Publications are listed by year, matching the reception history printed elsewhere in this book and the chronological presentation of the plates. Within each year, publications are listed alphabetically by author or, when not indicated, by title. Publications consulted only online include a URL.
2002
Cotter, Holland. “Ironic/Iconic.” New York Times, August 2, 2002.
Gessell, Paul. “At the Hip Hop.” Ottawa Citizen, August 30, 2002.
Golden, Thelma, et al. Black Romantic: The Figurative Impulse in Contemporary African-American Art. New York: The Studio Museum in Harlem, 2002.
Griffin, Tim. “Ironic/Iconic.” Artforum, vol. 41, no. 3 (November 2002), p. 189.
Kimmelman, Michael. “A Black World of Ins and Outs.” New York Times, April 26, 2002.
Menin, Samuel, and Michele Robecchi. “Focus Painting Part One: Contemporary Painting Today.” Flash Art, vol. 35, no. 226 (October 2002), p. 85.
Plagens, Peter. “Kitsch as Kitsch Can.” Newsweek, vol. 139, no. 19 (May 6, 2002), p. 54.
Ross, Andrew. “Golden Moment: Andrew Ross on ‘Black Romantic.’ (Slant).” Artforum International, vol. 40, no. 8 (April 2002), pp. 27‒28.
Saltz, Jerry. “A World Apart.” Village Voice, vol. 47, no. 19 (May 14, 2002), p. 65.
Schiavo, Michael. “Making Itself a Real Home: Arts Venue Adds the Real Room and the Loading Dock Lounge in Spirit of Helping People Connect with Each Other.” Hartford (Conn.) Courant, November 21, 2002.
Yablonsky, Linda. “Failing in Love.” Time Out, May 9‒16, 2002, p. 67.
2003
Jackson, Brian Keith. “B-boy Stance.” Vibe, vol. 11, no. 8 (August 2003), p. 117.
Kerr, Merrily. “New Wave.” Flash Art, vol. 36 (March/April 2003), p. 50.
Kim, Christine Y. “Kehinde Wiley: Faux Real; Interview by Christine Y. Kim.” Issue Magazine, December 2003. Accessed July 8, 2014. http://issuemagazine.com/kehinde-wiley-faux-real/2/#text-anchor.
Murray, Derek. “‘Ironic/Iconic’ at the Studio Museum in Harlem,” Art in America, vol. 91, no. 3 (March 2003), pp. 127–28.
Myers, Holly. “Scenes Far, Far Out of Tiepolo.” Los Angeles Times, November 7, 2003.
Rivers, Jeff. “An Artist of Lyricism and Imaginings.” Hartford (Conn.) Courant, February 13, 2003.
Stein, Lisa. “Re: Figure Plays with Figurative Painting.” Chicago Tribune, May 2, 2003.
Stillman, Nick. “Art Seen: Kehinde Wiley; ‘Faux Real.’” Brooklyn Rail, August 1, 2003. Accessed April 10, 2014. http://www.brooklyn rail.org/2003/08/artseen/kehinde-wiley-faux-real.
Thompson, Bonsu. “Benefit II Society.” King Magazine, September–October 2003, p. 140.
Wood, Eve. “Acerbic Beauty.” artnet.com, October 2003. Accessed April 6, 2014. http://www.artnet.com/Magazine/reviews/wood/wood10-28-03.asp.
2004
Fineman, Mia. “The History of Art, in Baggy Jeans and Bomber Jackets.” New York Times, December 19, 2004.
Fitch, Elizabeth. “A Portrait of Artist Kehinde Wiley.” New York Amsterdam News, vol. 95, no. 29 (July 2004), p. 21.
Gonzales, Michael A. “Kehinde Wiley: Urban Baroque.” Essence, vol. 35, no. 7 (November 2004), p. 132.
Hainley, Bruce. “Kehinde Wiley.” Artforum, vol. 42, no. 5 (January 2004), p. 159.
Hawkins, Margaret. “Gallery Glance: Kehinde Wiley.” Chicago Sun-Times, May 21, 2004.
“Interview with Kehinde Wiley.” Loyal, no. 8 (2004), n.p.
“Kehinde Wiley: Prince of Hip Hop Portraiture.” Seule, Summer 2004, pp. 16–17.
