Architectural Forum 138 (January–February 1973): 54–68.
——. “The Frontiersman.” Architectural Review 106 (August 1949). Reprinted in Johnson, Philip Johnson (1979).
——. “Full Scale False Scale.” Show 3 (June 1963).
——. “The German Building Exposition of 1931.” T-Square 2, no. 1 (1932): 17–19, 26–27.
——. “House at New Canaan, Connecticut.” Architectural Review 107, no. 645 (September 1950): 152–59. Reprinted in Johnson, Philip Johnson (1979).
——. Interview with George Goodwin, July 27, 1992. Archives of American Art.
——. “Letter to the Museum Director.” Museum News, January 1960, 22–25.
——. Miës van der Rohe. New York: MoMA, 1947. Revised 1978.
——. “The Next Fifty Years.” Architectural Forum 94 (June 1951): 167–70.
——. “100 Years, Frank Lloyd Wright and Us.” Pacific Architect and Builder 13 (March 1957): 35–36.
——. The Philip Johnson Tapes: Interviews by Robert A. M. Stern. Edited by Kazys Varnelis. New York: Monacelli Press, 2008.
——. Philip Johnson: Writings. New York: Oxford University Press, 1979.
——. “The Responsibility of the Architect.” Perspecta 2 (1954): 45–57.
——. “The Seven Crutches of Modern Architecture.” Perspecta 3 (1955): 40–44.
——. “The Skyscraper School of Modern Architecture.” Arts 17, no. 8 (May 1931): 569–75.
——. “Whence and Whither: The Processional Element in Architecture.” Perspecta 9/10 (1965): 167–78.
Johnson, Philip, and Edgar Kaufmann, Jr. “American Architect: Four New Buildings.” Horizon 93–94 (October 1947): 62–65.
Jordy, William H. The Impact of European Modernism in the Mid-Twentieth Century. Vol. 5, American Buildings and Their Architects. New York: Oxford, 1972.
Kantor, Sybil Gordon. Alfred H. Barr, Jr., and the Intellectual Origins of the Museum of Modern Art. Cambridge, MA: MIT Press, 2002.
Kaufmann, Edgar, Jr. Fallingwater: A Frank Lloyd Wright Country House. New York: Abbeville, 1986.
——. “Frank Lloyd Wright’s Architecture Exhibited: A Commentary by Edgar Kaufmann, Jr.” Metropolitan Museum of Art Bulletin 40, no. 2 (Autumn 1982): 4–47.
——. “Frank Lloyd Wright’s Years of Modernism, 1925–1935.” Journal of the Society of Architectural Historians 24, no 1 (March 1965): 31–33.
——. 9 Commentaries on Frank Lloyd Wright. Cambridge, MA: MIT Press, 1989.
——. “Precedent and Progress in the Work of Frank Lloyd Wright.” Journal of the Society of Architectural Historians 39 (May 1980): 145–49.
Ketcham, Diana. “‘I Am a Whore’: Philip Johnson at Eighty.” New Criterion 5, no. 4 (December 1986): 57–64.
Lambert, Phyllis. Building Seagram. New Haven, CT: Yale University Press, 2013.
——. “How a Building Gets Built.” Vassar Alumnae Magazine 44, no. 3 (February 1959): 13–19.
——, ed. Miës in America. New York: Harry N. Abrams, 2001.
Levine, Neil. The Architecture of Frank Lloyd Wright. Princeton, NJ: Princeton University Press, 1996.
Lewis, Hilary, and John O’Connor. Philip Johnson: The Architect in His Own Words. New York: Rizzoli, 1994.
Lomask, Milton. Seed Money: The Guggenheim Story. New York: Farrar, Straus, 1964.
Ludvigsen, Karl E. “The Baron of Park Avenue.” Automobile Quarterly 10, no. 2 (Second Quarter 1972): 152–67.
Lukach, Joan M. Hilla Rebay: In Search of the Spirit in Art. New York: George Braziller, 1983.
Lynes, Russell. Good Old Modern: An Intimate Portrait of the Museum of Modern Art. New York: Atheneum, 1973.
Macdonald, Dwight. “Action on West Fifty-Third Street.” New Yorker, 2 parts, December 12, 1953, 49–82, and December 19, 1953, 35–72.
Manny, Carter H. “Oral History of Carter Manny.” Franz Schulze, interviewer. Chicago: Art Institute of Chicago, 1994. http://digital-libraries.saic.edu/cdm/fullbrowser/collection/caohp/id/7663/rv/compoundobject/cpd/8196.
Manson, Grant Carpenter. Frank Lloyd Wright to 1910: The First Golden Age. New York: Reinhold Publishing, 1958.
Mariani, John, and Alex von Bidder. The Four Seasons: A History of America’s Premier Restaurant. New York: Crown Publishers, 1994.
Marquis, Alice Goldfarb. Alfred H. Barr, Jr.: Missionary for the Modern. Chicago: Contemporary, 1989.
McAndrew, John. “Architecture in the United States.” Bulletin of the Museum of Modern Art 6, no. 102 (February 1939): 9–10.
——, ed. Guide to Modern Architecture: Northeast States. New York: MoMA, 1940.
Mendelsohn, Eric. Eric Mendelsohn: Letters of an Architect. Edited by Oscar Beyer. New York: Abelard-Schuman, 1967.
Menocal, Narcisco G., ed. Fallingwater and Pittsburgh. Carbondale: Southern Illinois University Press, 2000.
Meyer, Richard. What Was Contemporary Art? Cambridge, MA: MIT Press, 2013.
Miller, Donald. Lewis Mumford: A Life. New York: Weidenfeld and Nicolson, 1989.
Modern Architecture: International Exhibition, New York, February 10 to March 23, 1932. New York: MoMA, 1932.
“The Modern Gallery: The World’s Greatest Architect, at 74, Designs the Boldest Building of his Career.” Architectural Forum 84, no. 1 (1946): 81–88.
Mumford, Lewis. “Frank Lloyd Wright and the New Pioneers.” Architectural Record 65 (April 1929): 414–16.
——. “New York vs. Chicago in Architecture.” Architecture 56, no. 5 (November 1927): 241–44.
——. “The Poison of Good Taste.” American Mercury 6 (September 1925): 92–94.
——. Sketches from Life: The Autobiography of Lewis Mumford, the Early Years. New York: Dial Press, 1982.
——. “The Sky Line: A Phoenix Too Infrequent.” New Yorker, 2 parts, November 28, 1953, 133–39, and December 12, 1953, 116–27.
——. “The Sky Line: At Home, Indoors and Out.” New Yorker, February 12, 1938, 58–59.
——. “The Sky Line: Organic Architecture.” New Yorker, February 27, 1932, 49–50.
——. “The Sky Line: The Lesson of the Master.” New Yorker, September 13, 1958, 141–48, 151–52.
——. “The Sky Line: What Wright Hath Wrought.” New Yorker, December 5, 1959, 105–30.
——. “The Sky Line: Windows and Gardens.” New Yorker, October 2, 1932, 121–24, 127–29.
——. Sticks and Stones: A Study of American Architecture and Civilization. New York: Boni and Liveright, 1924.
Nelson, James, ed. Wisdom: Conversations with the Elder Wise Men of Our Day. New York: W. W. Norton, 1958.
Petit, Emmanuel, ed. Philip Johnson: The Constancy of Change. New Haven, CT: Yale University Press, 2009.
Pfeiffer, Bruce Brooks. Frank Lloyd Wright: The Crowning Decade. Fresno: Press at California State University, 1989.
——. Frank Lloyd Wright: The Heroic Years, 1920–1932. New York: Rizzoli, 2009.
Pfeiffer, Bruce Brooks, and Robert Wojtowicz, eds. Frank Lloyd Wright & Lewis Mumford: Thirty Years of Correspondence. Princeton, NJ: Princeton Architectural Press, 2001.
Philip Johnson. Charles Noble, introduction. Yukio Futagawa, photographs. New York: Simon and Schuster, 1972.
Philip Johnson and the Museum of Modern Art. New York: MoMA/Harry N. Abrams, 1998.
Philip Johnson: Architecture, 1949–1965. Henry-Russell Hitchcock, introduction. New York: Holt, Rinehart and Winston, 1966.
Philip Johnson: Processes. The Glass House, 1949, and the AT&T Corporate Headquarters, 1978. New York: Institute for Architecture and Urban Studies, 1978.