Korotkin, Joyce B. “The Neo-Baroque Era.” Tema Celeste, Italy, New York, no. 104 (2004), pp. 38–45.
McGee, Celia. “Artist Going for Baroque on Harlem.” New York Daily News, October 7, 2004.
Mwangaguhunga, Ron. “Two New Shows on the Color Line.” New York Magazine. September 13, 2004. Accessed July 8, 2014. http://nymag.com/nymetro/urban/seasons/fallpreview2004/9764/.
2005
Abbe, Mary. “Going for Baroque: A Young New York Painter Puts Modern Men in Classic Poses.” Minneapolis Star Tribune, February 18, 2005.
Cotter, Holland. “Art in Review: Kehinde Wiley.” New York Times, December 9, 2005.
Giovannotti, Micaela, and Joyce B. Korotkin. Neo-Baroque! Milan: Charta, 2005.
Golden, Thelma. “Kehinde Wiley.” Interview, October 2005, pp. 159–63.
Lewis, Sarah. “De(i)fying the Masters.” Art in America, vol. 93, no. 4 (April 2005), pp. 120–25.
Murray, Soraya, and Derek Conrad Murray. “A Rising Generation and the Pleasures of Freedom.” The International Review of African American Art, vol. 20, no. 2 (2005), pp. 2–11.
Wood, Eve. “Kehinde Wiley.” Flash Art, vol. 38 (January–February 2005), p. 69.
Yablonsky, Linda. “Painting the Town.” Time Out New York, April 14–20, 2005, p. 69.
2006
Bellet, Harry. “De l’art à gogo à New York.” Le Monde (Paris), March 14, 2006.
Bodin, Claudia. “Helden des schwarzen Barock.” Art: Das Kunstmagazin, May 2006, pp. 12‒19.
Goodman, Wendy. “Double Space.” New York Magazine, May 1, 2006, pp. 92‒95.
Greco, Stephen. “Kehinde Wiley.” Trace, no. 66 (October 2006), n.p.
Herbst, Moira. “Why Wait Till the Paint Is Dry?” Business Week, no. 4005 (October 16, 2006), pp. 98‒100.
Herffs, Hauke. “Paint It Black.” Maxim (German edition), May 2006, pp. 36–41.
Hill, Logan. “Hot Artist: Kehinde Wiley.” Rolling Stone, no. 1011 (October 19, 2006), p. 112.
Hunter, Andy. “Kehinde Wiley.” Mean, September 2006, p. 26.
Kaufman, Katrina. “Kehinde Wiley: In the Company of Masters.” Venice, June 2006, pp. 90–95.
Kehinde Wiley: Columbus. Contributions by Joe Houston, Brian Keith Jackson, Franklin Sirmans, and Emil Wilbekin. Columbus, Ohio: Columbus Museum of Art; Los Angeles: Roberts & Tilton, 2006.
LeBlanc, Marc. “Kehinde Wiley: Roberts & Tilton.” Beautiful Decay, Issue P (2005), p. 40.
Lee, Carol. “54 Beautiful People: Kehinde Wiley.” Paper, April 2006, p. 85.
Lewis, David. “The Art World: Kehinde Wiley.” Prophecy, no. 9 (Summer 2006), n.p.
Mason, Christopher. “Venice and 125th Street: Kehinde Wiley Populates a New Intersection in Formal Portraiture.” Whitewall, Spring 2006, pp. 56–67.
Miles, Christopher. “Kehinde Wiley.” Flaunt, no. 75 (2006), pp. 44–47.
Sischy, Ingrid. “The New York School.” Vanity Fair, no. 556 (December 2006), pp. 342–43.
2007
Alleyne, Sonia. “Special Report: The Black Enterprise Guide to the Best of Everything.” Black Enterprise, vol. 38, no. 1 (August 2007), p. 122.
Chang, Jeff, and Dave Zirin.
“Beyond Hip-Hop’s Misogyny.” Los Angeles Times, April 23, 2007.
Elliot, Amy. “You’ll Have to Stand in Line for the Work of These Hot, Young Yale Artists.” American Art Collector, no. 15 (January 2007), pp. 66‒67.
Holmes, Pernilla. “In Your Face.” Art News, vol. 106, no. 6 (June 2007), pp. 106–11.
Kehinde Wiley: The World Stage; China. Contributions by Jennifer Jankauskas, Greg Tate, and Paul Miller aka DJ Spooky. New York: John Michael Kohler Arts Center, 2007.
Malone, Micah. “Kehinde Wiley, Portland, OR.” Art Papers, vol. 31, no. 5 (September‒October 2007), p. 70.
Miller, Paul D., aka DJ Spooky That Subliminal Kid. “New World Portraiture: Kehinde Wiley.” ArtAsiaPacific, no. 55 (September/October 2007), pp. 140‒43.
Murray, Derek Conrad. “Kehinde Wiley: Splendid Bodies.” Nka: Journal of Contemporary African Art, vol. 2007, no. 21 (Fall 2007), pp. 90–101.
Rothman, Sabine. “Kehinde Wiley: The Interpreter.” House and Garden, vol. 176, no. 6 (June 2007), pp. 154–55.
Schumacher, Mary Louise. “Iconic, Ironic.” Milwaukee (Wis.) Journal Sentinel, March 7, 2007.
Schwaner-Albright, Oliver. “The Remix: Tight Weave.” New York Times Style Magazine, December 2, 2007, p. 80.
Stoilas, Helen. “New Media on the Rise.” The Art Newspaper, vol. 16, no. 179 (April 2007), p. 19.
Teslow, Tracy L. “A Troubled Legacy: Making and Unmaking Race in the Museum.” Museums and Social Issues, vol. 2, no. 1 (Spring 2007), pp. 11–44.
Vecchiato, David. “Kehinde Wiley: Il Pittore che trasforma i gangsta in gentiluomini.” La Repubblica xl (Rome), July 2007, pp. 56–59.
2008
Ball, Sarah. “Urban Outfitters.” Newsweek, vol. 152, no. 21 (November 24, 2008), p. 61.
Bedolla, Myrtis. “Art Basel Miami Beach: The African American Presence.” The International Review of African American Art, vol. 22, no. 1 (2008), pp. 54–56.
Bentley, Kyle. “Kehinde Wiley.” Artforum, vol. 46, no. 9 (May 2008), p. 161.
Collins, Lauren. “Studio Visit: Lost and Found.” The New Yorker, vol. 84, no. 26 (September 1, 2008), pp. 56, 58.
Fels, Sophie. “Paint It Black.” Time Out New York, no. 667 (July 10, 2008). Accessed July 15, 2014. http://www.timeout.com/newyork/art/paint-it-black.
Fortune, Brandon Brame, Frank H. Goodyear III, and Jobyl A. Boone. Recognize!: Hip Hop and Contemporary Portraiture. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 2008.
Holzwarth, Hans Werner, ed. Art Now: A Cutting-Edge Selection of Today’s Most Exciting Artists, vol. 3. New York: Taschen, 2008, pp. 512‒15.
Jackson, Brian Keith. “Native Son.” Giant Magazine, no. 18 (June/July 2008), pp. 96–101.
Kehinde Wiley: The World Stage; Africa, Lagos‒Dakar. Contributions by Thelma Golden, Krista A. Thompson, Robert Hobbs, Tavia Nyong’o, Kehinde Wiley, Christine Y. Kim, and Malik Gaines. New York: The Studio Museum in Harlem, 2008.
“The Masters Are Dead—Long Live the Masters.” With photos by Henry Leutwyler. Esquire, vol. 150, no. 5 (November 2008), pp. 131–39.
M.I.A. “Kehinde Wiley.” Interview, vol. 38, no. 9 (November 2008), pp. 68–73.
Murray, Soraya, and Derek Conrad Murray. “On Art and Contamination: Performing Authenticity in Global Art Practices.” Nka: Journal of Contemporary African Art, vol. 2008, no. 22–23 (Spring/Summer 2008), pp. 88–93.
Peers, Alexandra. “The Art Market: The Fine Art of Surviving the Crash in Auction Prices.” Wall Street Journal, November 20, 2008.
Schnabel, J.L. “Kehinde Wiley Gets ‘Down’ at Deitch.” Juxtapoz.com, November 6, 2008. Accessed July 8, 2014. http://www.juxtapoz.com/current/kehinde-wiley-gets-down-at-deitch.