Quinan, Jack. “Frank Lloyd Wright’s Guggenheim Museum: A Historian’s Report.” Journal of the Society of Architectural Historians 52, no. 4 (December 1993): 466–82.
——. “Frank Lloyd Wright’s Reply to Russell Sturgis.” Journal of the Society of Architectural Historians 41 (1989): 238–44.
Rebay, Hilla. Oral history interview, 1966. Archives of American Art. http://www.aaa.si.edu/collections/interviews/oral-history-interview-hilla-rebay-11723.
Reed, Peter, and William Kaizen, eds. The Show to End All Shows: Studies in Modern Art 8. New York: MoMA, 2004.
Riley, Terence, ed. Frank Lloyd Wright: Architect. New York: MoMA, 1994.
——. The International Style: Exhibition 15 and the Museum of Modern Art. New York: Rizzoli, 1992.
Rodman, Selden. Conversations with Artists. New York: Capricorn Books, 1961.
Roob, Rona. “Alfred H. Barr, Jr.: A Chronicle of the Years 1902–1929.” New Criterion (New York: Foundation for Cultural Review), special issue, Summer 1987, 1–19.
Saarinen, Aline B. The Proud Possessors: The Lives, Times and Tastes of Some Adventurous American Art Collectors. New York: Random House, 1958.
——. “Tour with Mr. Wright.” New York Times Magazine, September 22, 1957, 22–23, 69–70.
Scarlett, Rolph. The Baroness, the Mogul, and the Forgotten History of the First Guggenheim Museum. New York: Midmarch Arts Press, 2003.
Schulze, Franz. Philip Johnson: Life and Work. Chicago: University of Chicago Press, 1994.
Schulze, Franz, and Edward Windhorst. Miës van der Rohe. Rev. ed. Chicago: University of Chicago Press, 2012.
Scully, Vincent. Frank Lloyd Wright. New York: George Braziller, 1960.
——. “Frank Lloyd Wright and Philip Johnson at Yale.” Architectural Digest, March 1986, 90, 94.
——. “Philip Johnson: The Glass House Revisited.” Architectural Digest, November 1986. Reprinted in Whitney and Kipnis, Philip Johnson (1993).
——. The Shingle Style: Architectural Theory and Design from Richardson to the Origins of Wright. New Haven, CT: Yale University Press, 1955.
——. “Wright vs. the International Style.” Art News 53 (March 1954), 32–35, 64–66.
Searing, Helen. “Henry-Russell Hitchcock: The Architectural Historian as Critic and Connoisseur.” In The Architectural Historian in America, edited by Elisabeth Blair MacDougall. Washington, DC: National Gallery of Art, 1990.
——, ed. In Search of Modern Architecture: Tribute to Henry-Russell Hitchcock. Cambridge, MA: MIT Press, 1982.
——. “International Style: The Crimson Connections.” Progressive Architecture 63 (February 1982): 88–91.
Secrest, Meryle. Frank Lloyd Wright. New York: Alfred A. Knopf, 1992.
Shirer, William L. Berlin Diary: The Journal of a Foreign Correspondent, 1934–1941. New York: Alfred A. Knopf, 1941.
The Solomon R. Guggenheim Museum. Architect: Frank Lloyd Wright. New York: Horizon, 1960.
The Solomon R. Guggenheim Museum. New York: Solomon R. Guggenheim Foundation, 1994.
Sorkin, Michael. “Where Was Philip?” Spy, October 1988, 138, 140.
“Speaking of Pictures … New Art Museum Will Be New York’s Strangest.” Life, October 8, 1945, 12–14.
Staniszewski, Mary Anne. The Power of Display: A History of Exhibition Installations at the Museum of Modern Art. Cambridge, MA: MIT Press, 1998.
Stern, Robert A. M. “The Evolution of Philip Johnson’s Glass House, 1947–1948.” Oppositions, Fall 1977, 56–67.
——. George Howe: Toward a Modern Architecture. New Haven, CT: Yale University Press, 1975.
Stern, Robert A. M., Gregory Gilmartin, and Thomas Mellins. New York 1930: Architecture and Urbanism Between the Two World Wars. New York: Rizzoli, 1987.