Smith, Roberta. “A Hot Conceptualist Finds the Secret of Skin.” New York Times, September 5, 2008.
Sorkin, Jenni. “Kehinde Wiley: Portraits, Patterns and Fashion; Post-Colonialism and Mortality.” Frieze, no. 118 (October 2008), pp. 282–83.
Stillman, Nick. “Kehinde Wiley.” Artforum International, vol. 47, no. 3 (November 2008), p. 353.
Stoilas, Helen. “Toppling the Ivory Tower.” The Art Newspaper, no. 188 (February 7, 2008), pp. 27–28.
2009
Black Light. Contributions by Brian Keith Jackson and Krista A. Thompson. Brooklyn: Powerhouse Books, 2009.
Brophey-Warren, Jamin. “Master Blaster.” Wall Street Journal, May 22, 2009.
Greenberg, David. “Kehinde Wiley: Deitch Projects.” Art in America, vol. 97, no. 3 (March 2009), p. 134.
Johnson, Ken. “The Human Figure, Dressed Up, Down and Often Not at All.” New York Times, July 22, 2009.
Keeps, David. “Wiley World.” The Advocate, no. 1027/1028 (June/July 2009), pp. 107‒9.
Kehinde Wiley: The World Stage; Brazil / O estagio do mundo. Contributions by Brian Keith Jackson and Kimberly Cleveland, Ph.D. Culver City, Calif.: Roberts & Tilton, 2009.
Lockhart, Donatella. “Kehinde Wiley: Hedonista Actitud.” Casas & Gente, vol. 24, no. 236 (June 2009), pp. 42‒45, cover.
Masson, Géraldyne. “Kehinde Wiley: Renaissance moderne.” Clark Magazine, no. 36 (May/June 2009), pp. 80–84.
Richard, Frances. “Kehinde Wiley.” Artforum, vol. 48, no. 3 (November 2009), p. 229.
Robinson, Walter. “Weekend Update.” Artnet, September 4, 2009. Accessed July 12, 2014. http://www.artnet.com/magazineus/reviews/robinson/eilshemius-kehinde-auerbach9-4-09.asp?print=1.
Rudick, Nicole. “Black Light.” Bookforum, vol. 16, no. 2 (June/July/August 2009), p. 54.
Thompson, Krista. “The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop.” The Art Bulletin, vol. 91, no. 4 (December 2009), pp. 481–505.
2010
“100 artisti da scommetterci / 100 Artists to Bet On.” Arte Magazine, no. 444 (August 2010), pp. 118–43.
Badinella, Chiara, and Fabrizio Affronti. “Grandi Maestri, Fonte Perenne.” La Casana, no. 1 (January–March 2010), pp. 26–29.
Dreyfuss, Joel. “Meet the Root 100, 2010 Edition.” The Root, October 10, 2010. Accessed April 27, 2014. http://www.theroot.com/articles/lists/2010/10/meet_the_root_100_for_2010.html.
Feldman, Melissa. “World Cup Chic: Kehinde Wiley’s Fancy Footwork.” New York Times Style Magazine, June 2, 2010. Accessed March 20, 2014. http://tmagazine.blogs.nytimes.com/2010/06/02/world-cup-chic-kehinde-wileys-fancy-footwork/?_php=true&_type=blogs&_r=0.
Garfield, Joey. “Kehinde Wiley.” Juxtapoz, no. 108 (January 2010), pp. 46–61 and cover.
Halperin, Julia. “Sean Kelly Gallery Will Represent Kehinde Wiley.” New York Observer, September 17, 2010.
Jackson, Brian Keith. “A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China.” Leap, no. 3 (2010), pp. 86–93 and cover.
Loszach, Fabien. “Bling-Bling, Everytime I Come Around.” Esse, no. 69 (May 2010), pp. 18–20.
Pattern ID. Contributions by Ellen Rudoph and Cecilia Gunzburger Anderson. Akron, Ohio: Akron Art Museum, 2010.
Schuster, Dana. “A-List Artists: Celebs Hang Their Works High!” New York Post, December 29, 2010.
Schwager, Michael. Personal Identities / Contemporary Portraits. Rohnert Park, Calif.: Sonoma State University, University Art Gallery, 2010.
Siverio, Ida. “Kehinde’s R-evolution.” 944, October 2010, pp. 24–27.
Watson, Simon. “Kehinde Wiley.” Whitewall, no. 19 (Fall 2010), pp. 118–23 and cover.
2011
Finkel, Jori. “Kehinde Wiley Paints a Diverse Israel.” Los Angeles Times, April 9, 2011.
Kehinde Wiley: The World Stage; India‒Sri Lanka. Contributions by Gayatri Sinha, Kehinde Wiley, and Paul Miller. Chicago: Rhona Hoffman Gallery, 2011.
Kennicott, Philip. “‘30 Americans’: A Challenging Study of Identity.” Washington Post, October 2, 2011.
Landi, Ann. “In with the Old.” Art News, vol. 110, no. 8 (September 2011), pp. 84–89.
Leib, R. “Go See—Los Angeles: Kehinde Wiley ‘The World Stage: Israel’ at Roberts & Tilton through May 28th, 2011.” Art Observed, May 17, 2011. Accessed April 27, 2014. http://artobserved.com/2011/05/go-see-los-angeles-kehinde-wiley-the-world-stage-israel-at-roberts-tilton-through-may-28th-2011.
“Profiles: 33 Artists.” The Art Economist, vol. 1, no. 1 (January 2011), pp. 29, 63.
Rao, Priya. “Heard and Scene: Hailing Artworks on the Avenue.” Wall Street Journal, January 8, 2011.
Reese, Gregg. “Artist Kehinde Wiley: A Master with Street Cred.” OurWeekly, April 13, 2011. Accessed April 27, 2014. http://ourweekly.com/news/2011/apr/13/artist-kehinde-wiley-a-master-with-street-cred/#.U7nA1Fw7alI.
Righthand, Jess. “Kehinde Wiley: From Personal to Global.” Washington Post Style Blog, April 15, 2011. Accessed April 27, 2014. http://www.washingtonpost.com/blogs/style-blog/post/kehinde-wiley-from-personal-to-global/2011/04/15/AFl1KSkD_blog.html.
Rus, Mayer, editor. “Culture(d)—April 2011.” Los Angeles Times Magazine, April 2011, p. 16.
Vogel, Carol. “A Painting That Begat a Whole Show.” New York Times, September 16, 2011.
Williams, Maxwell. “Kehinde Wiley: The Transcontinental Breadth of a Contemporary Master.” Flaunt, no. 114 (2011), pp. 132–37, cover.
2012
Beam, Christopher. “[How to Make It in the Art World / The New Art World Rule Book:] Rule No. 6. Outsource to China, While Riffing on the Western Canon; Kehinde Wiley’s Global Reach.” New York Magazine, April 22, 2012. Accessed March 7, 2014. http://nymag.com/arts/art/rules/kehinde-wiley-2012-4.
Butnick, Stephanie. “Wiley’s People.” Tablet, March 8, 2012. Accessed May 11, 2014. http://www.tabletmag.com/jewish-arts-and-culture/93370/wiley’s-people.
Davis, Ben. “Kehinde Wiley’s Dilemma: How the Artist Painted Himself into a Corner with His New Works.” Blouin Artinfo, June 15, 2012. Accessed May 11, 2014. http://www.blouinartinfo.com/news/story/804576/kehinde-wileys-dilemma-how-the-artist-painted-himself-into-a-corner-with-his-new-works.
Delaury, Vincent. “[Spécial Fiac:] Kehinde Wiley.” L’Oeil, no. 651 (November 2012), p. 49.
Duray, Dan. “Kehinde Wiley, Fresh from Israel, Brings His Ferocious Poses and Flashy Duds to the Jewish Museum.” Gallerist NY, March 6, 2012. Accessed May 11, 2014. http://galleristny.com/2012/03/kehinde-wiley-fresh-from-israel-brings-his-ferocious-poses-and-flashy-duds-to-the-jewish-museum.
Elliott, Bobby. “Change: On Kehinde Wiley’s An Economy of Grace at Sean Kelly.” Huffington Post Blog, May 25, 2012. Accessed May 11, 2014. http://www.huffingtonpost.com/bobby-elliott/kehinde-wiley-exhibit-_b_1545755.html.