Stern, Robert A. M., Thomas Mellins, and David Fishman. New York 1960: Architecture and Urbanism Between the Second World War and the Bicentennial. New York: Monacelli Press, 1995.
Tafel, Edgar. About Wright: An Album of Recollections by Those Who Knew Frank Lloyd Wright. New York: John Wiley and Sons, 1993.
——. Years with Frank Lloyd Wright: Apprentice to Genius. New York: Dover, 1979.
Teichmann, Howard. Smart Aleck: The Wit, World, and Life of Alexander Woollcott. New York: Morrow, 1976.
Tell, Darcy. “An Atmosphere Instead of a Frame.” Archives of American Art Journal 51, nos. 1–2 (2012): 70–73.
Thomson, Virgil. Virgil Thomson: An Autobiography. New York: Alfred A. Knopf, 1966.
Toker, Franklin. Fallingwater Rising: Frank Lloyd Wright, E. J. Kaufmann, and America’s Most Extraordinary House. New York: Alfred A. Knopf, 2003.
Tomkins, Calvin. “Forms Under Light.” New Yorker, May 23, 1977, 43–80.
The Usonian House: Souvenir of the Exhibition: 60 Years of Living Architecture, the Work of Frank Lloyd Wright. New York: Guggenheim Museum, 1953.
Utley, Freda. Odyssey of a Liberal. Washington, D.C.: Washington National Press, 1970.
Vail, Karole, ed. The Museum of Non-Objective Painting: Hilla Rebay and the Origins of the Solomon R. Guggenheim Museum. New York: Guggenheim Museum, 2009.
Waggoner, Lynda, ed. Fallingwater. New York: Rizzoli, 2011.
——. Fallingwater: Frank Lloyd Wright’s Romance with Nature. New York: Universe Books, 1996.
Watkin, David. “Frank Lloyd Wright & the Guggenheim Museum.” AAA Files 21 (Spring 1991): 40–48.
Welch, Frank D. Philip Johnson & Texas. Austin: University of Texas Press, 2000.
What Is Happening to Modern Architecture? A Symposium at the Museum of Modern Art, February 11, 1948. Reprinted in Museum of Modern Art Bulletin 15, no. 3 (Spring 1948): 1–21.
Whitney, David, and Jeffrey Kipnis, eds. Philip Johnson: The Glass House. New York: Pantheon Books, 1993.
Wiseman, Carter. Shaping a Nation. New York: W. W. Norton, 1998.
Wojtowicz, Robert. “Lewis Mumford: The Architectural Critic as Historian.” In The Architectural Historian in America, edited by Elisabeth Blair MacDougall. Washington, D.C.: National Gallery of Art, 1990.
——. “A Model House and a House’s Model: Reexamining Frank Lloyd Wright’s House on the Mesa Project.” Journal of the Society of Architectural Historians 64, no. 4 (December 2005): 522–51.
Woollcott, Alexander. The Letters of Alexander Woollcott. Edited by Beatrice Kaufman and Joseph Hennessey. New York: Viking Press, 1944.
——. “The Prodigal Father.” New Yorker, July 19, 1930, 22–25.
Wright, Frank Lloyd. An Autobiography. New York: Duell, Sloan and Pearce, 1943.
——. Frank Lloyd Wright Collected Writings. 5 vols. New York: Rizzoli, 1992–95.
——. Frank Lloyd Wright: The Guggenheim Correspondence. Edited by Bruce Brooks Pfeiffer. Fresno: Press at California State University, 1986.
——. “In the Cause of Architecture: Second Paper.” Architectural Record 35 (May 1914): 405–13.
——. Letters to Apprentices. Edited by Bruce Brooks Pfeiffer. Fresno: Press at California State University, 1982.
——. Letters to Architects. Edited by Bruce Brooks Pfeiffer. Fresno: Press at California State University, 1984.
——. Letters to Clients. Edited by Bruce Brooks Pfeiffer. Fresno: Press at California State University, 1986.
——. “Sullivan Against the World.” Architectural Record 105, no. 630 (June 1949): 295–98.
Wright, Olgivanna Lloyd. The Shining Brow: Frank Lloyd Wright. New York: Horizon, 1960.