Hassan, Sarah. “‘The Head Must Be Proud’: Kehinde Wiley’s The World Stage: Israel at The Jewish Museum, New York.” Artwrit, no. 12 (April 2012). Accessed May 11, 2014. http://www.artwrit.com/article/kehinde-wiley-jewish-museum.
Jackson, Brian Keith. “The World Stage: Entretien de Kehinde Wiley par Barthélémy Toguo.” L’Officiel Art, no. 4 (December 2012–January 2013), pp. 86‒93.
Jeong, Sarah. “Galerie Daniel Templon, Paris: L’Histoire de l’art dans la rue.” Beaux Arts, no. 341 (November 2012), p. 170.
Kehinde Wiley. Contributions by Thelma Golden, Robert Hobbs, Sarah H. Lewis, Brian Keith Jackson, and Peter Halley. New York: Rizzoli, 2012.
Kehinde Wiley: The World Stage; Israel. Contributions by Dr. Shalva Weil, Ruth Eglash, and Claudia J. Nahson. Culver City, Calif.: Roberts & Tilton, 2012.
“Kehinde’s Israeli Initiative.” The Art Newspaper, January 17, 2012. Accessed May 11, 2014. http://www.theartnewspaper.com/articles/Kehinde’s+Israeli+initiative/25488.
Lala, Kisa. “Kehinde Wiley on the World Stage: A Conversation with the Artist.” Huffington Post Blog, April 16, 2012. Accessed May 11, 2014. http://www.huffingtonpost.com/kisa-lala/kehinde-wiley-on-the-world_b_1418058.html.
Martinez, Alanna. “Kehinde Wiley’s Regal Paintings of Israeli Men Get Wall-Time at the Jewish Museum.” Blouin Artinfo, March 5, 2012. Accessed May 11, 2014. http://www.blouinartinfo.com/news/story/761819/kehinde-wileys-regal-paintings-of-israeli-men-get-wall-time-at.
Martiny, Erik. “The Louvre Relocates to Africa: Kehinde Wiley at the Galerie Daniel Templon, Paris; The World Stage, France, 1880‒1960.” Fjords Review, November 9, 2012. Accessed May 11, 2014. http://www.fjordsreview.com/reviews/louvre_relocate_africa.html.
Muhammad, Shamira. “Kehinde Wiley Tackles Françafrique.” The Guardian (London), November 2, 2012. Accessed May 11, 2014. http://www.theguardian.com/artanddesign/2012/nov/02/kehinde-wiley-paris-show.
O’Rourke, Meghan. “Kehinde Wiley.” Wall Street Journal Magazine, May 2012, pp. 25–28.
Peyrard, Sophie. “Kehinde Wiley: ‘The World Stage.’” À Nous Paris, October 29–November 4, 2012. Accessed July 12, 2014. http://www.anous.fr/paris/nos-essentiels/article/17-paris/1207--kehinde-wiley“the-world-stage-france,-1880-1960”.
Rachline, Sonia. “Portraits prodigies.” Vogue Italia, no. 746 (October 2012), p. 126.
Raison, Bertrand. “Kehinde Wiley.” Palace Costes, no. 44 (November 2012), p. 158.
Reilly, Andrew. “Kehinde Wiley’s ‘The World Stage: Israel’ on View at The Jewish Museum.” Huffington Post, March 5, 2012. Accessed May 11, 2014. http://www.huffingtonpost.com/2012/03/02/kehinde-wiley-shines_n_1317258.html.
Schwendener, Martha. “Art Review: The Diaspora Is Remixed.” New York Times, March 23, 2012.
2013
“Boise Art Museum Opens Kehinde Wiley, The World Stage: Israel.” Artdaily.org, June 2013. Accessed May 18, 2014. http://artdaily.com/news/63420/Boise-Art-Museum-opens-Kehinde-Wiley--The-World-Stage--Israel.
Cochran, Samuel. “Twenty Works Art Basel Miami Beach Is Buzzing About.” Architectural Digest, December 5, 2013. Accessed May 18, 2014. http://www.architecturaldigest.com/blogs/daily/2013/12/art-basel-miami-beach-best-art-blog.
Crenn, Julie. “Kehinde Wiley.” Art Press, no. 396 (January 2013), p. 28.
G.M. “The Portraits of Kehinde Wiley: The Black Diaspora, via Israel.” The Economist (London), February 18, 2013. Accessed May 18, 2014. http://www.economist.com/blogs/prospero/2013/02/portraits-kehinde-wiley.
Gonon, Eric. “Video: Kehinde Wiley on the World Stage in London.” Blouin Artinfo, October 22, 2013. Accessed May 18, 2014. http://www.blouinartinfo.com/news/story/974943/video-kehinde-wiley-on-the-world-stage-in-london.
Herrera, Mairobi. “Famous Visual Artist Kehinde Wiley Visits Altos de Chavón School of Art and Design.” Casa de Campo Living, June 7, 2013. Accessed May 18, 2014. http://casadecampoliving.com/famous-visual-artist-kehinde-wiley-visits-altos-de-chavon-school-of-art-and-design-2.
“Kehinde Wiley, Leigh Ledare, and Other Artists on the Rise.” Artspace, November 1, 2013. Accessed May 18, 2014. http://www.artspace.com/magazine/news_events/heat_index_november_1_2013.
Kehinde Wiley: Memling. Essay by Sara Cochran. Phoenix: Phoenix Art Museum, 2013.
Luke, Ben. “Kehinde Wiley on His First UK Solo Show for Frieze Week.” London Evening Standard, October 11, 2013.
Martin, Nina. “The Amazing Kehinde Wiley.” San Francisco Magazine, February 21, 2013. Accessed May 18, 2014. http://www.modernluxury.com/san-francisco/story/the-amazing-kehinde-wiley.
Mason, Wyatt. “Kehinde the First.” GQ, vol. 83, no. 4 (April 2013), p. 232‒37, 244‒46.
McDaniel, Byrd. “An Aesthetic of Objectification: Kehinde Wiley’s Princess Victoire of Saxe-Coburg-Gotha.” Pennsylvania Literary Journal, vol. 5, no. 2 (Summer 2013), pp. 29–36, 64.
“Q&A with Kehinde Wiley on Street Casting,” Artphaire, December 12, 2013. Accessed May 18, 2014. http://www.artphaire.com/qa-kehinde-wiley-street-casting.
Thorne, Ryan. “Kehinde Wiley Reinvents Old-School Portraiture at Boise Art Museum.” Boise (Idaho) Weekly, June 19, 2013.
Voynovskaya, Nastia. “Basel Week 2013: Art Basel Miami Beach Highlights.” Hi-Fructose, December 5, 2013. Accessed May 18, 2014. http://hifructose.com/2013/12/05/basel-week-2013-art-basel-miami-beach-highlights.
Wiley, Kehinde. “Kehinde Wiley: Behind the Scenes on ‘The World Stage.’” Artphaire, November 26, 2013. Accessed May 18, 2014. http://www.artphaire.com/behind-scenes-world-stage.
———. “Kehinde Wiley: Why I Chose Portraiture.” Artphaire, November 26, 2013. Accessed May 18, 2014. http://www.artphaire.com/kehinde-wiley-chose-portraiture.
———. “Kehinde Wiley: On the Third Space.” Artphaire, December 2, 2013. Accessed May 18, 2014. http://www.artphaire.com/kehinde-wiley-third-space.
———. “Kehinde Wiley: An American Artist in Modern China.” Artphaire, December 16, 2013. Accessed May 18, 2014. http://www.artphaire.com/kehinde-wiley-american-artist-modern-china.
2014
Allen, Mike. “Out and About: Kehinde Wiley.” Roanoke (Va.) Times, April 21, 2014.
Boucher, Brian. “Margulies, Riggio and Broad Navigate ADAA Art Show.” Art in America, March 5, 2014. Accessed May 18, 2014. http://www.artinamericamagazine.com/news-features/previews/margulies-riggio-and-broad-navigate-adaa-art-show.
“Brooklyn Museum’s 4th Annual ‘Brooklyn Artists Ball’ Slated for April 16.” Broadway World, February 10, 2014. Accessed May 18, 2014. http://www.broadwayworld.com/brooklyn/article/Brooklyn-Museums-4th-Annual-Brooklyn-Artists-Ball-Slated-for-April-16-20140210.
Cantor, Paul. “When Swizz Beatz Is the Star of Artwork: On Set with the Art Obsessed Hitmaker and the Most Celebrated Black Artist since Basquiat, Kehinde Wiley.” Billboard, vol. 126, no. 20 (June 21, 2014), pp. 53‒55. Published online as “Swizz Beats Becomes Muse for Kehinde Wiley Portrait: On Set with the Art-Obsessed Hitmaker and Artist, Wiley.” Billboard.com, June 16, 2014. Accessed September 30, 2014. http://www.billboard.com/articles/columns/the-juice/6121487/swizz-beatz-becomes-muse-for-kehinde-wiley-portrait 4.
“Center for the Arts at Virginia Tech to Open Portraiture Exhibition.” Roanoke (Va.) Times, March 13, 2014.
Cheng, Susan. “Here’s a Sneak Peek at the Latest Portrait Kehinde Wiley Is Working on Right Now.” Complex, February 6, 2014. Accessed May 18, 2014. http://www.complex.com/art-design/2014/02/heres-a-sneak-peek-at-the-latest-portrait-kehinde-wiley-is-working-on-right-now.
Elder, Adam. “Lacma Celebrates Soccer’s World Cup: A Los Angeles Museum’s Exhibition, ‘Fútbol: The Beautiful Game,’ Features Such Artists as Andy Warhol with His Silk-Screen of Brazil’s Pelé.” Wall Street Journal, February 5, 2014.
“Fashion and Painting: Behind Kehinde Wiley’s Collaboration with Riccardo Tischi for ‘An Economy of Grace’” (interview). Artphaire, January 20, 2104. Accessed May 18, 2014. http://www.artphaire.com/fashion-painting-behind-kehinde-wileys-collaboration-ricardo-tischi-economy-grace%E2%80%A8.
Ghomeshi, Jian. “Painter Kehinde Wiley’s Radical Twist on Classical Portraits,” CBC Radio, February 20, 2014. Accessed May 18, 2014. http://www.cbc.ca/q/blog/2014/02/20/kehinde-wileys-racial-twist-on-classical-portraits.
Kehinde Wiley: The World Stage; Jamaica. Text by Ekow Eshun. London: Stephen Friedman Gallery, 2014.
Kinsella, Eileen. “Who’s Bringing What to the ADAA Art Show.” Artnet News, March 3, 2014. Accessed May 18, 2014. http://news.artnet.com/market/whos-bringing-what-the-2014-art-show-3523.
Lescaze, Zoë, Sarah Douglas, and Michael H. Miller. “Trophy Art and Curated Booths at ADAA’s Art Show.” Gallerist NY, March 5, 2014. Accessed May 18, 2014. http://galleristny.com/2014/03/trophy-art-and-curated-booths-at-adaas-the-art-show.
Olacode. “Meet Kehinde Wiley—The Most Sought-After Artist in America (Interview).” Fuse, March 9, 2014. Accessed May 18, 2014. http://www.fuse.com.ng/2014/03/09/meet-kehinde-wiley-sought-painter-america-interview.
Pearse, Emma. “From Harlem to the Louvre with Artist Kehinde Wiley.” Tribeca Film, March 13, 2014. Accessed May 18, 2014. http://tribecafilm.com/stories/kehinde-wiley-an-economy-of-grace-jeff-dupre-jessica-chermayeff.
Symonds, Alexandria. “Art in the Age of Shenanigans: Kehinde Wiley X Spike Lee” (dual interview). Interview, vol. 44, no. 5 (June/July 2014). Accessed July 16, 2014. http://www.interviewmagazine.com/culture/kehinde-wiley-spike-lee.
Wiley, Kehinde. “Kehinde Wiley: On Radical Presence.” Artphaire, January 28, 2014. Accessed May 18, 2014. http://www.artphaire.com/kehinde-wiley-radical-presence.
2015
Kehinde Wiley: The World Stage; Haiti. Texts by M. Cynthia Oliver and Mike Rogge, in English and Haitian Creole. Culver City, Calif.: Roberts & Tilton, forthcoming.